Popularity: 1 (history)
Director: | Jeymes Samuel |
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Writer: | Jeymes Samuel |
Staring: |
Streetwise but down-on-his-luck, Clarence is struggling to find a better life for his family, while fighting to free himself of debt. Captivated by the power and glory of the rising Messiah and His apostles, he risks everything to carve his own path to a divine life, and ultimately discovers that the redemptive power of belief may be his only way out. | |
Release Date: | Jan 11, 2024 |
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Director: | Jeymes Samuel |
Writer: | Jeymes Samuel |
Genres: | Comedy, Adventure, Drama |
Keywords | christianity, apostle, crucifixion, rags to riches, jesus christ, romans, escaped slaves, religious satire |
Production Companies | Legendary Pictures, Kilburn Lane |
Box Office |
Revenue: $6,205,230
Budget: $40,000,000 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Job |
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Stefano Corridori | Special Effects Supervisor |
Alessandra Querzola | Set Decoration |
Gabriele Ragusa | Stunt Coordinator |
Roberto Caruso | Supervising Art Director |
Diego Avolio | Makeup Artist |
Federico Carretti | Makeup Artist |
Leila Benbarka | Key Makeup Artist |
Donald McInnes | Makeup Artist |
Wayne Jolla Jr. | Hair Department Head |
Sian Richards | Makeup Designer, Hair Designer |
Martina Tamburri | Makeup Artist |
Daniele Abeille | Unit Production Manager |
Claudia Blasi | Assistant Unit Manager |
Ferdinando Cocco | Unit Manager |
Giovanni Labadessa | Assistant Unit Manager |
Bardo Tarantelli | Assistant Unit Manager |
Roberta Ugenti | Unit Manager |
Giacomo De Bello | Second Assistant Director |
Monika Hristova | Second Assistant Director |
Nicholas Mastandrea | First Assistant Director |
Tanya Rosen | Second Assistant Director |
Daniele Bignami | Property Master |
Giorgia Di Pietrantonio | Assistant Property Master |
Chantal Rivera | Assistant Art Director |
Arnold Antony | Sound Mix Technician |
James Bishop | ADR Recordist |
Tavish Grade | Foley Mixer |
Giuliano Marcaccini | Boom Operator |
Dan O'Connell | Foley Artist |
Bea O'Sullivan | Production Sound Mixer |
Alyn Sclosa | Sound Designer |
Mike Tehrani | ADR Mixer |
Peter Walpole | Production Design |
Antoinette Messam | Costume Design |
Adam Azmy | Visual Effects Supervisor |
Francesco Scandale | Art Direction |
Barry O'Sullivan | Production Sound Mixer |
Corrado Battorti | On Set Dresser |
Laura Borselli | Makeup Department Head |
Lauren Landry Chemin | Key Makeup Artist |
Susan Howard | Makeup Artist |
Yolanda Mercadel | Hair Department Head |
Elena Salvagiani | Makeup Artist |
Nakoya Yancey | Hair Department Head |
Khalid Ameskane | Production Manager |
Siobhan Boyes | Post Production Supervisor |
Garrett Grant | Unit Production Manager |
Matteo Leurini | Production Manager |
Edoardo Tozzi | Assistant Unit Manager |
Gilles Cannatella | First Assistant Director |
Laura Garetti | Second Second Assistant Director |
Paolo Giacomo Marino | Second Unit First Assistant Director |
Francesca Romana Petrecca | Third Assistant Director |
Nathalie Baldascini | Art Department Coordinator |
Giulia Bonomelli | Concept Artist |
Mattia Lorusso | Set Dresser |
Dwayne Turner | Storyboard Artist |
Thibault Arnold | ADR Mixer |
Malcolm Carbonetti | Sound |
Paolo Giuliani | Sound Mixer |
Gilbert Lake | Sound Re-Recording Mixer |
Joe O'Halloran | Foley Editor |
Rob Prynne | Sound Effects Editor |
Barnaby Smyth | Foley Supervisor |
Nikola Zivojinovic | Sound Mix Technician |
Sava Stoian | Special Effects |
Adrianna Nielle Davies | Visual Effects Production Manager |
Tim Keene | Visual Effects Producer |
Charlotte Larive | Digital Compositor |
Kamila Ostra | Visual Effects Producer |
Ruxandra Cristoiu | Digital Compositor |
Vladislav Lazov | Special Effects |
Esme Coleman | Digital Compositor |
Hermione Francis | Visual Effects Production Manager |
Izzy King | Visual Effects Assistant Editor |
Virág Pázmány | Digital Compositor |
Ashlee Sutherland | Visual Effects Producer |
Chee Yen Wang | Visual Effects Producer |
Kevin Cetout | Stunts |
Gabriele Scilla | Stunts |
Matteo Attolini | Best Boy Electrician |
Eric Biglietto | Additional Photography |
Irene Chiappa | Second Assistant Camera |
Maria Camilla Cuccaro | Video Assist Operator |
Laura De Benedittis | Camera Trainee |
Alias Gallione | First Assistant "B" Camera |
Mattia Gelain | Second Assistant Camera |
Rafael Jeneral | First Assistant "A" Camera |
Elia Mangili | Drone Pilot |
Sara Menoni | Second Assistant "B" Camera |
Carola Rodriguez Sanchez | Second Assistant "A" Camera |
Daniele Ruju | Electrician |
Nicola Saponaro | Lighting Programmer, Electrician |
Alberto Viscardi | "B" Camera Operator |
Davide Caltabiano | Extras Casting Assistant |
Cinzia Clemente | Extras Casting Assistant |
Maurizio Cusano | Extras Casting Coordinator |
Romani Nadia | Extras Casting Assistant |
Paola Paladino | Extras Casting Assistant |
Imola Bagi | Dresser |
Damiano Di Giacomo | Costumer |
Laura Milan | Wardrobe Assistant |
Vittoria Savarino | Costumer |
Anna Storti | Costume Coordinator |
Anton Novoselov | Assistant Editor |
Paola Cavarzerani | Location Coordinator |
Peter Afterman | Music Supervisor |
Jessica Lichtner | Script Supervisor |
Anna Aliprandi | Production Assistant |
Julieta Blázquez | Production Office Coordinator |
Eloise Tomlinson | Digital Compositor |
Jordan Dumaurier | Stunts |
Grégory Nolbas | Stunt Double |
Ferdinando Stazzone | Stunts |
Lucas Berisso | Rigging Grip |
Francesco Carlucci | Video Assist Operator |
Loris Coniglio | Drone Pilot |
Valerio De Angelis | Camera Trainee |
Hanoi De La Paz | Gaffer |
Cristiano Galzerano | Dolly Grip |
Zachary Greenwood | Camera Operator |
Paolo Majolo | Drone Operator |
Marco Mastrofrancesco | Grip |
Jonathan Ozan | Digital Imaging Technician |
Sacha Rossi | Additional First Assistant Camera |
Paolo Sartori | Rigging Gaffer |
Ashley Albans | Casting Assistant |
Nancy Case | Casting Assistant |
Geo Coretti | Extras Casting Assistant |
Bonnie Grisan | Casting Associate |
Verity Naughton | Casting Associate |
Lia Trivisani | Extras Casting Assistant |
Edoardo Rossi Caiati | Costumer |
Gábor Homonnay | Costume Supervisor |
Jessica Pierobon | Assistant Costume Designer |
Silvia Segoloni | Assistant Costume Designer |
Elise Anderson | Associate Editor |
Rebecca Orton | Assistant Editor |
Antonella Stasi | Assistant Location Manager |
Jane Berry | Music Coordinator |
Silvio Giannini | Transportation Captain |
Anna Bellini | Production Assistant |
Margherita Di Tullio | Production Office Coordinator |
Jeymes Samuel | Writer, Director, Original Music Composer, Songs |
Rob Hardy | Director of Photography |
Tom Eagles | Editor |
Dixie Chassay | Casting |
Jay-Z | Songs |
Victoria Thomas | Casting |
Joe Fletcher | Sound Effects Editor |
Paul Massey | Sound Re-Recording Mixer |
Alessandro Melillo | Digital Compositor |
Danilo Capuzi | Stunts |
Moussa Fomba | Stunt Double |
Matt Curtis | Title Designer |
Name | Title |
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Garrett Grant | Executive Producer |
James Lassiter | Producer |
Jay-Z | Producer |
Tendo Nagenda | Producer |
Jeymes Samuel | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 41 | 53 | 36 |
2024 | 5 | 39 | 51 | 19 |
2024 | 6 | 32 | 50 | 17 |
2024 | 7 | 36 | 66 | 20 |
2024 | 8 | 30 | 70 | 18 |
2024 | 9 | 21 | 30 | 16 |
2024 | 10 | 28 | 45 | 19 |
2024 | 11 | 24 | 40 | 14 |
2024 | 12 | 21 | 34 | 13 |
2025 | 1 | 19 | 31 | 12 |
2025 | 2 | 12 | 19 | 3 |
2025 | 3 | 6 | 17 | 1 |
2025 | 4 | 4 | 8 | 2 |
2025 | 5 | 3 | 8 | 1 |
2025 | 6 | 2 | 4 | 1 |
2025 | 7 | 2 | 3 | 1 |
2025 | 8 | 2 | 3 | 1 |
2025 | 9 | 1 | 2 | 1 |
2025 | 10 | 2 | 4 | 1 |
Trending Position
Year | Month | High | Avg |
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2025 | 4 | 338 | 690 |
FULL SPOILER-FREE REVIEW @ https://fandomwire.com/the-book-of-clarence-bfi-london-film-festival-review-hilarious-thought-provoking-biblical-satire/ "The Book of Clarence certifies Jeymes Samuel as a do-it-all in filmmaking. Whether through his stylized direction, thought-provoking satirical scree ... nplay, or bold soundtrack, the filmmaker once again delivers a highly original, genuinely hilarious blend of genres and tones, and a captivating spiritual exploration of the protagonist. Fortunate as well to have an absolutely superb cast with LaKeith Stanfield commanding the troops, delivering an impressively all-round performance. It lacks better tonal balance and more unpredictability, the latter being destroyed by an unnecessary opening sequence. Glad to know it will be released on the big screen, which is where I definitely recommend everyone to go and experience this piece of guaranteed entertainment." Rating: B+
If you watched and know the style of Jeymes Samuel as writer and director you know what to expect (The Harder they Fall, They Die by Down). It tells the story of a man that is a con artist that aims to be a new Messiah, in the age of Jesus (and alongside him - 3 days behind), but not a classical ... Jesus or a new correct etiology one, but one in a black Jerusalem. It have some interesting messages more to end, shows Romans as the whites, and do not mention proper Jews - it also doesn't choose to what it aims as a movie, comedy or drama putting some comic sequences and references of Marijuana (that was used already in that time, a certain thing, accidental or not). LaKeith Stanfield is the star of the movie and does well his role and multiplicity of his character. But this isn't enough to make this a good movie. To me a score of 6.0 out of 10.0 / B-, almost C+.
"Clarence" (LaKeith Stanfield) and brother "Elijah" (RJ Cyler) come off worst in a chariot race with Mary Magdalene (Teyana Taylor) and that lets us know that he is now in hock to the nasty "Jedediah the Terrible" (Eric Kofi Abrefa) for a great deal of money. It quite literally is his money or his l ... ife. He has a relationship, of sorts, with "Varinia" who might be able to intercede with her menacing brother on his behalf, but meantime "Clarence" hits on an idea of his own. He is aware of the buzz in the community around the impending arrival of the Messiah, indeed his twin brother "Thomas" is an apostle (with a silent t). How hard can it be to fake some tricks to convince the gullible population that he can cure the sick or raise the dead? Up until now, this all has a rather "Monty Python" meets "Ben Hur" feel to it. It's amiable and well enough paced. Sadly, though, slightly more sincere and half-baked religious elements begin to kick in to the characters a little too earnestly, and the comedic elements are increasingly supplanted by a rather bitty narrative that sees the hitherto quite entertaining "Clarence" begin to take himself just a little too seriously and the entire enterprise stalls. Omar Sy delivers well as Barabbas - though I think maybe he ought to have been called Achilles; Benedict Cumberbatch looks more like Robert Powell than he does and the best scene by far comes from Alfre Woodard's lively interpretation of the Virgin Mary. It has it's moments, but is a bit of a mess of a film that starts off engagingly but is far too long and just sort of peters out.