Popularity: 3 (history)
| Director: | Laura Lau, Chris Kentis |
|---|---|
| Writer: | Gustavo Hernández, Laura Lau, Oscar Estévez |
| Staring: |
| Sarah returns with her father and uncle to fix up the family's longtime summerhouse after it was violated by squatters in the off-season. As they work in the dark, Sarah begins to hear sounds from within the walls of the boarded-up building. Although she barely remembers the place, Sarah senses the past may still haunt the home. | |
| Release Date: | Jan 21, 2011 |
|---|---|
| Director: | Laura Lau, Chris Kentis |
| Writer: | Gustavo Hernández, Laura Lau, Oscar Estévez |
| Genres: | Drama, Horror, Mystery |
| Keywords | supernatural, remake, beer bottle, real time, candelabra, padlock, woman director |
| Production Companies | Elle Driver, Tazora Films |
| Box Office |
Revenue: $13,101,672
Budget: $2,000,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Elizabeth Olsen | Sarah |
| Adam Trese | John |
| Eric Sheffer Stevens | Peter |
| Julia Chan | Sophia |
| Haley Murphy | Little Girl |
| Adam Barnett | Stalking Man |
| Sergey Ershov | Pakhomenko |
| Name | Job |
|---|---|
| Gustavo Hernández | Writer |
| Gary A. Hecker | Foley Artist |
| Ben Wilkins | Sound Re-Recording Mixer |
| Manny Siverio | Stunt Coordinator |
| Radium Cheung | Gaffer |
| Andrew Pang | Assistant Editor |
| Laura Lau | Screenplay, Director |
| Roshelle Berliner | Production Design |
| Lynn Falconer | Costume Design |
| Fabian Garcia | Hair Department Head |
| Jeff Caron | Location Manager, Assistant Production Manager |
| Thomas Fatone | First Assistant Director |
| Jamie Arbuckle | On Set Dresser |
| Michael Cory | Property Master |
| Dianne Finn | Scenic Artist |
| James Kelleher | Assistant Property Master |
| Gray Madder | Set Dresser |
| John Wolanczyk | Scenic Artist |
| Melissa Miller Costanzo | Art Direction |
| Spencer Gillis | Second Assistant Camera |
| Sharon Ilson | Makeup Department Head |
| Patricia de Paula | Production Coordinator, Production Supervisor |
| Patrick D. Gibbons | Second Assistant Director |
| Susan Blume | Scenic Artist |
| Nathan Larson | Original Music Composer |
| Robert Covelman | Set Decoration |
| Oscar Estévez | Screenplay |
| Stephen M. Kelley | Prosthetic Makeup Artist |
| George Paaswell | Unit Production Manager |
| Kim Thompson | Second Second Assistant Director |
| Barbara Cohig | Scenic Artist |
| Nicole Eckenroad | Intern |
| Scott Griswold | Set Dresser |
| Meghan Lowry | Props |
| Bob Provenzano | Leadman |
| Jay Peck | Foley Artist |
| Stephen Selvaggio | ADR Recordist |
| Saša Jokić | Visual Effects Supervisor |
| Caswell Cooke | Key Grip |
| Nicholas Kuhn | Camera Intern |
| Chris Lombardozzi | Gaffer, Additional Photography |
| Robin Pontbriand | Video Assist Operator |
| Daniel Wallenstein | Grip |
| Gemma Glasser | Wardrobe Intern |
| Molle DeBartolo | Digital Intermediate Producer |
| Jonathan Sanden | Digital Intermediate Editor |
| Scott Tankel | Location Scout |
| Katri Billard | Script Supervisor |
| Kelly M. Duncan | Production Assistant |
| Corey Kloos | Production Assistant |
| Max Rifkind-Barron | Production Assistant |
| Jessica Thorne | Assistant Accountant |
| Warren Lewis Allen | Thanks |
| Igor Martinović | Director of Photography, Camera Operator |
| Hugh Cummings | Art Department Production Assistant |
| James Geyer | Scenic Artist |
| Mat Kowalski | Leadman |
| Michele Mayas | Charge Scenic Artist |
| Robert Fernandez | Sound Re-Recording Mixer |
| Glenn T. Morgan | Supervising Sound Editor |
| Michael Rivera | ADR Recordist |
| Noah Timan | Sound Mixer |
| Leslie Chung | Digital Compositor |
| Mani Trump | Digital Compositor |
| Will Hart | Still Photographer |
| Ian O'Neill | Grip |
| John Vendetti | Best Boy Grip |
| Jordan Cain | Wardrobe Intern |
| Anatasia Yuferoa | Wardrobe Intern |
| Anthony Raffaele | Digital Intermediate Colorist |
| Alex Starke | Assistant Location Manager |
| Julie Kent | Musician |
| Brandon K. Hines | Production Secretary |
| Darryl Prevost | Production Assistant |
| Luke Tomalin Sherman | Key Production Assistant |
| Billy Zayac | Production Assistant |
| Sumit Mahendru | Sound Effects Editor |
| Peter Rincon | ADR Mixer |
| John Sember | Boom Operator |
| Drew Jiritano | Special Effects Coordinator |
| Matt Kushner | Visual Effects Producer |
| Daniel Choy Boyar | Electrician |
| John Guzzi | Best Boy Grip |
| Ludovic Littee | First Assistant Camera |
| James Madrid | Additional First Assistant Camera |
| Kyle Simmons | Best Boy Electric |
| Lee Genick | Background Casting Director |
| Hollie Nadel | Wardrobe Supervisor |
| Jason Domnarski | Musician |
| Daisy Flores | Driver |
| Kantarama Gahigiri | Set Production Assistant |
| Lindsey Lefkow | Assistant Production Coordinator |
| Kelsi Russell | Assistant Production Coordinator |
| Tracy Wong | Craft Service |
| Annie Chung | Thanks |
| Chris Kentis | Director |
| Name | Title |
|---|---|
| Lynette Howell Taylor | Executive Producer |
| Thomas Fatone | Associate Producer |
| Jennifer Monroe | Executive Producer |
| Laura Lau | Producer |
| Geoff Cox | Associate Producer |
| Adeline Fontan Tessaur | Executive Producer |
| Kristen Konvitz | Associate Producer |
| George Paaswell | Executive Producer |
| Agnès Mentre | Producer |
| Eva Diederix | Executive Producer |
| Meir Gal | Co-Producer |
| Mickey Liddell | Executive Producer |
| Danny Perkins | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 15 | 25 | 8 |
| 2024 | 5 | 18 | 31 | 11 |
| 2024 | 6 | 14 | 20 | 9 |
| 2024 | 7 | 15 | 26 | 9 |
| 2024 | 8 | 11 | 16 | 7 |
| 2024 | 9 | 9 | 14 | 5 |
| 2024 | 10 | 12 | 21 | 7 |
| 2024 | 11 | 10 | 15 | 5 |
| 2024 | 12 | 10 | 14 | 7 |
| 2025 | 1 | 11 | 20 | 6 |
| 2025 | 2 | 9 | 15 | 3 |
| 2025 | 3 | 4 | 10 | 1 |
| 2025 | 4 | 1 | 3 | 1 |
| 2025 | 5 | 1 | 4 | 1 |
| 2025 | 6 | 1 | 3 | 1 |
| 2025 | 7 | 0 | 1 | 0 |
| 2025 | 8 | 1 | 1 | 0 |
| 2025 | 9 | 2 | 2 | 1 |
| 2025 | 10 | 2 | 3 | 1 |
Trending Position
Called 95% of the ending within the first 5 minutes, and boy did I hate that camera work. But I managed to make it through the 87 minute runtime more or less unscathed, mostly thanks to lead peformer Elizabeth Olsen. _Final rating:★½: - Boring/disappointing. Avoid where possible._ ...