Popularity: 4 (history)
Director: | Joe Wright |
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Writer: | Tom Stoppard, Leo Tolstoy |
Staring: |
In Imperial Russia, Anna, the wife of the officer Karenin, goes to Moscow to visit her brother. On the way, she meets the charming cavalry officer Vronsky to whom she is immediately attracted. But in St. Petersburg’s high society, a relationship like this could destroy a woman’s reputation. | |
Release Date: | Sep 06, 2012 |
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Director: | Joe Wright |
Writer: | Tom Stoppard, Leo Tolstoy |
Genres: | Drama, Romance, History |
Keywords | adultery, horse race, based on novel or book, st. petersburg, russia, death, high society, imperial russia, 19th century |
Production Companies | Focus Features, Working Title Films |
Box Office |
Revenue: $68,929,150
Budget: $40,600,000 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
---|---|
Keira Knightley | Anna Karenina |
Jude Law | Karenin |
Aaron Taylor-Johnson | Vronsky |
Matthew Macfadyen | Oblonsky |
Eric MacLennan | Matvey |
Kelly Macdonald | Dolly |
Alicia Vikander | Kitty |
Domhnall Gleeson | Levin |
Olivia Williams | Countess Vronsky |
Ruth Wilson | Princess Betsy Tverskoy |
Emily Watson | Countess Lydia Ivanova |
Michelle Dockery | Princess Myagkaya |
Raphaël Personnaz | Alexander Vronsky |
David Wilmot | Nikolai |
Emerald Fennell | Princess Merkalova |
Tannishtha Chatterjee | Masha |
Pip Torrens | Prince Shcherbatsky |
Susanne Lothar | Princess Shcherbatsky |
Alexandra Roach | Countess Nordston |
Holliday Grainger | Baroness |
Cara Delevingne | Princess Sorokina |
Bill Skarsgård | Makhotin |
Steve Evets | Theodore |
Theo Morrissey | Grisha Oblonsky |
Cecily Morrissey | Lili Oblonsky |
Freya Galpin | Masha Oblonsky |
Octavia Morrissey | Tanya Oblonsky |
Beatrice Morrissey | Vasya Oblonsky |
Marine Battier | Mlle. Roland |
Guro Nagelhus Schia | Annushka |
Aruhan Galieva | Aruhan |
Carl Grose | Korney |
Bryan Hands | Mikhail Slyudin |
Oskar McNamara | Serhoza |
Luke Newberry | Vasily Lukich |
Michael Shaeffer | Doorkeeper |
Steven Beard | Elderly Waiter |
Henry Lloyd-Hughes | Burisov |
Joseph Macnab | Guards Officer |
Nick Holder | Stationmaster |
Hera Hilmar | Varya |
Kenneth Collard | Prince Tverskoy |
Thomas Howes | Yashvin |
Kyle Soller | Korsunsky |
Max Bennett | Petritsky |
Buffy Davis | Agafia |
Sam Cox | Kapitonich |
Jude Monk McGowan | Tuskevitch |
Antony Byrne | Colonel Demin |
Giles King | Stremov |
Eros Vlahos | Boris |
Bodil Blain | Princess Sorokina Senior |
Jamie Beamish | Opera House Husband |
Shirley Henderson | Opera House Wife |
Arthur Nightingale | Oblonsky's Servant |
Gala Wesson | Kitchen Maid |
Sarine Sofair | Anna's Friend |
Conor McCarry | Young Peasant |
Martin Wimbush | Anna's Doctor |
James Northcote | Princess Betsy's Footman |
Duncan Wisbey | Shopkeeper |
Claire Greenway | Austrian Princess |
Mike Shepherd | Wheel Tapper |
Simon Muller | Opera House Manager |
Nikolai Lester | Piano Prodigy |
Tillie-Bett Grant | Baby Anya |
Navala Chaudhari | Ball Dancer & French Theatre Dancer |
Amber Doyle | Ball Dancer & French Theatre Dancer |
Damien Fournier | Ball Dancer & French Theatre Dancer |
Laura Neyskens | Ball Dancer & French Theatre Dancer |
Daniel Proietto | Ball Dancer & French Theatre Dancer |
Verjorn Sundby | Ball Dancer & French Theatre Dancer |
Jennifer White | Ball Dancer & French Theatre Dancer |
Paul Zivkovich | Ball Dancer & French Theatre Dancer |
Michael Barnes | Ball Dancer |
Anna Bjerre Larsen | Ball Dancer |
James Cousins | Ball Dancer |
Eva Dewaele | Ball Dancer |
Pia Driver | Ball Dancer |
Stephanie Elstob | Ball Dancer |
Thomas Herron | Ball Dancer |
Jennifer Essex | Ball Dancer |
Edward Lewis French | Ball Dancer |
Courtney Garratt | Ball Dancer |
Omar Gordon | Ball Dancer |
Fania Grigoriou | Ball Dancer |
Thomasin Gulgec | Ball Dancer |
Louise Michel Jackson | Ball Dancer |
Bless Klepcharek | Ball Dancer |
Jesse Kovarsky | Ball Dancer |
Marie Marinez | Ball Dancer |
Cameron McWilliam | Ball Dancer |
Michela Meazza | Ball Dancer |
Oliver Metzler | Ball Dancer |
Andrew Monaghan | Ball Dancer |
Ashley James Orwin | Ball Dancer |
Shintaro Oue | Ball Dancer |
Sonja Perreten | Ball Dancer |
Claire Piquemal | Ball Dancer |
Natascha Pire | Ball Dancer |
Linda Remahl | Ball Dancer |
Daria Reznikova | Ball Dancer |
Vala Runarsdottir | Ball Dancer |
Helder Seabra | Ball Dancer |
Aaron Sillis | Ball Dancer |
Rebecca Sutherland | Ball Dancer |
Ulrika Kinn Svensson | Ball Dancer |
Teerachai Thobumrung | Ball Dancer |
Aubert Vanderlinden | Ball Dancer |
Benjamin Warbis | Ball Dancer |
Lisa Adelle Welham | Ball Dancer |
Joanna Ruth Wenger | Ball Dancer |
Tegen Whyte | Ball Dancer |
Jorys Zwgarac | Ball Dancer |
Telman Guzhevsky | Opera Singer |
Allegra Giagu | Opera Singer |
Philip Firsov | Singing Russian Soldier |
Chris Foster | Singing Russian Soldier |
Jaroslav Gavrilov | Singing Russian Soldier |
Lukasz Hajduczenia | Singing Russian Soldier |
John Bradley | Austrian Prince (uncredited) |
Vicky McClure | Girl Harvesting (uncredited) |
Inga Leps | Gallery Guest (uncredited) |
Paul Ham | Michael (uncredited) |
Name | Job |
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Melanie Oliver | Editor |
Joe Wright | Director |
Nick Gottschalk | Art Direction |
Katie Spencer | Set Decoration |
Heather Leat | Costume Supervisor |
Susanna Lenton | Script Supervisor |
Niall Moroney | Supervising Art Director |
Paul Carter | Sound Designer |
Christine Greenwood | Makeup Artist |
Ivana Primorac | Makeup Designer, Hair Designer |
Martin Harrison | First Assistant Director |
Chris Frank | Scenic Artist |
Mark Brady | Carpenter |
John Haynes | Lead Painter |
Russell Sargent | Carpenter |
Dennis Wiseman | Property Master |
Chris Burdon | Sound Re-Recording Mixer |
Dan Morgan | Dialogue Editor |
Becki Ponting | Supervising Sound Editor |
James Davis III | Special Effects Supervisor |
Lee Sheward | Stunt Coordinator |
Tommy Finch | Rigging Gaffer |
Jennie Paddon | First Assistant Camera |
Laurie Sparham | Still Photographer |
Jamie McCarter | Animation |
Cheryl Potter | Assistant Editor |
Nick Oliver | Location Manager |
Maggie Rodford | Music Supervisor |
Liam Byrne | Armorer |
Jill McCullough | Dialect Coach |
Pip Fox | Props |
Carolyn Cousins | Makeup & Hair |
James Hyde | ADR Recordist |
Barnaby Smyth | Foley Artist |
Nathaniel De'Lineadeus | Special Effects Makeup Artist |
Sarah Weatherburn | Wigmaker |
Thomas Brown | Art Direction |
Brendan Handscombe | Costume Supervisor |
Emma Thomas | Script Supervisor |
Alexander Dostal | Line Producer |
Jacqueline Bhavnani | Makeup Artist |
Nicola Mount | Hairstylist |
Shurouq Algusane | Art Department Coordinator |
Carmila Gittens | Construction Coordinator |
Glyn Evans | Lead Painter |
Lucinda McLean | Greensman |
Leigh Thurbon | Carpenter |
Matt Davies | Foley Editor |
Chris Murphy | Boom Operator |
Danny Sheehan | Sound Editor |
Mark Holt | Special Effects Supervisor |
Chuck Finch | Gaffer |
Gary Hutchings | Key Grip |
Peter Robertson | Steadicam Operator |
Iain Struthers | First Assistant Camera |
Simon Brasse | Assistant Editor |
Mark Trend | Assistant Editor |
James Bellamy | Music Editor |
Hannah Collett | Production Coordinator |
Carly Michaels | Stunt Double |
Karen Edwards | Makeup & Hair |
Glen Gathard | Foley Recordist |
Emmet O'Donnell | ADR Recordist |
Nick Kray | ADR Mixer |
Tom Stoppard | Screenplay |
Leo Tolstoy | Novel |
Jacqueline Durran | Costume Design |
Seamus McGarvey | Director of Photography |
Dixie Chassay | Casting |
Jina Jay | Casting |
Sarah Greenwood | Production Design |
Tom Still | Art Direction |
Sidi Larbi Cherkaoui | Choreographer |
Craig Berkey | Supervising Sound Editor, Sound Designer |
Benjamin Wallfisch | Orchestrator |
Peter Burgis | Foley Artist |
Chris Lyons | Special Effects Makeup Artist |
Dario Marianelli | Original Music Composer |
Tania Couper | Hairstylist |
John Casali | Production Sound Mixer |
Name | Title |
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Tim Bevan | Producer |
Eric Fellner | Producer |
Paul Webster | Producer |
Alexandra Ferguson | Co-Producer |
Liza Chasin | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 32 | 47 | 21 |
2024 | 5 | 35 | 54 | 20 |
2024 | 6 | 26 | 54 | 15 |
2024 | 7 | 30 | 51 | 18 |
2024 | 8 | 25 | 50 | 14 |
2024 | 9 | 17 | 26 | 12 |
2024 | 10 | 20 | 57 | 11 |
2024 | 11 | 19 | 33 | 14 |
2024 | 12 | 21 | 28 | 16 |
2025 | 1 | 27 | 52 | 13 |
2025 | 2 | 18 | 25 | 4 |
2025 | 3 | 8 | 24 | 1 |
2025 | 4 | 5 | 9 | 2 |
2025 | 5 | 4 | 10 | 2 |
2025 | 6 | 3 | 6 | 2 |
2025 | 7 | 2 | 3 | 2 |
2025 | 8 | 2 | 4 | 2 |
2025 | 9 | 4 | 5 | 3 |
2025 | 10 | 4 | 4 | 4 |
Trending Position
Alright, plot-wise, I might just have to throw in the towel on this one. It is about... people, married, unmarried, love and desire. A lot of characters running in and out of eachothers lives. Since this is based on a famous novel (I think), there must be a lot of summaries out there that can help y ... ou along much better than I could. Quite frankly, I was... confused. The whole movie is sort of based at a theater (more or less), where the scenes change constantly. It can be quite spectacular, I must admit, but also... confusing. As a period piece, this movie has paid attention to the details, and everything looks soo good. I can definitely appreciate this, but it seems that all attention has been placed here, on the form. The acting, and actors, fit well here... on the stage. They all act as if they were on a stage, which is fitting. In fact, to be honest, I would have much preferred to see this as a live performance on stage, than here. The story simply drowns in all these costumes and colours, fake trains and stages. _Last words... a good story is more important than anything else. A good story doesn't have to be complicated (just take a look at a movie such as Locke, which is centered around many of the same themes as this). A good story was not important to these people, they just wanted to play around with fancy costumes, beautiful sets and actors who exaggerate. I would surely have skipped this one... had I known._
The stylistic use of the stage drifted between excessive and under-utilised, occasionally falling into perfect balance, of which the ballroom dance scene between Kitty, Vronsky and Anna Karenina is the prime example. The film tells its story closer to the way a ballet’s is told. ...