Popularity: 6 (history)
| Director: | Roger Donaldson |
|---|---|
| Writer: | Dick Clement, Ian La Frenais |
| Staring: |
| Terry is a small-time car dealer trying to leave his shady past behind and start a family. Martine is a beautiful model from Terry's old neighbourhood who knows that Terry is no angel. When Martine proposes a foolproof plan to rob a bank, Terry recognises the danger but realises this may be the opportunity of a lifetime. | |
| Release Date: | Feb 28, 2008 |
|---|---|
| Director: | Roger Donaldson |
| Writer: | Dick Clement, Ian La Frenais |
| Genres: | Drama, Crime, Thriller |
| Keywords | london, england, 1970s, car dealer, blackmail, vault, bahamas, strip club, london underground, based on true story, extortion, police corruption, double cross, railway station, political corruption, bank heist, cabinet officer, the big score |
| Production Companies | Mosaic Media Group, Lionsgate, Arclight Films, Omnilab Media, Relativity Media, Skyline (Baker St) |
| Box Office |
Revenue: $64,828,421
Budget: $20,000,000 |
| Updates |
Updated: Jul 30, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Jason Statham | Terry Leather |
| Saffron Burrows | Martine Love |
| Stephen Campbell Moore | Kevin Swain |
| Daniel Mays | Dave Shilling |
| James Faulkner | Guy Singer |
| Andrew Brooke | Quinn |
| Michael Jibson | Eddie Burton |
| Georgia Taylor | Ingrid |
| Richard Lintern | Tim Everett |
| Peter Bowles | Miles Urquhart |
| Alistair Petrie | Phillip Lisle |
| Alki David | Bambas |
| Hattie Morahan | Gale Benson |
| Julian Lewis Jones | Snow |
| Rupert Frazer | Lord Drysdale |
| Keeley Hawes | Wendy Leather |
| Don Gallagher | Gerald Pyke |
| Craig Fairbrass | Nick Barton |
| Gerard Horan | Roy Given |
| David Suchet | Lew Vogel |
| Peter de Jersey | Michael X |
| Colin Salmon | Hakim Jamal |
| Sharon Maughan | Sonia Bern |
| Angus Wright | Eric Addey |
| Rupert Vansittart | Sir Leonard Plugge |
| Dylan Charles | Chicken Inn Customer |
| Bronson Webb | Chicken Inn Waiter |
| Julian Firth | Lawyer |
| Christopher Owen | Mountbatten |
| Antony Gabriel | Reporter |
| Mick Jagger | Bank employee (uncredited) |
| Louise Chambers | The Princess |
| Name | Job |
|---|---|
| Julie Barton | Costumer |
| Michael Coulter | Director of Photography |
| Luigi Desole | Line Producer |
| Pete Ford | Line Producer |
| Lucinda Syson | Casting |
| Gavin Bocquet | Production Design |
| Marion Weise | Costume Supervisor |
| Sasha Harris | Production Manager |
| Marc van Buuren | Post Production Supervisor |
| Pippa Sheen | Art Department Coordinator |
| Richard Selway | Assistant Art Director |
| Mark Scruton | Set Decoration, Art Direction |
| Andrew Neil | Sound Re-Recording Mixer, Supervising Sound Effects Editor |
| Paul Pirola | Sound Re-Recording Mixer |
| Brian Holmes | Special Effects Coordinator |
| David Booth | Visual Effects Supervisor |
| Peter Webb | Visual Effects Supervisor |
| Ineke Majoor | Visual Effects Producer |
| Stuart Howell | Camera Operator |
| Chris Plevin | Camera Operator |
| Terry Edland | Gaffer |
| Simon Leadley | Music Editor |
| Giles Edleston | Location Manager |
| Sylvia Parker | Script Supervisor |
| Graham Smith | Unit Publicist |
| Philip Ball | Stand In |
| Phil Harvey | Supervising Art Director |
| James Harvey | Dialogue Editor |
| Kirstin Chalmers | Hair Designer |
| Massimo Gattabrusi | Hairstylist |
| Heather Ross | Makeup Designer, Hair Supervisor |
| Jodie Hellingman | Hairdresser |
| Sharon O'Brien | Key Hair Stylist, Key Makeup Artist |
| Donald McInnes | Key Hair Stylist |
| Laura McIntosh | Makeup Artist |
| Carla Vicenzino | Makeup Artist |
| Helene Glover | Makeup & Hair Assistant |
| Waldo Mason | Prosthetics |
| Louise Begbie | Art Department Assistant |
| Hannah Read | Art Department Assistant |
| Malcolm Roberts | Construction Manager |
| Robert Voysey | Construction Manager |
| Wilson Du | Draughtsman |
| Laura Dishington | Graphic Designer |
| Nick Turnbull | Property Master |
| Paul Hearn | Props |
| Amelia Marasco | Set Dresser |
| Nick Pelham | Storyboard Artist |
| Martin Hume | Camera Operator |
| Tim Wooster | Camera Operator |
| Karl von Moller | Director of Photography |
| Richard Mason | Electrician |
| Andrew Jerram | First Assistant Camera |
| Julian Bucknall | First Assistant "A" Camera |
| John Ferguson | First Assistant "B" Camera |
| Luke Myslowski | Grip |
| Peter Myslowski | Key Grip |
| Tony Hayes | Rigging Gaffer |
| Luke Coulter | Second Assistant "A" Camera |
| Ray Meere | Second Assistant "B" Camera |
| Mike Brewster | Second Unit Director of Photography |
| Sharon Long | Assistant Costume Designer |
| Anthony Brookman | Costume Assistant |
| Yvonne Otzen | Costume Assistant |
| Kate Ringsell | Casting Assistant |
| Matthew Baker | First Assistant Director |
| Brendan Campbell | First Assistant Director |
| Lee Grumett | First Assistant Director |
| Josh Robertson | First Assistant Director |
| Luigi Spoletini | First Assistant Director |
| Lionel Strutt | ADR Coordinator |
| Peter Gleaves | ADR Mixer |
| Jonathan Rimas | ADR Mixer |
| Alan Freedman | ADR Mixer |
| Rachael Tate | ADR Recordist |
| Kieran McVeigh | Assistant Sound Editor |
| Robin Johnson | Boom Operator |
| Simon Bysshe | Boom Operator |
| Bruce Emery | Dolby Consultant |
| Mario Vaccaro | Foley Artist |
| Blair Slater | Foley Editor |
| Steve Burgess | Sound Effects Editor |
| Peter Mills | Sound Effects Editor |
| John McKerrow | Sound Recordist |
| Neil Toddy Todd | Special Effects Technician |
| Daniel Williams | Special Effects Technician |
| Paul Buckley | Lead Animator |
| Nathan Bayliss | Title Designer |
| Nic Smith | Digital Intermediate |
| Tony Poriazis | Digital Intermediate |
| Justin Heitman | Digital Intermediate Colorist |
| Ruth Coulson | First Assistant Editor |
| Amelia Ford | First Assistant Editor |
| George Awburn | Online Editor |
| Kim Green | Music Consultant |
| Edward Rogers | Music Programmer |
| Polly Hope | Script Supervisor |
| Susie Struth | Script Supervisor |
| Mark Thomas | Script Editor |
| Scott Warwick | Armorer |
| Nick Jeffries | Armorer |
| Tracey Taylor | Assistant Accountant |
| Hollie Foster | Assistant Production Coordinator |
| Daniel Budd | First Assistant Accountant |
| Kate Brontë-Stewart | Floor Runner |
| Polly Jefferies | Production Coordinator |
| Natalia Pizzey | Production Coordinator |
| Celia Barnett | Researcher |
| Roger Donaldson | Director |
| Dick Clement | Screenplay |
| Ian La Frenais | Screenplay |
| John Gilbert | Editor |
| Odile Dicks-Mireaux | Costume Design |
| J. Peter Robinson | Original Music Composer |
| Greg Powell | Stunt Coordinator |
| Jack English | Still Photographer |
| Chas Bain | Camera Operator |
| Simon Hayes | Production Sound Mixer |
| Peter Block | Production Executive |
| Michael Stevenson | Additional Second Assistant Director |
| Ben Collins | Standby Art Director |
| Name | Title |
|---|---|
| George McIndoe | Executive Producer |
| David Alper | Executive Producer |
| Alan Glazer | Executive Producer |
| Christopher Mapp | Executive Producer |
| Steven Chasman | Producer |
| Aaron Shuster | Producer |
| Scott Fischer | Executive Producer |
| Matthew Street | Executive Producer |
| David Whealy | Executive Producer |
| Charles Roven | Producer |
| Ryan Kavanaugh | Executive Producer |
| Gary Hamilton | Executive Producer |
| Alex Gartner | Executive Producer |
| Mairi Bett | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 38 | 72 | 25 |
| 2024 | 5 | 38 | 48 | 24 |
| 2024 | 6 | 35 | 75 | 22 |
| 2024 | 7 | 37 | 64 | 21 |
| 2024 | 8 | 31 | 56 | 20 |
| 2024 | 9 | 23 | 31 | 18 |
| 2024 | 10 | 31 | 62 | 15 |
| 2024 | 11 | 30 | 58 | 19 |
| 2024 | 12 | 26 | 47 | 20 |
| 2025 | 1 | 30 | 51 | 22 |
| 2025 | 2 | 24 | 39 | 4 |
| 2025 | 3 | 8 | 26 | 2 |
| 2025 | 4 | 7 | 9 | 5 |
| 2025 | 5 | 6 | 8 | 4 |
| 2025 | 6 | 5 | 6 | 4 |
| 2025 | 7 | 5 | 7 | 3 |
| 2025 | 8 | 4 | 6 | 3 |
| 2025 | 9 | 4 | 6 | 3 |
| 2025 | 10 | 5 | 7 | 3 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 664 | 819 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 655 | 754 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 332 | 515 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 901 | 936 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 759 | 858 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 466 | 856 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 264 | 680 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 636 | 791 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 310 | 728 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 417 | 775 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 973 | 973 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 922 | 922 |
**The Bank Job appears to be a face-paced exciting robbery and espionage film. While those things did take place, it was long, slow, and not as flashy as hoped.** With Jason Statham as the lead, I expected The Bank Job to have fight scenes and car chases. It did not. Compared to other Statham fli ... cks, The Bank Job was slow-paced and more dramatic than action-focused. Some of the pacing results from the story being based on an actual bank robbery in 1971. As intriguing as that is, it also made the story drag on. The heist takes place halfway through the film, with a full hour of runtime before the end. The robbery's aftermath is filled with political maneuvering and negotiation between several dangerous groups interested in the contents of the safe. With an hour to tie up all the loose ends, the ending somehow felt abrupt and disappointing. The Bank Job has a few cool moments, but even with a strong lead like Statham, it was average at best.
Based on a true story, Jason Statham does his usual as struggling car dealer "Terry" who is alerted to an opportunity to get rich quick by "Martine" (Saffron Burrows). She knows that a safety deposit box facility is going to be without it's alarm systems for a week or so and therefore if they can as ... semble a skilful team and... yes, think "League of Gentlemen" (1960) only with tunnelling. Now "Terry" doesn't really stop to answer the obvious question - where did "Martine" get this information? Millions of pounds of cash and jewels in these well protected boxes, well of course - but what else might they contain? Who, as importantly, is likely to get a bit narked if their precious cargos are appropriated. Success will come at a price, and that is something that soon descends on them all once they end up with considerably more than the bargained for. This might have worked better with a stronger supporting cast, but neither Burrows nor a motley collection of British regulars really add much to this vehicle for a star who has charisma on screen and a glint in his eye - but that can only take a film so far. This is quite a dry, procedural heist drama that, like so many of the genre, is more fun in the planning but that peters out once the execution and it's aftermath kick in. It's enjoyable enough to watch, and you can only imagine just how many secrets - state or otherwise - are or were holed up in facilities like these all around the world. Somehow, though, this just doesn't ignite nor live up to it's potential and is all a bit flat and forgettable with not enough action and some seriously banal dialogue.