Popularity: 5 (history)
Director: | Amy Heckerling |
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Writer: | Amy Heckerling, Jane Austen |
Staring: |
Shallow, rich and socially successful Cher is at the top of her Beverly Hills high school's pecking scale. Seeing herself as a matchmaker, Cher first coaxes two teachers into dating each other. Emboldened by her success, she decides to give hopelessly klutzy new student Tai a makeover. When Tai becomes more popular than she is, Cher realizes that her disapproving ex-stepbrother was right about how misguided she was -- and falls for him. | |
Release Date: | Jul 19, 1995 |
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Director: | Amy Heckerling |
Writer: | Amy Heckerling, Jane Austen |
Genres: | Comedy, Romance |
Keywords | based on novel or book, puberty, high school, make a match, spoiled child, matchmaking, coming of age, conflict, wedding, high school friends, makeover, woman director, popular girl, matchmaker, gay theme, match making |
Production Companies | Paramount Pictures, Scott Rudin Productions, Robert Lawrence Productions |
Box Office |
Revenue: $56,631,572
Budget: $12,000,000 |
Updates |
Updated: Jul 10, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Alicia Silverstone | Cher |
Stacey Dash | Dionne |
Brittany Murphy | Tai |
Paul Rudd | Josh |
Donald Faison | Murray |
Elisa Donovan | Amber |
Breckin Meyer | Travis |
Jeremy Sisto | Elton |
Dan Hedaya | Mel Horowitz |
Aida Linares | Lucy |
Wallace Shawn | Mr. Wendell Hall |
Twink Caplan | Miss Toby Geist |
Justin Walker | Christian |
Sabastian Rashidi | Paroudasm |
Herb Hall | Principal |
Julie Brown | Ms. Stoeger |
Susan Mohun | Heather |
Nicole Bilderback | Summer |
Ron Orbach | DMV Tester |
Sean Holland | Lawrence |
Roger Kabler | College Guy |
Jace Alexander | Robber |
Josh Lozoff | Logan |
Carl Gottlieb | Priest |
Joseph D. Reitman | Student |
Anthony Beninati | Bartender |
Micki Duran | Dancer |
Gregg Russell | Dancer |
Jermaine Montell | Dancer |
Danielle Eckert | Dancer |
Amy Heckerling | Maid of Honor (uncredited) |
Michael Klesic | Baggy Skater (uncredited) |
Sam Maccarone | Baggy Skater (uncredited) |
Monica Eva Foster | Cheerleader (uncredited) |
Name | Job |
---|---|
Steven J. Jordan | Production Design |
Karyn Rachtman | Music Supervisor |
Marcia Ross | Casting |
Barry M. Berg | Unit Production Manager |
Richard Graves | First Assistant Director |
Daniel Silverberg | Second Assistant Director |
Jill Stokesberry | Stunts |
Jimmy Romano | Stunts |
William Hiney | Art Direction |
Amy Wells | Set Decoration |
Lawrence Karman | Camera Operator |
David M. Ronne | Sound Mixer |
Dean Wilson | Property Master |
Glen R. Feldman | Assistant Property Master |
Scott W. Leslie | Assistant Property Master |
David Kitay | Original Music Composer |
Norman Glasser | Chief Lighting Technician |
George Dunagan | Assistant Chief Lighting Technician |
Tony Mazzucchi | First Company Grip |
Steven W. Gage | Dolly Grip |
Larry McCarron | Grip |
Kevin 'Rambo' Fitzgerald | Grip |
Cary Weitz | Boom Operator |
Geri B. Oppenheim | Assistant Makeup Artist |
Alan Friedman | Makeup Supervisor |
Nina Paskowitz | Hairstylist |
D.J. Plumb | Assistant Hairstylist |
Barbara Olvera | Assistant Hairstylist |
Esther Vivante | Script Supervisor |
Garet Reilly | Set Costumer |
Leesa Evans | Assistant Costume Designer |
L. James Langlois | First Assistant Editor |
Danny Garde | Music Editor |
Peter Bergren | Sound Effects Editor |
Shelley Rae Hinton | ADR Editor |
Eileen Horta | ADR Editor |
Virginia Cook-McGowan | ADR Editor |
Michele Perrone | ADR Editor |
Gary Lewis | Dialogue Editor |
Ralph Osborn | Dialogue Editor |
Peter Austin | Foley Editor |
Solange S. Schwalbe | Foley Editor |
Richard Taylor | Foley Editor |
Bill Baldwin | Assistant Sound Editor |
Damon Cohoon | Assistant Sound Editor |
Charleen Richards-Steeves | ADR Mixer |
Dean Drabin | ADR Mixer |
Alyson Dee Moore | Foley Artist |
Patricia Nedd | Foley Artist |
Chris David | Sound Re-Recording Mixer |
Don Digirolamo | Sound Re-Recording Mixer |
Billy Gottlieb | Music Coordinator |
Stuart Fink | Unit Publicist |
Elliott Marks | Still Photographer |
Barry Kingston | Construction Coordinator |
Paul Zydel | ADR Mixer |
Mike Fenster | Transportation Captain |
Mike Milliken | Color Timer |
Theresa Repola Mohammed | Negative Cutter |
Randy White | Transportation Coordinator |
Elyse Allyn Ramsdell | Assistant Production Coordinator |
John Richards | Scoring Mixer |
Darrin Lipscomb | Assistant Location Manager |
David Guilbeau | Craft Service |
Amy Heckerling | Director, Writer |
Bill Pope | Director of Photography |
Mona May | Costume Design |
Pat Romano | Stunt Coordinator |
Troy Robinson | Stunts |
Kevin L. Jackson | Stunts |
Steve Picerni | Stunts |
Debra Chiate | Editor |
David Jobe | Foley Mixer |
Paul Massey | Sound Re-Recording Mixer |
Gary Archer | Prosthetics |
Gary McLarty | Stunts |
Jane Austen | Original Story |
Name | Title |
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Robert Lawrence | Producer |
Barry M. Berg | Co-Producer |
Adam Schroeder | Co-Producer |
Scott Rudin | Producer |
Twink Caplan | Associate Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 63 | 114 | 40 |
2024 | 5 | 138 | 204 | 114 |
2024 | 6 | 88 | 144 | 54 |
2024 | 7 | 72 | 107 | 34 |
2024 | 8 | 54 | 83 | 31 |
2024 | 9 | 43 | 68 | 31 |
2024 | 10 | 43 | 78 | 29 |
2024 | 11 | 45 | 65 | 32 |
2024 | 12 | 47 | 70 | 26 |
2025 | 1 | 57 | 86 | 39 |
2025 | 2 | 42 | 59 | 8 |
2025 | 3 | 15 | 51 | 3 |
2025 | 4 | 13 | 17 | 7 |
2025 | 5 | 11 | 19 | 8 |
2025 | 6 | 9 | 13 | 7 |
2025 | 7 | 9 | 12 | 7 |
2025 | 8 | 7 | 10 | 6 |
2025 | 9 | 7 | 10 | 5 |
2025 | 10 | 6 | 6 | 5 |
Trending Position
Year | Month | High | Avg |
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2025 | 10 | 438 | 505 |
Year | Month | High | Avg |
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2025 | 9 | 238 | 697 |
Year | Month | High | Avg |
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2025 | 8 | 270 | 639 |
Year | Month | High | Avg |
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2025 | 7 | 92 | 480 |
Year | Month | High | Avg |
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2025 | 6 | 117 | 602 |
Year | Month | High | Avg |
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2025 | 5 | 207 | 683 |
Year | Month | High | Avg |
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2025 | 4 | 220 | 708 |
Year | Month | High | Avg |
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2025 | 3 | 867 | 867 |
Year | Month | High | Avg |
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2025 | 2 | 502 | 696 |
Year | Month | High | Avg |
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2025 | 1 | 248 | 680 |
Year | Month | High | Avg |
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2024 | 9 | 790 | 939 |
Year | Month | High | Avg |
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2024 | 8 | 645 | 850 |
**One of the best teen movies ever.** Teen movies can really be a terrible plague. I've had other occasions where I didn't spare them criticism, and generally it's a style of cinema that I dislike a lot for its sheer stupidity. However, this comedy about a group of spoiled rich girls is a positiv ... e example, a film for teenagers that manages to have quality and grace, while being a satire, quite critical, on the materialism and consumerism of elite teenagers. Amy Heckerling had a brilliant idea to make a modern adaptation of the novel “Emma”, by Jane Austen. Any and all of the author's material is guaranteed to be good, and if it is well used, it usually gives good results. And indeed, the essence of this book is here: a spoiled and superficial girl who learns more about life, finds true love and the most genuine kindness and altruism. This is the transformation we see in Cher, the blonde and exuberant heroine of this film. She lives with her father, a lawyer who doesn't seem to pay much attention to his daughter but who, in fact, has a way of doing so. And it is at school, and in the complicated universe of popularity-obsessed teenagers, that Cher moves for most of the film. Rich and beautiful, she has no problem assuming herself as a leader, at the top of that strongly elitist and prejudiced mini-society that is the universe of teenagers. And she doesn't hesitate to use it to try to improve things around her. This is the great movie of Alicia Silverstone's life. The actress still did some work later, and is known and respected, but the truth is that her career did not have such strong and relevant successes again. She embodied Cher in such a sincere and authentic way that it became difficult, from then on, to detach the character from the actress. Brittany Murphy also deserves a round of applause. She was incredibly young, but showed signs of talent and remained active as an actress until the end of her (unfortunately) brief life. Stacey Dash does what she can, but she doesn't have the time or material to shine like her peers. The film also has good performances by Dan Hedaya and Paul Rudd. The movie doesn't have amazing visuals or great effects, nor is it supposed to. In fact, one of the secrets to its success (commercially, of course) was the fact that it had an average budget and a remarkable success at the box office. Without an unlimited credit card, the production went to great lengths to make the film look more expensive than it is, and I believe that a good part of the investment went into the elegant and seemingly expensive costumes for the three main characters, as well as the house where Cher lives, a magnificent California mansion.
I remember growing up watching this movie. I liked it for probably different reasons then others like it. I liked it because I hated girls like her. So I thought she just looked ridiculous the whole movie which made it funny to me. Favorite line: "Why would I listen to you? Your a virgin that can't ... drive!" LoL!
Alicia Silverstone is on good form as the daughter of a wealthy lawyer who has all that money can buy but with virtually no common sense. She’s not quite as daft as she looks, though, and when she manages to manoeuvre loved-up teachers “Mr. Hall” (Wallace Shawn) and “Miss Geist” (Twink Caplan) into ... a bit of romance gets the idea that maybe she can help others. Who knows, maybe even herself? First task is to rehabilitate new arrival “Tai” (Brittany Murphy) which she sets about with her fellow rich kid “Dionne” (Stacey Dash) but that just gets her thinking about herself and so she hooks up with the extremely dapper “Christian” (Justin Walker) but anyone with the gaydar of a dead chihuahua can spot his interests are elsewhere. Whom else? Perhaps the very candidate is right under her nose? It’s quite a cheerfully characterful drama this with an amiable mix of quote potent stereotypes poked fun at as she proves that you ought not to judge a book by it’s cover. Some of the scenarios are really quite funny, especially when she tries to pass a driving test by playing dodgems down the street. It’s stood the test of time better than many of these coming-of-age dramas, perhaps because the writing relies less on lazy tropes and predictable set-pieces and delivers something just a little more substantial.