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Doom

No one gets out alive.
2005 | 105m | English

(122506 votes)

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Popularity: 5 (history)

Details

A team of space marines known as the Rapid Response Tactical Squad, led by Sarge, is sent to a science facility on Mars after somebody reports a security breach. There, they learn that the alert came after a test subject, a mass murderer purposefully injected with alien DNA, broke free and began killing people. Dr. Grimm, who is related to team member Reaper, informs them all that the chromosome can mutate humans into monsters -- and is highly infectious.
Release Date: Oct 20, 2005
Director: Andrzej Bartkowiak
Writer: Wesley Strick, David Callaham
Genres: Action, Science Fiction, Horror
Keywords martial arts, monster, fight, teleportation, superhuman, creature, special forces, commando, blunt, based on video game, severed ear, future war, action hero, 2040s, callous
Production Companies Babelsberg Film, di Bonaventura Pictures, John Wells Productions, Reaper Productions, Stillking Films, Doom Productions, Distant Planet Productions
Box Office Revenue: $58,100,000
Budget: $60,000,000
Updates Updated: Sep 27, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Dwayne Johnson Sarge
Karl Urban John "Reaper" Grimm
Rosamund Pike Samantha Grimm
Deobia Oparei Destroyer
Razaaq Adoti Duke
Al Weaver The Kid
Ben Daniels Goat
Richard Brake Portman
Dexter Fletcher Pinky
Doug Jones Dr. Carmack Imp / Sewer Imp
Brian Steele Hell Knight
Yao Chin Mac
Robert Russell Dr. Carmack
Daniel York Loh Lt. Huengs
Ian Hughes Sanford Crosby
Sara Houghton Dr. Jenna Willits
Blanka Jarošová Dr. Hillary Tallman / Imp
Vladislav Dyntera Dr. Steve Willits
Jaroslav Pšenička Dr. Thurman
Marek Motlíček Dr. Clay
Petr Hnětkovský Dr. Olsen
Robert Nelson Security Guard (uncredited)
Barbara Nedeljakova Girl at Bar (uncredited)
Tanoai Reed Dead Scientist Shot (uncredited)
Rana Morrison Female Evacuatee
Robert Nelson (uncredited)
Name Job
Tony Pierce-Roberts Director of Photography
Derek Brechin Editor
Stephen Scott Production Design
Dominic Masters Art Direction
Richard Roberts Set Decoration
Carlo Poggioli Costume Design
Rachel Solow Hairstylist
Katka Vávrová Hairstylist
Nuria Mbomio Hairstylist
Pau Loewe Makeup Artist
Gabriela Dolenská Art Department Coordinator
Charles Leatherland Assistant Art Director
Raymond Perry Property Master
Martina Ter-Akopowá Construction Coordinator
Nick Watson Dolby Consultant
Ian Waggott Foley
Sue Lenny Dialogue Editor
John Leveque Supervising Sound Editor
Michael Fentum Supervising Sound Editor
Simon Chase Sound Effects Editor
Oliver Tarney Sound Effects Editor
Jack Whittaker Sound Effects Editor
Mike Dowson Sound Re-Recording Mixer
Frank A. Montaño Sound Re-Recording Mixer
Kevin Spruce Animation Supervisor
Fredrik Sundqvist CG Supervisor
Jesper Kjölsrud CG Supervisor
Laurent Hugueniot CG Supervisor
Enrique Bilsland Creature Design, Animatronics Designer
Fiona Chilton Visual Effects Producer
Richard Diver Visual Effects Editor
Steve Garrad Visual Effects Producer
Tim Keene Visual Effects Producer
Ray Lau Visual Effects Editor
Gaël Seydoux Sequence Supervisor
Mark Nelmes Visual Effects Supervisor
Jon Farhat Visual Effects Supervisor
Frazer Churchill Visual Effects Supervisor
Pavel Cajzl Stunt Coordinator
Joe Dunne Stunt Coordinator
Jakub Dvorský Camera Operator
Stuart Howell Camera Operator
Jiří Málek Camera Operator
Jaromír Šedina Steadicam Operator
Keith Hamshere Still Photographer
Petr Konrád Gaffer
Václav Čermák Gaffer
Tommy Finch Gaffer
Vladimir Holzknecht Rigging Gaffer
George White Rigging Gaffer
Jo Korer Costume Supervisor
Sarka Zvolenska Costume Supervisor
Viera Zvonarova Set Costumer
Jay Warren Digital Intermediate
Dina Eaton Music Editor
Jiri Kotlas Transportation Coordinator
Sue Field Script Supervisor
Sharon Mansfield Script Supervisor
Pavel Mrkous Location Manager
Geoff Freeman Unit Publicist
Peter Francis Supervising Art Director
Frantisek Copf Art Department Assistant
Emma Vane Set Designer
František Novák First Assistant Camera
Darren Quinn Key Grip
Roman Kuchar Grip
Giovanni Casalnuovo Assistant Costume Designer
Christine Blundell Hair Designer
Richard Alonzo Prosthetic Makeup Artist
Larisa Šrámková Seamstress
Martin Kotek Set Dressing Artist
Greg Corke Armorer
Pavel Lipert Carpenter
Nicola Scott Dialect Coach
Václav Kocman Driver
Andreas Pense Legal Services
Tony Buffa Makeup Effects
Tania Blunden Post Production Supervisor
Jan Meade Projection
Eva Dvorakova Set Medic
Miroslav Mika Set Production Assistant
Ondrej Bylok Stand In
Phil Adams Stunts
Richard Sharkey Unit Production Manager
Viktor Lonek Video Assist Operator
Patrick Clayton First Assistant Director
Petr Sulc Best Boy Electric
Petr Svoboda Electrician
Ben White Lighting Supervisor
Peter Oillataguerre Executive In Charge Of Production
Jim Hajicosta Production Accountant
Sam Holt Production Coordinator
Tomáš Červenka Boom Operator
Richard Fordham First Assistant Sound Editor
Bruce Fowler Orchestrator
Harry Barnes Sound Editor
Ed Colyer Sound Mixer
John Evans Special Effects Supervisor
Simon Wilkinson Visual Effects
Claudia Dehmel Visual Effects Coordinator
Xavier Roig Sequence Leads
Glen Gathard Sound
Richard J. Landon Mechanical Designer
Shaun O'Dell Second Unit Director
Elliot Scott Art Department Trainee
Rebecca Higginson Key Set Costumer
Aron Clayton Third Assistant Director
Andrew Booth Creative Director
Peter Dorme Draughtsman
Toby Glover Graphic Designer
Karl Derrick Special Props
Martin Asbury Storyboard Artist
Neil Pinkawa Title Designer
Nick Foley ADR Mixer
Johnathan Rush ADR Recordist
Paul Govey Additional Sound Re-Recording Mixer
Paul Hanks Foley Artist
David Mackie Second Assistant Sound
Nigel Bennett Sound Mix Technician
Howard Halsall Supervising Dialogue Editor
Raquel Guirro Special Effects Assistant
Damian Fisher Special Effects Technician
Peter Bebb VFX Artist
Mark Anthony Newman Stunt Double
Marek Havel Assistant Camera
Pavel Proisl Best Boy Grip
Václav Kareš Camera Loader
Jan Carda Focus Puller
Joe Buxton Libra Head Technician
Dan Balzer Second Assistant Camera
Stephen Enticott Senior Animator
Abigail Barbier ADR Voice Casting
Robin Hudson Casting Assistant
Toby Lloyd Assistant Editor
Brano Danis Colorist
Paul Ensby Digital Colorist
Jason Wheeler Negative Cutter
Aisha Bicknell Post Production Coordinator
Markéta Maková Assistant Location Manager
Karolina Cerna Assistant Accountant
Gabriela Rezacova Catering
Helena Masand CG Artist
Debra Coleman Digital Compositor
Jirí Hrstka Extras Casting
Lori Scowley First Assistant Accountant
Mike Eames Head of Animation
Emily Mann Intern
Neil Miller Matte Painter
Alexander Gurlich Production Assistant
Veronika Lencová Production Secretary
Richard Raimbault Senior Modeller
Hana Chýlová Makeup Artist
Craig Lyn Technical Supervisor
Andrzej Bartkowiak Director
Wesley Strick Screenplay
Clint Mansell Original Music Composer
Jeff Dawn Makeup Artist
John Bailie Camera Operator
Dixie Chassay Casting Associate
Terry Bamber Production Manager
Michael Stevenson Second Assistant Director
Tanoai Reed Stunts
Jemma Scott-Knox-Gore Contact Lens Technician
David Callaham Screenplay
Jina Jay Casting
Chris Rosewarne Prop Designer
Silvia Jančulová Transportation Coordinator
Dion Lam Fight Choreographer
Mike Mulholland Rigging Supervisor
Jonathan Fawkner Compositing Lead
Name Title
John D. Schofield Executive Producer
Laura Holstein Co-Executive Producer
Jeremy Steckler Co-Executive Producer
Lorenzo di Bonaventura Producer
John Wells Producer
Henning Molfenter Associate Producer
Thierry Potok Associate Producer
Matthew Stillman Co-Producer
David Minkowski Co-Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 37 52 24
2024 5 34 78 27
2024 6 55 86 36
2024 7 53 74 30
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Reviews

tmdb47633491
5.0

I was 12 when this came out. At the time, Doom 3 was an obsession of mine that my parents could not break. They were semi-Christian, and when I got to the part in the game where pentagrams were spawning demons all over the place, I got nervous and told Mom. I was allowed to play any and all games, a ... s long as they didn't involve demons or satanism. This was because, ostensibly, "the demons could come out and influence your life in bad ways, and you don't want that." So I had to return Doom 3. By the end of that year, I had all kinds of posters and magazines and memorabilia of Doom 3 in my room. An obsession is the only thing you can call it. I had everything Doom related you can think of, except the actual game. So when I heard about this movie, 12 Year Old Me obviously was all over it. And when I found out about they changed the plot from satanic monsters to Experiment Gone Wrong, you bet your ass I got my dad to take me to the local opening midnight screening of DOOM. One of my happiest memories. We were the only ones in the theater. Fun movie.

Jun 23, 2021
Ruuz
4.0

Now you could watch this, I guess, I wouldn't stop you. But for a movie only a decade and change old, _Doom_ has dated **hard**, and it's not just 'cause of that garbage CGI. Weird like the videogame it's based on, but still fucks up the lore that I can't see it sitting well with that crowd eithe ... r. _Doom_ might genuinely have been made for no one. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._

Jun 23, 2021
Kamurai
8.0

Really good watch, will probably watch again, and can recommend. Look, it's a movie based on a video game about shooting demons from hell. It is far from perfect, it's probably a horrible Doom movie, but apart from that, this is a lot of fun. It follows most of the zombie rules for infection, ... but the learning curve is one of the things that keeps the movie interesting as it drip feeds information as the infection gets out of control. As great as the cast is with this one, it seems pretty clear from the beginning that the big billers, Dwayne Johnson and Karl Urban, are going to go head to head, whether it be against or back to back against monsters. The monsters are done with great practical effects, they're creepy looking, and competitive with the available technology. They're even used in creative ways. When it comes down to it, the movie is fun, and a reliably good watch.

Jul 10, 2021