Popularity: 16 (history)
| Director: | Russell Mulcahy |
|---|---|
| Writer: | David Koepp |
| Staring: |
| Based on the 1930s comic strip, The Shadow is put up against his archenemy Shiwan Khan, who plans to take over the world by holding a city to ransom using an atom bomb. Using his powers of invisibility and "the power to cloud men's minds", The Shadow comes blazing to the rescue with explosive results. | |
| Release Date: | Jul 01, 1994 |
|---|---|
| Director: | Russell Mulcahy |
| Writer: | David Koepp |
| Genres: | Fantasy, Adventure, Action, Crime, Mystery, Thriller |
| Keywords | new york city, atomic bomb, ladykiller, hypnosis, superhero, based on comic, radio series, invisibility, the shadow, neo-noir |
| Production Companies | Universal Pictures, Bregman/Baer Productions |
| Box Office |
Revenue: $48,063,465
Budget: $25,000,000 |
| Updates |
Updated: Jul 30, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Alec Baldwin | Lamont Cranston / The Shadow |
| John Lone | Shiwan Khan |
| Penelope Ann Miller | Margo Lane |
| Peter Boyle | Moe Shrevnitz |
| Ian McKellen | Dr. Reinhardt Lane |
| Tim Curry | Farley Claymore |
| Jonathan Winters | Wainwright Barth |
| Sab Shimono | Dr. Roy Tam |
| Brady Tsurutani | Tulku |
| James Hong | Li Peng |
| Joseph Maher | Isaac Newboldt |
| John Kapelos | Duke Rollins |
| Max Wright | Berger |
| Aaron Lustig | Doctor |
| Ethan Phillips | Nelson |
| Larry Hankin | Taxi Driver |
| Larry Joshua | Maxie |
| Al Leong | Tibetan Driver |
| Gerald Okamura | Tibetan Passenger |
| Abraham Benrubi | Marine Guard |
| Steve Hytner | Marine Guard |
| Patrick Fischler | Sailor |
| Lily Mariye | Mrs. Tam |
| Garret Sato | Mongol |
| Andre Gregory | Burbank |
| Arsenio | Wu |
| Kate McGregor-Stewart | Mrs. Shrevnitz |
| Joe D'Angerio | English Johnny |
| Wesley Mann | Bellboy |
| Woon Young Park | Tibetan Kidnapper / Mongol |
| Frank Welker | Phurba (voice) |
| Darryl Chan | Mongol |
| James Lew | Mongol |
| Toshishiro Obata | Mongol |
| Bruce Locke | Cranston Guard |
| Leo Lee | Mongol |
| Nils Allen Stewart | Mongol |
| Jimmy Taenaka | Cranston Guard |
| Jen Sung | Mongol |
| Al Goto | Mongol |
| Stuart Quan | Mongol |
| Nathan Jung | Tibetan Kidnapper |
| Robert Trebor | Harried Man in Taxi (uncredited) |
| Name | Job |
|---|---|
| Stephen H. Burum | Director of Photography |
| Gary C. Bourgeois | Sound Re-Recording Mixer |
| Richard King | Sound Effects Editor |
| Kathleen M. Courtney | Production Coordinator |
| Jerry Goldsmith | Original Music Composer |
| Dick Ziker | Stunt Coordinator, Second Unit Director |
| Dana Hee | Stunt Double |
| Chuck Picerni Jr. | Stunts |
| Henry Kingi | Stunts |
| Peter Honess | Editor |
| Beth Jochem Besterveld | Editor |
| William H. Phen Jr. | Propmaker |
| Brian Sata | Rigging Grip |
| Dan Olexiewicz | Art Direction |
| Keith Claridge | Key Grip |
| Darrell Hall | Music Editor |
| Larry Mann | Dialogue Editor |
| Carl J. Stensel | Set Designer |
| Dustin Blauvelt | Camera Operator |
| Ralph Nelson Jr. | Still Photographer |
| Albert Delgado | Special Effects Supervisor |
| Sari Rosen | Production Coordinator |
| Joseph C. Nemec III | Production Design |
| Gintar Repecka | Special Effects |
| Ken Pepiot | Special Effects Coordinator |
| Mark O'Kane | Steadicam Operator |
| Saffron Kenny | Production Coordinator |
| Patricia Churchill | Production Manager |
| E. Jeane Putnam | Dialogue Editor |
| Debra Beebe | Key Costumer |
| John Zemansky | Property Master |
| Raymond Michels | Rigging Grip |
| Bill Tiegs | Key Costumer |
| William J. Law III | Set Designer |
| Dwight Campbell | Gaffer |
| Arthur Morton | Orchestrator |
| Carl Fullerton | Makeup Artist |
| Mike Reiber | Painter |
| Walter B. Gibson | Characters |
| Mark Woods | Leadman |
| Karen G. Wilson | Dialogue Editor |
| Ronnie Specter | Key Makeup Artist |
| Steven T Puri | Visual Effects Producer |
| John Benson | Sound Effects Editor |
| John Dumas | Rigging Grip |
| Martin Maryska | Supervising Sound Editor |
| Mary Jochem Besterveld | First Assistant Editor |
| Garrett Lewis | Set Decoration |
| Timothy P. Salmon | Boom Operator |
| Carissa Green | Choreographer |
| Rick A. Benedetto | Best Boy Electric |
| Robert Webb | Construction Foreman |
| Mike J. Campbell Jr. | Rigging Grip |
| Eric H. Sandberg | Costume Supervisor |
| Janine Rath-Thompson | Hairstylist |
| Carmen M. Miller | Visual Effects Coordinator |
| Leslie Schor | Production Coordinator |
| Jeff Bushelman | Dialogue Editor |
| Hiroshi 'Kan' Ikeuchi | Modeling |
| Christer Hokanson | Visual Effects Editor |
| Bridget Bergman | Hairstylist |
| Gordon Huggins | Painter |
| Jay Wilkinson | Sound Effects Editor |
| Christine Bonnem | Location Manager |
| Laura Graham | ADR Editor |
| Todd R. Smith | Key Grip |
| Martin Matzinger | Production Coordinator |
| James E. Tocci | Set Designer |
| Stephen Shultz | Rigging Grip |
| Lisa Knaggs | Production Coordinator |
| Jo-Anne Smith-Ojeil | Makeup Artist |
| Leslie Huntley | Visual Effects Producer |
| Jack Johnson | Art Direction |
| Christopher Flick | Foley Editor |
| Bret Mixon | Roto Supervisor |
| Robert L. Thompson | Construction Foreman |
| Gene Warren Jr. | Visual Effects Supervisor |
| Don Digirolamo | Sound Re-Recording Mixer |
| Shirley Crawford | Hairstylist |
| Patrick James Grosswendt | Gaffer |
| Kenneth Hall | Music Editor |
| Lauren Palmer | ADR Editor |
| Alison Savitch | Visual Effects Producer |
| June Samson | Script Supervisor |
| Alfred E. Smithey | Rigging Grip |
| James B. Crawford | Gaffer |
| Steven Wolff | Art Direction |
| Peter Olexiewicz | Construction Foreman |
| Jimmy Keys | Rigging Gaffer |
| Cordy Rierson | Production Manager |
| Frank Peterson | Rigging Grip |
| Phillip Linson | Foley Editor |
| Tully Summers | Sculptor |
| Carlos M. Gallardo | Dolly Grip |
| Jene Fielder | Makeup Artist |
| Shelley Rae Hinton | ADR Editor |
| Alan S. Blauvelt | First Assistant Camera |
| Rick Provenzano | Hairstylist |
| Bruce Stubblefield | ADR Editor |
| Bruce D. Spellman | Key Grip |
| Allan Johnson | Propmaker |
| Donald Sylvester | Foley Editor |
| Jellybean Benítez | Music Supervisor |
| Mary Colquhoun | Casting |
| Steve Callas | Construction Coordinator |
| O'Shana Walker | Best Boy Electric |
| Bob Ringwood | Costume Design |
| Brad Sherman | Sound Re-Recording Mixer |
| Scott Hubbell | Stunt Coordinator |
| Allen Hartz | Supervising ADR Editor |
| Elizabeth Beloff | Title Designer |
| Alexandra Root | ADR Editor |
| Russell Mulcahy | Director |
| David Koepp | Screenplay |
| Louis D'Esposito | First Assistant Director |
| Alexander Courage | Orchestrator |
| Gregory J. Barnett | Stunts |
| Steve M. Davison | Stunts |
| Todd Tucker | Special Effects Makeup Artist |
| Buddy Joe Hooker | Stunts |
| Kenny Endoso | Stunts |
| Norman Howell | Stunts |
| Steve Picerni | Stunts |
| Jason Sweers | Graphic Designer |
| Candace Neal | Key Hair Stylist |
| Name | Title |
|---|---|
| Willi Bär | Producer |
| Michael Bregman | Producer |
| Martin Bregman | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 24 | 43 | 16 |
| 2024 | 5 | 25 | 39 | 13 |
| 2024 | 6 | 26 | 42 | 14 |
| 2024 | 7 | 23 | 34 | 15 |
| 2024 | 8 | 21 | 35 | 14 |
| 2024 | 9 | 15 | 21 | 11 |
| 2024 | 10 | 19 | 35 | 12 |
| 2024 | 11 | 15 | 28 | 10 |
| 2024 | 12 | 17 | 31 | 12 |
| 2025 | 1 | 20 | 42 | 12 |
| 2025 | 2 | 11 | 19 | 3 |
| 2025 | 3 | 6 | 18 | 1 |
| 2025 | 4 | 3 | 10 | 1 |
| 2025 | 5 | 3 | 10 | 1 |
| 2025 | 6 | 3 | 6 | 1 |
| 2025 | 7 | 1 | 2 | 1 |
| 2025 | 8 | 2 | 2 | 1 |
| 2025 | 9 | 3 | 4 | 2 |
| 2025 | 10 | 4 | 16 | 2 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 296 | 531 |
What's that in the shadow? The Shadow is directed by Russell Mulcahy and is based on the character of the same name created by Walter B. Gibson. It stars Alec Baldwin in the title role and support comes from John Lone, Penelope Ann Miller, Peter Boyle, Ian McKellen & Tim Curry. It's written by Da ... vid Koepp who was a fan of the radio show that was re-run when he was a child. The plot basically sees Lamont Cranston (Baldwin) gain an alter ego (The Shadow) in mystical Tibet and with his new powers sets about fighting crime back in the states. All is going well until Shiwan Khan (Lone) shows up. He's the last descendant of Gengis Khan, and in keeping with that particular family tree, he's intent on global domination. There's a lower tier of super hero movies that have either been poorly received in comparison to the big hitters like Bats, Supes and Spidey, or simply forgotten on account of how bad they are. The likes of "Daredevil", "The Phantom", maybe even "Darkman" and this here 94 piece, "The Shadow", are rarely mentioned by the super hero fan. Perhaps rightly it could be argued? But in spite of the tepid and unimaginative plot, "The Shadow" is an above average time filler that's at the least visually impressive. The 1930s Manhattan setting is excellently brought to life by the makers, and a pat on the back is due to them for not over doing the special effects. It looks and feels pulpy, and really there's nothing wrong with that at all. The cast in truth are just about OK, either under written or merely swamped by the production design, they turn up and play the movie as best they can. Hardly ground shaking and not really pumping the blood as an action movie should. "The Shadow" does however have a dreamy quality that makes it worth a watch. Perhaps a sequel or a remake with a better story may just arrive one day? 6/10
_**Genghis Khan’s descendant intrudes upon The Shadow’s urban world in 1930**_ After some kind of epiphany and receiving training in Tibet in the 20s, Lamont Cranston (Alec Baldwin) fights corruption in New York City in 1930-31 as the mysterious Shadow. When the last descendant of Genghis Khan co ... mes to town (John Lone) Cranston sets out to stop his diabolic plans. Penelope Ann Miller plays a socialite, Ian McKellen her father, Tim Curry a mad scientist, Peter Boyle the Shadow’s cab-driving partner and Jonathan Winters the police commissioner. "The Shadow" (1994) is a worthy enough cinematic version of the radio/pulp/comic character that debuted in 1930. The movie obviously borrowed from “Batman” (1989), which is ironic since The Shadow partially inspired the character of Batman, who debuted almost nine years later in 1939. Anyone who likes the Batman tetralogy, “Dick Tracy” (1990) and “The Rocketeer” (1991) should appreciate this. The best parts beyond the superb recreation of New York City circa 1930 are Alec Baldwin as the shadowy crime-fighter and the authentic look of the Shadow. Baldwin was still lean & mean at the time and has that dark side to his personality to pull off Lamont Cranston. Meanwhile the look of the Shadow is perfect (with a prosthetic nose). While I liked the movie, it would've been better if they removed the campy elements (e.g. Tim Curry) and shot for the more serious, darker air of the future "Batman Begins" (2005), which was obviously influenced by this movie. Don’t get me wrong, the flick is serious and dark to a point, but there’s some eye-rolling comic book camp that plagues the proceedings. Since Cranston/the Shadow is easily the most interesting character, more focus needed spent on him. Instead we get this jarring supervillain when the story would’ve worked better with a more mundane rogue akin to Marvel’s Kingpin. The film runs 1 hour, 47 minutes, and was shot at the Universal backlot in Hollywood on five sound-stages with a five-day mini-unit tour of location shooting at Ambassador Hotel & Pantages Theatre in Los Angeles, Mayfield Senior School in Pasadena and Alabama Hills in Lone Pine, California. GRADE: B-
A tongue-in-cheek nostalgic throwback to the thirties and forties. Love the style, the imagery and the period. Heaps of fun! ...