Popularity: 5 (history)
| Director: | Chloe Domont |
|---|---|
| Writer: | Chloe Domont |
| Staring: |
| An unexpected promotion at a cutthroat hedge fund pushes a young couple's relationship to the brink, threatening to unravel not only their recent engagement but their lives. | |
| Release Date: | Sep 28, 2023 |
|---|---|
| Director: | Chloe Domont |
| Writer: | Chloe Domont |
| Genres: | Drama, Romance, Thriller |
| Keywords | rape, jealousy, egocentrism, engagement, psychological thriller, couple, engagement party, hedge fund, woman director, secret relationship, male egos, finance, erotic, secret, power dynamics |
| Production Companies | MRC, Star Thrower Entertainment, T-Street |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Phoebe Dynevor | Emily |
| Alden Ehrenreich | Luke |
| Eddie Marsan | Campbell |
| Rich Sommer | Paul |
| Sebastian de Souza | Rory |
| Sia Alipour | Arjun |
| Yacine Ramoul | Jeremie |
| Brandon Bassir | Dax |
| Jamie Wilkes | Quinn |
| Freddy Sawyer | Derek |
| Geraldine Somerville | Emily's Mother |
| Patrick Fischler | Robert Bynes |
| Laurel Lefkow | Connie |
| Buck Braithwaite | Theo |
| Jim Sturgeon | Uncle J |
| Linda Ljoka | Mrs. Meyers |
| J. Pace | Noah Analyst #1 |
| Leopold Hughes | Ken Oak |
| Boris Fionov | Russian Translator |
| Jelena Stupljanin | Relative #1 |
| Katarina Gojković | Relative #2 |
| Ivona Kustudić | Emily's Aunt |
| Greg De Cuir | Guest Speaker |
| Stefan Miloradović | Crest Capital Analyst #3 |
| Abden Asham | Crest Capital Analyst #4 |
| Aleksandar Bimbašić | Crest Capital Analyst #5 |
| Filip Todorovic | Crest Capital Analyst #6 |
| Nenad Stefanovic | Crest Capital Analyst #7 |
| Pei Hua Lu | Crest Capital Analyst #8 |
| Evan Zhao | Crest Capital Analyst #9 |
| Jovana Miletic | Crest Capital Office Secretary |
| Novica Milosavljević | Russian Client |
| Ivana Ivić | Human Resources #1 |
| Branimir Cirić | Human Resources #2 |
| Abe Fark | Harris Analyst #2 |
| Name | Job |
|---|---|
| Steve Summersgill | Production Design |
| Kate Forbes | Costume Design |
| Ivana Lovre | Art Direction |
| Milan Damnjanović | Set Dresser |
| Sonja Nenadić | Set Decoration |
| Višnja Karaulić | Makeup Department Head |
| Maja Ristić | Set Designer |
| Ugo Derouard | Supervising Sound Editor, Sound Designer |
| Andy Hay | Sound Re-Recording Mixer |
| Adam Kopald | Sound Effects Editor |
| D. Chris Smith | Sound Effects Editor |
| John Warrin | Sound Designer, Sound Re-Recording Mixer |
| Sonja Mrkobrada | Costume Supervisor |
| Srđan Nedeljković | Art Direction |
| Petar Ateljević | Video Assist Operator |
| Dušan Bartolović | Digital Imaging Technician |
| Stefa Dragan Stefanović | Dolly Grip |
| Billy Green | Steadicam Operator |
| Miloš Jonović | Video Assist Operator |
| Sven Joukes | Steadicam Operator |
| Miloš Jovanović | Focus Puller |
| Dragan Jović | Key Grip |
| Dušan Klještan | Best Boy Grip |
| Sava Kovačević | Lighting Technician |
| Nikola Medić | Second Assistant Camera |
| Mladen Tomašević | Second Assistant "C" Camera |
| Slaviša Obrenić | Grip |
| Nemanja Petković | "A" Camera Operator |
| Slobodan Pikula | Still Photographer |
| Sergej Radović | Still Photographer |
| Borislav Romčević | Gaffer |
| Vasilije Ružić | Video Assist Operator |
| Aljoša Šipetić | Second Assistant "A" Camera |
| Branislav Stojanović | First Assistant Camera |
| Nenad Tomić | Lighting Technician |
| Roman Volf | Second Assistant Camera |
| Jude Campbell | First Assistant Director |
| Klara Doshlov | Second Assistant Director |
| Kathleen E. Kearney | First Assistant Director |
| Yacine Ramoul | Second Unit Director |
| Barney Shakespeare | Additional Second Assistant Director |
| Mary Chipman | Makeup Department Head |
| Elizabeth Marie Barrett | Assistant Editor |
| Milica Drakulić | Colorist |
| Marian Jiménez | Assistant Editor |
| Kosta Jokić | Colorist |
| George Koran | Digital Intermediate Colorist |
| Brooks Larsen | Assistant Editor |
| Robert Grigsby Wilson | Additional Editor |
| Vladimir Živanović | Dailies Operator |
| Milan Maksimović | Location Manager |
| Ivan Marković | Location Manager |
| Milena Perišić | Assistant Location Manager |
| Anja Maksimović | Script Supervisor |
| Alisa Traskunov | Script Supervisor |
| Dan Wilcox | Music Supervisor |
| Stefan Matić | Transportation Coordinator |
| Danijela Parenta | Production Accountant |
| Predrag Rafailović | Production Assistant |
| Nemanja Stanojević | Post Production Coordinator |
| Sharna Brzycki | Set Costumer |
| Ivana Stojanović | Assistant Costume Designer |
| Velimir Timotić | Costumer |
| Gine Lui | Location Scout |
| Nicola Chisholm | Casting |
| Bret Howe | Casting |
| Benjamin Bermudez | Casting Associate |
| Dejan Čeko | Production Sound Mixer |
| Simon Meilleur | Foley Artist |
| Aleksandar Sekulić | Set Dresser |
| Rabi Basir | Visual Effects Coordinator |
| Vaughn Bien III | VFX Artist |
| Giles Harding | Visual Effects Supervisor |
| Ivana Burilo | Stunts |
| Marko Cvetanovic | Stunt Double |
| Slaviša Ivanović | Stunt Coordinator |
| Marko Vasiljević | Stunt Driver |
| Chloe Domont | Writer, Director |
| Menno Mans | Director of Photography |
| Franklin Peterson | Editor |
| Brian McOmber | Original Music Composer |
| Vladimir Aleksić | Third Assistant Director |
| DJ Campbell | Location Manager |
| Jordan Dykstra | Musician |
| Mary Vernieu | Casting |
| Name | Title |
|---|---|
| Trevor White | Producer |
| Anđelija Vlaisavljević | Executive Producer |
| Leopold Hughes | Producer |
| Ben LeClair | Producer |
| Tim White | Producer |
| Allan Mandelbaum | Producer |
| Rian Johnson | Executive Producer |
| Ram Bergman | Executive Producer |
| Chloe Domont | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 35 | 53 | 23 |
| 2024 | 5 | 40 | 65 | 25 |
| 2024 | 6 | 32 | 50 | 25 |
| 2024 | 7 | 33 | 55 | 22 |
| 2024 | 8 | 31 | 49 | 16 |
| 2024 | 9 | 20 | 27 | 14 |
| 2024 | 10 | 26 | 46 | 15 |
| 2024 | 11 | 22 | 43 | 14 |
| 2024 | 12 | 22 | 38 | 15 |
| 2025 | 1 | 28 | 44 | 19 |
| 2025 | 2 | 18 | 25 | 4 |
| 2025 | 3 | 7 | 24 | 2 |
| 2025 | 4 | 4 | 8 | 2 |
| 2025 | 5 | 4 | 8 | 2 |
| 2025 | 6 | 3 | 6 | 2 |
| 2025 | 7 | 2 | 3 | 2 |
| 2025 | 8 | 3 | 5 | 2 |
| 2025 | 9 | 3 | 5 | 1 |
| 2025 | 10 | 3 | 5 | 2 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 675 | 778 |
**Fair Play continues to crank the tension higher and higher, with paranoia, fear, and betrayal exploding in a stressful and well-done finale.** I saw Fair Play at Sundance 2023 in a crowd of cinema enthusiasts, making the theater experience electric and engaging! While Fair Play isn't my typical ... movie taste, it was exceptionally well done, with tension and stress building consistently from start to finish and exploding into all-out insanity and paranoia in the film's final act. My heart was pounding as the selfishness and jealousy of these characters devolved into pure hatred and disdain. Once the credits rolled, I finally felt like I could breathe for the first time in an hour! Domont did so much with so little, mastering suspense and keeping the audience on edge. With such arrogant and self-centered characters, it is hard to "enjoy" the film, but the craft and skill are undeniable, and it's no surprise why it was so well received at Sundance and scooped up so quickly by Netflix.
It’s amazing how one film can be predictable, implausible and preposterous all at the same time, but writer-director Chloe Domont’s debut feature manages to pull off this trifecta of lamentable attributes with remarkable ease. This alleged psychological thriller goes from bad to worse as its plot ho ... le-filled story degenerates from a boring, clandestine office romance into an over-the-top envy-driven battle of egos when one partner unexpectedly gets promoted over the other at a prestigious Wall Street firm. The way in which this unfolds, though, is largely laughable, despite an underlying message that has some noteworthy merit (even if it’s a bit trite in this day and age). The picture might be more worth watching if the two protagonists (Phoebe Dynevor, Alden Ehrenreich) weren’t so inherently deplorable and portrayed with some of the hammiest on-screen acting I’ve seen in a long time. This is all made worse by one of the most awful scripts I’ve come across in a while, with almost as much tawdry, needlessly foul language since “The Wolf of Wall Street” (2013). Put these qualities together and you’ve got an absolute work of utter trash that makes the prime time soap operas of the 1980s look like epic storytelling. Indeed, as far as how this one plays, all I can say is “No fair.”
"Emily" (Phoebe Dynevor) and fiancé "Luke" (Alden Ehrenreich) are a typically happy, professional, couple, recently engage and well loved up. Gossip is going around the office that "Luke" is destined for a promotion that will mean loads more cash for the pair and she seems delighted for him. Well, b ... oss "Campbell" (Eddie Marsan) has other plans as he decides to give the job to her! Is he delighted? Well outwardly yes, but inwardly...? She is also uncertain. Not of her ability to do her new job, but of how to avoid bruising his increasingly obviously delicate ego. What now ensues is a rather fat-fetched eggshell dance that sees their relationship put under enormous pressure? Can it survive? Well, frankly I didn't care. The whole story seems contrived to create as much tension and distrust amongst the couple who at one stage are about to be married and at the next, well they might not cross the road to chat with each other. It takes a swipe at the greasy pole and at the whole corporate "getting-on" ethos, but in such a linear and unimaginative fashion. Way too many stereotypical attitudes and platitudes and by the end I was really quite uninterested in who got what, if anything, from this rather pedestrian and over-scripted melodrama. Sorry, perhaps I just wasn't in the mood - but this did nothing for me.
FULL SPOILER-FREE REVIEW @ https://www.firstshowing.net/2023/review-chloe-domonts-fair-play-poignantly-tackles-gender-politics/ "Fair Play is an emotionally charged exploration of love, ambition, and gender dynamics. Chloe Domont thoughtfully addresses these themes, highlighting biases faced by s ... uccessful women, the personal challenges of couples working in the same space, and the inevitable vulnerabilities that arise from these scenarios. The dedicated performances from Phoebe Dyvenor and Alden Ehrenreich make it a gripping viewing experience, emphasizing the film's thought-provoking messages about gender politics and seeking equal recognition based on merit rather than gender. The dramatic conclusion warrants heated debate…" Rating: A-