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Poison Ivy

Ivy thought her best friend had the perfect house, the perfect family, the perfect life. So she took them.
1992 | 92m | English

(21153 votes)

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Popularity: 4 (history)

Details

A seductive teen befriends an introverted high school student and schemes her way into the lives of her wealthy family.
Release Date: May 08, 1992
Director: Katt Shea
Writer: Katt Shea, Melissa Goddard, Andy Ruben
Genres: Drama, Thriller
Keywords suicide, rape, manipulation, fake suicide, father, sociopath, teenage girl, older man younger woman relationship, rebellious youth, obsessive love, woman director, erotic thriller, sex with a minor, bad influence
Production Companies New Line Cinema
Box Office Revenue: $1,829,804
Budget: $3,000,000
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Drew Barrymore Ivy
Sara Gilbert Sylvie Cooper
Tom Skerritt Darryl Cooper
Cheryl Ladd Georgie Cooper
Leonardo DiCaprio Guy
Jeanne Sakata Isabelle
Time Winters Old Man
Alan Stock Bob
E.J. Moore Kid
J.B. Quon Another Kid
Michael Goldner Man in Car
Charley Hayward Tiny
Billy Kane James
Tony Ervolina Man on Screen
Mary Gordon Murray M.D.
Charla Sampsel Orderly
Angel Broadhurst Deathrocker
Randall Caldwell Truck Driver
Tom Ruben Roofer
Lisa Passero Lisa
Lawrence Levy Jeff
Sandy Roth Ruben Estelle
Warren Burton Max
Name Job
Phedon Papamichael Director of Photography
Katt Shea Director, Screenplay
Jeffery Passero Casting
Patricia M. Peters Stunts
John Branagan Stunts
Richie Gaona Stunts
Brian Smrz Stunts
David Michael Frank Original Music Composer
J.B. Rogers First Assistant Director
Debbie Evans Stunt Driver
Donna Evans Stunts
Carole Kravetz Aykanian Second Unit Director
Charles Croughwell Stunts
Tim Trella Stunts
Debbie Zoller Key Makeup Artist
Hayden de Maisoneuve Yates Art Direction
Bonnie Greenberg Music Supervisor
Scott Harris Second Assistant Director
Suzie Pelissier Second Second Assistant Director
Mato Color Timer
Lisa Marie Ledford Art Department Coordinator
Melissa Goddard Story
René Dashiell Kerby Key Makeup Artist
Michele Munoz Set Decoration
Merritt Yohnka Second Unit Director, Stunt Coordinator
Robert Hoffman First Assistant Editor
Yvonne Fransson-Clamf Assistant Property Master
Lee Waddell Stunts
Amy Ancona Set Dresser
Andy Ruben Screenplay
Gina Mittelman Editor
Ellen Gross Costume Design
Virginia Lee Production Design
Audrey Futterman-Stern Key Hair Stylist
Gunnar Swanson Key Hair Stylist
Jill Meyers Music Supervisor
Susan Stremple Unit Production Manager
Richard K. Wright Property Master
Patrick J. Statham Stunts
Birgit K. Schier Stunts
Name Title
Rick Nathanson Co-Producer
Melissa Goddard Executive Producer
Marjorie Lewis Co-Executive Producer
Andy Ruben Producer
Jana Howington-Marx Associate Producer
Peter Morgan Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 32 40 18
2024 5 34 41 24
2024 6 31 45 17
2024 7 33 45 23
2024 8 27 46 16
2024 9 17 28 13
2024 10 22 37 14
2024 11 20 34 15
2024 12 20 25 14
2025 1 20 32 14
2025 2 16 22 3
2025 3 7 22 1
2025 4 3 6 2
2025 5 2 6 1
2025 6 2 3 1
2025 7 2 3 1
2025 8 2 4 1
2025 9 4 5 3
2025 10 4 4 4

Trending Position


Year Month High Avg
2025 4 197 254
Year Month High Avg
2024 12 834 834
Year Month High Avg
2024 10 369 560
Year Month High Avg
2024 9 325 649
Year Month High Avg
2024 8 968 968

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Reviews

Wuchak
7.0

**_A luscious Lolita takes over the family..._** ...that's the basic plot of 1992's "Poison Ivy" starring Drew Barrymore in the titular role. The movie comes from a long tradition of films about an alluring babysitter (or nanny or friend) taking control of the family by winning the hearts of the ... kids and seducing the husband. "The Babysitter" (1980) and "Summer Girl" (1983) are two examples, both TV flicks (available on youtube). In "Poison Ivy" Drew, as Ivy, plays a friend of the awkward misfit Sylvie (Sara Gilbert). Tom Skerritt plays the aloof husband and Cheryl Ladd the withering (but still beautiful) mother. "Poison Ivy" is more stylized than the aforementioned examples and technically better due to a much bigger budget. One of its best highlights is its score, which is equal parts haunting, romantic, melancholic and beautiful. Speaking of melancholic, there's an element of sadness to the proceedings because the family is so wealthy -- living on a mansion on a hill in Los Angeles (shot on location) -- but they're so spiritually bereft. It just goes to show that all the financial success and material possessions in the world can't buy happiness and love. Drew was almost 17 during filming and plays the sultry little tamale well, which brings up why people tend to look down on the film -- it's nothing more than a lethal Lolita tale with a slick garnishment and they write it off as trash exploitation. Regardless, it works for what it is; and, after all, does every film have to be "Ghandi"? Besides, "Poison Ivy" and similar films are more than just "trash exploitation." They're commentaries on the power of a woman or, more specifically, the power of a young beautiful female. In the story, Ivy comes from a troubled past but, as a blossoming woman, she realizes the power she wields and seems to bask in it. I was involved with a church for a number of years and the granddaughter of the pastor was aged 17-22 at the time. She wasn't in Drew's league, as far as beauty goes yet she still had power. She would lie about people and spread rumors and, because she was the pastor's granddaughter, some morons would believe her. She started dating a naive relative of mine, who was 19 years her senior, and it was clear that she was just interested in his money. At some point she was able to get his credit card info and bought over $17,000 worth of merchandise without him knowing it until it was too late. She did everything in her power to move into his house, but his aging mother blocked the last attempt at the last minute. His mom said that she could just see the vixen pushing her down the stairs or whatever to get her out of the picture. It was even discovered that the lil' tart tried to buy life insurance on the guy, which was very odd. You can draw your own conclusions. My point is that these lethal Lolitas exist -- young vixens who use their beauty to take control, cause havoc and ruin lives. Trash exploitation or not, it's good fodder for a movie, particularly if it's done stylishly, like "Poison Ivy". The film is short and sweet at 88 minutes with the unrated version running 93 minutes. GRADE: B+

Mar 13, 2022