Bob Parr has given up his superhero days to log in time as an insurance adjuster and raise his three children with his formerly heroic wife in suburbia. But when he receives a mysterious assignment, it's time to get back into costume. | |
Release Date: | Oct 27, 2004 |
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Director: | Brad Bird |
Writer: | Brad Bird |
Genres: | Animation, Family, Adventure, Action |
Keywords | superhero, supervillain, villain, 1950s, hero, family relationships, 1960s, secret identity, super power, superhero family |
Production Companies | Walt Disney Pictures, Pixar |
Box Office |
Revenue: $631,442,092
Budget: $92,000,000 |
Updates |
Updated: Jul 30, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Craig T. Nelson | Bob Parr / Mr. Incredible (voice) |
Holly Hunter | Helen Parr / Elastigirl (voice) |
Sarah Vowell | Violet Parr (voice) |
Spencer Fox | Dashiell 'Dash' Parr (voice) |
Jason Lee | Buddy Pine / Syndrome (voice) |
Samuel L. Jackson | Lucius Best / Frozone (voice) |
Elizabeth Peña | Mirage (voice) |
Eli Fucile | Jack-Jack Parr (voice) |
Maeve Andrews | Jack-Jack Parr (voice) |
Brad Bird | Edna 'E' Mode (voice) |
Dominique Louis | Bomb Voyage (voice) |
Teddy Newton | Newsreel Narrator (voice) |
Jean Sincere | Mrs. Hogenson (voice) |
Wallace Shawn | Gilbert Huph (voice) |
Lou Romano | Bernie Kropp (voice) |
Wayne Canney | Principal (voice) |
Michael Bird | Tony Rydinger (voice) |
Bud Luckey | Rick Dicker (voice) |
Bret Parker | Kari (voice) |
Kimberly Adair Clark | Honey (voice) |
John Ratzenberger | Underminer (voice) |
Mark Andrews | Additional Voices (voice) |
Nicholas Bird | Additional Voices (voice) |
Louis Martin Braga III | Additional Voices (voice) |
Mary Elizabeth Clark | Additional Voices (voice) |
Pete Docter | Additional Voices (voice) |
Louis Gonzales | Additional Voices (voice) |
Elizabeth Greenberg | Additional Voices (voice) |
Juliet Greenberg | Additional Voices (voice) |
Billy Guardino | Additional Voices (voice) |
Dennis 'D.J.' Jennings | Additional Voices (voice) |
Ollie Johnston | Additional Voices (voice) |
Bradford Lewis | Additional Voices (voice) |
Ted Mathot | Additional Voices (voice) |
Jazzie Mahannah | Additional Voices (voice) |
Randy Nelson | Additional Voices (voice) |
Bob Peterson | Additional Voices (voice) |
Jeff Pidgeon | Additional Voices (voice) |
Juliet Pokorny | Additional Voices (voice) |
Joe Ranft | Additional Voices (voice) |
Lori Richardson | Additional Voices (voice) |
A.J. Riebli III | Additional Voices (voice) |
Katherine Ringgold | Additional Voices (voice) |
Stephen Schaffer | Additional Voices (voice) |
Bob Scott | Additional Voices (voice) |
Peter Sohn | Additional Voices (voice) |
Andrew Stanton | Additional Voices (voice) |
Frank Thomas | Additional Voices (voice) |
Pamela Gaye Walker | Additional Voices (voice) |
Patrick Walker | Additional Voices (voice) |
Deirdre Warin | Additional Voices (voice) |
Name | Job |
---|---|
Brad Bird | Director, Writer |
Jen Rudin | Casting |
Tony Fucile | Character Designer, Supervising Animator |
Stephen Schaffer | Editor |
Michael Giacchino | Original Music Composer |
Bryn Imagire | Shading, Art Direction |
Lou Romano | Production Design |
Alan Barillaro | Supervising Animator |
Ollie Johnston | Thanks |
Osnat Shurer | Thanks |
Ralph Eggleston | Art Direction |
Bert Berry | Art Department Coordinator |
Mark Yeager | First Assistant Editor |
Randy Thom | Sound Designer, Sound Re-Recording Mixer, Supervising Sound Editor |
Michael Silvers | Supervising Sound Editor |
Angus MacLane | Animation |
Rick Sayre | Supervising Technical Director |
Matthew Robbins | Thanks |
Frank Thomas | Thanks |
Greg Dykstra | Sculptor |
Kim Collins | Lighting Manager |
Tom MacDougall | Music Supervisor |
Samuel Lord Black | Software Engineer |
Guido Quaroni | Software Engineer |
Dave Mullins | Animation |
John Kahrs | Animation |
Bret Parker | Animation |
Peter Sohn | Animation, Production Artist |
Tom Boyd | Musician |
Tommy Johnson | Musician |
Steve Slanec | ADR Editor |
Al Nelson | Foley Editor |
Carlos Baena | Animation |
Gary Rizzo | Sound Re-Recording Mixer |
Adam Burke | Animation |
Shawn Krause | Animation |
Bobby Podesta | Animation |
Doug Sweetland | Animation |
Kureha Yokoo | Animation |
Teddy Newton | Character Designer |
Geefwee Boedoe | Visual Development |
Scott Clark | Animation |
Louis Gonzales | Title Designer, Digital Storyboarding |
Mike Cachuela | Storyboard Artist |
Doc Kane | ADR Mixer |
Mark Andrews | Head of Story |
Tim Simonec | Conductor, Orchestrator |
Patrick Lin | Director of Photography |
Kevin Reher | Casting |
Andrew Jimenez | Visual Effects, Director of Photography |
Janet Lucroy | Director of Photography |
Laura Leganza Reynolds | Technical Supervisor |
Michael Parks | Animation |
Mary Hidalgo | Casting |
Matthew Jon Beck | Casting |
Jack Hayes | Orchestrator |
Dan Wallin | Scoring Mixer |
Terry Claborn | Color Timer |
Randy Berrett | Visual Effects |
Paul Cichocki | Post Production Supervisor |
Rodrigo Blaas | Animation |
Ellen Moon Lee | Production Artist |
Stephen M. Davis | Music Editor |
Andrew L. Schmidt | Animation |
Doug Nichols | Lighting Manager |
Nelson 'Rey' Bohol | Set Designer |
Renee Steen | Assistant Editor |
Jason Bickerstaff | Modeling |
Nicole Paradis Grindle | Simulation & Effects Artist |
John Hazelton | Projection |
Michel Gagné | Special Effects |
Sandra Ford Karpman | Special Effects Supervisor |
Shawn Brennan | Camera Operator |
Derek Williams | Layout |
Andrew Gordon | Animation |
Tim Best | Master Lighting Artist |
David Munier | Shading |
Luigi Passalacqua | Craft Service |
Erik Forman | Information Systems Manager |
Tricia Andres | Production Office Coordinator |
Gerald E. Hackett III | Security |
Nigel Hardwidge | Sequence Supervisor |
Gennie Rim | Set Production Assistant |
John R. Anderson | Software Engineer |
Jan Hessens | Sound Recordist |
David Sotnick | Systems Administrators & Support |
Camille Leganza | Script Supervisor |
Lloyd Bernberg | Lighting Artist |
Sungyeon Joh | Lighting Technician |
Marc Sondheimer | Production Accountant |
Bahram Hooshmand | Production Coordinator |
Katherine Sarafian | Production Manager |
Sue Fox | Foley |
Teresa Eckton | Sound Effects Editor |
Chris DiGiovanni | Animation Manager |
Andrew Beall | Fix Animator |
Ricardo F. Delgado | Visual Development |
Joshua Hollander | Visual Effects Producer |
Esther Pearl | Art Department Manager, Story Manager |
Juliet Pokorny | Editorial Manager |
Glenn Kasprzycki | Editorial Services |
Brian Christian | Modeling |
Belinda van Valkenburg | CG Painter |
Kathleen Relyea | Animation Department Coordinator |
Meagan Miller | Thanks |
Ted Blackman | Visual Effects Designer |
Kent Melton | Sculptor |
James Handelin | Systems Administrators & Support |
Matthew Ferraro | Orchestrator |
Lucas Ives | Software Engineer |
Mark Gasbarro | Musician |
Mark Leone | Software Engineer |
Kiril Vidimce | Software Engineer |
Wayne Wooten | Software Engineer |
Ben Jordan | Sequence Leads |
Josh Anon | Software Engineer |
Sanjay Bakshi | Software Engineer |
David Baraff | Software Engineer |
Zachariah Baum | Software Engineer |
Malcolm Blanchard | Software Engineer |
Gordon D.B. Cameron | Software Engineer |
Loren Carpenter | Software Engineer |
Michael Chann | Software Engineer |
Christopher Colby | Software Engineer |
Bena Currin | Software Engineer |
Marco da Silva | Software Engineer |
Pete Demoreuille | Software Engineer |
Brendan Donohoe | Software Engineer |
Max Drukman | Software Engineer |
Tom Duff | Software Engineer |
Kurt Fleischer | Software Engineer |
F. Sebastian Grassia | Software Engineer |
Mark Harrison | Software Engineer |
Ralph Hill | Software Engineer |
Oren Jacob | Software Engineer |
Rob Jensen | Software Engineer |
Michael Kass | Software Engineer |
Chris King | Software Engineer |
Eric Lebel | Software Engineer |
Brett Levin | Software Engineer |
Tom Lokovic | Software Engineer |
Mark Meyer | Software Engineer |
Alex Mohr | Software Engineer |
Gary Monheit | Software Engineer |
Peter Nye | Software Engineer |
Michael O'Brien | Software Engineer |
Keith Olenick | Software Engineer |
Fabio Pellacini | Software Engineer |
Mitch Prater | Software Engineer |
Sudeep Rangaswamy | Software Engineer |
Arun Rao | Software Engineer |
Brian M. Rosen | Software Engineer |
David Ryu | Software Engineer |
Rudrajit Samanta | Software Engineer |
Chris Schoeneman | Software Engineer |
Michael Shantzis | Software Engineer |
Sarah Shen | Software Engineer |
Heidi Stettner | Software Engineer |
Paul Strauss | Software Engineer |
Dirk Van Gelder | Software Engineer |
Brad West | Software Engineer |
Audrey Wong | Software Engineer |
Adam Woodbury | Software Engineer |
Jane Yen | Software Engineer |
David Yu | Software Engineer |
Brad Andalman | Software Team Lead |
Jim Atkinson | Software Team Lead |
Gareth Davis | Software Team Lead |
Tony DeRose | Software Team Lead |
Eric Gregory | Software Team Lead |
Thomas Hahn | Software Team Lead |
Jerremy Holland | Software Team Lead |
Martin Reddy | Software Team Lead |
Brian Smits | Software Team Lead |
Karon Weber | Software Team Lead |
Andy Witkin | Software Team Lead |
Ronald G. Roumas | Sound Recordist |
Robert H. Russ | Animation |
Sanjay Patel | Animation |
Bob Scott | Animation |
Gina Trbovich-Malewicz | Art Department Manager |
Kristifir Klein | Sequence Leads |
Kenneth Sullivan | Lighting Artist |
Dale Ruffolo | Lighting Artist |
Andrew Pienaar | Lighting Artist |
Ken Lao | Sequence Leads, Master Lighting Artist |
Norman Ludwin | Musician |
Anna Noakes | Musician |
Joe Meyer | Musician |
Diane Mueller | Musician |
Brian O'Connor | Musician |
Kurt Snyder | Musician |
James Thatcher | Musician |
Richard Todd | Musician |
M.B. Gordy | Musician |
Alexander Iles | Musician |
Alan Kaplan | Musician |
Richard Nash | Musician |
Bill Reichenbach | Musician |
Rick Baptist | Musician |
Wayne Bergeron | Musician |
Jeff Bunnell | Musician |
Maurice Murphy | Musician |
John Van Houten | Musician |
Bruce White | Musician |
Clayton Haslop | Musician |
Cameron Patrick | Musician |
Ted Mathot | Production Artist |
Susan Fisher Fong | Software Engineer |
John V. Graziano | Software Engineer |
Josh Minor | Software Team Lead |
Bethany Jane Hanson | Systems Administrators & Support |
Raymond Wong | Visual Effects Technical Director |
Anthony Christov | Production Artist |
Mark Cordell Holmes | Production Artist |
Glenn Kim | Production Artist |
Albert Lozano | Production Artist |
Robert Grahamjones | Second Film Editor |
Will Files | Sound Design Assistant |
Jennifer Becker | Systems Administrators & Support |
Gabriel Benveniste | Systems Administrators & Support |
Bryan Bird | Systems Administrators & Support |
Lars R. Damerow | Systems Administrators & Support |
James G. Dashe | Systems Administrators & Support |
Ross Dickinson | Systems Administrators & Support |
Ling Hsu | Systems Administrators & Support |
Jason 'Jayfish' Hull | Systems Administrators & Support |
Jose Ignacio | Systems Administrators & Support |
Cory Knox | Systems Administrators & Support |
Chris Lasell | Systems Administrators & Support |
Matthew Lindahl | Systems Administrators & Support |
BoB 'Naked BoB' Morgan | Systems Administrators & Support |
Terry Lee Moseley | Systems Administrators & Support |
Will Phan | Systems Administrators & Support |
Auburn C. 'Aubie' Schmidt | Systems Administrators & Support |
Elle Yoko Suzuki | Systems Administrators & Support |
Andy Thomas | Systems Administrators & Support |
Jay Weiland | Systems Administrators & Support |
Ian Westcott | Systems Administrators & Support |
Nelson Siu | Systems Administrators & Support |
Sabine Magdelena Koch | Script Coordinator, Story Coordinator |
Jeremy Birn | Lighting Artist |
Airton Dittz Jr. | Lighting Artist |
Kevin Edwards | Lighting Artist |
Ziah Sarah Fogel | Lighting Artist |
Steven James | Lighting Artist |
Brian Boyd | Master Lighting Artist |
Erik Smitt | Master Lighting Artist |
Peter Sumanaseni | Master Lighting Artist |
Jessica Hutchison | Production Coordinator |
Sheri Patterson | Production Coordinator |
Dennie Thorpe | Foley |
Jana Vance | Foley |
Charles Paley | Music Editor |
Peter Davies | Musician |
George Doering | Musician |
Miriam Mayer | Musician |
Karl Vincent | Musician |
Jake Walker | Musician |
Chris Tilton | Orchestrator |
Bobby Beck | Animation |
Michael Berenstein | Animation |
Bolhem Bouchiba | Animation |
Dylan Brown | Animation |
Brett Coderre | Animation |
Tim Crawfurd | Animation |
David DeVan | Animation |
Doug Dooley | Animation |
Ike Feldman | Animation |
Doug Frankel | Animation |
Stephen Gregory | Animation |
Travis Hathaway | Animation |
Timothy Hittle | Animation |
Daniel Holland | Animation |
Nancy Kato | Animation |
Karen Kiser | Animation |
Wendell Lee | Animation |
Matt Majers | Animation |
Michal Makarewicz | Animation |
Daniel Mason | Animation |
Dale McBeath | Animation |
Amy McNamara | Animation |
Jon Mead | Animation |
Paul Mendoza | Animation |
Billy Merritt | Animation |
Cameron Miyasaki | Animation |
James Ford Murphy | Animation |
Victor Navone | Animation |
Dan Nguyen | Animation |
Alex Orrelle | Animation |
Brett Pulliam | Animation |
Rich Quade | Animation |
Gini Cruz Santos | Animation |
Doug Sheppeck | Animation |
David Earl Smith | Animation |
Patty Kihm Stevenson | Animation |
Ross Stevenson | Animation |
Michael Stocker | Animation |
J. Warren Trezevant | Animation |
Michael Venturini | Animation |
Mark A. Walsh | Animation |
Michael Wu | Animation |
Ron Zorman | Animation |
David Richard Nelson | Creature Technical Director |
Arik Ehle | Fix Animator |
David Batte | Shading |
Patrick Guenette | Shading |
Meg McWhinney | Shading |
Don Shank | Visual Development |
Sywa Sung | Visual Development |
Mach Tony Kobayashi | Visual Effects |
Jurgen Scharpf | Sound Mix Technician |
Kevin O'Brien | Storyboard Artist |
David Eisenmann | Additional Set Dresser |
Derek Casari | ADR Engineer |
Vince Caro | ADR Recordist |
Ellen Heuer | Foley Artist |
Frank 'Pepe' Merel | Foley Mixer |
George Peterson Jr. | Foley Recordist |
Benjamin Andersen | VFX Artist |
Melissa Wegman | Post Production Coordinator |
Renee Adams | Project Manager |
E.J. Holowicki | Additional Dialogue |
Simon Dunsdon | CG Artist |
Jordan Wilby | Intern |
Paul Topolos | Matte Painter |
Nick Berry | Production Assistant |
Ricardo Curtis | Story Artist |
Steven Clay Hunter | Character Designer, Supervising Animator |
Michael B. Johnson | Software Team Lead |
Jonathan Pytko | Lighting Artist |
Kyrsten Mate | Sound Effects Editor |
Juan Peralta | Sound Mix Technician |
Name | Title |
---|---|
John Walker | Producer |
John Lasseter | Executive Producer |
Kori Rae | Associate Producer |
Katherine Sarafian | Associate Producer |
Organization | Category | Person | |
---|---|---|---|
Academy Awards | Best Animated Feature | N/A | Nominated |
Golden Globes | Best Animated Feature | N/A | Won |
Academy Awards | Best Director | Brad Bird | Nominated |
BAFTA Awards | Best Picture | N/A | Nominated |
SAG Awards | Best Director | Brad Bird | Nominated |
SAG Awards | Best Animated Feature | Brad Bird | Won |
Cannes Film Festival | Best Animated Feature | N/A | Won |
Venice Film Festival | Best Animated Feature | N/A | Won |
BAFTA Awards | Best Animated Feature | N/A | Won |
Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 84 | 113 | 62 |
2024 | 5 | 99 | 164 | 69 |
2024 | 6 | 90 | 129 | 62 |
2024 | 7 | 98 | 141 | 71 |
2024 | 8 | 87 | 132 | 66 |
2024 | 9 | 74 | 92 | 59 |
2024 | 10 | 93 | 201 | 71 |
2024 | 11 | 98 | 173 | 78 |
2024 | 12 | 85 | 149 | 70 |
2025 | 1 | 87 | 113 | 66 |
2025 | 2 | 66 | 94 | 14 |
2025 | 3 | 25 | 77 | 3 |
2025 | 4 | 17 | 22 | 13 |
2025 | 5 | 14 | 21 | 11 |
2025 | 6 | 13 | 17 | 11 |
2025 | 7 | 13 | 15 | 10 |
2025 | 8 | 18 | 21 | 15 |
2025 | 9 | 24 | 25 | 23 |
Trending Position
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2025 | 9 | 131 | 332 |
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2025 | 8 | 74 | 391 |
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2025 | 7 | 84 | 486 |
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2025 | 6 | 182 | 559 |
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2025 | 5 | 143 | 568 |
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2025 | 4 | 99 | 356 |
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2025 | 3 | 53 | 298 |
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2025 | 2 | 141 | 435 |
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2025 | 1 | 108 | 388 |
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2024 | 12 | 92 | 420 |
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2024 | 11 | 115 | 366 |
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2024 | 10 | 240 | 420 |
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2024 | 9 | 187 | 329 |
Year | Month | High | Avg |
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2024 | 8 | 176 | 347 |
I don't like this as much as most do, but <em>'The Incredibles'</em> is definitely a fun watch. I enjoy how the film starts out, as it introduces the characters and tells some backstories. However, once the film becomes more serious it kinda loses its edge for me. When it's less so though, it's g ... ood. The animation is very nice, even if the humans look a tad iffy especially with their expressions. Another part I don't love is the villain, Syndrome. I feel like he's a bit tame, I never once felt fear/angst from the guy at all. A much more devilish, deceptive bad guy would've been far better. I didn't even realise it's Jason Lee who voices him either, it oddly doesn't sound like Lee to me. Talking of mishearing the voice cast, am I the only one who thought it was Jodie Foster voicing Elastigirl? Violet kinda sounds like Aubrey Plaza too. I think I may need my ears tested... Elsewhere, it's cool to hear (correctly, this time) Samuel L. Jackson as Frozone. Don't get me wrong, this is certainly a film worth watching 100%. I just would've loved a greater threat to the protagonists. Lastly, the end scenes, though amusing, feel like a collective of end credit jokes rolled into one. That's a minor complaint, mind.
I sort of watched them out of order. I wasn't really privy to the existence of The Incredibles until my fiance wanted to rent the sequel...and then I went back and watched the first one. I have to say that I liked 2 more, but only because it looked like a period pop art piece and the first one yo ... u really didn't get that feel. It was clearly set in the early 60s, but you didn't get that whole esthetic as much as you did in the sequel and that was the biggest draw I had to it. That being said, it was't bad. Sociopolitically I liked the line about when everyone has super powers no one does. It registered loudly to someone that works in history. So the plot, on that basis, was compelling. And I am sure that if I had seen them in order I'd like it just as much. The sequel, the main draw that sucked me in was the look of the film. Here it was the quasi-family struggles which, again, seemed to be highlighted a little better in the second film. Still, it was there enough, the work-life balance to draw you in, and the absurdity that the work was being a hero was entertaining. As was the reason they had to go underground which, again, was done a little better than when the MCU tried it...but still not elaborated on enough to make it as interesting as it could have once been. In any case, it's still an entertaining cartoon. And you can see where the creators took what worked in the first one and elaborated on the concepts until they popped.
It's got a sort of "Batman" meets the "Man from U.N.C.L.E." feel about it as the "Parr" family try to get on with their lives after their brave and courageous superhero existence was kiboshed by some daft lawsuits and government cold feet. Thing is, there's no such thing as a well-earned retirement ... and just over a decade after they were consigned to obscurity, dad "Bob" is summoned to a top secret summit where he quickly discovers that it's going to take all of his - and his family's -considerable powers to stop the world from imminent destruction. No, the plot is hardly original - or incredible - but the script and characterisations here are really in kilter as the creatively animated adventure hots up. There's fun in the dialogue for the kids and grown-ups alike, and though maybe a bit on the long side, it's a lively tale of espionage and science with it's fair share of gadgets, gizmos, family strife and even an impenetrable, armoured, steel baddie. The pace becomes hectic and enjoyable and the action builds up nicely before a denouement that isn't the best - it just screams sequel at us. This needs a big screen to enjoy it at it's best and has some engaging, spy-themed, nostalgia for those of us north of forty too.