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Evita Poster

Evita

Unforgotten, forever loved and adored.
1996 | 135m | English

(39055 votes)

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Popularity: 4 (history)

Details

The hit musical based on the life of Evita Duarte, an Argentinian actress who eventually became the wife of Argentinian president Juan Perón, and the most beloved and hated woman in Argentina.
Release Date: Dec 14, 1996
Director: Alan Parker
Writer: Alan Parker, Oliver Stone
Genres: Drama, History
Keywords prostitute, narration, buenos aires, argentina, funeral, musical, politician, president, based on play or musical, argentina, death, deification, perónism, argentinean president, rise to power, 1940s, 1950s, death of political figure
Production Companies Hollywood Pictures, Cinergi Pictures, Robert Stigwood Organization, Dirty Hands Productions
Box Office Revenue: $141,047,179
Budget: $55,000,000
Updates Updated: Jul 30, 2025
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Madonna Eva Perón
Antonio Banderas Ché
Jonathan Pryce Juan Perón
Jimmy Nail Agustín Magaldi
Victoria Sus Doña Juana
Julian Littman Brother Juan
Olga Merediz Blanca
Laura Pallas Elisa
Julia Worsley Erminda
María Luján Hidalgo Young Eva
Servando Villamil Cipriano Reyes
Andrea Corr Perón's Mistress
Peter Polycarpou Domingo Mercante
Gary Brooker Juan Bramuglia
Maite Yerro Julieta
Adrià Collado Carlos
Gabriel Kraisman Cinema Manager
Martín Drogo Young Juan
Venesa Weis Young Blanca
Veronica Ferrari Risler Young Elisa
Aldana García Soler Young Erminda
Domingo Chiofalo Chivilcoy Priest
Ismael Osorio Juan Duarte Sr.
Lidia Catalano Estela Grisolía
John Coverdale Junín Tango Band Member
Roderick Hart Junín Tango Band Member
Ian Hill Junín Tango Band Member
Rob Levy Junín Tango Band Member
Teddy Peiro Junín Tango Band Member
Joe Townsend Junín Tango Band Member
Mark Ryan Waiter in Junín Bar
Gordon Neville Waiter in Junín Bar
Frederick Warder Waiter in Junín Bar
Albin Pahernik Eva's Dance Partner
Luca Tommassini Eva's Dance Partner
Denis Tremblay Eva's Dance Partner
Mara Bestelli Starlet at Audition
Alan Parker Tormented Film Director
Billie Piper Autograph Girl (uncredited)
Name Job
Alan Parker Screenplay, Director
Andrew Lloyd Webber Music, Original Music Composer, Songs
Darius Khondji Director of Photography
David Appleby Still Photographer
Gerry Hambling Editor
Penny Rose Costume Design
Brian Morris Production Design
David Wimbury Line Producer
Peter Bloor Chief Lighting Technician
Richard Earl Art Direction
John Norster Assistant Costume Designer
Sarah Monzani Makeup Artist
Ken Weston Sound Recordist
Mike Moad Dolly Grip
Yves De Bono Special Effects Supervisor
Bob Kocourek Production Accountant
Sarah Hauldren Assistant Art Director
David Caddick Music Supervisor
Dennis Maguire First Assistant Director
Mike Roberts Camera Operator
Jean-Michel Hugon Art Direction
Ken Crouch Wardrobe Supervisor
Martin Samuel Hairstylist
Colin Manning Dolly Grip
Sally Jones Script Supervisor
David Balfour Property Master
Cate Arbeid Production Coordinator
Marc Denize Assistant Set Decoration
Carolyne Chauncey First Assistant Editor
Tony Bell Boom Operator
Ailbhe Lemass Makeup Artist
Francesca Crowder Hairstylist
Carole Dunne Hairstylist
Richard Graysmark Third Assistant Director
Nina Hartstone Assistant Sound Editor
John Bateman Foley Mixer
Ted Swanscott ADR Mixer
Peter Hunt Color Timer
Gábor Piroch Stunt Coordinator
Nigel Wright Music
Clive Barrett First Assistant Editor
Sandra Shepherd Makeup Artist
Maire O'Sullivan Makeup Artist
Orla Carrol Hairstylist
Ian Stone Third Assistant Director
Charles Bodycomb Armorer
Peter Holt Foley Editor
Pauline Griffiths Foley Artist
Jenny Lee Wright Foley Artist
Jack Carter Construction Manager
Erzsébet Szloboda Stunts
Béla Péterdi Construction Manager
Ros Hubbard Casting
John Hubbard Casting
Vincent Paterson Choreographer
John Gallagher Second Assistant Director
Philippe Turlure Set Decoration
Rocky Taylor Stunt Coordinator
Andy Nelson Sound Re-Recording Mixer
Anna Behlmer Sound Re-Recording Mixer
Paula Boram Foley Artist
Tim Rice Musical, Lyricist
Chris Dodd Thanks
Oliver Stone Screenplay
Lars P. Winther Second Second Assistant Director
Eddy Joseph Supervising Sound Effects Editor
Andy Muschietti Set Production Assistant
Barbara Muschietti Assistant Production Manager
Scott Bates Production Assistant
Matthew Sharp Unit Manager
Name Title
Alan Parker Producer
Robert Stigwood Producer
Andrew G. Vajna Producer
Lisa Moran Associate Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 23 39 11
2024 5 28 38 18
2024 6 20 33 9
2024 7 17 29 11
2024 8 16 29 10
2024 9 11 15 7
2024 10 15 31 8
2024 11 14 29 8
2024 12 13 27 9
2025 1 16 37 9
2025 2 10 17 3
2025 3 5 18 1
2025 4 3 7 1
2025 5 2 8 1
2025 6 2 4 1
2025 7 2 3 1
2025 8 2 3 1
2025 9 3 5 1
2025 10 2 4 1

Trending Position


Year Month High Avg
2025 2 860 860

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Reviews

Geronimo1967
6.0

So if you know anything about the history of the rise of Perón in Argentina, and/or have seen the excellent theatrical performance of Rice and Lloyd Webber's "Evita" then you will already have the basis for this really rather poor big screen adaptation of both. Madonna is not much of an actress and ... though her voice manages the songs well enough, her on-screen persona here just falls flat. She is not helped much by a poorly cast Jonathan Pryce as her president - and frankly rather insipid - husband and by the terribly wooden Jimmy Nail as journeyman singer "Magaldi". Perhaps only Antonio Banderas salvages anything from his authentic characterisation of the narrator "Ché" - but otherwise this is a good looking but lacklustre, episodically constructed, series of musical set-pieces that creates an overall feeling of - well, emptiness. Madonna's efforts fail to ignite any sense of the magnetism of this astonishing woman who went from brothel to Presidential palace in such a short time; it pays scant regard to the ruthless (and venal) nature of the prevailing politics of Argentina and in the end proves to be little more than a compendium of good/great songs set to well attired and produced videos. Some things are better left to the stage - and this is certainly one of those!

Dec 25, 2022