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Doctor Zhivago Poster

Doctor Zhivago

Turbulent were the times and fiery was the love story of Zhivago, his wife and the passionate, tender Lara.
1965 | 200m | English

(85558 votes)

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Popularity: 4 (history)

Details

The life of a Russian physician and poet who, although married to another, falls in love with a political activist's wife and experiences hardship during World War I and then the October Revolution.
Release Date: Dec 22, 1965
Director: David Lean
Writer: Robert Bolt, Boris Pasternak
Genres: Drama, Romance, War
Keywords love triangle, nurse, loss of loved one, based on novel or book, suicide attempt, world war i, forbidden love, stepparents, daughter, epic, russian revolution (1917), 1910s
Production Companies Metro-Goldwyn-Mayer, Carlo Ponti Production
Box Office Revenue: $111,858,363
Budget: $11,000,000
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Omar Sharif Dr. Yuri Zhivago
Julie Christie Lara Antipova
Geraldine Chaplin Tonya Gromeko
Rod Steiger Viktor Komarovsky
Alec Guinness Gen. Yevgraf Zhivago
Tom Courtenay Pasha Antipov / Strelnikov
Siobhán McKenna Anna
Ralph Richardson Alexander Gromeko
Rita Tushingham The Girl
Adrienne Corri Amelia
Bernard Kay The Bolshevik
Geoffrey Keen Medical Professor
Klaus Kinski Kostoyed Amourski
Jeffrey Rockland Sasha
Gérard Tichy Liberius
Noel Willman Razin, Liberius' Lieutenant
Tarek Sharif Yuri at 8 Years Old
Jack MacGowran Petya
Mark Eden Engineer at dam
Erik Chitty Sergei (Old Soldier)
Roger Maxwell Beef-Faced Colonel
Wolf Frees Delegate
Gwen Nelson Female Janitor
Lucy Westmore Katya
Lili Muráti The Train Jumper
Peter Madden Political Officer
Luana Alcañiz Mrs. Sventytski (uncredited)
Emilio Carrer Mr. Sventytski (uncredited)
José María Caffarel Militiaman (uncredited)
Catherine Ellison Raped Woman (uncredited)
Víctor Israel Hospital Inmate (uncredited)
Inigo Jackson Major (uncredited)
Leo Lähteenmäki Siberian Husband (uncredited)
María Martín Gentlewoman (uncredited)
José Nieto Priest (uncredited)
Ricardo Palacios Extra (uncredited)
Ingrid Pitt Extra (uncredited)
Robert Rietti Kostoyed (voice) (uncredited)
Virgílio Teixeira Captain (uncredited)
María Vico Demented Woman (uncredited)
Pilar Gómez Ferrer (uncredited)
Aldo Sambrell (uncredited)
Name Job
David Lean Director
Robert Bolt Screenplay
Maurice Jarre Conductor, Original Music Composer
Freddie Young Director of Photography
Irene Howard Casting
Alex Thomson Camera Operator
Michael Stevenson Second Assistant Director
Norman Savage Editor
Phyllis Dalton Costume Design
William Steinkamp Sound Designer
Anna Cristofani Hairstylist
John Palmer Production Supervisor
Roy Stevens Assistant Director
Leo Arnaud Orchestrator
Lee Turner Second Unit
Van Allen James Sound Editor
Agustín Pastor Production Manager
Paddy Cunningham Sound Recordist
John Box Production Design
Dario Simoni Set Decoration
Eddie Fowlie Special Effects
Grazia De Rossi Hairstylist
Douglas Twiddy Production Manager
José María Ochoa Assistant Director
Robert Bain Additional Soundtrack
Ernest Day Camera Operator
Mickey Lennon Dressing Prop
Pedro Vidal Assistant Director
Ernest Archer Assistant Art Director
Miguel Sancho Electrician
Manuel Berenguer Second Unit Director of Photography
Tadeo Villalba Unit Manager
Mario Van Riel Makeup Artist
Stanley Goldsmith Production Manager
John Grover Assistant Editor
Andrew Mollo Creative Consultant
Kenneth J. Withers Focus Puller
Barbara Cole Continuity
William Hutchinson Assistant Art Director
Gus Walker Construction Manager
Roy Rossotti Second Unit Director
Roy Walker Assistant Art Director
Fred Bennett Construction Manager
Winston Ryder Sound Editor
Boris Pasternak Novel
Terence Marsh Art Direction
Gil Parrondo Art Direction
Hugh Miller Dialogue Coach
Name Title
Carlo Ponti Producer
Arvid Griffen Executive Producer
Organization Category Person
Academy Awards Best Picture N/A Nominated
Academy Awards Best Picture N/A Nominated
Golden Globes Best Picture N/A Nominated
Golden Globes Best Picture N/A Nominated
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 34 49 23
2024 5 38 78 24
2024 6 31 62 19
2024 7 30 54 19
2024 8 25 37 18
2024 9 19 30 14
2024 10 23 41 13
2024 11 23 41 17
2024 12 23 35 17
2025 1 27 46 18
2025 2 18 32 3
2025 3 8 25 2
2025 4 4 7 2
2025 5 3 8 2
2025 6 3 5 2
2025 7 2 3 2
2025 8 3 4 2
2025 9 4 4 3
2025 10 4 4 3

Trending Position


Year Month High Avg
2025 9 980 983

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Reviews

Geronimo1967
7.0

David Lean has assembled an excellent cast and together with Maurice Jarre's memorable score and some sweeping cinematography from Freddie Young does considerable justice to the lengthy Pasternak tale of "Yuri" - a Russian physician (Omar Sharif). Alec Guinness, now a General in the Soviet army, tak ... es on the mantle of narrator - using the expertly innocent Rita Tushingham as the conduit for the flashbacks - and gradually we discover that it's all a bit internecine at the start. "Yuri" falls in love with the enigmatic "Lara" (Julie Christie) who just happens to be the love interest for "Komarovsky" (Rod Steiger) who would sell his own mother, he is certainly cheating on her's. Frustrated on that front, he ends up marrying his own cousin "Tonya" (Geraldine Chaplin) but with the end of the Great war looming and the October Revolution subsequently reducing the country to war-torn chaos, nothing is simple as families are split asunder trying to flee the guns and bullets. It turns out that "Lara" ended up marrying Communist big-wig "Pasha" (Tom Courtenay) but the war put paid to that relationship and when "Yuri" discovers this he wonders what might have been! This is a collection of love stories. Love for people, for their country, for a cause - and Lean manages to weave the complexities of the themes without bogging us down in doctrine or too much brutally. We know all of that is going on, but Robert Bolt's inspired screenplay drip feeds us the politics in an eminently appetising fashion whilst ensuring the human stories prevail. The vast expanses of Russia - especially as seen during their train journeys - are impressive, chilling, and allow us a respite from the constant barrage of dialogue that is usually pretty essential in enabling us to follow the plot. If you ever get the chance to sit for three hours and watch this on big screen then take it. This is cinema at it's more powerful and the sheer logistics of mass participation, mass transportation and glorious photography - without a computer to be had - is certainly worth sitting through as this epic washes over you.

Apr 02, 2023