Menu
Orlando Poster

Orlando

1992 | 90m | English

(20404 votes)

TMDb IMDb

Popularity: 4 (history)

Details

England, 1600. Queen Elizabeth I promises Orlando, a young nobleman obsessed with poetry, that she will grant him land and fortune if he agrees to satisfy a very particular request.
Release Date: Dec 11, 1992
Director: Sally Potter
Writer: Sally Potter, Virginia Woolf
Genres: Fantasy, Drama
Keywords london, england, based on novel or book, queen elizabeth i, androgyny, breaking the fourth wall, woman director, nobleman, women's rights, ottoman empire
Production Companies Mikado Film, Adventure Pictures, Sigma Pictures, Rio, Lenfilm
Box Office Revenue: $5,377,643
Budget: $4,000,000
Updates Updated: Aug 03, 2025
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Tilda Swinton Orlando
Billy Zane Shelmerdine
Lothaire Bluteau The Khan
John Wood Archduke Harry
Charlotte Valandrey Sasha
Heathcote Williams Nick Greene / Publisher
Quentin Crisp Queen Elizabeth I
Peter Eyre Mr. Pope
Thom Hoffman King William of Orange
Kathryn Hunter Countess
Ned Sherrin Mr. Addison
Jimmy Somerville Singer / Angel
Dudley Sutton King James I
John Bott Orlando's Father
Elaine Banham Orlando's Mother
Anna Farnworth Clorinda
Sara Mair-Thomas Favilla
Anna Healy Euphrosyne
Simon Russell Beale Earl of Moray
Matthew Sim Lord Francis Vere
Jerome Willis Translator
Viktor Stepanov Russian Ambassador
Mary MacLeod First Woman
Barbara Hicks Second Woman
Alexander Medvedev Russian Sailor
Toby Stephens Othello
Oleg Pogodin Desdemona
George Antoni First Valet
Toby Jones Second Valet
Robert Demeger Third Valet
Lol Coxhill Butler
Thom Osborn Doctor
Giles Taylor Singing Valet
Sarah Crowden Queen Mary
Hugh Munro Second Butler
Peter Hayward Harpsichordist
Andrew Watts Counter Tenor
Roger Hammond Mr. Swift
Cyril Lecomte Young Man
Olivia Lancelot Young Woman
John Grillo First Official
Martin Wimbush Second Official
Terence Soall Third Butler
Jessica Swinton Orlando's Daughter
Name Job
Sally Potter Screenplay, Original Music Composer, Director
Virginia Woolf Novel
Sandy Powell Costume Design
Christopher Hobbs Set Designer
Michael Buchanan Art Direction
Robin O'Donoghue Sound Re-Recording Mixer
Morag Ross Makeup Supervisor
Jacky Lansley Choreographer
Steve Dent Stunt Coordinator
Fred Frith Additional Music
Michael Powell Thanks
Stanislav Romanovsky Production Design
Tamara Frid Makeup Artist
Michael Howells Art Direction
Michael Zimbrich First Assistant Director
David Motion Original Music Composer
Alexey Rodionov Director of Photography
Laurie Borg Line Producer
Irene Lamb Casting
Christian McWilliams Third Assistant Director
Pauline Bennion Foley Artist
Jean-Louis Ducarme Sound Recordist
Simon Moseley Second Assistant Director
Jack Stew Foley Artist
Bob Last Music Supervisor
Jan Archibald Hair Supervisor
Ben van Os Production Design
Linda Bruce Production Executive
Jonathan Finn Production Coordinator
Anna Vronskaya Production Executive
Penny Eyles Script Supervisor
Paul Corbould Special Effects Technician
Samuel Cohen Boom Operator
Totty Whately Property Buyer
Constance de Vos Set Dresser
Tony Clarkson Location Manager
Diane Greaves Foley Artist
Ben Zuydwijk Set Painter
Jan Roelfs Production Design
Ted Read Gaffer
David Bedford Additional Music
Walter Donohue Story Editor
Richard Broome Key Grip
Dien van Straalen Costume Design
Liam Longman Still Photographer
Floris Vos Set Dresser
Kant Pan Supervising Sound Editor
Christopher Newman First Assistant Director
Hervé Schneid Editor
Name Title
Roberto Cicutto Co-Producer
Matthijs van Heijningen Co-Producer
Martine Kelly Associate Producer
Jean Gontier Co-Producer
Richard Salmon Associate Producer
Christopher Sheppard Producer
Vitaly Sobolev Co-Producer
Lynn Hanke Associate Producer
Luigi Musini Co-Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 17 27 10
2024 5 20 48 9
2024 6 17 24 10
2024 7 17 26 10
2024 8 14 25 8
2024 9 10 14 7
2024 10 12 24 7
2024 11 11 17 6
2024 12 12 15 8
2025 1 14 36 7
2025 2 9 16 3
2025 3 4 13 1
2025 4 2 5 1
2025 5 2 5 1
2025 6 2 3 1
2025 7 1 2 1
2025 8 1 2 1
2025 9 3 4 1
2025 10 4 6 3

Trending Position


No trending metrics available.

Return to Top

Reviews

FilipeManuelNeto
5.0

**Based on a somewhat controversial novel, it tackles gender issues and other deep subjects quite well.** “Orlando” is perhaps one of the most interesting and controversial novels by the equally controversial Virginia Woolf. The details of this writer's life are known: the sexual abuse she suffer ... ed in childhood, the depressive crises, the existential doubts she experienced all her life, her bisexuality. And “Orlando” was born in this context: it is the result of the relationship between Woolf and Victoria Sackville West, an aristocrat who maintained an open marriage, in which she could live her sexuality with other women. To what extent have Victoria or the author herself, at certain moments, not wanted or fantasized about an eventual sex change? I don't know, however, I assume that Woolf's novel may be one of the first literary works to explore the possibility of transsexuality. The film doesn't do much more than transport Woolf's words to the screen, recreating a story where a young androgynous English aristocrat of the Elizabethan court, Lord Orlando, finds himself the object of the affection of the old queen, who gives him various goods and perks. on condition that he can never grow old or die, which actually happens! Thus, “blessed” (the eventual negative consequences are never addressed) in this way, Orlando crosses the centuries without aging a day, lives in love and gets to know other countries. At one point, he is possessed by a sleep he cannot wake up from, and when he finally wakes up, he has mysteriously become a woman, and spends the next two hundred years proving that not only did he never die, he changed sex. And the years go by, with the film ending in our days. The film is responsible for boosting the film career of Tilda Swinton, a British actress who, even before making this film, was already pursuing a somewhat androgynous aesthetic look, perhaps due to having spent her childhood as the only girl among several male brothers. . The truth is that the film contributed decisively to the actress's career. She dominates the film and gives us a superb performance. John Wood and Quentin Crisp also do great value work. Technically, what stands out the most about this film is the cinematography, very careful and beautiful, and the smooth but consistent pace of a film that can take a while to convince viewers, but manages to do it and keeps our attention until at end. Filmed largely on British soil, it makes good use of various aristocratic houses as part of its set, and all the costumes, for each historical era, were really well done.

Sep 28, 2022
Geronimo1967
7.0

Tilda Swinton is superb in this story of the eponymous Tudor noble who obeys a command from the enamoured Queen Elizabeth (Quentin Crisp) and refuses to grow old. The film now follows the adventures, loves and ultimately depicts how the character adapts - quite literally - as England becomes Britain ... and eventually he becomes free! The experiences as an ambassador in the middle east, the determination to retain the family property when the authorities begin to smell a rat, the arrival of a child - all build upon this wonderfully enigmatic Virginia Woolf creation that defies typical analysis. This is story of humanity and of it's own reluctance to embrace meaningful change as events and the environment relentlessly changes around it. Historical figures from Othello to King James I appear throughout this quirkily engaging chronology that is colourful, vibrant and enjoyably imaginative with this particular adaptation taking a little liberty with the book by extending the timeline into the more modern era. Whilst "Orlando" may evolve with some Hermaphroditic characteristics, they serve as a conduit to this story and are not overtly central to the action. It's that very gender ambiguity that becomes gradually better defined as if the immortal is emerging from a fog - and Sally Potter keeps that remarkably well focused for the ninety minutes of screen time we are presented with here. It is an hard film to evaluate, it may or will mean many different things to many different people, and that's what makes it very watchable indeed.

Oct 21, 2022