Popularity: 2 (history)
Director: | Rex Ingram |
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Writer: | Rafael Sabatini, Willis Goldbeck |
Staring: |
A law student becomes an outlaw French revolutionary when he decides to avenge the unjust killing of his friend. To get close to the aristocrat who has killed his friend, the student adopts the identity of Scaramouche the clown. | |
Release Date: | Sep 15, 1923 |
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Director: | Rex Ingram |
Writer: | Rafael Sabatini, Willis Goldbeck |
Genres: | Adventure, Drama, Romance, History |
Keywords | seduction, french revolution, duel, silent film, angry mob, injustice, louis xvi, hidden identity, aristocracy, theatrical troupe |
Production Companies | Franco London Films, Metro Pictures Corporation |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Aug 03, 2024 Entered: Apr 20, 2024 |
Name | Character |
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Ramon Novarro | André-Louis Moreau, alias 'Scaramouche' |
Alice Terry | Aline de Kercadiou |
Lewis Stone | The Marquis de la Tour d'Azyr |
Lloyd Ingraham | Quintin de Kercadiou |
Julia Swayne Gordon | The Countess de Plougastel |
William Humphrey | The Chevalier de Chabrillane |
Otto Matieson | Philippe de Vilmorin |
George Siegmann | Danton |
Bowditch M. Turner | Chapelier |
James A. Marcus | Binet |
Edith Allen | Climène Binet |
John George | Polichinelle |
Willard Lee Hall | The King's Lieutenant |
Rose Dione | La Révolte |
Edwin Argus | King Louis XVI (uncredited) |
Edward Connelly | Minister to the King (uncredited) |
Snitz Edwards | Villager (uncredited) |
Kalla Pasha | Keeper of the Paris Gate (uncredited) |
Marjorie Reynolds | Child (uncredited) |
Jacques Tourneur | Extra (uncredited) |
Name | Job |
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Rex Ingram | Director |
Rafael Sabatini | Writer |
Willis Goldbeck | Scenario Writer, Adaptation |
John F. Seitz | Director of Photography |
David Sharpe | Stunts |
Leo Kempinski | Original Music Composer |
William Axt | Original Music Composer |
Grant Whytock | Editor |
O'Kane Conwell | Costume Design |
Van Horn | Costume Design |
Eve Roth | Costume Design |
Curt Rehfeld | Production Manager, Assistant Director |
Harold Grieve | Set Designer |
Name | Title |
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Rex Ingram | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 6 | 12 | 2 |
2024 | 5 | 6 | 10 | 4 |
2024 | 6 | 5 | 15 | 1 |
2024 | 7 | 5 | 10 | 1 |
2024 | 8 | 6 | 12 | 2 |
2024 | 9 | 3 | 6 | 1 |
2024 | 10 | 4 | 10 | 2 |
2024 | 11 | 3 | 5 | 1 |
2024 | 12 | 2 | 4 | 1 |
2025 | 1 | 3 | 9 | 1 |
2025 | 2 | 2 | 3 | 1 |
2025 | 3 | 2 | 6 | 1 |
2025 | 4 | 1 | 2 | 1 |
2025 | 5 | 1 | 3 | 1 |
2025 | 6 | 1 | 3 | 1 |
2025 | 7 | 1 | 3 | 0 |
2025 | 8 | 1 | 3 | 0 |
2025 | 9 | 2 | 3 | 1 |
2025 | 10 | 2 | 3 | 2 |
Trending Position
Much as with his sterling adaptation of "The Prisoner of Zenda" from a year earlier, Rex Ingram has chosen a super story and re-united some of that cast to create a cracking adaptation of Sabatini's story of power and revolution. When the proud young "Philippe de Vilmorin" (Otto Matieson) ends up on ... the wrong side of a duel with the expert swordsman, the cruel "Marquis de la Tour" (Lewis Stone) his friend "Moreau" (Ramon Novarro) vows to avenge this needless death. An empty promise at this stage, but as the story develops he hones his skills with a rapier, and uses his new guise as "Scaramouche" with a travelling theatre to earn the adulation and respect of the people - and to sow the seeds of discontent with the corrupt rule of the nobility. His election to the chamber of deputies marks the final step in his search for vengeance, as he puts his new found fencing skills to good use eliminating some of the pompous aristocrats before a final duel with "La Tour". There is plenty of romance along the way - with our hero in love with childhood sweetheart "Aline" (Alice Terry) and with theatre tomboy "Climène" (Edith Allen). All the ingredients are here for a super story of intrigue, betrayal, corruption and of love with plenty of action and more than a few twists as the story gathers pace. Novarro is very good in the title role - his mastery of the characterful stage performances as well as that of the more earnest "Moreau" is enjoyable, as is the contribution from Stone as his nemesis. The sets and costumes are sumptuous, and the film engrossing for just over two hours. Oddly enough, although I certainly enjoyed the 1952 version too - I think that this might just edge it.