Popularity: 8 (history)
Director: | Brian Helgeland |
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Writer: | Brian Helgeland |
Staring: |
William Thatcher, a knight's peasant apprentice, gets a chance at glory when the knight dies suddenly mid-tournament. Posing as a knight himself, William won't stop until he's crowned tournament champion—assuming matters of the heart don't get in the way. | |
Release Date: | May 11, 2001 |
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Director: | Brian Helgeland |
Writer: | Brian Helgeland |
Genres: | Adventure, Action, Drama, Romance |
Keywords | london, england, poetry, sword fight, rivalry, knight, tournament, duel, torture, writer, impostor, church, game, jousting, medieval, aftercreditsstinger |
Production Companies | Columbia Pictures, Escape Artists, Black and Blu Entertainment, Finestkind |
Box Office |
Revenue: $117,487,473
Budget: $65,000,000 |
Updates |
Updated: May 15, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Heath Ledger | William Thatcher |
Rufus Sewell | Count Adhemar |
Shannyn Sossamon | Jocelyn |
Paul Bettany | Geoffrey Chaucer |
Laura Fraser | Kate |
Mark Addy | Roland |
Alan Tudyk | Wat |
Bérénice Bejo | Christiana |
Scott Handy | Germaine |
James Purefoy | Colville |
Leagh Conwell | Young William Thatcher |
Christopher Cazenove | John Thatcher |
Steven O'Donnell | Simon the Summoner |
Jonathan Slinger | Peter the Pardoner |
Nick Brimble | Sir Ector |
Karel Dobrý | Flanders King of Arms |
Philip Lenkowsky | Rouen King of Arms |
Roger Ashton-Griffiths | Old Bishop |
Petr Meissel | Sword Official |
Matthew Mills | Colville's Herald |
Daniel Rous | Local Earl Lagny |
Vladimír Kulhavý | Fence |
Miroslav Mokos | French Squire |
Noel Le Bon | French Squire |
Scott Bellefeville | French Squire |
David Schneider | Relic Seller |
Rudolf Kubík | Paris Master of Arms |
David Fisher | London King of Arms |
David Sterne | Retired Knight |
Alice Connor | Lone Girl |
Alice Bendová | Spy |
Berwick Kaler | Man in Stocks |
Howie Lotker | Lagny Master at Arms |
Jan Kuželka | Smithee |
Václav Krejčí | Smithee |
Jan Nemejovský | Smithee |
Jakob Schwarz | Blackbird Knight (uncredited) |
Name | Job |
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Kevin Stitt | Editor |
Tony Burrough | Production Design |
John Hill | Art Direction |
Dominic Smithers | Set Decoration |
Jiří Žůček | Set Decoration |
Caroline Harris | Costume Design |
Keith Bilderbeck | Sound Effects Editor |
Val Kuklowsky | Sound Effects Editor |
Beverly Winston | Script Supervisor |
Egon Endrényi | Still Photographer |
Sebastian Meuschel | Steadicam Operator |
Mark Holding | Production Sound Mixer |
Bill W. Benton | Sound Re-Recording Mixer |
Jeffrey J. Haboush | Sound Re-Recording Mixer |
Jon Johnson | Supervising Sound Editor |
Tomáš Červenka | Boom Operator |
Corina Burrough | Set Decoration Buyer |
Mark Kebby | Set Designer |
Tomás Lehovec | Standby Painter |
Gary Spratling | Additional Camera |
Jim Alloway | Camera Operator |
Oliver Ward | Camera Technician |
Simon Finney | First Assistant Camera |
Katherine Burchill | Assistant Costume Designer |
Marco Scotti | Costume Supervisor |
Ivana Chlostova | Makeup Artist |
Nicky Jones | Armorer |
Jan Skala | Cableman |
Stuart Hopps | Choreographer |
Angus Cameron | Digital Effects Supervisor |
Terry Glass | Special Effects Coordinator |
Patrice Cossonneau | Stunts |
Silvie Janculová | Transportation Captain |
Ondřej Sláma | Unit Production Manager |
Stanley Brossette | Unit Publicist |
Petr Vladyka | Video Assist Operator |
Nicholas Atkinson | Visual Effects Editor |
Jez Oakley | Assistant Director |
Dennis McNeill | Color Timer |
Peter McNulty | First Assistant Editor |
Václav Čermák | Electrician |
Peter Kalin | Casting Associate |
Barbora Jurkovičová | Location Manager |
Veronika Horka | Production Coordinator |
Joseph Boyle | Production Manager |
Petr Moravec | Production Supervisor |
Adam Milo Smalley | Music Editor |
Sonny Kompanek | Orchestrator |
Paul Whybrow | Special Effects Supervisor |
Rob Dunbar | Visual Effects |
Paul Edwards | Visual Effects Producer |
Tomas Hais | Set Dresser |
Jeremy Braben | Aerial Director of Photography |
Filip Majer | Camera Loader |
Dai Hopkins | Key Grip |
Karel Charvát | Grip |
Pebbles | Key Makeup Artist, Key Hair Stylist |
Fae Hammond | Makeup Supervisor |
Iveta Trmalová | Wardrobe Supervisor |
Jiří Ostrý | First Assistant Director |
William Booker | Second Assistant Director |
Andy Arnautov | Chief Lighting Technician |
Kateřina Silná | Assistant Production Coordinator |
Laura Graham | ADR Editor |
Bruce Stubblefield | ADR Supervisor |
Brad Kanfer | Apprentice Sound Editor |
Drake Jenevein | Assistant Sound Editor |
Linda Di Franco | Foley Editor |
Mark Berrow | Musician |
Charles Maynes | Sound Effects Designer |
Dan Sweetman | Storyboard Artist |
William Jacobs | Foley Supervisor |
Paul Dimmer | Special Effects Technician |
Jamie Sewell | Additional Director of Photography |
Zdeněk Mrkvička | Assistant Camera |
Marco Magno | Wardrobe Assistant |
Jaroslav Jiricek | Assistant Chief Lighting Technician |
John Uribe | First Assistant Accountant |
Vera Trousilová | Payroll Accountant |
David Gray | Standby Rigger |
Petr Drozda | Second Second Assistant Director |
Jan Rehanzl | Set Production Assistant |
Klara Holubova | Assistant Property Master |
Mo Henry | Negative Cutter |
Meg Leonard | Casting Assistant |
Jemma Scott-Knox-Gore | Contact Lens Technician |
Howard London | ADR Mixer |
Václav Kareš | Camera Loader |
Nick Stewart | Camera Trainee |
Marek Kucera | Production Assistant |
Samantha Knox-Johnston | Travel Coordinator |
Sean Landeros | Sound Recordist |
Ivana Řezáčová | Costumer |
Neil Toussaint | Focus Puller |
Pavel Dostal | Second Assistant Camera |
Josef Loucím | Extras Casting |
Noel Cowell | Property Master |
Lane Burch | Foley Mixer |
Steven A. Calabro | Assistant Editor |
Jiri Tichacek | Assistant Accountant |
Lenka Kadlecova | Production Secretary |
Robert Troy | Dialogue Editor |
Brian Helgeland | Writer, Director |
Richard Greatrex | Director of Photography |
Francine Maisler | Casting |
Allan Graf | Second Unit Director, Stunt Coordinator |
Daniel Frisch | Production Accountant |
Mark Bakowski | Digital Compositors |
Tim Burke | Visual Effects Supervisor |
Paul Weston | Fight Choreographer |
Suzanne Smith Crowley | Local Casting |
Gary A. Hecker | Foley Artist |
Roman Jankovič | Stunt Double |
Herbert Heissler | Stunts |
Carter Burwell | Original Music Composer |
Name | Title |
---|---|
Tim Van Rellim | Producer |
Todd Black | Producer |
Brian Helgeland | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 37 | 53 | 30 |
2024 | 5 | 41 | 60 | 26 |
2024 | 6 | 41 | 63 | 23 |
2024 | 7 | 41 | 62 | 22 |
2024 | 8 | 35 | 50 | 23 |
2024 | 9 | 30 | 39 | 20 |
2024 | 10 | 31 | 48 | 21 |
2024 | 11 | 30 | 46 | 22 |
2024 | 12 | 30 | 44 | 22 |
2025 | 1 | 35 | 61 | 25 |
2025 | 2 | 29 | 44 | 6 |
2025 | 3 | 8 | 33 | 3 |
2025 | 4 | 7 | 13 | 4 |
2025 | 5 | 7 | 13 | 4 |
2025 | 6 | 7 | 10 | 5 |
2025 | 7 | 5 | 7 | 4 |
2025 | 8 | 5 | 10 | 4 |
2025 | 9 | 7 | 9 | 5 |
2025 | 10 | 8 | 9 | 7 |
Trending Position
Year | Month | High | Avg |
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2025 | 10 | 270 | 755 |
Year | Month | High | Avg |
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2025 | 9 | 265 | 690 |
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2025 | 8 | 362 | 764 |
Year | Month | High | Avg |
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2025 | 7 | 49 | 596 |
Year | Month | High | Avg |
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2025 | 6 | 156 | 554 |
Year | Month | High | Avg |
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2025 | 5 | 34 | 210 |
Year | Month | High | Avg |
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2025 | 4 | 297 | 711 |
Year | Month | High | Avg |
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2025 | 3 | 339 | 638 |
Year | Month | High | Avg |
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2025 | 2 | 818 | 890 |
Year | Month | High | Avg |
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2025 | 1 | 286 | 703 |
Year | Month | High | Avg |
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2024 | 12 | 720 | 807 |
Year | Month | High | Avg |
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2024 | 11 | 539 | 795 |
Year | Month | High | Avg |
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2024 | 8 | 903 | 903 |
Great watch, will watch again, and do recommend. What a fantastic cast: I honestly don't know if you could have cast it better. Just thinking about Alan Tudyk, Heath Ledger, and Shannyn Sossamon makes me smile. Everyone plays their roles fantasticly, taking their stock characters, and spinnin ... g the writing to the 9th degree: the jerks are hate-able jerks and I can't help but love the leads and supporting characters. Part of what makes this movie disctinct is that they forces some modern (for the time) music into it when it very did not belong with medieval England / Europe. There are several scenes where if you squint, you could mistake the movie for "10 Things I Hate About You" or some other teen rom com of that time period. Fortunately they found a way to balance the jousting content with personality stories, which are by far more entertaining, but unless you're Kevin Smith, you can't exactly cut jousting out of a movie set in competitions for jousting. This is a fun movie with some positive messaging in it about women and class rights, please give this a go.
My dad, rest his soul, really liked this and at the time it came out I was a pretentious college student that had forsaken all things fun and couldn't understand what my father could possibly like about it. And now I'm living in a world where someone makes a tweet with the president's head morphe ... d onto Rocky Balboa's body and people are freaking out and screaming "How am I supposed to take it, if not totally literally!" And I'm sitting off to the side, mumbling that it was just a joke, and seeing my old self that hated A Knight's Tale reflected in those people and thinking "I was a real humorless prig for about four solid years, thank every god that has ever been worshiped that I grew out of that." When I first saw it I thought the part where the smith added the Nike swoosh to the armor was horrible because, well, I was pretentious and took life far too seriously.... blatant product placement!... sweatshops!...child labor!.... Corporatism! Whatever! And now that said phase in my life has melted away, it's just a joke and honestly kind of a cute one. And then the same can be said about Chaucer.... and literary genius, how dare they slander such a.... and now that I'm older he was absolutely the best part of the movie wasn't he? Classic rock music in movie about the dark ages and... pandering... unrealistic... blah, blah, blah, and now that that ill informed phase in life wore off, it works on multiple levels and most surprisingly they succeed in using it to make you laugh. I guess the point is that now that I learned to actually enjoy things and not take everything so seriously, so literally, and understand a joke is just a joke, it's a super fun and hysterical comedic romp and to watch it is to love it.