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Now and Then Poster

Now and Then

In every woman there is the girl she left behind.
1995 | 100m | English

(34180 votes)

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Popularity: 1 (history)

Details

Waxing nostalgic about the bittersweet passage from childhood to puberty, four childhood girlfriends — Teeny, Chrissy, Samantha and Roberta — recall the magical summer of 1970. During their walk down memory lane, they reconcile experiences with boys, secrets, bullies and more.
Release Date: Oct 20, 1995
Director: Lesli Linka Glatter
Writer: I. Marlene King
Genres: Comedy, Drama, Romance
Keywords coming of age, gynecologist, female friendship, woman director, 1970s, truth or dare, photocopier
Production Companies New Line Cinema
Box Office Revenue: $27,400,000
Budget: $12,000,000
Updates Updated: Jul 30, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Christina Ricci Roberta
Rosie O'Donnell Roberta
Thora Birch Teeny
Melanie Griffith Teeny
Gaby Hoffmann Samantha
Demi Moore Samantha
Ashleigh Aston Moore Chrissy
Rita Wilson Chrissy
Devon Sawa Scott Wormer
Walter Sparrow Crazy Pete
Cloris Leachman Grandma Albertson
Lolita Davidovich Mrs. Albertson
Janeane Garofalo Wiladene
Hank Azaria Bud Kent
Bonnie Hunt Mrs. DeWitt
Rumer Willis Angela Albertson
Bradley Coryell The Wormers
Justin Humphrey The Wormers
Travis Robertson The Wormers
James Wilson Keane Boy with Basketball
Ric Reitz Mr. Albertson
Kellen Crosby Kenny
Joey Stinson Outfielder
James Paul Cleckler Catcher
Tucker Stone Young Morton
Jamison B. Dowd Bully
Beverly Shelton Eda
Geoff McKnight Tractor-Driver
T.S. Morgan Limo Driver
Carl Espy Dr. Morton Williams
Alice Tew Baby
Brendan Fraser Vietnam Veteran (uncredited)
Rand Courtney Brett Jones (uncredited)
Brandon Kleyla Bobby Fricker (uncredited)
Haviland Stillwell Emily (uncredited)
Dave Thompson Bud's News Photographer (uncredited)
Name Job
Lesli Linka Glatter Director
Cliff Eidelman Original Music Composer
Jacqueline Cambas Editor
Gershon Ginsburg Art Direction, Production Design
Leslie Ann Anderson Key Hair Stylist
Shelly Hutchins Assistant Hairstylist
Ronnie Specter Makeup Artist
Francesca Paris Hairstylist
Ueli Steiger Director of Photography
Anne Kuljian Set Decoration, Production Design
Deena Appel Costume Design
Alan D'Angerio Hair Designer
Deborah K. Larsen Key Makeup Artist
Stacey K. Black Hairstylist
Kylie Bell Makeup Artist
Kelly Jefferson Assistant Makeup Artist
Wendy Bell Makeup Artist
I. Marlene King Writer
Jennifer Lamb Stunts
Name Title
Suzanne Todd Producer
I. Marlene King Associate Producer
Jennifer Todd Executive Producer
Eric McLeod Co-Producer
Demi Moore Producer
Organization Category Person
BAFTA Awards Best Actress Dianne Wiest Nominated
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 17 22 13
2024 5 22 32 14
2024 6 25 47 13
2024 7 24 47 16
2024 8 19 34 13
2024 9 19 27 15
2024 10 26 47 16
2024 11 18 27 12
2024 12 16 21 12
2025 1 15 24 11
2025 2 12 17 3
2025 3 5 14 1
2025 4 3 6 1
2025 5 2 7 1
2025 6 2 4 2
2025 7 2 2 1
2025 8 1 2 1

Trending Position


Year Month High Avg
2024 12 915 915

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Reviews

FilipeManuelNeto
5.0

**A film with some charm and lack of originality, but which works well as a family film, and which deserves to be brought back from oblivion.** This production from the 90s, currently somewhat forgotten, is another film without any bones that we can watch with our grandmothers and our children by ... our side, and which deserves to be revisited and cherished. I can understand why it fell into the deepest forgotten films: it's not a remarkable production, it's not one of those films that leaves a mark on us for life. However, it does its job impeccably. The story is quite nice, even if it has nothing original: four friends meet again many years after having separated to pursue their lives, and the bond of friendship that has united them since childhood is reinforced by the reunion, full of nostalgia and good memories. There are lots of films about situations like this, and with similar themes, this is not new, but it is well done. The film has four good adult actresses (Demi Moore, Rita Wilson, Rosie O'Donnell and Melanie Griffith) and four promising ones (Christina Ricci, Thora Birch, Gaby Hoffmann and Ashleigh Aston Moore), since the four main characters are played today and at puberty, twenty years earlier. This is very interesting, but the truth is that there are not even similarities between the young actresses and their adult counterparts: the most blatant case is the character Roberta, where I really don't see any physiognomic similarity between Ricci and O'Donnell. Of course, people change… but not radically. If we forget this uncomfortable detail, the work of the eight protagonists is quite good, and each one has time and opportunities to show what they are worth. On a technical level, the film is strictly nothing special. The recreation of the 1970s fails because it is not very evident, that is, there are no elements, in the sets or props on stage, that help us understand the era in which the action takes place. The setting has a certain charm and good taste (I especially liked the gas lamps), and the tree house is very beautiful, as are the filming locations and cinematography. But that's it.

Sep 04, 2023