Popularity: 2 (history)
Director: | Tony Goldwyn |
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Writer: | Tony Spiridakis |
Staring: |
Stand-up comedian Max Bernal lives with his father Stan while struggling to co-parent his autistic son Ezra with his ex-wife. When forced to confront difficult decisions about their son's future, Max and Ezra embark on a cross-country road trip that has a transcendent impact on both their lives. | |
Release Date: | May 30, 2024 |
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Director: | Tony Goldwyn |
Writer: | Tony Spiridakis |
Genres: | Comedy, Drama |
Keywords | autism, road trip, parenting, divorced parents |
Production Companies | Wayfarer Studios, Closer Media |
Box Office |
Revenue: $3,046,741
Budget: $5,000,000 |
Updates |
Updated: Sep 13, 2025 Entered: Apr 13, 2024 |
Name | Job |
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Sabine Hoffman | Editor |
Tony Spiridakis | Writer |
Daniel Moder | Director of Photography |
Eldo Ray Estes | Makeup Department Head |
Andre Da Silva | Stunt Double |
Manny Siverio | Stunt Coordinator |
Andrew Dahreddine | Casting Assistant |
Nat Jencks | Colorist |
Carlos Rafael Rivera | Original Music Composer |
Nicolette Jackson | Costumer |
Kerry Barden | Casting |
Paul Schnee | Casting |
Dan Leigh | Production Design |
Susan Block | Art Direction |
Chryss Hionis | Set Decoration |
Donna Berwick | Costume Design |
Daniel Cerone | Key Hair Stylist |
Jacqueline Fundus | Key Makeup Artist |
Derrick Kollock | Hair Department Head |
Jerry Popolis | Hairstylist |
Carla White | Makeup Artist |
Mike Buonanno | Assistant Unit Manager |
Jamie Arbuckle | On Set Dresser |
Robert Currie | Property Master |
Dachi Abesalashvili | Foley Editor |
Vinny Alfano | ADR Recordist |
Tina Babakishvili | Foley Supervisor |
Jennie Breckenridge | ADR Recordist |
Patrick Christensen | ADR Mixer |
Tornike Dzidzikashvili | Foley Artist |
Brian N. Joseph | Sound Mixer |
Beso Kacharava | Foley Supervisor |
Salome Maisuradze | Foley Mixer |
Jake O'Brien | Assistant Sound Editor, Dialogue Editor |
Alexander Sanikidze | Foley Editor |
Mitchell Ferm | Visual Effects Supervisor |
Vesselin Todorov-Vinnie | Stunts |
James Ortiz | Stunt Double |
John Baer | Still Photographer |
Omotade Fatiregun | Grip |
Manoj Gurung | Electrician |
Rory Hanrahan | First Assistant "A" Camera |
Moxie Harfeld | Loader |
Kellon Innocent | Second Assistant "A" Camera |
Jacqueline McGinn | Lighting Technician |
Will Mena | Grip |
Miles O'Bryan | Grip |
Joseph Robinson | Second Assistant "A" Camera |
Jacob Stahlman | Additional First Assistant Camera |
Molly Murphy | Casting Assistant |
Rachel Goldman | Casting Associate |
Quinn Showell | Extras Casting |
Adam Adelman | Wardrobe Supervisor |
Courtney R. Alfrey | Set Costumer |
Ashley Clemmings | Set Costumer |
Nicole Alvarez Espada | Key Costumer |
Abby Geoghegan | Assistant Costume Designer |
Monica Ruiz-Ziegler | Costumer |
Andi Ralph | Assistant Editor |
Arjuna Bharathan | Location Assistant |
Paula Escobar | Assistant Location Manager |
Anna Frick | Location Assistant |
Sean McKeough | Assistant Location Manager |
Anthony Pisani | Location Manager |
Brad Reichel | Location Scout |
Milena Erke | Music Coordinator |
Eduardo Jaramillo | Music Editor |
Chuck Girard | Script Supervisor |
Dan Buckman | Driver |
John R. Caccamo | Lighting Technician |
Ike Oedel | Graphic Designer |
Tony Goldwyn | Director |
Name | Title |
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William Horberg | Producer |
Robert De Niro | Executive Producer |
Tony Spiridakis | Producer |
Jon Kilik | Producer |
Lois Robbins | Executive Producer |
Zhang Xin | Executive Producer |
Alex Plank | Associate Producer |
Bobby Cannavale | Executive Producer |
Steve Sarowitz | Executive Producer |
Manu Gargi | Executive Producer |
Andrew Calof | Executive Producer |
Carla Raij | Executive Producer |
Jason Pinardo | Executive Producer |
Tony Goldwyn | Producer |
Justin Baldoni | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 15 | 29 | 6 |
2024 | 5 | 20 | 53 | 11 |
2024 | 6 | 37 | 86 | 14 |
2024 | 7 | 101 | 169 | 60 |
2024 | 8 | 68 | 99 | 41 |
2024 | 9 | 49 | 75 | 35 |
2024 | 10 | 42 | 89 | 28 |
2024 | 11 | 31 | 53 | 22 |
2024 | 12 | 22 | 34 | 14 |
2025 | 1 | 25 | 40 | 14 |
2025 | 2 | 15 | 22 | 4 |
2025 | 3 | 6 | 23 | 1 |
2025 | 4 | 3 | 9 | 1 |
2025 | 5 | 4 | 8 | 2 |
2025 | 6 | 3 | 5 | 2 |
2025 | 7 | 2 | 3 | 1 |
2025 | 8 | 1 | 3 | 1 |
2025 | 9 | 3 | 4 | 1 |
2025 | 10 | 3 | 4 | 2 |
Trending Position
Year | Month | High | Avg |
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2025 | 10 | 756 | 884 |
Year | Month | High | Avg |
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2025 | 9 | 242 | 528 |
Year | Month | High | Avg |
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2025 | 7 | 513 | 658 |
Year | Month | High | Avg |
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2025 | 6 | 760 | 760 |
Year | Month | High | Avg |
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2025 | 1 | 276 | 690 |
Year | Month | High | Avg |
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2024 | 11 | 724 | 878 |
Year | Month | High | Avg |
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2024 | 10 | 68 | 436 |
Year | Month | High | Avg |
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2024 | 9 | 130 | 573 |
Year | Month | High | Avg |
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2024 | 8 | 261 | 571 |
Director Tony Goldwyn‘s “Ezra” is a surprisingly heartfelt family drama that manages to be both funny and emotional in all the right ways. While it can sometimes feel too pedestrian, the story blends a road trip narrative with themes of family dynamics, personal trauma, and the unconditional love be ... tween a father and son. Max (Bobby Cannavale) is a stand-up comedian and a father to Ezra (William A. Fitzgerald), a young boy on the autism spectrum. Devoted to his son, Max is fiercely protective of his unique qualities while remaining adamant about not “fixing” him because he believes Ezra is perfect as he is. But when forced to make a tough choice about the boy ‘s future, Max acts rashly, taking Ezra on a cross-country journey without his ex-wife Jenna’s (Rose Byrne) permission. This impulsive move creates both tension and heartfelt moments, as it forces Max to confront the consequences of his actions and the depths of his love for his son. What sets the film apart is its authentic, raw portrayal of autism (the script is written by Tony Spiridakis, whose own experiences with an autistic son give the story an undeniable sense of realism). Fitzgerald (who is also on the spectrum) interacts with a world in a way that feels incredibly true to life because it is. The film captures the little things, like Ezra’s struggles with physical touch and his love for puzzles and memorization, without ever feeling exploitative. This is a film that doesn’t just shine a light on the challenges of autism, but exposes a world of nuance and individuality. You could say it’s educational in that way. Cannavale’s performance as a deeply flawed father who’s totally devoted to his son is impressive. I didn’t know the actor had this much range, and he’s quite good. His character’s anger-management issues and rash decisions add a layer of complexity but it’s clear that every wrong step he takes is driven by love that isn’t always expressed in the healthiest way. Byrne provides a grounding balance to the chaos, portraying a character who is the voice of reason, and Robert De Niro’s role as Max’s father, Stan, is written in a way that’s more meaningful than a series of platitudes that often surround a dad trying to make amends for his past failures. Stan’s attempts to connect with Ezra and support his son are touching, and De Niro’s performance adds a depth to the family dynamics that feels earned and real. The film strikes a perfect balance between drama and humor. There are moments of missteps where you’ll cringe at Max’s choices, but there’s never any doubt about his fierce, unwavering love for his son. This father-son relationship is at the emotional center of the film and serves as a reminder of how love can be messy, complicated, but also transformative. “Ezra” is a story about family and how love isn’t always perfect. It blends humor and heart so well, providing a funny and moving look at fatherhood, redemption, and the bond between generations. By: Louisa Moore / SCREEN ZEALOTS