Popularity: 5 (history)
| Director: | Glen Morgan |
|---|---|
| Writer: | Glen Morgan, Roy Moore |
| Staring: |
| As the residents of sorority house Pi Kappa Sigma prepare for the festive season, a stranger begins a series of obscene phone calls with dubious intentions... | |
| Release Date: | Dec 15, 2006 |
|---|---|
| Director: | Glen Morgan |
| Writer: | Glen Morgan, Roy Moore |
| Genres: | Horror, Mystery |
| Keywords | holiday, difficult childhood, female friendship, childhood trauma, psychopath, remake, revenge, serial killer, slasher, murderer, incest, eye gouging, escaped mental patient, voyeurism, christmas horror, christmas, christmas eve, sorority girls, holiday horror |
| Production Companies | 2929 Productions, Victor Solnicki Productions, Dimension Films, Movie Central Network, Adelstein/Parouse Productions, Hard Eight Pictures, Corus Studios, Hoban Segal Productions |
| Box Office |
Revenue: $21,510,851
Budget: $9,000,000 |
| Updates |
Updated: Jul 30, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Katie Cassidy | Kelli Presley |
| Kristen Cloke | Leigh Colvin |
| Andrea Martin | Barbara 'Ms. Mac' MacHenry |
| Yan-Kay Crystal Lowe | Lauren Hannon |
| Michelle Trachtenberg | Melissa Kitt |
| Oliver Hudson | Kyle Autry |
| Robert Mann | Billy Lenz - 20 & 35 Years |
| Mary Elizabeth Winstead | Heather Fitzgerald |
| Lacey Chabert | Dana Mathis |
| Dean Friss | Agnes - 16 & 22 Years |
| Karin Konoval | Billy's Mother |
| Cainan Wiebe | Billy Lenz - 5 & 12 Years |
| Jessica Harmon | Megan Helms |
| Leela Savasta | Clair Crosby |
| Christina Crivici | Agnes - 8 Years |
| Kathleen Kole | Eve Agnew |
| Howard Siegel | Lover / Stepfather |
| Peter Wilds | Frank Lenz |
| Ron Selmour | Security Guard |
| Michael Adamthwaite | Santa |
| Peter New | Sanitarium Orderly |
| Christian Sloan | Richard Steinmetz |
| Alycia Purrott | Candy Striper |
| Juan Riedinger | Morgue Attendant |
| Aaron Pearl | Bludworth |
| Peggy Logan | Nurse |
| Jill Teed | News Reporter |
| Peggy Jo Jacobs | Weathergirl |
| Jerry Wasserman | Medical Examiner |
| Derek McIver | Orderly |
| Evan Adams | Doctor |
| Jody Racicot | Attendant |
| Anne Marie DeLuise | Kelli's Mother |
| Greg Kean | Kelli's Father |
| Kent Kubena | Reindeer |
| Wendy Buss | Security (uncredited) |
| Name | Job |
|---|---|
| Glen Morgan | Screenplay, Director |
| Tony Wohlgemuth | Art Direction |
| Marny Eng | Stunt Double |
| John Papsidera | Casting |
| Danny Hospes | Stunts |
| Tony Morelli | Stunts |
| Duane Dickinson | Stunts |
| Shirley Walker | Original Music Composer |
| James Bamford | Stunts |
| Mark Lane | Set Decoration |
| Crystal Dalman | Stunts |
| Krista Bell | Stunts |
| Jennifer Mylrea | Stunt Double |
| David Jacox | Stunts |
| Jon Kralt | Stunt Double |
| Laura Lee Connery | Stunts |
| Dustin Brooks | Stunts |
| Rob Hayter | Stunt Double |
| Geoff Redknap | Special Effects Makeup Artist |
| Robert McLachlan | Director of Photography |
| Gregory Mah | Costume Design |
| Jon Title | Sound Effects Editor |
| Allan Magled | Visual Effects Supervisor |
| Roy Moore | Author |
| Chris G. Willingham | Editor |
| Mark S. Freeborn | Production Design |
| Dave McMoyler | Supervising Sound Editor |
| Michael Kowalski | Visual Effects Supervisor |
| Richard Brooks | Stunts |
| Kirk Caouette | Stunts |
| Paul Edwards | Key Hair Stylist |
| Roger Scott Russell | Second Assistant Director |
| David Hadaway | Set Designer |
| Nerses Gezalyan | Sound Mixer, Foley Mixer |
| James Moriana | Foley Artist |
| Melissa Sherwood Hofmann | Sound Re-Recording Mixer |
| Matthew Lynch | Visual Effects Producer |
| Peter Wilke | Steadicam Operator |
| Jason Dryden | Grip |
| Dino DiMuro | Sound Effects Editor |
| Tim Walston | Sound Designer |
| James Tichenor | Visual Effects Supervisor |
| Chris Devitt | Special Effects Makeup Artist |
| Jack Hardy | First Assistant Director |
| Nancy Ford | Assistant Art Director |
| Michelle Pitney | Set Decoration Buyer |
| J. Stanley Johnston | Sound Re-Recording Mixer |
| Jamie Ritharom-Umbras | Sound Editor |
| Terry Hutcheson | Visual Effects Producer |
| Bruce Worrall | Second Unit Director of Photography |
| Burton 'Joe' Kuchera | Gaffer |
| Sharon Simms | Stunts |
| Dave Hospes | Stunt Coordinator |
| Katharina Brand | Set Decoration Buyer |
| Catherine Ircha | Set Designer |
| Patrick Ramsay | Sound Mixer |
| Jeffrey Wilhoit | Foley Artist |
| Paul Lavigne | Costume Set Supervisor |
| Matt Margolis | Grip |
| Anna Mercedes Mendez | Stunt Double |
| Name | Title |
|---|---|
| Mike Upton | Co-Producer |
| Bob Clark | Executive Producer |
| Steven Hoban | Producer |
| James Wong | Producer |
| Mark Cuban | Executive Producer |
| Glen Morgan | Producer |
| Noah Segal | Executive Producer |
| Todd Wagner | Executive Producer |
| Ogden Gavanski | Co-Producer |
| Marc Butan | Executive Producer |
| Marty Adelstein | Producer |
| Victor Solnicki | Producer |
| Scott Nemes | Executive Producer |
| Kent Kubena | Co-Producer |
| Dawn Olmstead | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 26 | 42 | 17 |
| 2024 | 5 | 30 | 70 | 18 |
| 2024 | 6 | 27 | 44 | 16 |
| 2024 | 7 | 23 | 38 | 13 |
| 2024 | 8 | 20 | 49 | 9 |
| 2024 | 9 | 13 | 22 | 10 |
| 2024 | 10 | 16 | 31 | 9 |
| 2024 | 11 | 18 | 30 | 13 |
| 2024 | 12 | 23 | 31 | 15 |
| 2025 | 1 | 21 | 38 | 14 |
| 2025 | 2 | 13 | 23 | 3 |
| 2025 | 3 | 5 | 17 | 1 |
| 2025 | 4 | 3 | 8 | 1 |
| 2025 | 5 | 2 | 9 | 1 |
| 2025 | 6 | 2 | 4 | 1 |
| 2025 | 7 | 1 | 2 | 1 |
| 2025 | 8 | 2 | 2 | 1 |
| 2025 | 9 | 3 | 5 | 2 |
| 2025 | 10 | 3 | 5 | 2 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 634 | 732 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 944 | 944 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 334 | 670 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 654 | 743 |
Eye eye, what we got ere then? There's a running eyeball motif throughout this revamp/reimaging of Bob Clark's much revered culter of the same name (1974), after sitting through it you may, like me, feel like extracting your own eyeballs and playing ping-pong with them! Bunch of pretty sorori ... ty girls get menaced and mangled by a deranged killer who has come home for Christmas... This lacks everything that made Bob Clark's film so effective. The less is more approach has gone, thus there is very little suspense, and in place is a gigantic back story for the killer. The characterisation of the girls, some acted by some very capable actresses, is practically non existent, so very little emotional heft to draw you into a state of caring for them. There's some good gore on show, but since tonally the pic is all over the place, it's never once scary or ironically funny. A poor show all round. 3/10
Obviously doesn't hold a candle to the original, and some of the acting is pretty genuinely bad, but it knows what it wants and it goes for it. What it wants, here being: To be hamstrung to keeping in step with its predecessor but also being wildly different enough to piss anyone off who was expecti ... ng an actual "remake". _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
_**More entertaining than the original, but marred by a ridiculous tacked-on ending**_ During Christmas Eve at a sorority house in New Hampshire, the students & housemother are harassed by a killer who likes to gouge out eyes. For some strange reason the mad slasher knows all the inner rooms and ... crawlspaces of the house (attic, basement, etc.). “Black Christmas” (2006) is the first of two remakes of the original film from 1974 (the other being released in 2019 and is a remake-in-name-only). This version is more colorful and entertaining than the original, but also more twisted, highlighted by a superior cast of women, including Michelle Trachtenberg (Melissa), Lacey Chabert (Dana), Mary Elizabeth Winstead (Heather), Jessica Harmon (Megan), Leela Savasta (Clair) and Katie Cassidy (Kelli). Written & directed by Glen Morgan, the film is inventive with its backstory and the way the killer haunts the innards of the house, spying & preying on the girls. This is genuinely compelling stuff. Unfortunately, the film's tone and ending were marred by the interference of studio exec Bob Weinstein, who wanted a more over-the-top horror flick with cartoonish embellishments. The preposterous ending in particular seems tacked-on and (almost) ruins the movie. Thankfully some versions of the film are closer to Morgan’s original vision, at least as far as the climax goes. The movie runs about 1 hour, 30 minutes, with a couple other versions longer or shorter by 4-5 minutes (depending on which ending was used). The film was shot in Vancouver, British Columbia, with the hospital scenes done at Riverview Hospital in nearby Coquitlam. GRADE: B