Popularity: 5 (history)
| Director: | Andrzej Bartkowiak |
|---|---|
| Writer: | Wesley Strick, David Callaham |
| Staring: |
| A team of space marines known as the Rapid Response Tactical Squad, led by Sarge, is sent to a science facility on Mars after somebody reports a security breach. There, they learn that the alert came after a test subject, a mass murderer purposefully injected with alien DNA, broke free and began killing people. Dr. Grimm, who is related to team member Reaper, informs them all that the chromosome can mutate humans into monsters -- and is highly infectious. | |
| Release Date: | Oct 20, 2005 |
|---|---|
| Director: | Andrzej Bartkowiak |
| Writer: | Wesley Strick, David Callaham |
| Genres: | Action, Science Fiction, Horror |
| Keywords | martial arts, monster, fight, teleportation, superhuman, creature, special forces, commando, blunt, based on video game, severed ear, future war, action hero, 2040s, callous |
| Production Companies | Babelsberg Film, di Bonaventura Pictures, John Wells Productions, Reaper Productions, Stillking Films, Doom Productions, Distant Planet Productions |
| Box Office |
Revenue: $58,100,000
Budget: $60,000,000 |
| Updates |
Updated: Sep 27, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Dwayne Johnson | Sarge |
| Karl Urban | John "Reaper" Grimm |
| Rosamund Pike | Samantha Grimm |
| Deobia Oparei | Destroyer |
| Razaaq Adoti | Duke |
| Al Weaver | The Kid |
| Ben Daniels | Goat |
| Richard Brake | Portman |
| Dexter Fletcher | Pinky |
| Doug Jones | Dr. Carmack Imp / Sewer Imp |
| Brian Steele | Hell Knight |
| Yao Chin | Mac |
| Robert Russell | Dr. Carmack |
| Daniel York Loh | Lt. Huengs |
| Ian Hughes | Sanford Crosby |
| Sara Houghton | Dr. Jenna Willits |
| Blanka Jarošová | Dr. Hillary Tallman / Imp |
| Vladislav Dyntera | Dr. Steve Willits |
| Jaroslav Pšenička | Dr. Thurman |
| Marek Motlíček | Dr. Clay |
| Petr Hnětkovský | Dr. Olsen |
| Robert Nelson | Security Guard (uncredited) |
| Barbara Nedeljakova | Girl at Bar (uncredited) |
| Tanoai Reed | Dead Scientist Shot (uncredited) |
| Rana Morrison | Female Evacuatee |
| Robert Nelson | (uncredited) |
| Name | Job |
|---|---|
| Tony Pierce-Roberts | Director of Photography |
| Derek Brechin | Editor |
| Stephen Scott | Production Design |
| Dominic Masters | Art Direction |
| Richard Roberts | Set Decoration |
| Carlo Poggioli | Costume Design |
| Rachel Solow | Hairstylist |
| Katka Vávrová | Hairstylist |
| Nuria Mbomio | Hairstylist |
| Pau Loewe | Makeup Artist |
| Gabriela Dolenská | Art Department Coordinator |
| Charles Leatherland | Assistant Art Director |
| Raymond Perry | Property Master |
| Martina Ter-Akopowá | Construction Coordinator |
| Nick Watson | Dolby Consultant |
| Ian Waggott | Foley |
| Sue Lenny | Dialogue Editor |
| John Leveque | Supervising Sound Editor |
| Michael Fentum | Supervising Sound Editor |
| Simon Chase | Sound Effects Editor |
| Oliver Tarney | Sound Effects Editor |
| Jack Whittaker | Sound Effects Editor |
| Mike Dowson | Sound Re-Recording Mixer |
| Frank A. Montaño | Sound Re-Recording Mixer |
| Kevin Spruce | Animation Supervisor |
| Fredrik Sundqvist | CG Supervisor |
| Jesper Kjölsrud | CG Supervisor |
| Laurent Hugueniot | CG Supervisor |
| Enrique Bilsland | Creature Design, Animatronics Designer |
| Fiona Chilton | Visual Effects Producer |
| Richard Diver | Visual Effects Editor |
| Steve Garrad | Visual Effects Producer |
| Tim Keene | Visual Effects Producer |
| Ray Lau | Visual Effects Editor |
| Gaël Seydoux | Sequence Supervisor |
| Mark Nelmes | Visual Effects Supervisor |
| Jon Farhat | Visual Effects Supervisor |
| Frazer Churchill | Visual Effects Supervisor |
| Pavel Cajzl | Stunt Coordinator |
| Joe Dunne | Stunt Coordinator |
| Jakub Dvorský | Camera Operator |
| Stuart Howell | Camera Operator |
| Jiří Málek | Camera Operator |
| Jaromír Šedina | Steadicam Operator |
| Keith Hamshere | Still Photographer |
| Petr Konrád | Gaffer |
| Václav Čermák | Gaffer |
| Tommy Finch | Gaffer |
| Vladimir Holzknecht | Rigging Gaffer |
| George White | Rigging Gaffer |
| Jo Korer | Costume Supervisor |
| Sarka Zvolenska | Costume Supervisor |
| Viera Zvonarova | Set Costumer |
| Jay Warren | Digital Intermediate |
| Dina Eaton | Music Editor |
| Jiri Kotlas | Transportation Coordinator |
| Sue Field | Script Supervisor |
| Sharon Mansfield | Script Supervisor |
| Pavel Mrkous | Location Manager |
| Geoff Freeman | Unit Publicist |
| Peter Francis | Supervising Art Director |
| Frantisek Copf | Art Department Assistant |
| Emma Vane | Set Designer |
| František Novák | First Assistant Camera |
| Darren Quinn | Key Grip |
| Roman Kuchar | Grip |
| Giovanni Casalnuovo | Assistant Costume Designer |
| Christine Blundell | Hair Designer |
| Richard Alonzo | Prosthetic Makeup Artist |
| Larisa Šrámková | Seamstress |
| Martin Kotek | Set Dressing Artist |
| Greg Corke | Armorer |
| Pavel Lipert | Carpenter |
| Nicola Scott | Dialect Coach |
| Václav Kocman | Driver |
| Andreas Pense | Legal Services |
| Tony Buffa | Makeup Effects |
| Tania Blunden | Post Production Supervisor |
| Jan Meade | Projection |
| Eva Dvorakova | Set Medic |
| Miroslav Mika | Set Production Assistant |
| Ondrej Bylok | Stand In |
| Phil Adams | Stunts |
| Richard Sharkey | Unit Production Manager |
| Viktor Lonek | Video Assist Operator |
| Patrick Clayton | First Assistant Director |
| Petr Sulc | Best Boy Electric |
| Petr Svoboda | Electrician |
| Ben White | Lighting Supervisor |
| Peter Oillataguerre | Executive In Charge Of Production |
| Jim Hajicosta | Production Accountant |
| Sam Holt | Production Coordinator |
| Tomáš Červenka | Boom Operator |
| Richard Fordham | First Assistant Sound Editor |
| Bruce Fowler | Orchestrator |
| Harry Barnes | Sound Editor |
| Ed Colyer | Sound Mixer |
| John Evans | Special Effects Supervisor |
| Simon Wilkinson | Visual Effects |
| Claudia Dehmel | Visual Effects Coordinator |
| Xavier Roig | Sequence Leads |
| Glen Gathard | Sound |
| Richard J. Landon | Mechanical Designer |
| Shaun O'Dell | Second Unit Director |
| Elliot Scott | Art Department Trainee |
| Rebecca Higginson | Key Set Costumer |
| Aron Clayton | Third Assistant Director |
| Andrew Booth | Creative Director |
| Peter Dorme | Draughtsman |
| Toby Glover | Graphic Designer |
| Karl Derrick | Special Props |
| Martin Asbury | Storyboard Artist |
| Neil Pinkawa | Title Designer |
| Nick Foley | ADR Mixer |
| Johnathan Rush | ADR Recordist |
| Paul Govey | Additional Sound Re-Recording Mixer |
| Paul Hanks | Foley Artist |
| David Mackie | Second Assistant Sound |
| Nigel Bennett | Sound Mix Technician |
| Howard Halsall | Supervising Dialogue Editor |
| Raquel Guirro | Special Effects Assistant |
| Damian Fisher | Special Effects Technician |
| Peter Bebb | VFX Artist |
| Mark Anthony Newman | Stunt Double |
| Marek Havel | Assistant Camera |
| Pavel Proisl | Best Boy Grip |
| Václav Kareš | Camera Loader |
| Jan Carda | Focus Puller |
| Joe Buxton | Libra Head Technician |
| Dan Balzer | Second Assistant Camera |
| Stephen Enticott | Senior Animator |
| Abigail Barbier | ADR Voice Casting |
| Robin Hudson | Casting Assistant |
| Toby Lloyd | Assistant Editor |
| Brano Danis | Colorist |
| Paul Ensby | Digital Colorist |
| Jason Wheeler | Negative Cutter |
| Aisha Bicknell | Post Production Coordinator |
| Markéta Maková | Assistant Location Manager |
| Karolina Cerna | Assistant Accountant |
| Gabriela Rezacova | Catering |
| Helena Masand | CG Artist |
| Debra Coleman | Digital Compositor |
| Jirí Hrstka | Extras Casting |
| Lori Scowley | First Assistant Accountant |
| Mike Eames | Head of Animation |
| Emily Mann | Intern |
| Neil Miller | Matte Painter |
| Alexander Gurlich | Production Assistant |
| Veronika Lencová | Production Secretary |
| Richard Raimbault | Senior Modeller |
| Hana Chýlová | Makeup Artist |
| Craig Lyn | Technical Supervisor |
| Andrzej Bartkowiak | Director |
| Wesley Strick | Screenplay |
| Clint Mansell | Original Music Composer |
| Jeff Dawn | Makeup Artist |
| John Bailie | Camera Operator |
| Dixie Chassay | Casting Associate |
| Terry Bamber | Production Manager |
| Michael Stevenson | Second Assistant Director |
| Tanoai Reed | Stunts |
| Jemma Scott-Knox-Gore | Contact Lens Technician |
| David Callaham | Screenplay |
| Jina Jay | Casting |
| Chris Rosewarne | Prop Designer |
| Silvia Jančulová | Transportation Coordinator |
| Dion Lam | Fight Choreographer |
| Mike Mulholland | Rigging Supervisor |
| Jonathan Fawkner | Compositing Lead |
| Name | Title |
|---|---|
| John D. Schofield | Executive Producer |
| Laura Holstein | Co-Executive Producer |
| Jeremy Steckler | Co-Executive Producer |
| Lorenzo di Bonaventura | Producer |
| John Wells | Producer |
| Henning Molfenter | Associate Producer |
| Thierry Potok | Associate Producer |
| Matthew Stillman | Co-Producer |
| David Minkowski | Co-Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 37 | 52 | 24 |
| 2024 | 5 | 34 | 78 | 27 |
| 2024 | 6 | 55 | 86 | 36 |
| 2024 | 7 | 53 | 74 | 30 |
| 2024 | 8 | 40 | 66 | 18 |
| 2024 | 9 | 21 | 29 | 17 |
| 2024 | 10 | 23 | 41 | 15 |
| 2024 | 11 | 24 | 39 | 18 |
| 2024 | 12 | 25 | 41 | 16 |
| 2025 | 1 | 29 | 63 | 18 |
| 2025 | 2 | 19 | 32 | 4 |
| 2025 | 3 | 8 | 27 | 2 |
| 2025 | 4 | 4 | 7 | 3 |
| 2025 | 5 | 4 | 7 | 3 |
| 2025 | 6 | 4 | 7 | 3 |
| 2025 | 7 | 3 | 4 | 2 |
| 2025 | 8 | 3 | 5 | 3 |
| 2025 | 9 | 6 | 8 | 4 |
| 2025 | 10 | 4 | 6 | 2 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 271 | 727 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 206 | 541 |
| Year | Month | High | Avg |
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| 2025 | 8 | 520 | 793 |
| Year | Month | High | Avg |
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| 2025 | 7 | 668 | 840 |
| Year | Month | High | Avg |
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| 2025 | 6 | 471 | 704 |
| Year | Month | High | Avg |
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| 2025 | 5 | 442 | 727 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 305 | 660 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 408 | 666 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 699 | 831 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 875 | 931 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 601 | 601 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 658 | 802 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 10 | 687 | 799 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 8 | 748 | 853 |
I was 12 when this came out. At the time, Doom 3 was an obsession of mine that my parents could not break. They were semi-Christian, and when I got to the part in the game where pentagrams were spawning demons all over the place, I got nervous and told Mom. I was allowed to play any and all games, a ... s long as they didn't involve demons or satanism. This was because, ostensibly, "the demons could come out and influence your life in bad ways, and you don't want that." So I had to return Doom 3. By the end of that year, I had all kinds of posters and magazines and memorabilia of Doom 3 in my room. An obsession is the only thing you can call it. I had everything Doom related you can think of, except the actual game. So when I heard about this movie, 12 Year Old Me obviously was all over it. And when I found out about they changed the plot from satanic monsters to Experiment Gone Wrong, you bet your ass I got my dad to take me to the local opening midnight screening of DOOM. One of my happiest memories. We were the only ones in the theater. Fun movie.
Now you could watch this, I guess, I wouldn't stop you. But for a movie only a decade and change old, _Doom_ has dated **hard**, and it's not just 'cause of that garbage CGI. Weird like the videogame it's based on, but still fucks up the lore that I can't see it sitting well with that crowd eithe ... r. _Doom_ might genuinely have been made for no one. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._
Really good watch, will probably watch again, and can recommend. Look, it's a movie based on a video game about shooting demons from hell. It is far from perfect, it's probably a horrible Doom movie, but apart from that, this is a lot of fun. It follows most of the zombie rules for infection, ... but the learning curve is one of the things that keeps the movie interesting as it drip feeds information as the infection gets out of control. As great as the cast is with this one, it seems pretty clear from the beginning that the big billers, Dwayne Johnson and Karl Urban, are going to go head to head, whether it be against or back to back against monsters. The monsters are done with great practical effects, they're creepy looking, and competitive with the available technology. They're even used in creative ways. When it comes down to it, the movie is fun, and a reliably good watch.