Popularity: 7 (history)
| Director: | Luis Llosa |
|---|---|
| Writer: | Hans Bauer, Jim Cash, Jack Epps Jr. |
| Staring: |
| A 'National Geographic' film crew is taken hostage by an insane hunter, who takes them along on his quest to capture the world's largest — and deadliest — snake. | |
| Release Date: | Apr 11, 1997 |
|---|---|
| Director: | Luis Llosa |
| Writer: | Hans Bauer, Jim Cash, Jack Epps Jr. |
| Genres: | Adventure, Horror, Thriller |
| Keywords | movie business, predator, snake, expedition, human vs nature, amazon rainforest, jungle, creature, hunting, anaconda, killer snake, riverboat, aggressive, amazon river, animal horror, suspenseful, killer expedition, rainforest river, river ravine |
| Production Companies | Columbia Pictures, Middle Fork Productions, Skylight Cinema Foto Art, St. Tropez Films, Cinema Line Film Corporation, Skylight Cinema Foto Art (US) |
| Box Office |
Revenue: $136,885,767
Budget: $45,000,000 |
| Updates |
Updated: Jul 30, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Jennifer Lopez | Terri Flores |
| Ice Cube | Danny Rich |
| Jon Voight | Paul Serone |
| Eric Stoltz | Dr. Steven Cale |
| Jonathan Hyde | Warren Westridge |
| Owen Wilson | Gary Dixon |
| Kari Wuhrer | Denise Kalberg |
| Vincent Castellanos | Mateo |
| Danny Trejo | Poacher |
| Frank Welker | Anaconda (voice) (uncredited) |
| Name | Job |
|---|---|
| Michael R. Miller | Editor |
| James Dyer | Unit Production Manager |
| Barry Chusid | Art Direction |
| Daniel Loren May | Set Decoration |
| Kathy Monderine | Costume Design |
| Tom Reta | Assistant Art Director |
| Michael Muscarella | Construction Coordinator |
| Glen Harmon | Greensman |
| Randy Bostic | Leadman |
| Louis Medrano | Painter |
| Thomas W. Lay Jr. | Production Illustrator |
| Adam Martyn | Sculptor |
| Serge Genitempo | Standby Painter |
| Walt Fraser | Camera Operator |
| Alex Touyarot | First Assistant Camera |
| Philip Sloan | Key Grip |
| Robert Ulland | Steadicam Operator |
| Michael Douglas Middleton | Still Photographer |
| Pete Romano | Underwater Camera |
| Dino Ganziano | Hairstylist |
| Donna Barrett Gilbert | Key Hair Stylist |
| Gala Autumn | Set Costumer |
| Jon Aguilar | Set Dressing Artist |
| Steve Blumenkrantz | Animatronic and Prosthetic Effects |
| J.H. Arrufat | Dialogue Editor |
| Todd Johnson | Craft Service |
| John F. Teeple | Driver |
| Justin J. LaPresle | Propmaker |
| Tracy Farrington | Property Master |
| Kevin A. Canamar | Set Medic |
| David Tanner | Software Engineer |
| Vanessa Grayson | Stand In |
| Webster Whinery | Stunt Coordinator |
| Greg Nutt | Transportation Captain |
| Gregory Nutt | Transportation Co-Captain |
| Mira Tweti | Unit Publicist |
| Roy Bean | Video Assist Operator |
| Scott Anderson | Visual Effects Editor |
| K.C. Colwell | First Assistant Director |
| Dale E. Grahn | Color Timer |
| David Maddux | Gaffer |
| Laurence Cropley | Lighting Technician |
| Deborah Laub | Location Manager |
| Gene Kelly | Production Accountant |
| Kris Fullan Martinez | Production Coordinator |
| Kimberly Harris | ADR Supervisor |
| Steve Birkett | Boom Operator |
| Destiny Borden | First Assistant Sound Editor |
| Joanie Diener | Music Editor |
| Simon Coke | Sound Effects Editor |
| Douglas B. Arnold | Sound Mixer |
| Richard C. Franklin | Supervising Sound Editor |
| Chuck Gaspar | Special Effects Supervisor |
| Robin Griffin | Visual Effects Producer |
| John Nelson | Visual Effects Supervisor |
| Martin A. Kline | Visual Effects Art Director |
| Serge Sretschinsky | Supervising Technical Director |
| Roberto Carneiro | Costumer |
| Valeria Costa Amorim | Assistant Production Manager |
| Xochi Blymyer | Second Assistant Director |
| Lisanne Sartor | Second Second Assistant Director |
| Beau Marks | Second Unit Director |
| David J. Negrón Jr. | Storyboard Artist |
| Avram D. Gold | ADR Editor |
| Nerses Gezalyan | Foley Mixer |
| Nancy Huffman | Special Effects Assistant |
| Tony Allard | Special Effects Technician |
| Ann Monn | VFX Artist |
| Jim Marquette | Assistant Camera |
| Gu Ramalho | Camera Loader |
| Pedro Moraes | Camera Trainee |
| Edward C. Peters | Dolly Grip |
| Marcela Bourseau | Second Assistant Camera |
| Kelvin Lee | Lead Animator |
| Inéz Salgado Miranda | Wardrobe Assistant |
| Mo Henry | Negative Cutter |
| Jane E. Graves | Assistant Location Manager |
| Rick Senteno | Assistant Chief Lighting Technician |
| Justine Hebron | Assistant Production Coordinator |
| Colin Campbell | Compositing Lead |
| Tiffany Fraser | First Assistant Accountant |
| Michael Neal | Payroll Accountant |
| Anthony Ceccomancini | Pre-Visualization Coordinator |
| Fred Aghajanian | Production Assistant |
| Richard Harrah | Production Executive |
| Hans Bauer | Writer |
| Jim Cash | Writer |
| Patricia Eskenazi | Stunt Double |
| Terry Jackson | Stunt Double |
| Dain Turner | Stunts |
| Patrick J. Statham | Stunts |
| Eddie L. Watkins | Stunts |
| Carol Daniels | Stunts |
| Richard Epper | Stunts |
| J. Mark Donaldson | Stunts |
| Terry James | Stunts |
| Dennis Scott | Stunts |
| Jeff Podgurski | Stunts |
| Luis Llosa | Director |
| Randy Edelman | Original Music Composer |
| Bill Butler | Director of Photography |
| Stelvio Rosi | Line Producer |
| Mindy Marin | Casting |
| Barbara Mesney | Set Designer |
| Toca Seabra | Aerial Camera |
| Jennifer Badger | Stunts |
| John Papsidera | Casting Associate |
| Guy Moon | Orchestrator |
| Jacquie Barnbrook | Visual Effects Coordinator |
| Caique Martins Ferreira | Production Manager |
| Gary A. Hecker | Foley Artist |
| Chuck Picerni Jr. | Stunts |
| Stephanie Finochio | Stunt Double |
| Tierre Turner | Stunts |
| April Weeden | Stunts |
| Phil Culotta | Stunts |
| Sandy Berumen | Stunts |
| Mickey Giacomazzi | Stunts |
| Denney Pierce | Stunts |
| Hugh Aodh O'Brien | Stunts |
| James Ryan | Stunts |
| Mike Smith | Stunts |
| Walter Royle | Best Boy Grip |
| Kirk M. Petruccelli | Production Design |
| Jack Epps Jr. | Writer |
| Gary A. Beaird Jr. | Grip |
| Ken Diaz | Makeup Artist |
| Nick Brett | Stunts |
| Name | Title |
|---|---|
| Verna Harrah | Producer |
| Carole Little | Producer |
| Leonard Rabinowitz | Producer |
| Susan Ruskin | Executive Producer |
| Beau Marks | Co-Producer |
| Andy Fickman | Associate Producer |
| Jack Epps Jr. | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 59 | 79 | 45 |
| 2024 | 5 | 61 | 130 | 33 |
| 2024 | 6 | 42 | 58 | 32 |
| 2024 | 7 | 42 | 60 | 29 |
| 2024 | 8 | 41 | 57 | 29 |
| 2024 | 9 | 37 | 49 | 26 |
| 2024 | 10 | 37 | 69 | 28 |
| 2024 | 11 | 33 | 53 | 25 |
| 2024 | 12 | 36 | 54 | 29 |
| 2025 | 1 | 43 | 66 | 30 |
| 2025 | 2 | 34 | 56 | 6 |
| 2025 | 3 | 11 | 42 | 3 |
| 2025 | 4 | 7 | 12 | 4 |
| 2025 | 5 | 7 | 13 | 5 |
| 2025 | 6 | 7 | 10 | 5 |
| 2025 | 7 | 5 | 7 | 4 |
| 2025 | 8 | 5 | 10 | 3 |
| 2025 | 9 | 5 | 8 | 3 |
| 2025 | 10 | 6 | 9 | 4 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 153 | 650 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 59 | 502 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 477 | 741 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 257 | 768 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 288 | 737 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 235 | 668 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 412 | 732 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 252 | 702 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 558 | 740 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 586 | 826 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 577 | 810 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 632 | 853 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 10 | 861 | 919 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 9 | 835 | 888 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 8 | 318 | 656 |
Why did I wait to see this until now? And why did Jon Voight not win another Oscar for this movie? “Anaconda” follows a group of highly intelligent and not at all oblivious documentary filmmakers as they search for a hidden tribe in the Amazon. Along the way, they find a not at all creepy snake h ... unter played by Jon Voight, whose tries to help them but completely by accident takes them into a forbidden area of the Amazon where resides giant, completely realistic-looking snakes that move at entirely believable and not at all unrealistic speeds. Trust me, you won’t believe how realistic the CGI is. You’d swear the snakes were right there with the actors. The characters are in no way infuriating. At no point do you ever root for the snakes to win and all the human characters to die in horrible ways. You feel genuinely upset when a character dies and don’t want to laugh or cheer at all. Trust me, you need to see this movie. It’s easily on par with such masterpieces as “The Room” or Kirk Cameron’s “Saving Christmas.”
Good watch, would watch again, and can recommend. This is a huge surprise that this holds up after 20+ years, which is great because there aren't enough giant snake movies out there. This was a bit before modern technology, but that's offset by taking place on the Amazon River, far away from w ... here technology would work anyways. This was also back when Jennifer Lopez and Ice Cube thought they were actors (and I honestly prefer them as actors), and I certainly don't think that they are the any of the bad parts of this movie. Jon Voight was by far the most confusing, if not "bad" part of this movie. I think he was doing an impression of a Spaniard, but maybe was supposed to be having a Portuguese accent as that's what they speak in Brazil, but it was never clear if he was supposed to be FROM there or not. Even the character itself is oddly motivated, fighting to stay alive against people, but clearly has no self preservation when comes to catching the snake alive....so he can.....what...mate with it? Owen Wilson, in typically form, plays the "let's ruin this" role and really is a catalyst for the movie spiraling out of control. This is a "Mr. Toad's Wild Ride" of a movie, not good (even back then), but still lots of fun. With the bad CG and odd, but impressive practical effects, it certainly was never the impending threat of an unstoppable beast that was the problem.
Yep hope I never see any giant anaconda In person. I would freak the hell out. Probably pee my pants too lol. It's a ok movie, but the snake does look fake. Either way I hate snakes. ...