Popularity: 7 (history)
Director: | George Miller |
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Writer: | Terry Hayes, George Miller, Brian Hannant |
Staring: |
Max Rockatansky returns as the heroic loner who drives the dusty roads of a postapocalyptic Australian Outback in an unending search for gasoline. Arrayed against him and the other scraggly defendants of a fuel-depot encampment are the bizarre warriors commanded by the charismatic Lord Humungus, a violent leader whose scruples are as barren as the surrounding landscape. | |
Release Date: | Dec 24, 1981 |
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Director: | George Miller |
Writer: | Terry Hayes, George Miller, Brian Hannant |
Genres: | Adventure, Action, Science Fiction, Thriller |
Keywords | chase, post-apocalyptic future, community, wasteland, oil refinery, angry, antagonistic, urgent, dystopia, pilot, sequel, motorcycle gang, adventurer, grim, forceful, explosive, exploitation, ex-cop, gang rape, music box, frantic, exuberant, australia, deal, feral child, oil, desolate, wanderer, good versus evil, ominous, mask, boomerang, villain, truck, dog, oil tanker, action hero, harsh |
Production Companies | Kennedy Miller Productions |
Box Office |
Revenue: $24,600,832
Budget: $2,000,000 |
Updates |
Updated: Jul 30, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Mel Gibson | Max Rockatansky |
Bruce Spence | The Gyro Captain |
Michael Preston | Pappagallo |
Max Phipps | The Toadie |
Vernon Wells | Wez |
Kjell Nilsson | The Humungus |
Emil Minty | The Feral Kid |
Virginia Hey | Warrior Woman |
William Zappa | Zetta |
Arkie Whiteley | The Captain's Girl |
Steve J. Spears | Mechanic |
Syd Heylen | Curmudgeon |
Moira Claux | Big Rebecca |
David Downer | Nathan |
David Slingsby | Quiet Man |
Kristoffer Greaves | Mechanic's Assistant |
Max Fairchild | Broken Victim |
Tyler Coppin | Defiant Victim |
Jerry O'Sullivan | Golden Youth |
Tony Deary | Grinning Mohawker |
Kathleen McKay | Victim |
Guy Norris | Bearclaw Mohawk |
Anne Jones | Tent Lover |
James McCardell | Tent Lover |
Harold Baigent | Voice of Narrator |
Stewart Finlay-McLennan | Medic (uncredited) |
Joanne Samuel | Jessie Rockatansky (archive footage) (uncredited) |
Name | Job |
---|---|
Terry Hayes | Screenplay |
Graham 'Grace' Walker | Art Direction |
Bob McCarron | Makeup Effects, Special Effects Makeup Artist |
Dean Semler | Director of Photography |
George Miller | Screenplay, Characters, Additional Editor, Director |
Michael Balson | Editor |
Glenn Boswell | Stunts |
Tom Glass | Stunts |
Carey Loftin | Stunts |
Lesley Vanderwalt | Makeup Supervisor |
Sandy Gore | Dialogue Coach |
David Stiven | Editor |
Tim Wellburn | Editor |
Norma Moriceau | Costume Design |
Patrick Clayton | Production Supervisor, First Assistant Director |
Bruce Lamshed | Supervising Sound Editor, Sound Mixer |
Brian Hannant | Screenplay, First Assistant Director, Second Unit Director |
Linda Ray | Continuity |
Max Aspin | Stunt Coordinator |
Steve Amezdroz | Assistant Art Director |
Karla O'Keefe | Makeup Artist |
Lloyd Carrick | Sound Recordist |
Chris Goldsmith | Boom Operator |
Margaret Cardin | Negative Cutter |
Carolyn Johns | Still Photographer |
Byron Kennedy | Characters, Sound Mixer |
Kathy Coultrup | Makeup Artist |
Mike O'Donnell | Assistant Sound Editor |
Phillip Hurst | Third Assistant Director |
Toivo Lember | Second Assistant Director |
Andrew Plain | Assistant Director |
Michael Parkhurst | Assistant Director |
Mark Thomas | Second Unit First Assistant Director |
Melinda Brown | Special Props |
John Daniell | Standby Property Master |
Dennis Smith | Construction Manager |
Pauline Walker | Property Buyer, Art Department Assistant |
Bronwyn Parry | Carpenter |
Anne Breslin | Assistant Sound Editor |
Rickley W. Dumm | Sound Effects Editor |
Penn Robinson | Sound Editor |
Roger Savage | Scoring Mixer, Sound Mixer |
Andrew Steuart | Sound Editor |
Marc van Buuren | Sound Editor |
Matt Vowles | Other |
David Watts | Dolby Consultant |
Phil Judd | ADR Engineer |
Mark Clayton | Special Effects Assistant |
Jeff Clifford | Special Effects Coordinator |
Steve Courtley | Special Effects |
Mont Fieguth | Special Effects |
David Hardy | Special Effects |
Roger Cowland | Visual Effects |
Richard Wilmot | Generalist |
Vern Dietrich | Stunts |
Gerry Gauslaa | Stunts |
Bob Hicks | Stunts |
Guy Norris | Stunts |
Kim Noyce | Stunts |
Dennis Williams | Stunt Driver |
Melissa Grillett | Stunt Double |
John Brock | Assistant Camera |
Dean Bryan | Assistant Electrician |
Gary Carden | Assistant Grip |
Graham Carter | Grip |
Derry Field | Focus Puller, Second Assistant Camera |
Bill Grimmond | Camera Operator |
Graeme Mardell | Key Grip |
Andrew Mclean | Clapper Loader |
Richard Merryman | Focus Puller |
John Morton | Gaffer |
Paul Moyes | Best Boy Electric |
Geoffrey Simpson | Camera Operator |
Terri Lamera | Wardrobe Specialized Technician |
Shelley Lodge | Wardrobe Assistant |
Pam Maling | Wardrobe Specialized Technician |
Roger Monk | Wardrobe Master |
Ruth Beach | Assistant Editor |
Arthur Cambridge | Color Grading |
Michael Chirgwin | Additional Editor |
Philip Dickson | Assistant Editor |
Les Fiddess | Assistant Editor |
Christopher Plowright | Additional Editor |
Annabelle Sheehan | Assistant Editor |
Steve Knapman | Location Manager |
Robert John | Musician |
Rosanne Andrews-Baxter | Production Coordinator |
Dale Aspin | Animal Wrangler |
Catherine Barber | Production Accountant |
Ralph Clark | Transportation Coordinator |
Linda Bates | Producer's Assistant |
Jenny Day | Production Coordinator |
Jennifer Lee-Lewes | Assistant Accountant |
Peter Lipscombe | Assistant Camera |
Kim Priest | Visual Effects |
Allan Mills | Mechanical Designer |
Brian May | Orchestrator, Conductor, Original Music Composer |
Name | Title |
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Byron Kennedy | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 44 | 53 | 32 |
2024 | 5 | 73 | 114 | 44 |
2024 | 6 | 81 | 127 | 50 |
2024 | 7 | 87 | 134 | 59 |
2024 | 8 | 54 | 82 | 40 |
2024 | 9 | 37 | 55 | 29 |
2024 | 10 | 45 | 79 | 27 |
2024 | 11 | 36 | 53 | 27 |
2024 | 12 | 33 | 51 | 25 |
2025 | 1 | 36 | 48 | 30 |
2025 | 2 | 29 | 51 | 5 |
2025 | 3 | 12 | 31 | 2 |
2025 | 4 | 6 | 10 | 4 |
2025 | 5 | 5 | 9 | 4 |
2025 | 6 | 5 | 7 | 4 |
2025 | 7 | 5 | 7 | 4 |
2025 | 8 | 5 | 7 | 4 |
2025 | 9 | 7 | 9 | 6 |
Trending Position
Year | Month | High | Avg |
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2025 | 9 | 286 | 608 |
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2025 | 8 | 262 | 685 |
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2025 | 7 | 336 | 710 |
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2025 | 6 | 172 | 629 |
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2025 | 5 | 351 | 737 |
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2025 | 4 | 356 | 742 |
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2025 | 3 | 153 | 612 |
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2025 | 2 | 118 | 685 |
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2025 | 1 | 196 | 658 |
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2024 | 12 | 183 | 637 |
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2024 | 11 | 224 | 587 |
Year | Month | High | Avg |
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2024 | 10 | 406 | 725 |
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2024 | 9 | 684 | 892 |
Year | Month | High | Avg |
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2024 | 8 | 182 | 379 |
The last of the V8 Interceptors and the battle for gasoline! It's post nuclear war Australia and the precious commodity is gasoline, all the varying degrees of survivors pursue it in anyway they can. Director George Miller is here armed with considerably more cash than was available for the fi ... rst cult hit offering in the series, and boy does it show as we get more destruction, even more outlandish stunts, and a fully realised apocalyptic vision of the future. It's incredible to note that there is no CGI here, this is pure raw stunt work, the film plays out as a standard good versus evil tale, but it's the realisation of the crash bang wallop sequences that lift it to being one of the most important sci-fi action movies of modern times. The baddies are a seething mass of leather, masks, and mohawks, they scowl as they rape pillage and plunder anything in their path, they will stop at nothing to get the craved gasoline that is so important in this world. The good guys are joined by the road warrior himself, Mad Max Rockatansky, a former police officer who turned to being the angry lone warrior of the road after his wife and child were murdered. Can these honest folk survive the onslaught of the crazed plunderers?. Well it's high octane entertainment finding out, and the pace is relentless. The direction is first rate, the scenes are put together with breath taking exhilaration, and the sound mix is incredible for those fortunate enough to own home cinema. Pic may be guilty of having little to no dialogue for the most part, yet it really isn't needed since the story unfolds via the smartly stitched together action sequences. So just strap yourself in and enjoy the ride given to you by a film that's still a benchmark for the genre. 9/10
***Fighting for fuel in the post-apocalyptic wasteland of the Outback*** In the years after a global holocaust, an ex-lawman (Mel Gibson) in remote Australia befriends people at a refinery compound and helps them escape a band of ruthless punk bikers who want their resources. Bruce Spence plays t ... he Gyro Captain while Vernon Wells is on hand as a subordinate leader of the bikers. "The Road Warrior,” aka “Mad Max 2” (1981) shows a grim, bleak, brutal future, but it's too comic booky and sometimes goofy to truly disturb because it screams exaggeration. A truly disturbing movie debuted fifteen years earlier, “The Wild Angels” (1966), which is shocking because it’s realistic rather than cartoonish. But “The Wild Angels” was an outlaw biker drama whereas “Mad Max 2” is an action-packed adventure. There’s a lot of motorhead thrills if that trips your trigger. The movie’s an Australian production and avant-garde bordering on surrealism. The protagonist is aloof and laconic while the antagonists are bizarre, even psycho, which makes sense in that people would become a little mad in a desperate post-apocalyptic environment. It’s a strangely detached film about cartoonish people surviving in the wastelands of Australia, but the characters and images are often iconic; and there IS some human interest, like the Gyro Captain’s developing relationship with the cute blonde, the so-called Captain’s Girl (Arkie Whitley). Meanwhile Virginia Hey is striking as the Warrior Woman. The film runs 1 hour, 34 minutes and was shot in the Outback of New South Wales, Australia. GRADE: B
Really great sequel that surpasses the original. While short on character moments, the action sequences were fantastic culminating with an adrenaline-filled finale. All in all highly entertaining with just enough weidness to make it stand out all the more... **4.0/5** ...
The first film did us the favour of establishing the character, so this time we can cut quickly to the chase. "Max" (Mel Gibson) is now a fully fledged drifter. He still has a semblance of decency, comparatively speaking, as he travels the Australian wastelands trying to stay alive and keep himself ... fuelled. Along the way he meets up with the slightly wacky "Gyro Captain" (Bruce Spence) but it's when he encounters a besieged oil facility that things start to hot up. He agrees to try and help them fend off the menacing, mask-wearing, "Humungus" (Kjell Nilsson) and his menacing sidekick "Wez" (Vernon Wells) who has a distinctly Achilles/Patroclus style relationship with his cute, blonde, friend. These bandits are ruthless, violent, and determined to seize this most precious of assets so "Max" proposes to his allies a straight swap - in return for enough gas, he will deliver them a large truck for use to travel to the coast and safety. What follows are a series of quickly paced, perilous escapades that culminate in a cracking chase with what looked very much like the front of a snowplough (in the desert?) playing a crucial role as they try to force their way out. Emil Minty is pretty effective as the aptly named, boomerang-bearing, "Feral Kid" and once we see why Spence has his moniker, the whole thing quite literally takes off. This is so much better than the original. The story is much more substantial, it has plenty of gore yes, but there is also some dark humour and Gibson has loads of charisma as his character develops. Director George Miller offers quite a potent lesson to other film makers too - ninety minutes is quite long enough to pack in plenty and keep the attention of the audience.
I got more enjoyment from <em>'Mad Max 2'</em>. It's a good watch! Everything felt a bit more fleshed out to me personally. Mel Gibson's titular character is improved, as are his sidekicks and their antagonists. The action is still at the same high level, there's plenty to gain entertainment from ... in regards to that along with the more amusing aspects; but disappointing to see that the wacky eye bulge gag did not reappear! I will say that final sequence overruns, not a big deal though. Most importantly, the story is more interesting. It is, in my opinion, much better befitting of the movie's dystopian setting and is, just generally, a more noteworthy watch compared to its predecessor's plot. Gibson puts in another solid showing, as do Bruce Spence and Michael Preston in this entry. Honestly, mind, across these opening two flicks the cast don't really stand out to me all that much - it's all about the action! Intrigued to find out what <em>'Mad Max Beyond Thunderdome'</em> had to offer!