Popularity: 1 (history)
| Director: | Felicity Morris |
|---|---|
| Writer: | |
| Staring: |
| Posing as a wealthy, jet-setting diamond mogul, an Israeli conman wooed women online then conned them out of millions of dollars. Now some victims plan for payback. | |
| Release Date: | Feb 02, 2022 |
|---|---|
| Director: | Felicity Morris |
| Writer: | |
| Genres: | Crime, Documentary |
| Keywords | fraud, dating, biting, con, meeting on the internet, social media, online dating, desperate, anxious, cautionary, conman, internet crime, absurd, audacious, baffled, bold, callous, demeaning, derogatory, mean spirited, romance scam |
| Production Companies | RAW, Gaspin Media, AGC Studios |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Shimon Yehuda Hayut | Self (archive footage) |
| Cecilie Fjellhøy | Self |
| Pernilla Sjöholm | Self |
| Ayleen Charlotte | Self |
| Kristoffer Kumar | Self |
| Erlend Ofte Arntsen | Self |
| Natalie Remøe Hansen | Self |
| Name | Job |
|---|---|
| Felicity Morris | Director |
| Julian Hart | Editor |
| Greg Gettens | Sound Supervisor |
| Maria Kelly | Dialogue Editor |
| Ludovic Lasserre | Sound Recordist |
| Arvid Lind | Sound Recordist |
| Chad Orororo | Sound Designer |
| George Trevis | Sound Recordist |
| Sam Alberg | Additional Gaffer |
| Arjen Berkenbosch | Gaffer |
| Edgar Dubrovsky | Director of Photography |
| Jarl Grantin Johnsen | Gaffer |
| Gary Kent | Steadicam Operator |
| Niels Roosendaal | First Assistant Camera |
| Joe Simon | Additional Photography |
| Jessica Jones | Original Music Composer |
| Name | Title |
|---|---|
| Bernadette Higgins | Producer |
| Eric Levy | Executive Producer |
| Lourdes Diaz | Executive Producer |
| Jeff Gaspin | Executive Producer |
| Jean-Mark Bou Mansour | Producer |
| Stuart Ford | Executive Producer |
| Bart Layton | Executive Producer |
| Sam Starbuck | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
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| 2024 | 4 | 15 | 20 | 10 |
| 2024 | 5 | 18 | 30 | 11 |
| 2024 | 6 | 17 | 26 | 9 |
| 2024 | 7 | 20 | 36 | 10 |
| 2024 | 8 | 14 | 25 | 8 |
| 2024 | 9 | 11 | 16 | 7 |
| 2024 | 10 | 13 | 26 | 7 |
| 2024 | 11 | 12 | 19 | 8 |
| 2024 | 12 | 13 | 20 | 9 |
| 2025 | 1 | 12 | 16 | 9 |
| 2025 | 2 | 10 | 17 | 3 |
| 2025 | 3 | 6 | 13 | 1 |
| 2025 | 4 | 2 | 4 | 1 |
| 2025 | 5 | 1 | 3 | 1 |
| 2025 | 6 | 1 | 3 | 1 |
| 2025 | 7 | 1 | 1 | 0 |
| 2025 | 8 | 1 | 2 | 1 |
| 2025 | 9 | 1 | 2 | 0 |
| 2025 | 10 | 1 | 1 | 0 |
Trending Position
| Year | Month | High | Avg |
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| 2025 | 3 | 654 | 689 |
What a wild story. Whenever I see a film with this kind of subject matter, there's always a certain amount of lack of understanding about what kind of person could do such a thing. Kind of crazy that even after the women went to a competent "biggest in Norway" newspaper, the photographers had such b ... ad ops abilities that our Swindler noticed them right away.