 
  Popularity: 5 (history)
| Director: | Chuck Konzelman, Cary Solomon | 
|---|---|
| Writer: | Chuck Konzelman, Cary Solomon | 
| Staring: | 
| On the day of his scheduled execution, a convicted serial killer gets a psychiatric evaluation during which he claims he is a demon, and further claims that before their time is over, the psychiatrist will commit three murders of his own. | |
| Release Date: | Apr 14, 2023 | 
|---|---|
| Director: | Chuck Konzelman, Cary Solomon | 
| Writer: | Chuck Konzelman, Cary Solomon | 
| Genres: | Horror, Thriller | 
| Keywords | oklahoma, death row, prison guard, evangelical, serial killer, electrocution, psychiatrist, demonic possession, psychological terror, supernatural horror, christian | 
| Production Companies | Believe Entertainment, Soli Deo Gloria Releasing | 
| Box Office | Revenue: $5,400,000 Budget: $3,000,000 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Sean Patrick Flanery | Nefarious / Edward Wayne Brady | 
| Jordan Belfi | Dr. James Martin | 
| Tom Ohmer | Warden Tom Moss | 
| Glenn Beck | Glenn Beck | 
| Daniel Martin Berkey | Father Louis | 
| Mark De Alessandro | Dr. Alan Fischer | 
| Cameron Arnett | Trustee Styles | 
| James Healy Jr. | Gate Guard | 
| Sarah Hernandez | Corporal Mendez | 
| Jarret LeMaster | Officer Wilson | 
| Senyo Amoaku | Sergeant Wilborn | 
| Jeremy Miller | Officer Campbell | 
| Darrin Merlino | Officer Grady | 
| John Cann | Prison Guard | 
| Eric Hanson | Assistant Warden Anderson | 
| Stelio Savante | Detective Russo | 
| Robert Peters | Dr. Stewart | 
| Sheran Goodspeed Keyton | Homeless Woman | 
| Cedric St. Clair | Glenn Beck Show Producer | 
| Tina Toner | Renee Davenport | 
| Maura Corsini | Melanie Carter (voice) | 
| Sheila Hart | Operator (voice) | 
| Angela Baumgardner | Reporter | 
| Name | Job | 
|---|---|
| Mark De Alessandro | Stunt Coordinator | 
| Chuck Konzelman | Writer, Director | 
| Ricki Maslar | Casting | 
| Cary Solomon | Writer, Director | 
| Jason Head | Director of Photography | 
| Bryan E. Miller | Original Music Composer | 
| Brian Jeremiah Smith | Editor | 
| Chad Quick | Production Design | 
| Chris Rose | Production Design | 
| Princie Patel | Special Effects Makeup Artist | 
| Sharon Tabb | Key Makeup Artist | 
| Casey Crowdis | Art Direction | 
| David Moline | Art Direction | 
| Brandon Roye | Art Direction | 
| Gina Ruiz | Costume Design | 
| Cedric St. Clair | Unit Production Manager | 
| Jason Stafford | First Assistant Director | 
| Ben Stockton | Second Assistant Director | 
| Ashley Ledden | Visual Effects Supervisor | 
| Ethan Ledden | Visual Effects Supervisor | 
| Name | Title | 
|---|---|
| Chuck Konzelman | Producer | 
| Chris Jones | Producer | 
| Cary Solomon | Producer | 
| Sheila Hart | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 31 | 41 | 24 | 
| 2024 | 5 | 31 | 50 | 23 | 
| 2024 | 6 | 43 | 52 | 26 | 
| 2024 | 7 | 35 | 51 | 22 | 
| 2024 | 8 | 36 | 57 | 25 | 
| 2024 | 9 | 28 | 53 | 20 | 
| 2024 | 10 | 34 | 70 | 19 | 
| 2024 | 11 | 27 | 59 | 16 | 
| 2024 | 12 | 20 | 30 | 14 | 
| 2025 | 1 | 26 | 47 | 17 | 
| 2025 | 2 | 23 | 47 | 4 | 
| 2025 | 3 | 8 | 31 | 2 | 
| 2025 | 4 | 7 | 10 | 3 | 
| 2025 | 5 | 4 | 9 | 3 | 
| 2025 | 6 | 4 | 5 | 2 | 
| 2025 | 7 | 4 | 5 | 2 | 
| 2025 | 8 | 2 | 4 | 1 | 
| 2025 | 9 | 3 | 4 | 3 | 
| 2025 | 10 | 4 | 5 | 2 | 
Trending Position
| Year | Month | High | Avg | 
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| 2025 | 7 | 984 | 984 | 
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| 2025 | 5 | 961 | 961 | 
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| 2025 | 4 | 28 | 526 | 
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| 2025 | 3 | 851 | 851 | 
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| 2025 | 2 | 222 | 273 | 
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| 2025 | 1 | 852 | 852 | 
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| 2024 | 12 | 513 | 513 | 
| Year | Month | High | Avg | 
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| 2024 | 11 | 790 | 901 | 
| Year | Month | High | Avg | 
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| 2024 | 10 | 645 | 775 | 
| Year | Month | High | Avg | 
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| 2024 | 8 | 446 | 659 | 
**Not sure if it's a good Christian movie, but it's a great horror movie** Great movie, even though in a way it sets itself up for failure, because a Christian audience doesn't usually appreciate a good psychological horror movie and horror fans usually don't like a movie made by Christians promo ... ting Christian values. So there is no big demographic that really appreciates a movie like this and it's obvious that the makers of this movie knew that too and were doing it to simply make a good movie for those who can appreciate it (no matter how few there might be). So I am not sure if it even really wants to be a good Christian movie or a good psychological horror movie, but either way it does succeed at being both. For a movie about demonic possession it's also surprisingly realistic. And I say that as someone who has worked as a guard in prisons and mental institutions. There are a few extremely minor inaccuracies but these are necessary for the plot or are for safety reasons (after all, not everyone needs to know what exactly the actual safety measures in a prison actually look like in detail). There actually already is an almost identical German movie called "Der Totmacher" (The Deathmaker). Though I am sure no one involved in this movie saw it, even though it's essentially the same movie and that's because that German movie's entire script simply consists entirely of the actual transcripts of an actual psychological evaluation of an actual serial killer. But that's how close to reality this all actually is.
When hardened psychiatrist "Martin" (Jordan Belfi) arrives at the prison, he is charged by the warden (Tom Ohmer) with certifying that a prisoner is mentally fit. Mentally fit to be electrocuted, that is! Opposite him, shackled to the table is a man (Sean Patrick Flanery) who proves extremely proble ... matic for the normally ordered and structured analyst. That's not least because he claims to be possessed by the eponymous demon and that he has made enough use of this body and so wants to be killed so he can move on! Preposterous we all think, but this orange-suited man knows things he shouldn't, and soon his comments are unsettling and discombobulating "Martin". Now the performance from Flanery is actually quite good here. There is something almost compellingly maniacal about his delivery. The dialogue - well that's another matter. It could be considered thought-provoking or it could be considered banal. You certainly can't ignore it, or the curiously extreme and frequently contradictory doctrines being espoused and countered during what passes for their frankly rather contrived debates. If that's it's purpose, then it's worth a watch. As any sort of light-horror concept, though, it's derivative and unremarkable and it misses the target.