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On Our Merry Way Poster

On Our Merry Way

She's the queen of a Hollywood tong - and a queen, friends, can do nothing wrong! Her public she serves By displaying those curves..She's a miracle in a sarong!
1948 | 107m | English

(942 votes)

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Popularity: 1 (history)

Details

Oliver Pease gets a dose of courage from his wife Martha and tricks the editor of the paper (where he writes lost pet notices) into assigning him the day's roving question. Martha suggests, "Has a little child ever changed your life?" Oliver gets answers from two slow-talking musicians, an actress whose roles usually feature a sarong, and an itinerant cardsharp. In each case the "little child" is hardly innocent: in the first, a local auto mechanic's "baby" turns out to be fully developed as a woman and a musician; in the second, a spoiled child star learns kindness; in the third, the family of a lost brat doesn't want him returned. And Oliver, what becomes of him?
Release Date: Feb 03, 1948
Director: Leslie Fenton, King Vidor
Writer: Arch Oboler, Laurence Stallings, Lou Breslow, John O'Hara
Genres: Comedy, Romance, Music
Keywords newspaper man
Production Companies United Artists, Benedict Bogeaus Production
Box Office Revenue: $0
Budget: $0
Updates Updated: Aug 04, 2024 (Update)
Entered: Apr 15, 2024
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Full Credits

Name Character
Paulette Goddard Martha Pease
Burgess Meredith Oliver M. Pease
James Stewart Slim
Henry Fonda Lank Solsky
Harry James Harry James
Dorothy Lamour Gloria Manners
Victor Moore Ashton Carrington
Fred MacMurray Al
William Demarest Floyd
Hugh Herbert Eli Hobbs
Charles D. Brown Mr. Sadd
Eduardo Ciannelli Maxim
Betty Caldwell Cynthia Robbs
Dorothy Ford Lola Maxim
Carl Switzer Leopold 'Zoot' Wirtz
Eilene Janssen Peggy Thorndyke
Frank Moran Bookie
David Whorf Edgar Hobbs - aka Sniffles Dugan
Henry Hull Dying Man (deleted sequence) (uncredited)
Chester Clute Bank Teller (uncredited)
Charles Laughton Reverend
Name Job
Leslie Fenton Director
King Vidor Director
Joseph F. Biroc Director of Photography
Edward Cronjager Director of Photography
John F. Seitz Director of Photography
Arch Oboler Story
Heinz Roemheld Original Music Composer
Ernst Fegté Art Direction
Duncan Cramer Art Direction
Fred Widdowson Set Decoration
Otis Malcolm Makeup Artist
Scotty Rackin Hairstylist
Kenneth Walters Production Manager
Gordon Avil Director of Photography
Laurence Stallings Screenplay
Lou Breslow Screenplay
John O'Hara Writer
Name Title
Burgess Meredith Producer
Benedict Bogeaus Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 5 8 3
2024 5 7 12 2
2024 6 4 10 1
2024 7 7 18 2
2024 8 4 7 2
2024 9 4 9 2
2024 10 5 14 2
2024 11 2 4 1
2024 12 3 9 1
2025 1 3 6 2
2025 2 2 5 1
2025 3 2 3 1
2025 4 1 2 1
2025 5 1 2 1
2025 6 1 1 1
2025 7 0 1 0
2025 8 1 1 0

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Reviews

Geronimo1967
6.0

Burgess Meredith is quite good as the henpecked "Oliver Pease". He makes a career out of writing the lost pet notices for his local newspaper. One day, he manages to get the editor to let him do something more substantial and so he must ask three different people whether or not a child has ever chan ... ged their life. His first contributors are musicians "Slim" & "Lank" (James Stewart and Henry Fonda); then he asks "Gloria Manners" (Dorothy Lamour) and finally Fred MacMurray ("Al") and his pal "Floyd" (William Demerest). It seems that each of them have either made or lost their way as a result of experiences with children and we learn how each scenario plays out. Stewart/Fonda are on good form with some excellently synchronised musical fraud (and one gets a wetting); Eilene Jackson is Temple-esque as the rather odious "Peggy" and I personally would have shot the final brat of the three - "Zoot" (Carl Switzer) whose voice drove me mad right from the outset. It's not a great film this, the anthology nature doesn't always work and "Mrs. Pease" (Paulette Goddard) could have featured just a bit more - but it's as much a right of passage for the journalist as it is for any of the sprogs, and at times it is entertaining. It's probably most notable for the scene shot with Charles Laughton ending up on the cutting room floor! It was deemed too gritty for this otherwise fluffy affair.

Apr 04, 2022