Timecop
They killed his wife ten years ago. There's still time to save her.
1994 | 98m | English
Popularity: 4 (history)
| Director: | Peter Hyams |
|---|---|
| Writer: | Mark Verheiden |
| Staring: |
| In 2004, an officer for a security agency that regulates time travel must fend for his life against a shady politician who has a tie to his past. | |
| Release Date: | Sep 15, 1994 |
|---|---|
| Director: | Peter Hyams |
| Writer: | Mark Verheiden |
| Genres: | Action, Science Fiction, Crime, Thriller |
| Keywords | martial arts, time travel, based on comic, alternative reality, 1920s, 19th century, 1990s, 2000s, 1860s, security agent, 20th century, 21st century |
| Production Companies | Renaissance Pictures, Dark Horse Entertainment, Largo Entertainment, Signature Pictures, JVC Entertainment |
| Box Office |
Revenue: $128,953,581
Budget: $28,000,000 |
| Updates |
Updated: Jul 26, 2025 Entered: Apr 13, 2024 |
| Name | Job |
|---|---|
| Margaret Solomon | Makeup Artist |
| Zoltan Elek | Makeup Artist |
| Julie McHaffie | Hairstylist |
| Nina Saxon | Title Designer |
| Attila Szalay | Camera Operator |
| Chris Glyn-Jones | Boom Operator |
| Gregory L. McMurry | Visual Effects Supervisor |
| Christopher Tammaro | Camera Operator |
| Kathy McCart | Sound Recordist |
| Stephen S. Campanelli | Steadicam Operator |
| Fiona Roeske | Stunts |
| Melissa R. Stubbs | Stunt Coordinator, Stunts, Stunt Double |
| Andy Clement | Special Effects Makeup Artist |
| Jim Dunn | Stunts |
| Steven Kemper | Editor |
| Richard Hudolin | Art Direction |
| Penny Perry | Casting |
| Christine Wilson | Script Supervisor |
| Karen L. Matthews | Costume Design |
| Doug Byggdin | Draughtsman |
| Doug Hardwick | Construction Coordinator |
| Rose Marie McSherry | Set Decoration |
| Wayne MacConnell | Camera Operator |
| Nick Kuchera | Key Grip |
| Bruce Richardson | Supervising Sound Editor |
| Robin Harlan | Foley |
| Annmarie Corbett | Set Decoration |
| Daniel J. Lester | Costume Design |
| Philip Harrison | Production Design |
| Debbie Douglas | Costume Supervisor |
| Grant Swain | Property Master |
| Alex Kameniczky | Draughtsman |
| David Willson | Construction Coordinator |
| Janice Alexander | Hairstylist |
| Pamela G. Kimber | First Assistant Sound Editor |
| Joseph Lederer | Still Photographer |
| Jeff Watts | ADR Editor |
| Ken Young | Rigging Grip |
| Rick Stadder | Dolly Grip |
| Richard E. Hollander | Visual Effects Producer |
| Sebastian Salm | Cableman |
| Les Erskine | Gaffer |
| Constance A. Kazmer | ADR Editor |
| Jack Frost Sanders | First Assistant Director |
| David Klohn | Assistant Director Trainee |
| Morgan Beggs | Second Assistant Director |
| Sonja Davis | Stunts |
| Bill Ferguson | Stunts |
| Jason Glass | Stunts |
| Mitchell Dean | Stunts |
| Rhonda C. Gunner | Visual Effects Producer |
| Michael Herbick | Sound Re-Recording Mixer |
| Donald O. Mitchell | Sound Re-Recording Mixer |
| Gaetan Jalbert | Rigging Gaffer |
| Sarah Monat | Foley |
| Sheila Haley | Assistant Art Director |
| Roxanne Narver | Art Department Trainee |
| Gary Ritchie | Sound Recordist |
| John C. Wash | Visual Effects Producer |
| Rick Newsome | Visual Effects |
| Glenn Randall Jr. | Stunt Coordinator |
| Vince Heileson | Unit Production Manager |
| John Thomas | Special Effects Coordinator, In Memory Of |
| Delaina-Lu Gamblin | Stunts |
| Jim Finkbeiner | Stunts |
| Trish Schill | Stunts |
| Elizabeth House | Camera Trainee |
| Peter Hyams | Director of Photography, Director |
| Mark Verheiden | Screenplay |
| Mark Isham | Original Music Composer |
| Dale 'Tiny' Garrison | Rigging Gaffer |
| Guy Bews | Stunts |
| Alex Green | Stunts |
| Mark Stefanich | Stunts |
| Brent Woolsey | Stunts |
| Ernie Jackson | Stunts |
| Jacob Rupp | Stunts |
| Name | Title |
|---|---|
| Robert Tapert | Producer |
| Marilyn Vance | Co-Producer |
| Moshe Diamant | Producer |
| Richard G. Murphy | Associate Producer |
| Todd Moyer | Co-Producer |
| Mike Richardson | Executive Producer |
| Sam Raimi | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 25 | 39 | 16 |
| 2024 | 5 | 31 | 49 | 19 |
| 2024 | 6 | 28 | 47 | 15 |
| 2024 | 7 | 26 | 55 | 13 |
| 2024 | 8 | 20 | 33 | 13 |
| 2024 | 9 | 17 | 28 | 11 |
| 2024 | 10 | 18 | 34 | 9 |
| 2024 | 11 | 17 | 31 | 11 |
| 2024 | 12 | 19 | 30 | 13 |
| 2025 | 1 | 21 | 40 | 13 |
| 2025 | 2 | 16 | 30 | 4 |
| 2025 | 3 | 7 | 20 | 1 |
| 2025 | 4 | 5 | 10 | 1 |
| 2025 | 5 | 4 | 11 | 2 |
| 2025 | 6 | 3 | 6 | 2 |
| 2025 | 7 | 3 | 3 | 2 |
| 2025 | 8 | 2 | 3 | 2 |
| 2025 | 9 | 3 | 4 | 2 |
| 2025 | 10 | 3 | 5 | 1 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 166 | 733 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 591 | 790 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 509 | 771 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 81 | 576 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 984 | 984 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 920 | 966 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 511 | 709 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 683 | 704 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 265 | 615 |
Time travelling butt kicker. Time travel is now a reality and with that comes opportunities for criminals to exploit to the maximum. The government sets up a special police force (T.E.C.) to ensure the new technology isn't abused. Enter Max Walker, a Timecop who upon learning of a corrupt politic ... ian's plot to become president, sets about doing all he can to stop him. Timecop did exactly what I wanted it to do, namely give me Jean-Claude Van Damme administering brutal violence in a sci-fi haze. It's a nice central premise with it's time travel plot, the sound and effects are fine within the genre, and Ron Silver on villain duties does a nice take in sleazy, corrupt politician verve. It's all set up for explosions, kills and a chance for Van Damme to show off his excellent line in splits, kicks and body punching tricks. Some weak acting exists of course, and only a fool could not know how it's all going to turn out in the end. But really, in the context of the genres it belongs too, and the leading man's career overview, Timecop delivers all it promised to do in the first place. I'm off to see if I can change the past right now. 6.5/10