Popularity: 2 (history)
Director: | Sophie Barthes |
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Writer: | Sophie Barthes |
Staring: |
In a not-so-distant future, couples can share pregnancy on a more equal footing via detachable artificial wombs. While botanist Alvy has doubts about this new way of birthing babies, his love for Rachel prompts him to take a leap of faith. | |
Release Date: | Aug 11, 2023 |
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Director: | Sophie Barthes |
Writer: | Sophie Barthes |
Genres: | Comedy, Science Fiction, Drama, Romance |
Keywords | future, marriage crisis, child labour, natural birth, working woman, synthetic human, child birth, planned parenthood, work-life balance |
Production Companies | MK2 Films, Quad Productions, SCOPE Pictures |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Emilia Clarke | Rachel |
Chiwetel Ejiofor | Alvy |
Rosalie Craig | Linda Wozcheck |
Vinette Robinson | Alice |
Kathryn Hunter | Post Office Clerk |
Jean-Marc Barr | The Founder |
Verona Verbakel | Radical feminist |
Sarah Gallagher | Parent #2 |
Ken Samuels | Steven |
Anne-Marie Agbodji | Affable Nurse |
Nilson David | Folio Executive #6 |
Elke Shari Van Den Broeck | Front desk assistant |
Leonoor Koster | Woman with Blinking Pod |
Isis Caljé | Womb Center Nurse #1 |
Veronika Olah | Baby Supermarket Cashier |
Benedict Landsbert-Noon | Josh |
Nathalie Opare | Student #10 |
Ashley Johnson | Breathing Bar Hostess |
Alix Dunmore | Eliza (voice) |
Megan Maczko | Elena (voice) |
Eliza Butterworth | Masha (voice) |
Rita Bernard-Shaw | Rebecca / ADR (voice) |
Ian Bouillion | Radio Guest / ADR (voice) |
Rupert Simonian | Radio Host / ADR (voice) |
James Gentile | Rachel's Father |
Mylène d'Anjou | Rachel's Mother |
Prudence Leroy | Pregnant Woman |
Nora Zakiri | Subway Girl (uncredited) |
Jelle De Beule | Ben |
Name | Job |
---|---|
Sophie Barthes | Director, Writer |
Andrij Parekh | Director of Photography |
Dixie Chassay | Casting |
Nicolas Ronchi | Casting |
Emmanuelle Youchnovski | Costume Design |
Peter Bernaers | Colorist |
Sacha Galperine | Original Music Composer |
Evgueni Galperine | Original Music Composer |
Kenzo Pelsener | Boom Operator |
Céline De Waele | Casting |
Mathias Sourbron | Casting |
Stephan Rubens | Art Direction |
Olivier Bugge Coutté | Editor |
Laurent Hanon | Production Manager |
Maïmouna Bancel | Third Assistant Director |
Caroline De Schryver | Crowd Assistant Director |
Marcus Himbert | First Assistant Director |
Yves Capelle | Storyboard Artist |
Thomas Delord | 3D Artist |
Dirk Bombey | Sound Recordist |
Ronald Grauer | Visual Effects Supervisor |
Guillaume Augeri | Second Assistant Camera |
Olivier Cazzitti | Gaffer |
Dimitri Doulkeridis | Key Grip |
Luc Frisson | First Assistant "A" Camera |
Fabien Ruyssen | First Assistant "B" Camera |
Maarten Stoop | Lighting Technician |
Brigitte De Witte | Extras Casting |
Lucy Jordan | Casting Associate |
Maxime Gandon | Location Assistant |
Nicolas Jacob | Location Scout |
Julie Ghesquiere | Script Supervisor |
David Vranken | Sound Designer |
Selıa Çakir | Foley Editor |
Tom Nicolas | ADR Supervisor |
Kyle Masterson-Silvestro | Sound Recordist |
Marina Lerchs | Sound Re-Recording Mixer |
Pierre Greco | Foley Artist |
Mathieu Cox | Sound Re-Recording Mixer |
Anne-Laure Davault | Sound Design Assistant |
Anne Moralis | Wigmaker |
Sandra O'Brien | Makeup Artist |
Name | Title |
---|---|
Yann Zenou | Producer |
Geneviève Lemal | Producer |
Sophie Barthes | Executive Producer |
Emilia Clarke | Executive Producer |
Nathanaël Karmitz | Executive Producer |
Philippe Logie | Producer |
Adrian Politowski | Executive Producer |
Hervé Ruet | Executive Producer |
Paul Nelson | Executive Producer |
David Bensadoun | Executive Producer |
Valerie Berlemont | Producer |
Jean-François Camilleri | Producer |
Tanguy Dekeyser | Producer |
Sierra Garcia | Executive Producer |
Jaime Mateus-Tique | Executive Producer |
Nessa McGill | Executive Producer |
Martin Metz | Producer |
Paul Nelson | Executive Producer |
Géraldine Ohana | Producer |
Raphaël Perchet | Producer |
Oliver Roskill | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 62 | 98 | 33 |
2024 | 5 | 47 | 70 | 34 |
2024 | 6 | 41 | 54 | 26 |
2024 | 7 | 41 | 75 | 25 |
2024 | 8 | 34 | 50 | 25 |
2024 | 9 | 27 | 33 | 20 |
2024 | 10 | 29 | 54 | 16 |
2024 | 11 | 27 | 54 | 15 |
2024 | 12 | 19 | 30 | 13 |
2025 | 1 | 20 | 33 | 14 |
2025 | 2 | 15 | 25 | 3 |
2025 | 3 | 7 | 20 | 1 |
2025 | 4 | 2 | 4 | 1 |
2025 | 5 | 2 | 6 | 1 |
2025 | 6 | 2 | 4 | 1 |
2025 | 7 | 3 | 5 | 2 |
2025 | 8 | 2 | 3 | 1 |
2025 | 9 | 2 | 2 | 2 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2024 | 9 | 597 | 799 |
FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/the-pod-generation-review-sundance-2023 "The Pod Generation features remarkable world-building and futuristic production design, but despite sharing thought-provoking yet repetitive, superficial messages about human evolution and ... advanced technology, it lacks a stronger emotional impact. Emilia Clarke and Chiwetel Ejiofor are VERY good, though." Rating: C+
**By: Louisa Moore / www.ScreenZealots.com** Science Fiction stories are almost always interesting or intellectually stimulating, and on paper, the idea behind “The Pod Generation” sounds like a good premise. This female-focused satire of how technology, consumerism, nature, and detached parentin ... g co-exist in modern society starts off strong but quickly falters. Writer / director Sophie Barthes simply cannot figure out where she wants her story to go, and she hits the brakes before ever getting it up to speed. Artificial Intelligence is the rage in the near future, and actual nature has been pushed aside for convenience in everyday life. Botanist Alvy (Chiwetel Ejiofor) and his business executive wife Rachel (Emilia Clarke) would love to become parents, but she’s consumed by her work and has time for little else. One morning, the couple gets the exciting news: they’ve landed a coveted spot at the exclusive Womb Center, a very expensive service that provides artificial wombs (known as “pods”) to grow their new baby. It’s a way Rachel can become a mother while not giving up on her career, and it’s a very popular option. Although Alvy would prefer a natural pregnancy, he gives in to make his wife happy. It’s a smart and timely idea for a film, especially at a time where no woman can claim to be completely free until she has full control over her own reproductive system. There’s a real truth to women being forced to make a choice between a career or motherhood, and it’s often inconvenient to have kids while just starting out in the world. In Barthes’ imagined future, the birth rate has declined so much that the need for pods is becoming a necessity, and they are a way to empower women to become mothers while also forging ahead on their career path. All of these themes are worthy of serious conversation, but the film is all bark and no bite. “The Pod Generation” questions the human relationship with and dependency on technology, but it doesn’t push boundaries far enough. It seems like there’s a sharper feminist-minded film somewhere within this one that’s just waiting to get out. Until then, maybe what we all really need is to just unplug and breathe in some fresh mountain air.
**Have you ever wondered what it means to be human in a world where nature and work are redefined?** The Pod Generation isn't just a film; it's a journey into these existential questions. The movie begins by delving into the complex relationship between modern work and work-life balance. From th ... e very start,it captivated me with its realistic and imaginable future scenarios. This is a rare sci-fi film that combines futurism with believability, drawing you into a world that feels both alien and familiar. But what's truly intriguing about this film is how it initially seems to be about the technological innovation of baby-pods. Yet, as the story unfolds, you realize it's exploring much deeper themes. It's a narrative about the role of A.I., the dynamics of social interaction in a digital world, and most importantly, the loss of nature and physicality. This twist is what makes The Pod Generation a great, cinematic experience. What do you stand for? How important are your beliefs to you? These questions aren't just presented; they're explored in a way that makes you reflect on your own life. Biggest surprise: It's an european cinema production...! The grandiose cinematography adds a layer of depth to the film, making camera work not just a visual treat but a thought-provoking piece.