 
  Popularity: 3 (history)
| Director: | Antony Hoffman | 
|---|---|
| Writer: | Jonathan Lemkin, Chuck Pfarrer | 
| Staring: | 
| Astronauts search for solutions to save a dying Earth by searching on Mars, only to have the mission go terribly awry. | |
| Release Date: | Nov 10, 2000 | 
|---|---|
| Director: | Antony Hoffman | 
| Writer: | Jonathan Lemkin, Chuck Pfarrer | 
| Genres: | Action, Science Fiction, Thriller | 
| Keywords | planet mars, future, robot, astronaut, space opera, catastrophe, space adventure | 
| Production Companies | Village Roadshow Pictures, NPV Entertainment, Warner Bros. Pictures, The Canton Company, Mars Production | 
| Box Office | Revenue: $33,463,969 Budget: $80,000,000 | 
| Updates | Updated: Jul 30, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Val Kilmer | Robby Gallagher | 
| Carrie-Anne Moss | Cmdr. Kate Bowman | 
| Benjamin Bratt | Lt. Ted Santen | 
| Tom Sizemore | Dr. Quinn Burchenal | 
| Simon Baker | Chip Pettengill | 
| Terence Stamp | Dr. Bud Chantilas | 
| Jessica Morton | Website Fan | 
| Bob Neill | Voice of Houston (voice) | 
| Caroline Bossi | Website Fan | 
| Name | Job | 
|---|---|
| Antony Hoffman | Director | 
| Jonathan Lemkin | Screenplay | 
| Robert K. Lambert | Editor | 
| Dallas Puett | Editor | 
| Rachel Wyn Dunn | Compositors | 
| Owen Paterson | Production Design | 
| Hugh Bateup | Art Direction | 
| Catherine Mansill | Art Direction | 
| Brian Dusting | Set Decoration | 
| Steve Riera | Art Department Assistant | 
| Constantine Sekeris | Conceptual Design | 
| John Pickering | Construction Coordinator | 
| David Monzingo | Painter | 
| David Russell | Production Illustrator | 
| Gavin Jones | Sculptor | 
| Fiona Donovan | Set Designer | 
| Richard Bradshaw | First Assistant Camera | 
| Ray Brown | Grip | 
| Pete Cavaciuti | Steadicam Operator | 
| Jasin Boland | Still Photographer | 
| Jeanne DuPont | Assistant Costume Designer | 
| John Casey | Costume Supervisor | 
| Erica Wells | Hairstylist | 
| Paul Engelen | Makeup Artist | 
| Mike Hardison | CG Supervisor | 
| Jay Torta | Loader | 
| Debbi Bossi | Post Production Supervisor | 
| Peta Black | Scenic Artist | 
| Tom Davies | Special Effects Coordinator | 
| Guy Norris | Stunt Coordinator | 
| Damian Bradford | Stunts | 
| Ben Farris | Systems Administrators & Support | 
| Dave Heazlewood | Transportation Captain | 
| John Suhr | Transportation Coordinator | 
| Stephen Jones | Unit Production Manager | 
| Fiona Searson | Unit Publicist | 
| Gus Duron | Visual Effects Editor | 
| Sophie Fabbri-Jackson | Script Supervisor | 
| Tom Stanger | Electrician | 
| Gary Hill | Rigging Gaffer | 
| Andy Rennie | Rigging Grip | 
| Daniel R. Chavez | Executive In Charge Of Post Production | 
| Bill Draper | Executive In Charge Of Production | 
| Dick Beckett | Location Manager | 
| Lorelle Adamson | Production Coordinator | 
| Vicki Popplewell | Production Manager | 
| Rod Conder | Boom Operator | 
| Nancy Barker | First Assistant Sound Editor | 
| Thom Brennan | Foley | 
| Ashley Revell | Music Editor | 
| Tim Simonec | Orchestrator | 
| Paul 'Salty' Brincat | Production Sound Mixer | 
| Wolfgang Amadeus | Scoring Mixer | 
| Eric Cameron Hosmer | Sound Editor | 
| Eric Lindemann | Sound Effects Editor | 
| Mark Kochinski | 3D Supervisor | 
| Steve Markowski | Animation Supervisor | 
| Kenneth Au | Digital Compositors | 
| Rodney Burke | Special Effects Supervisor | 
| Tony Anderson | Visual Effects | 
| Jack Geist | Visual Effects Coordinator | 
| Thomas Boland | Visual Effects Producer | 
| Cosmas Paul Bolger Jr. | Visual Effects Supervisor | 
| Scott Oshita | Machinist | 
| Suzanne Lowe | Digital Producer | 
| Paul Messer | Unit Manager | 
| Gary Jones | Production Accountant | 
| David Orr | Color Timer | 
| Chad Algarin | Sound Recordist | 
| Graeme Burfoot | Second Unit Director | 
| Colin Fletcher | First Assistant Director | 
| Joe Dorn | Supervising ADR Editor | 
| Stephanie Flack | Supervising Dialogue Editor | 
| Andrew Lackey | Sound Effects Designer | 
| Julia Evershade | Supervising Sound Editor | 
| Jeremy Peirson | Sound Effects Editor | 
| Richard Adrian | Sound Effects Designer | 
| Clare Howie | Costume Assistant | 
| Lois DeArmond | Costume Illustrator | 
| Vera Mitchell | Hairdresser | 
| Brenda Donoho | Key Costumer | 
| Noni Roy | Assistant Director | 
| Giovanni Pacialeo | Third Assistant Director | 
| Liz van den Berg | Set Painter | 
| Brad Diebert | Standby Carpenter | 
| Timothy Burgard | Storyboard Artist | 
| Niamh Murphy | Textile Artist | 
| Thomas J. O'Connell | ADR Mixer | 
| Alyson Dee Moore | Foley Artist | 
| Mary Jo Lang | Foley Mixer | 
| Carolyn Tapp | Foley Recordist | 
| Adam Khamis | Special Effects Assistant | 
| Dave Barkovitz | Special Effects Technician | 
| Lynne Cartwright | Additional Visual Effects | 
| Kelly L'Estrange | Visual Effects Production Manager | 
| Ramprasad Sampath | Visual Effects Technical Director | 
| Annette van Moorsel | Stunt Double | 
| Illya Smith | Additional Grip | 
| Jean-Yves Le Poulain | Assistant Camera | 
| Ian Bird | Best Boy Grip | 
| Steve Harding | Dolly Grip | 
| Constance Bracewell | Lead Animator | 
| Rutie Blum | Additional Casting | 
| Jake Richter | Casting Assistant | 
| Mark Bourgeois | Assistant Editor | 
| Mo Henry | Negative Cutter | 
| Patrick Plummer | Assistant Accountant | 
| Matt Buchan | Assistant Chief Lighting Technician | 
| Jacqueline King | Assistant Production Coordinator | 
| Simon Lucas | Assistant Unit Manager | 
| Christian Hatfield | CG Artist | 
| Peter Bushby | Chief Lighting Technician | 
| Feliciano di Giorgio | Compositing Supervisor | 
| Vicky Roper | Extras Casting | 
| Mandy Butler | First Assistant Accountant | 
| Ray Scalice | General Manager | 
| John Follmer | Head of Production | 
| Abbie Mawhinney | Production Assistant | 
| Michael Taylor | Production Executive | 
| Cian O'Clery | Production Runner | 
| Jo Pinter | Production Secretary | 
| Erin M. Cullen | Roto Supervisor | 
| Etienne Andlau | Rotoscoping Artist | 
| Laura Sivis | Security Coordinator | 
| Katrina Crook | First Assistant "A" Camera | 
| Jem Rayner | First Assistant "B" Camera | 
| Geoffrey Wharton | Second Unit Director of Photography | 
| Harry Panagiotidis | Steadicam Operator | 
| Randy Nolen | Steadicam Operator | 
| Aron Walker | Dolly Grip | 
| Greg Tuohy | Dolly Grip | 
| Chuck Pfarrer | Screenplay | 
| Graeme Revell | Original Music Composer | 
| Lora Kennedy | Casting | 
| Mitchell Amundsen | Camera Operator | 
| Jeffrey Pollack | Music Consultant | 
| Peter Suschitzky | Director of Photography | 
| Jerry Weil | Digital Effects Supervisor | 
| Brett Praed | Utility Stunts | 
| Paul Haslinger | Music Programmer | 
| Fletcher Moules | Props | 
| Kelly Port | CG Supervisor | 
| Kym Barrett | Costume Design | 
| Dane A. Davis | Supervising Sound Editor, Sound Designer | 
| Name | Title | 
|---|---|
| Jorge Saralegui | Producer | 
| Andrew Mason | Executive Producer | 
| Stephen Jones | Associate Producer | 
| Charles J.D. Schlissel | Executive Producer | 
| Bruce Berman | Producer | 
| Mark Canton | Producer | 
| Chuck Pfarrer | Executive Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 22 | 32 | 11 | 
| 2024 | 5 | 28 | 49 | 16 | 
| 2024 | 6 | 22 | 39 | 13 | 
| 2024 | 7 | 24 | 49 | 14 | 
| 2024 | 8 | 19 | 35 | 12 | 
| 2024 | 9 | 13 | 20 | 9 | 
| 2024 | 10 | 17 | 29 | 12 | 
| 2024 | 11 | 14 | 23 | 7 | 
| 2024 | 12 | 14 | 30 | 8 | 
| 2025 | 1 | 18 | 36 | 10 | 
| 2025 | 2 | 10 | 15 | 3 | 
| 2025 | 3 | 5 | 12 | 1 | 
| 2025 | 4 | 2 | 3 | 1 | 
| 2025 | 5 | 1 | 4 | 1 | 
| 2025 | 6 | 2 | 3 | 1 | 
| 2025 | 7 | 1 | 1 | 1 | 
| 2025 | 8 | 1 | 2 | 1 | 
| 2025 | 9 | 4 | 6 | 2 | 
| 2025 | 10 | 3 | 5 | 1 | 
Trending Position
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 12 | 954 | 971 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 8 | 407 | 535 | 
Here comes a billion dollar campfire. At least it's good for something. The second of the Mars based box office bombs released in 2000, Red Planet is maybe - just maybe - worth a revisit by some who were irritated by it back on first viewing. Once knowing that this is not going to be some action ... packed alien movie, that it's a survivalist drama that tips its hat to 1950s sci-fi schlock, that cares about its characters, then there's a decent popcorner experience to be had here. This is not to say it's a genius entry in the sci-fi pantheon, because it's not, the same problems still exist; Terence Stamp is woefully under used (seriously they could have got any low paid character actor to play his role), some things either don't make sense or are left unanswered, and of course it still drags in the middle as the boys chatter away on Mars whilst Carrie Anne-Moss is up at base station fretting and suffering erectus nippleus. Yet there's fun to be had here, some nutty science marries up with nice photography and splendid set design, and the makers know what sort of picture they want to make. Where Mission to Mars sunk under the weight of its own pretensions - trying to go all elegiac and important, Red Planet nudges and winks and asks you along for the ride. So get on board and take it for what it is, a pretentious free zone with good human drama at the core. 6.5/10
_Red Planet_ has so much going on, and it doesn't have control of any of it. Not a single actor fits their character, except possibly Carrie-Ann Moss, who spends basically the entire runtime too benched to really count as a character in 99% of the story anyway. _Final rating:★★ - Had some things ... that appeal to me, but a poor finished product._
Red Planet had the potential to be a gripping sci-fi survival film, but it falls short due to weak writing and lackluster execution. The plot follows a team of astronauts sent to Mars for a critical mission, but the movie struggles to maintain tension or make the stakes feel real. The directing is s ... erviceable but uninspired, never really leaning into the survival elements or making the action feel urgent. Visually, the cinematography does a decent job of capturing Mars' desolate landscape, though the CGI, while better than expected, feels underwhelming for its time. The film misses opportunities to create a more immersive or visually striking atmosphere. The acting is mostly passable, with a few performances standing out more than others, but the script does the cast no favors. Dialogue is stiff, and character interactions often feel unnatural or rushed. The story also takes some questionable leaps in logic, which make it hard to stay invested. The AI element, a key part of the plot, is handled in a way that feels inconsistent. The score doesn't add much to the experience, and the dramatic moments often lack weight, partially due to the uninspired music choices. Overall, Red Planet had a solid premise but failed to execute it in a way that makes it worth revisiting