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The Shadow Poster

The Shadow

Who knows what evil lurks in the hearts of men?
1994 | 108m | English

(28603 votes)

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Popularity: 16 (history)

Director: Russell Mulcahy
Writer: David Koepp
Staring:
Details

Based on the 1930s comic strip, The Shadow is put up against his archenemy Shiwan Khan, who plans to take over the world by holding a city to ransom using an atom bomb. Using his powers of invisibility and "the power to cloud men's minds", The Shadow comes blazing to the rescue with explosive results.
Release Date: Jul 01, 1994
Director: Russell Mulcahy
Writer: David Koepp
Genres: Fantasy, Adventure, Action, Crime, Mystery, Thriller
Keywords new york city, atomic bomb, ladykiller, hypnosis, superhero, based on comic, radio series, invisibility, the shadow, neo-noir
Production Companies Universal Pictures, Bregman/Baer Productions
Box Office Revenue: $48,063,465
Budget: $25,000,000
Updates Updated: Jul 30, 2025
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Alec Baldwin Lamont Cranston / The Shadow
John Lone Shiwan Khan
Penelope Ann Miller Margo Lane
Peter Boyle Moe Shrevnitz
Ian McKellen Dr. Reinhardt Lane
Tim Curry Farley Claymore
Jonathan Winters Wainwright Barth
Sab Shimono Dr. Roy Tam
Brady Tsurutani Tulku
James Hong Li Peng
Joseph Maher Isaac Newboldt
John Kapelos Duke Rollins
Max Wright Berger
Aaron Lustig Doctor
Ethan Phillips Nelson
Larry Hankin Taxi Driver
Larry Joshua Maxie
Al Leong Tibetan Driver
Gerald Okamura Tibetan Passenger
Abraham Benrubi Marine Guard
Steve Hytner Marine Guard
Patrick Fischler Sailor
Lily Mariye Mrs. Tam
Garret Sato Mongol
Andre Gregory Burbank
Arsenio Wu
Kate McGregor-Stewart Mrs. Shrevnitz
Joe D'Angerio English Johnny
Wesley Mann Bellboy
Woon Young Park Tibetan Kidnapper / Mongol
Frank Welker Phurba (voice)
Darryl Chan Mongol
James Lew Mongol
Toshishiro Obata Mongol
Bruce Locke Cranston Guard
Leo Lee Mongol
Nils Allen Stewart Mongol
Jimmy Taenaka Cranston Guard
Jen Sung Mongol
Al Goto Mongol
Stuart Quan Mongol
Nathan Jung Tibetan Kidnapper
Robert Trebor Harried Man in Taxi (uncredited)
Name Job
Stephen H. Burum Director of Photography
Gary C. Bourgeois Sound Re-Recording Mixer
Richard King Sound Effects Editor
Kathleen M. Courtney Production Coordinator
Jerry Goldsmith Original Music Composer
Dick Ziker Stunt Coordinator, Second Unit Director
Dana Hee Stunt Double
Chuck Picerni Jr. Stunts
Henry Kingi Stunts
Peter Honess Editor
Beth Jochem Besterveld Editor
William H. Phen Jr. Propmaker
Brian Sata Rigging Grip
Dan Olexiewicz Art Direction
Keith Claridge Key Grip
Darrell Hall Music Editor
Larry Mann Dialogue Editor
Carl J. Stensel Set Designer
Dustin Blauvelt Camera Operator
Ralph Nelson Jr. Still Photographer
Albert Delgado Special Effects Supervisor
Sari Rosen Production Coordinator
Joseph C. Nemec III Production Design
Gintar Repecka Special Effects
Ken Pepiot Special Effects Coordinator
Mark O'Kane Steadicam Operator
Saffron Kenny Production Coordinator
Patricia Churchill Production Manager
E. Jeane Putnam Dialogue Editor
Debra Beebe Key Costumer
John Zemansky Property Master
Raymond Michels Rigging Grip
Bill Tiegs Key Costumer
William J. Law III Set Designer
Dwight Campbell Gaffer
Arthur Morton Orchestrator
Carl Fullerton Makeup Artist
Mike Reiber Painter
Walter B. Gibson Characters
Mark Woods Leadman
Karen G. Wilson Dialogue Editor
Ronnie Specter Key Makeup Artist
Steven T Puri Visual Effects Producer
John Benson Sound Effects Editor
John Dumas Rigging Grip
Martin Maryska Supervising Sound Editor
Mary Jochem Besterveld First Assistant Editor
Garrett Lewis Set Decoration
Timothy P. Salmon Boom Operator
Carissa Green Choreographer
Rick A. Benedetto Best Boy Electric
Robert Webb Construction Foreman
Mike J. Campbell Jr. Rigging Grip
Eric H. Sandberg Costume Supervisor
Janine Rath-Thompson Hairstylist
Carmen M. Miller Visual Effects Coordinator
Leslie Schor Production Coordinator
Jeff Bushelman Dialogue Editor
Hiroshi 'Kan' Ikeuchi Modeling
Christer Hokanson Visual Effects Editor
Bridget Bergman Hairstylist
Gordon Huggins Painter
Jay Wilkinson Sound Effects Editor
Christine Bonnem Location Manager
Laura Graham ADR Editor
Todd R. Smith Key Grip
Martin Matzinger Production Coordinator
James E. Tocci Set Designer
Stephen Shultz Rigging Grip
Lisa Knaggs Production Coordinator
Jo-Anne Smith-Ojeil Makeup Artist
Leslie Huntley Visual Effects Producer
Jack Johnson Art Direction
Christopher Flick Foley Editor
Bret Mixon Roto Supervisor
Robert L. Thompson Construction Foreman
Gene Warren Jr. Visual Effects Supervisor
Don Digirolamo Sound Re-Recording Mixer
Shirley Crawford Hairstylist
Patrick James Grosswendt Gaffer
Kenneth Hall Music Editor
Lauren Palmer ADR Editor
Alison Savitch Visual Effects Producer
June Samson Script Supervisor
Alfred E. Smithey Rigging Grip
James B. Crawford Gaffer
Steven Wolff Art Direction
Peter Olexiewicz Construction Foreman
Jimmy Keys Rigging Gaffer
Cordy Rierson Production Manager
Frank Peterson Rigging Grip
Phillip Linson Foley Editor
Tully Summers Sculptor
Carlos M. Gallardo Dolly Grip
Jene Fielder Makeup Artist
Shelley Rae Hinton ADR Editor
Alan S. Blauvelt First Assistant Camera
Rick Provenzano Hairstylist
Bruce Stubblefield ADR Editor
Bruce D. Spellman Key Grip
Allan Johnson Propmaker
Donald Sylvester Foley Editor
Jellybean Benítez Music Supervisor
Mary Colquhoun Casting
Steve Callas Construction Coordinator
O'Shana Walker Best Boy Electric
Bob Ringwood Costume Design
Brad Sherman Sound Re-Recording Mixer
Scott Hubbell Stunt Coordinator
Allen Hartz Supervising ADR Editor
Elizabeth Beloff Title Designer
Alexandra Root ADR Editor
Russell Mulcahy Director
David Koepp Screenplay
Louis D'Esposito First Assistant Director
Alexander Courage Orchestrator
Gregory J. Barnett Stunts
Steve M. Davison Stunts
Todd Tucker Special Effects Makeup Artist
Buddy Joe Hooker Stunts
Kenny Endoso Stunts
Norman Howell Stunts
Steve Picerni Stunts
Jason Sweers Graphic Designer
Candace Neal Key Hair Stylist
Name Title
Willi Bär Producer
Michael Bregman Producer
Martin Bregman Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 24 43 16
2024 5 25 39 13
2024 6 26 42 14
2024 7 23 34 15
2024 8 21 35 14
2024 9 15 21 11
2024 10 19 35 12
2024 11 15 28 10
2024 12 17 31 12
2025 1 20 42 12
2025 2 11 19 3
2025 3 6 18 1
2025 4 3 10 1
2025 5 3 10 1
2025 6 3 6 1
2025 7 1 2 1
2025 8 2 2 1
2025 9 3 4 2
2025 10 4 16 2

Trending Position


Year Month High Avg
2025 1 296 531

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Reviews

John Chard
6.0

What's that in the shadow? The Shadow is directed by Russell Mulcahy and is based on the character of the same name created by Walter B. Gibson. It stars Alec Baldwin in the title role and support comes from John Lone, Penelope Ann Miller, Peter Boyle, Ian McKellen & Tim Curry. It's written by Da ... vid Koepp who was a fan of the radio show that was re-run when he was a child. The plot basically sees Lamont Cranston (Baldwin) gain an alter ego (The Shadow) in mystical Tibet and with his new powers sets about fighting crime back in the states. All is going well until Shiwan Khan (Lone) shows up. He's the last descendant of Gengis Khan, and in keeping with that particular family tree, he's intent on global domination. There's a lower tier of super hero movies that have either been poorly received in comparison to the big hitters like Bats, Supes and Spidey, or simply forgotten on account of how bad they are. The likes of "Daredevil", "The Phantom", maybe even "Darkman" and this here 94 piece, "The Shadow", are rarely mentioned by the super hero fan. Perhaps rightly it could be argued? But in spite of the tepid and unimaginative plot, "The Shadow" is an above average time filler that's at the least visually impressive. The 1930s Manhattan setting is excellently brought to life by the makers, and a pat on the back is due to them for not over doing the special effects. It looks and feels pulpy, and really there's nothing wrong with that at all. The cast in truth are just about OK, either under written or merely swamped by the production design, they turn up and play the movie as best they can. Hardly ground shaking and not really pumping the blood as an action movie should. "The Shadow" does however have a dreamy quality that makes it worth a watch. Perhaps a sequel or a remake with a better story may just arrive one day? 6/10

May 16, 2024
Wuchak
N/A

_**Genghis Khan’s descendant intrudes upon The Shadow’s urban world in 1930**_ After some kind of epiphany and receiving training in Tibet in the 20s, Lamont Cranston (Alec Baldwin) fights corruption in New York City in 1930-31 as the mysterious Shadow. When the last descendant of Genghis Khan co ... mes to town (John Lone) Cranston sets out to stop his diabolic plans. Penelope Ann Miller plays a socialite, Ian McKellen her father, Tim Curry a mad scientist, Peter Boyle the Shadow’s cab-driving partner and Jonathan Winters the police commissioner. "The Shadow" (1994) is a worthy enough cinematic version of the radio/pulp/comic character that debuted in 1930. The movie obviously borrowed from “Batman” (1989), which is ironic since The Shadow partially inspired the character of Batman, who debuted almost nine years later in 1939. Anyone who likes the Batman tetralogy, “Dick Tracy” (1990) and “The Rocketeer” (1991) should appreciate this. The best parts beyond the superb recreation of New York City circa 1930 are Alec Baldwin as the shadowy crime-fighter and the authentic look of the Shadow. Baldwin was still lean & mean at the time and has that dark side to his personality to pull off Lamont Cranston. Meanwhile the look of the Shadow is perfect (with a prosthetic nose). While I liked the movie, it would've been better if they removed the campy elements (e.g. Tim Curry) and shot for the more serious, darker air of the future "Batman Begins" (2005), which was obviously influenced by this movie. Don’t get me wrong, the flick is serious and dark to a point, but there’s some eye-rolling comic book camp that plagues the proceedings. Since Cranston/the Shadow is easily the most interesting character, more focus needed spent on him. Instead we get this jarring supervillain when the story would’ve worked better with a more mundane rogue akin to Marvel’s Kingpin. The film runs 1 hour, 47 minutes, and was shot at the Universal backlot in Hollywood on five sound-stages with a five-day mini-unit tour of location shooting at Ambassador Hotel & Pantages Theatre in Los Angeles, Mayfield Senior School in Pasadena and Alabama Hills in Lone Pine, California. GRADE: B-

Dec 06, 2021
Arcanum101
8.0

A tongue-in-cheek nostalgic throwback to the thirties and forties. Love the style, the imagery and the period. Heaps of fun! ...

May 09, 2023