11:14
Fate can change in seconds.
2003 | 86m | English
Popularity: 5 (history)
| Director: | Greg Marcks |
|---|---|
| Writer: | Greg Marcks |
| Staring: |
| Tells the seemingly random yet vitally connected story of a set of incidents that all converge one evening at 11:14pm. The story follows the chain of events of five different characters and five different storylines that all converge to tell the story of murder and deceit. | |
| Release Date: | Sep 05, 2003 |
|---|---|
| Director: | Greg Marcks |
| Writer: | Greg Marcks |
| Genres: | Comedy, Crime, Thriller |
| Keywords | alcohol, robbery, gun, ambulance, vandalism, chase, arrest, police, cop, murder, crash, connected, frantic, absurd, suspenseful, bewildered, farcical |
| Production Companies | Firm Films, Media 8 Entertainment, MDP Worldwide |
| Box Office |
Revenue: $0
Budget: $6,000,000 |
| Updates |
Updated: Aug 10, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Rachael Leigh Cook | Cheri |
| Ben Foster | Eddie |
| Clark Gregg | Officer Hannagan |
| Colin Hanks | Mark |
| Shawn Hatosy | Duffy |
| Barbara Hershey | Norma |
| Stark Sands | Tim |
| Hilary Swank | Buzzy |
| Patrick Swayze | Frank |
| Henry Thomas | Jack |
| Blake Heron | Aaron |
| Jason Segel | Leon |
| Rick Gomez | Kevin |
| Name | Job |
|---|---|
| Shane Hurlbut | Director of Photography |
| Felicia Fasano | Casting |
| David Scott Rubin | Unit Production Manager |
| Petrice Bankhead | Makeup Department Head |
| Nancy Restuccia | Art Department Coordinator |
| Annie Laoparadonchai | Set Costumer |
| Richard Nord | Editor |
| Martha Ring | Set Decoration |
| Macie Vener | Art Direction |
| Dorothy J. Pearl | Key Makeup Artist |
| Morgan Blackledge | Assistant Art Director |
| Janet Ingram | Costume Supervisor |
| Aiken Weiss | Steadicam Operator |
| Darryl Wilson | Best Boy Grip |
| Shawn Holden | Sound Mixer |
| Jeremy Alter | Location Manager |
| James Ochoa | Special Effects |
| Jim Sheldon | Still Photographer |
| Paul Domick | Second Second Assistant Director |
| Brad Arensman | Post Production Supervisor |
| Robert Fitzgerald | Sound Effects Editor |
| Eric Thompson | ADR Mixer |
| Joshua Winget | Music Editor |
| Devorah Herbert | Production Design |
| Joy Zapata | Key Hair Stylist |
| Bonnie Weis | Production Supervisor |
| Scott Bauer | Property Master |
| George Billinger III | Steadicam Operator |
| David Knudson | Key Grip |
| Scott Peterson | Script Supervisor |
| David Harris | Greensman |
| John C. Carlucci | Special Effects |
| Lorey Sebastian | Still Photographer |
| J.J. Geary | Craft Service |
| Bob Weber | Production Accountant |
| John K. Adams | ADR Editor |
| Gregg Barbanell | Foley Artist |
| Jason Alexander | Music Supervisor |
| Gary Hatfield | "A" Camera Operator |
| Dietmar Wendelin | Dolly Grip |
| John Hays | Boom Operator |
| Lou Carlucci | Special Effects Coordinator |
| Barry McQueary | Special Effects |
| A. Welch Lambeth | Transportation Coordinator |
| Mike Le Mare | Supervising Sound Editor |
| Jason Piatt | Foley Recordist |
| Dennis McNeill | Color Timer |
| Greg Marcks | Writer, Director |
| Clint Mansell | Original Music Composer |
| Dan Lebental | Editor |
| Mary Vernieu | Casting |
| Joel Kramer | Stunt Coordinator |
| Scott Leva | Stunts |
| Christopher Lawrence | Costume Design |
| Steven Lambert | Stunts |
| Gary Price | Stunts |
| Chris Navarro | ADR Recordist |
| Clint Lilley | Stunts |
| Chris Edmonds | First Assistant Director |
| Michelle Edmonds | Second Assistant Director |
| Erin Rodman | Production Assistant |
| Name | Title |
|---|---|
| Jeff Kwatinetz | Executive Producer |
| Stewart Hall | Executive Producer |
| Sammy Lee | Executive Producer |
| Raju Patel | Executive Producer |
| David Scott Rubin | Executive Producer |
| John Morrissey | Producer |
| Mark Damon | Executive Producer |
| Tripp Vinson | Executive Producer |
| Beau Flynn | Producer |
| Hilary Swank | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 19 | 25 | 11 |
| 2024 | 5 | 19 | 34 | 13 |
| 2024 | 6 | 22 | 35 | 12 |
| 2024 | 7 | 24 | 63 | 11 |
| 2024 | 8 | 14 | 26 | 9 |
| 2024 | 9 | 12 | 17 | 9 |
| 2024 | 10 | 16 | 31 | 8 |
| 2024 | 11 | 14 | 22 | 9 |
| 2024 | 12 | 14 | 19 | 10 |
| 2025 | 1 | 14 | 24 | 10 |
| 2025 | 2 | 10 | 14 | 3 |
| 2025 | 3 | 4 | 13 | 1 |
| 2025 | 4 | 2 | 6 | 1 |
| 2025 | 5 | 2 | 6 | 1 |
| 2025 | 6 | 2 | 4 | 1 |
| 2025 | 7 | 1 | 1 | 0 |
| 2025 | 8 | 1 | 2 | 0 |
| 2025 | 9 | 2 | 3 | 2 |
| 2025 | 10 | 3 | 5 | 2 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 446 | 698 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 837 | 837 |
etmahoney
N/A
A clever little thriller/black comedy, which holds interest. 11:14 tells the inter-connected stories of a group of people, all revolving around a tragic car-accident. We see the accident, which occurs at 11:14pm, from different perspectives, as the puzzle slowly comes together. Sure, the story wo ... rks a lot on coincidence, but it's still a great build up and interesting ending, despite it being somewhat of a let-down. The very black humour includes two sections which might just be some of the most cringing moments for men in cinema history – one of them in particular had me cowering fear. Good performances from Patrick Swayze and Hilary Swank make this a good cinematic treat.
Jun 23, 2021