Popularity: 6 (history)
| Director: | Elizabeth Chai Vasarhelyi, Jimmy Chin |
|---|---|
| Writer: | Diana Nyad, Julia Cox |
| Staring: |
| Athlete Diana Nyad sets out at 60 to achieve a nearly impossible lifelong dream: to swim from Cuba to Florida across more than 100 miles of open ocean. | |
| Release Date: | Oct 18, 2023 |
|---|---|
| Director: | Elizabeth Chai Vasarhelyi, Jimmy Chin |
| Writer: | Diana Nyad, Julia Cox |
| Genres: | Drama, History |
| Keywords | affectation, biography, based on true story, based on memoir or autobiography, swimming, world record, wild swimming, absurd, admiring, adoring |
| Production Companies | Mad Chance, Black Bear Pictures, SPG3 Entertainment, Zurich Avenue |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Job |
|---|---|
| Candito Castro | Carpenter |
| Kara Lindstrom | Production Design |
| María Fernanda Sabogal | Art Direction |
| Deborah Wallach | Supervising Sound Editor |
| Agueda Anaya Angulo | Third Assistant Director |
| Mauricio Coronado | Third Assistant Director |
| Amalia Ramírez Atiles | Second Assistant Director |
| Peter Zuccarini | Underwater Director of Photography, Second Unit Director |
| Tom Fleischman | Sound Re-Recording Mixer |
| Marco Vargas Garcia | Utility Sound, Sound |
| Héctor Alfaro | Key Grip |
| Salim Bensrhir | Gaffer |
| Mateo Bourdieu | First Assistant "A" Camera |
| Rohan Chitrakar | Digital Imaging Technician |
| Josh Coffin | Underwater Camera |
| Daniel De La Cruz Corporán | Video Assist Operator |
| Alex C. Coyle | Loader |
| Melanie De Jesus | Best Boy Electric |
| Martín de Jesús | Gaffer |
| Gabriel De La Parra | Drone Operator |
| Miguel Batista El Chévere | Key Rigging Grip |
| Kiley Etter | Lighting Programmer |
| Kimberly French | Still Photographer |
| Sean P. Gilbert | Underwater Camera |
| Blake Hooks | Second Assistant "B" Camera |
| Luis Alfaro Imaz | Best Boy Electric |
| Dubin Kim | Best Boy Grip |
| Manny Emmanuel Medina | Assistant Camera |
| Javier Mejía | Grip |
| Kim Olsen | Key Grip |
| Jordan Pellegrini | Second Assistant "A" Camera |
| Francisco Javier Peña | Best Boy Grip |
| Robert Smathers | First Assistant "B" Camera |
| Juan Alberto Ureña | Grip |
| Loretta Castellanos | Art Department Coordinator |
| Mariel Demorizi | Graphic Designer |
| Walter Jennings Fowler | Assistant Property Master |
| Alejandro Pérez Félix | Leadman |
| Braulio Gil | Set Decoration Buyer |
| Vera Gomez | Assistant Set Designer |
| Hector M. Gonzalez | Property Master |
| Ereminda Imbert | Construction Coordinator |
| Richard Poulain | Storyboard Artist |
| John Pundt | Graphic Designer |
| Ernesto Solo | Supervising Art Director |
| Milechka Sterlin | Set Designer |
| Trino Madriz | ADR Mixer |
| John Moros | Dialogue Editor |
| Bartek Swiatek | Production Sound Mixer |
| Fabricio Aquino | Special Effects Assistant |
| Radhames Bido | Special Effects Assistant |
| Diego Fabian Lozada Bocanegra | Special Effects |
| George A. Cabrera | Special Effects Assistant |
| Carlos Manuel Capellán | Special Effects Assistant |
| Nayiver Castaño | Special Effects Assistant |
| Jaime Castillo | Special Effects Supervisor |
| Prospero Felix | Special Effects Assistant |
| Jose Grassal | Special Effects Technician |
| Jeremy Hays | Special Effects Supervisor |
| Eliezer Llenas Sosa | Special Effects Technician |
| Fernando E. Medina | Special Effects Coordinator |
| Eury Rodriguez | Special Effects Technician |
| Miguel Basulto | Digital Compositor |
| Syed Arafath Apsar | Visual Effects Producer |
| Chris Watts | Visual Effects Supervisor |
| Marcos Caraballo | Dailies Manager |
| Maria Elias | Dailies Operator |
| Jordan Farewell | Assistant Editor |
| Tom Klane | Colorist |
| Zachary A. Schwartz | First Assistant Editor |
| Jake Braver | Visual Effects Supervisor |
| D. Scott Lumpkin | Unit Production Manager |
| Rafael Sanz | Second Assistant Director |
| Timothy Wheeler | Consulting Producer |
| Matthew H. O'Connor | Stunts |
| Nadia Lorencz | Stunts |
| Ivan A. Reynoso | Production Manager |
| Carlos Rey del Castillo | Production Supervisor |
| Patricia Pachy Ramírez | Production Supervisor |
| David Rogow | First Assistant Editor |
| Courtney Marquard | Assistant Editor |
| David Alexander Smith | Visual Effects Editor |
| Grant Elder | Sound Designer, Sound Re-Recording Mixer |
| Julia Frey | Visual Effects Producer |
| David C. Sales | Visual Effects |
| Lauren Orban | Post Production Coordinator |
| Elizabeth Boller | Art Direction |
| Karla Feliz | Set Decoration |
| Sharlyn Navarro | Set Decorating Coordinator |
| Rolando Ozuna | Set Dresser |
| José Argenis Minyeti | Set Dresser |
| Rusbelt Sierra | Set Dresser |
| Julio César Collado | Set Dresser |
| Javier Coco | Set Dresser |
| Ronnie Fernandez | Set Dresser |
| Deulin Alexander Pineda | Swing |
| Juan Ramón Ortiz | Swing |
| José F. Lugo | Swing |
| Rafael Cuevas | Swing |
| Héctor Ramos | Assistant Property Master |
| Jean-Paul Chreky | Script Supervisor |
| Kalli Kouf | Second Assistant "B" Camera |
| David Darwin | Lighting Programmer |
| Felix Rivera | Rigging Gaffer |
| Ramón Taylor | Rigging Gaffer |
| Yordani Mejía | Electrician |
| Juan Michael Peña | Electrician |
| Cristian Liriano | Electrician |
| Winsthon Junior de Jesús | Electrician |
| Stalin Perez | Electrician |
| Mariano Rosario | Electrician |
| Lenin Pérez | Electrician |
| Federico Méndez | Electrician |
| Eduard De Jesús | Electrician |
| Juan Evangelista Fernández | Electrician |
| Walther López | Electrician |
| Jack Cruikshank | Dolly Grip |
| Mike Dodd | Dolly Grip |
| Felix Danilo Valerio | Dolly Grip |
| Jherson Missahell Pierre | Grip |
| Edward Moreta | Grip |
| Victor Lecio Nuñez | Grip |
| Russell Reyes | Grip |
| Junior Sánchez | Grip |
| Eduardo Diaz | Grip |
| Melvin Luis Valdez | Grip |
| Nelson García | Grip |
| Carlos Manuel Encarnación | Grip |
| José Alberto Ramos | Grip |
| Kelvin Rubio | Grip |
| Joan Placencio | Grip |
| Freddy Batista | Grip |
| Gary Engels Aquino | Grip |
| Antonio Damian | Grip |
| Miguel Tapia | Grip |
| Pud Cusack | Production Sound Mixer |
| Alex Burstein | Boom Operator |
| Dia Donnelly | Utility Sound |
| Philip Hayman | Costume Supervisor |
| Alina Julia | Costume Supervisor |
| Molly Mitchell | Assistant Costume Designer |
| Hillary Vicente | Costumer |
| Lourdes Gandía | Costumer |
| Wilson Paulino | Costume Coordinator |
| Larissa Gautreaux | Key Costumer |
| Cindy Ramirez | Key Set Costumer |
| Fanny Almonte | Costumer |
| Joel Cruz | Costumer |
| Palma Ruiz | Set Costumer |
| Daniel Aldana | Costumer |
| Caroll Maura | Ager/Dyer |
| Felicity Bowring | Makeup Department Head |
| Ann-Maree Hurley | Key Makeup Artist |
| Maha | Makeup Artist |
| Ana María Andrickson | Makeup Artist |
| Shantalle Hungría | Makeup Artist |
| Leo Corey Castellano | Special Effects Makeup Artist |
| Daniel Curet | Hair Department Head |
| Vanessa Colombo | Key Hair Stylist |
| Jandeira Avirón | Hairstylist |
| Lisbeth Aybar | Hairstylist |
| Tim Patterson | Production Coordinator |
| Natacha Rojas | Production Coordinator |
| Joe Colavincenzo | Assistant Production Coordinator |
| Linette Reynoso | Assistant Production Coordinator |
| Darinel Matos | Production Secretary |
| Alex Skrepnik | Production Accountant |
| Tracy Ellis | First Assistant Accountant |
| Boni Canto | Location Manager |
| Gonzo Rey Del Castillo | Location Manager |
| Harold Castillo | Location Manager |
| Joan Vidal | Location Manager |
| José Pimentel | Location Manager |
| Emmanuel 'Poyo' Alcántara | Location Coordinator |
| Vicmayri Pérez | Assistant Location Manager |
| Jose Andres Roman | Assistant Location Manager |
| Reinaldo Fernández | Assistant Location Manager |
| Diego Rossi | Assistant Location Manager |
| Miguel Llorca | Construction Manager |
| Paula Jiménez Gonell | Construction Buyer |
| Manuel Fernández | Construction Foreman |
| Hemeregildo García | Carpenter |
| Paco Fernández | Carpenter |
| Yomerki Parra | Carpenter |
| Franklin Pérez | Carpenter |
| Jonathan Rivas | Special Effects |
| Albeiro Villa | Special Effects Technician |
| Frank Hernández | Special Effects Technician |
| Horacio Valoy | Special Effects Assistant |
| Jeison Hernández | Special Effects Assistant |
| Enrique Granados | Transportation Coordinator |
| Brigitte Whitmire | Casting Associate |
| Nathan Francis | Casting Assistant |
| Oscar Manero | Second Second Assistant Director |
| Alejandro Durán | Third Assistant Director |
| Jana Ivanova Grozeva | Third Assistant Director |
| Eric Nieves | Post Production Assistant |
| Molly Gandour | Visual Effects Assistant Editor |
| Christopher Stack | Visual Effects Coordinator |
| Fay Gartenberg | Assistant Editor |
| Eric Stapleton | Assistant Sound Editor |
| Roni Pillischer | Foley Editor |
| James Williams | Foley Editor |
| Shaun Brennan | Foley Artist |
| Curtis Henderson | Foley Artist |
| Connor Nagy | Foley Mixer |
| Bobby Johanson | ADR Mixer |
| Beau Emory | ADR Engineer |
| Lila Walsh | ADR Coordinator |
| Tricia Schultz | ADR Supervisor |
| Krissopher Chevannes | ADR Mixer |
| Raina Cagiao | ADR Coordinator |
| Jim Schultz | Supervising Music Editor |
| Kira Belin | Music Editor |
| Dominique Lemonnier | Music Score Producer |
| Stan Neff | Scoring Mixer |
| Elizabeth Chai Vasarhelyi | Director |
| Jimmy Chin | Director |
| Claudio Miranda | Director of Photography |
| Avy Kaufman | Casting |
| Kelli Jones | Costume Design |
| Diana Nyad | Book |
| Mark Rayner | Second Unit Director, Stunt Coordinator |
| Melissa R. Stubbs | Stunt Double |
| Lauren Shaw | Stunt Double |
| BJ McDonnell | Steadicam Operator, "B" Camera Operator |
| Katherine Klosterman | Stunt Double |
| Julia Cox | Screenplay |
| Christopher Tellefsen | Editor |
| Alexandre Desplat | Original Music Composer |
| Susan Jacobs | Music Supervisor |
| Jamie Marshall | First Assistant Director |
| Diz Sharpe | Stunt Coordinator |
| Marcus Young | Stunts |
| Lora Hirschberg | Sound Re-Recording Mixer |
| Julie Hewett | Makeup Artist |
| Danny Maze | Location Manager |
| Ric Schnupp | Sound Re-Recording Mixer |
| Leslie Bloome | Foley Artist |
| Ryan Collison | Foley Mixer |
| Name | Title |
|---|---|
| Jim Seibel | Executive Producer |
| D. Scott Lumpkin | Executive Producer |
| Michael Heimler | Executive Producer |
| Vanessa Humphrey | Executive Producer |
| Fiona Campbell Westgate | Associate Producer |
| Andrew Lazar | Producer |
| Teddy Schwarzman | Producer |
| Jamie Marshall | Co-Producer |
| Bill Johnson | Executive Producer |
| Julia Cox | Executive Producer |
| Luca Borghese | Co-Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 42 | 64 | 29 |
| 2024 | 5 | 38 | 52 | 26 |
| 2024 | 6 | 25 | 35 | 16 |
| 2024 | 7 | 29 | 60 | 17 |
| 2024 | 8 | 28 | 75 | 15 |
| 2024 | 9 | 17 | 25 | 11 |
| 2024 | 10 | 21 | 48 | 12 |
| 2024 | 11 | 17 | 32 | 10 |
| 2024 | 12 | 15 | 26 | 8 |
| 2025 | 1 | 21 | 48 | 11 |
| 2025 | 2 | 11 | 18 | 3 |
| 2025 | 3 | 5 | 14 | 1 |
| 2025 | 4 | 3 | 5 | 1 |
| 2025 | 5 | 2 | 6 | 1 |
| 2025 | 6 | 2 | 4 | 1 |
| 2025 | 7 | 1 | 3 | 1 |
| 2025 | 8 | 1 | 2 | 1 |
| 2025 | 9 | 2 | 3 | 1 |
| 2025 | 10 | 3 | 6 | 2 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 978 | 987 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 87 | 187 |
It’s been said that it’s never too late to pursue one’s dream. But how many of us who are getting on in years actually make the effort to accomplish that? As time passes by, we may begin to feel like life is passing us by, too, sweeping away the opportunities to fulfill those aspirations and leading ... to relentless disappointment, frustration and depression. So it was for famed marathon swimmer Diana Nyad (Annette Bening) as she entered her senior years. Having accomplished much as a long-distance open water swimmer as a young adult, she subsequently became a broadcaster for ABC Sports, serving as an expert on the subject. But that work didn’t provide the same satisfaction as what she was born to do, an undertaking that made her feel like she had taken a 30-year detour in her destiny. That changed, however, when she decided to get back in the water and attempt to make the 103-mile swim from Havana, Cuba to Key West, FL, a long-cherished dream she tried but failed at when she was 28. At 60, however, she believed she could still do it, and so she set off on a quest to complete it, a pursuit that everyone said was unrealistic and impossible at her age. As a headstrong, never-say-die force to reckon with, though, Nyad forged ahead with her best friend, Bonnie (Jodie Foster), serving as her often-beleaguered coach. Directors Jimmy Chin and Elizabeth Chai Vasarhelyi bring this fact-based story to life in this engaging biopic, chronicling Nyad’s odyssey and, in the process, never shying away from portraying the fabled swimmer from all angles, both as a heroic, determined role model and as an off-putting, obstinate pain in the butt. The storytelling approach is admittedly somewhat formulaic and a tad overlong, but the picture’s overall execution provides an authentic depiction of the grueling ordeal Nyad and her crew underwent, all effectively brought to life by the star power of Bening and Foster in their respective roles. The film also provides Nyad’s childhood back story, illustrating how she steeled her lifelong resolve for success and refused to play the part of a victim when the going got tough. It’s also refreshing to see a release that’s not afraid to showcase the story of an older woman, an often-overlooked demographic in contemporary cinema about a character who just might have something worth saying. “Nyad” probably doesn’t qualify as epic filmmaking, but it certainly makes the most of everything it has to work with, presenting viewers with an entertaining and inspiring watch, especially for those who feel cast aside and reconciled to their circumstances but who still have a burning desire for excellence aflame within them.
MORE SPOILER-FREE MINI-REVIEWS @ https://www.msbreviews.com/movie-reviews/mini-reviews-2023-edition "NYAD is anchored by powerhouse performances, with Annette Bening and Jodie Foster delivering award-worthy portrayals in a film that draws inspiration from Diana Nyad's 53-hour open-water swim at t ... he age of 64. Based on Nyad's book, this adaptation unfolds with heartfelt, authentic dialogue that enthralls the audience in the emotional journey of the protagonist's remarkable achievement. However, the movie falls into the typical pitfalls of biopics, sidestepping real-life controversies, such as the uncertified nature of the swim - a notable omission that doesn't help the credibility of the extraordinary feat. In addition to this, the film also succumbs to the formulaic constraints of Oscar-bait flicks, lacking creativity, and eventually becoming repetitive. Despite its shortcomings, it remains a compelling watch, driven by outstanding displays and an inspiring story at its core." Rating: B-
In my opinion, this film was decent, but not something I would choose to watch again due to its lengthy runtime. The storyline revolves around an elderly individual striving to achieve their dream of becoming a swimmer, a significant personal accomplishment given the challenges they face in the vast ... ocean. While the concept of an elderly swimmer overcoming obstacles is commendable, I found the lack of dramatic events somewhat puzzling. The movie seemed to be missing those intense, gripping moments that typically drive a narrative forward. Although the characters addressed some questions along the way, the overall pacing made the film feel somewhat lackluster and monotonous. Nevertheless, the desire to see if the protagonist reaches their goal kept me engaged until the end. While I did watch it through once, I don't see myself revisiting this film anytime soon as it didn't leave a lasting impact on me.