 
  Popularity: 2 (history)
| Director: | Fred Zinnemann | 
|---|---|
| Writer: | Robert Bolt | 
| Staring: | 
| A depiction of the conflict between King Henry VIII of England and his Lord Chancellor, Sir Thomas More, who refuses to swear the Oath of Supremacy declaring Henry Supreme Head of the Church in England. | |
| Release Date: | Dec 13, 1966 | 
|---|---|
| Director: | Fred Zinnemann | 
| Writer: | Robert Bolt | 
| Genres: | Drama, History | 
| Keywords | england, pope, beheading, death penalty, protestant church, oath, tudor, based on play or musical, henry viii, british monarchy | 
| Production Companies | Highland Films | 
| Box Office | Revenue: $28,350,000 Budget: $3,900,000 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Paul Scofield | Thomas More | 
| Wendy Hiller | Alice More | 
| Leo McKern | Thomas Cromwell | 
| Robert Shaw | King Henry VIII | 
| Orson Welles | Cardinal Wolsey | 
| Susannah York | Margaret More | 
| Nigel Davenport | The Duke of Norfolk | 
| John Hurt | Richard Rich | 
| Corin Redgrave | William Roper (the Younger) | 
| Colin Blakely | Matthew | 
| Cyril Luckham | Archbishop Cranmer | 
| Jack Gwillim | Chief Justice | 
| Thomas Heathcote | Boatman | 
| Yootha Joyce | Averil Machin | 
| Anthony Nicholls | King's Representative | 
| John Nettleton | Jailer | 
| Eira Heath | Matthew's Wife | 
| Molly Urquhart | Maid | 
| Paul Hardwick | Courtier | 
| Michael Latimer | Norfolk's Aide | 
| Philip Brack | Captain of Guard | 
| Martin Boddey | Governor of Tower | 
| Eric Mason | Executioner | 
| Matt Zimmerman | Messenger | 
| Vanessa Redgrave | Anne Boleyn | 
| Fiona Hartford | 1st Handmaiden (uncredited) | 
| Gay Hamilton | 2nd Handmaiden (uncredited) | 
| Gina Warwick | 3rd Handmaiden (uncredited) | 
| Julie Martin | 2nd Maid (uncredited) | 
| Raymond Adamson | (uncredited) | 
| Arnold Ridley | Innkeeper (uncredited) | 
| Nick Tate | Master at Arms (uncredited) | 
| David Collings | King's Messenger (uncredited) | 
| Name | Job | 
|---|---|
| Fred Zinnemann | Director | 
| Terence Marsh | Art Direction | 
| Robert Bolt | Screenplay, Theatre Play | 
| Georges Delerue | Conductor, Original Music Composer | 
| Patrick Carey | Second Unit Director | 
| Ralph Kemplen | Editor | 
| John Box | Production Design | 
| Elizabeth Haffenden | Costume Design | 
| Ted Moore | Director of Photography | 
| Joan Bridge | Costume Design | 
| William Kirby | Production Supervisor | 
| Patrick McLoughlin | Technical Advisor | 
| Roy Walker | Assistant Art Director | 
| Buster Ambler | Sound | 
| Marcel Durham | Assistant Editor | 
| Robert Lennard | Casting | 
| Michael Walter | Key Grip | 
| Peter Bolton | Assistant Director | 
| Bob Kindred | Camera Operator | 
| Peter Dukelow | Construction Manager | 
| Harry Miller | Sound Editor | 
| Eric Allwright | Makeup Artist | 
| Jackie Cummins | Wardrobe Master | 
| Connie Willis | Continuity | 
| Josie MacAvin | Set Dresser | 
| Bob Jones | Sound | 
| George Frost | Makeup Artist | 
| Helene Bevan | Hairdresser | 
| Gordon Bond | Hairdresser | 
| Name | Title | 
|---|---|
| Fred Zinnemann | Producer | 
| William N. Graf | Executive Producer | 
| Organization | Category | Person | |
|---|---|---|---|
| Academy Awards | Best Picture | N/A | Nominated | 
| Academy Awards | Best Actor | Paul Scofield | Nominated | 
| Academy Awards | Best Supporting Actor | John Colicos | Nominated | 
| BAFTA Awards | Best Picture | N/A | Won | 
| BAFTA Awards | Best Supporting Actor | Edward Fox | Nominated | 
| Berlin International Film Festival | Best Picture | N/A | Nominated | 
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 22 | 28 | 16 | 
| 2024 | 5 | 23 | 32 | 15 | 
| 2024 | 6 | 20 | 42 | 11 | 
| 2024 | 7 | 50 | 121 | 12 | 
| 2024 | 8 | 23 | 56 | 12 | 
| 2024 | 9 | 13 | 20 | 10 | 
| 2024 | 10 | 20 | 40 | 9 | 
| 2024 | 11 | 17 | 34 | 11 | 
| 2024 | 12 | 18 | 33 | 11 | 
| 2025 | 1 | 17 | 24 | 13 | 
| 2025 | 2 | 12 | 20 | 3 | 
| 2025 | 3 | 5 | 16 | 1 | 
| 2025 | 4 | 2 | 6 | 1 | 
| 2025 | 5 | 2 | 6 | 1 | 
| 2025 | 6 | 2 | 4 | 1 | 
| 2025 | 7 | 1 | 2 | 1 | 
| 2025 | 8 | 1 | 2 | 1 | 
| 2025 | 9 | 1 | 2 | 1 | 
| 2025 | 10 | 2 | 3 | 1 | 
Trending Position
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 9 | 598 | 643 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 12 | 814 | 879 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 11 | 556 | 690 | 
The agony of the moral high ground. Fred Zinnemann directs and Robert Bolt adapts the screenplay from his own play. It stars Paul Scofield, Wendy Hiller, Leo McKern, Robert Shaw, Orson Welles, Susannah York, Nigel Davenport and John Hurt. Music is by Georges Delerue and cinematography by Ted Moor ... e. Plot has Scofield as Sir Thomas More, the man who refused to cede to the mighty machinations of King Henry VIII (Shaw). It's very much an actors movie, beautifully literate and costumed and photographed up to the nines. So not one for those more keen on the action orientated historical epic, then! The story is thriving on the anguish of Thomas More, who is torn between loyalty to his King and his own moral beliefs, the beliefs of his religion system and the potential damning of his soul. The political and religious machinations positively pulse throughout, vividly brought to life by a cast of great thespians (Scofield is as great as you have heard). Great credit has to go to Zinneman, one of the deserved recipients of the 6 Oscars the film garnered. He never lets the cast run away with things, no chewing the scenery or smell the fart acting, he keeps them in check and they respond by providing an utterly fascinating and compelling historical saga. But most of all, with all the royal pomp on show, it's the intelligence of the writing that shines brightest. The dialogue via the sharp script throws cloaks of suspicion over everything being played out. Religion and politics, huh, it's for the birds. Top film making. 8/10
Paul Scofield is superb as the Lord Chancellor of England ultimately torn between his loyalty to his king and to his conscience. As Henry VIII (Robert Shaw) becomes more and more infatuated by Anne Boleyn (Vanessa Redgrave) he insists that all of his subjects acknowledge his absolute supremacy over ... the church. Most, fearful for their lives and property, acquiesce but Sir Thomas More (Scofield) cannot. The King has long relied on the honest counsel of his friend as so initially is content to allow him to retire, but soon those conspiring against More use everything at their disposal to bring him to ruin. Wendy Hiller sensitively portrays his stoic wife desperate to save her husband from the scaffold but cognisant of his overwhelming sense of right and wrong. Leo McKern also stands out as his scheming successor Thomas Cromwell and there is a cameo from Orson Welles as the clearly out-of-favour Cardinal Wolsey. Robert Bolt adapts his own stage play without compromising the genuine sentiment of his original work - fear, honesty, integrity and power - making this a thought-provoking watch from Fred Zinnemann.