A cranky middle-aged dad and his two best friends find themselves out of step in a changing world of millennial CEOs and powerful preschool principals. | |
Release Date: | Oct 20, 2023 |
---|---|
Director: | Bill Burr |
Writer: | Ben Tishler, Bill Burr |
Genres: | Comedy |
Keywords | parenting, fatherhood |
Production Companies | Miramax, All Things Comedy, All of Us Productions |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
---|---|
Bill Burr | Jack Kelly |
Bobby Cannavale | Connor Brody |
Bokeem Woodbine | Mike Richards |
Katie Aselton | Leah Kelly |
Reign Edwards | Britney |
Jackie Tohn | Cara Brody |
Miles Robbins | Aspen Bell |
Rachael Harris | Dr. Lois Schmieckel-Turner |
Dash McCloud | Nate Kelly |
Justin Miles | Travis Romine |
C. Thomas Howell | Ed Cameron |
Bruce Dern | Richie Jacobs |
Dominic Grey Gonzalez | Colin Brody |
Natasha Leggero | Kelly (Parent) |
Katrina Bowden | Joanna (Parent) |
Angela Gulner | Mimi (Parent) |
Josh Brener | Dana (Parent) |
Erin Wu | Diamelle |
Justene Alpert | Caprice |
Cameron Kelly | Amelia |
Cody Renee Cameron | Chantel |
Joe Bartnick | Randy the Bouncer |
Paul Virzi | Random Guy |
Chelsea Marie Davis | Monica Crawford |
Carl Tart | Brian Dodson |
Nate Craig | Soft Spoken Man |
Rick Glassman | Hunter Lewis |
Abbie Cobb | Judy |
Ron Taylor | 20-Something Guy |
Nia Renée Hill | Nurse |
Tom Allen | Scooter |
Rory Scovel | Terrance Huffy-Schwinn |
James Lavon Miller | Card Dealer |
Steph Tolev | Steph |
Paul Walter Hauser | Tracy |
Name | Job |
---|---|
Karen E. Weber | Art Direction |
Taylor Jean | Set Decoration |
John C. Carlucci | Special Effects Coordinator |
Howard Eriksson | Boom Operator |
Noel Vought | Foley Artist |
Matt Aberle | Music Supervisor |
Catherine Jelski | Script Supervisor |
Jennifer Möller | Production Design |
Scott Harber | Sound Mixer |
John Sanchez | Production Supervisor |
Ron Aston | Sound Effects Editor |
Nick Neutra | Foley Supervisor |
Drew Webster | Sound Re-Recording Mixer |
Jeff Lingle | Music Editor |
Jeanne McCarthy | Casting |
Drew Ann Rosenberg | First Assistant Director |
James Marin | "A" Camera Operator, Steadicam Operator |
Andrew Freedman | First Assistant Editor |
Valli O'Reilly | Makeup Artist |
Scott Sanders | Sound Designer |
Ben Tishler | Writer |
Nicholas Hasson | Colorist |
Adriaan van Zyl | Editor |
Shadi Enayati | Post Production Supervisor |
Damien Thaller | Visual Effects Supervisor |
Jacob McNaughton | Foley Mixer |
David Raines | Dialogue Editor |
Jason Lingle | Music Editor |
Christopher Willis | Original Music Composer |
Jamie D. Boscardin | Unit Production Manager |
Steven Hacker | Second Assistant Director |
Gabriel J. Serrano | Sound Re-Recording Mixer |
Michael Moriatis | Still Photographer |
Martina Sykes | Key Makeup Artist |
Jason Rez | Key Grip |
Jacob Ortiz | ADR Mixer |
Erich Talaba | ADR Mixer |
James Robertson | Additional Music |
Jamie Thierman | Orchestrator |
Demetrios Katsantonis | Set Dresser |
Nicole Abellera Hallman | Casting |
Melanie Grefé | First Assistant Director |
Perry Robertson | Supervising Sound Editor |
Rebekah Pedersen | Key Hair Stylist |
Kevin Zimmerman | Sound Editor |
Dave Wilson | ADR Mixer |
Drew Conley | Additional Music |
Benjamin Hoff | Orchestrator |
Ben Booker | Camera Loader |
Patrick Christensen | ADR Mixer |
Alejandro Briceno | Additional Music |
Sean Barrett | Orchestrator |
Courtenay Cooper | Visual Effects Producer |
Bill Burr | Writer, Director |
Sean McElwee | Director of Photography |
Christopher Lawrence | Costume Design |
Patrick J. Don Vito | Editor |
Alex Daniels | Stunt Coordinator |
Anette Czagany | Costume Supervisor |
Name | Title |
---|---|
Steven Farneth | Executive Producer |
Jamie D. Boscardin | Executive Producer |
Mike Bertolina | Producer |
Monica Levinson | Producer |
Thom Zadra | Executive Producer |
Joshua A. Foster | Executive Producer |
Dave Becky | Executive Producer |
Ben Tishler | Producer |
Andrew Golov | Executive Producer |
Bill Block | Producer |
Bill Burr | Producer |
Organization | Category | Person |
---|
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 30 | 45 | 16 |
2024 | 5 | 33 | 62 | 22 |
2024 | 6 | 26 | 39 | 18 |
2024 | 7 | 31 | 76 | 16 |
2024 | 8 | 31 | 76 | 15 |
2024 | 9 | 39 | 74 | 16 |
2024 | 10 | 34 | 62 | 21 |
2024 | 11 | 24 | 54 | 15 |
2024 | 12 | 18 | 25 | 13 |
2025 | 1 | 21 | 40 | 11 |
2025 | 2 | 13 | 21 | 3 |
2025 | 3 | 6 | 18 | 1 |
2025 | 4 | 4 | 8 | 1 |
2025 | 5 | 3 | 8 | 1 |
2025 | 6 | 2 | 5 | 1 |
2025 | 7 | 2 | 2 | 1 |
2025 | 8 | 2 | 4 | 1 |
2025 | 9 | 4 | 6 | 2 |
2025 | 10 | 3 | 4 | 3 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 691 | 691 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 265 | 604 |
R-rated comedy “Old Dads” is not particularly bad and not particularly good, but it is entertaining, disposable entertainment. Directed and co-written by comedian Bill Burr, the film has some funny (if sometimes stale) jokes and a watered-down premise that makes it mostly a throwaway. In other words ... , it’s your typical mass-produced Netflix movie. Best friends and business partners Jack (Burr), Connor (Bobby Cannavale), and Mike (Bokeem Woodbine) became fathers later in life. The trio finds that raising kids in your late 40s isn’t easy, and they decide to sell their successful sports apparel company to an eccentric millennial CEO (Miles Robbins). The gang are subsequently cut out of their business, which makes Jack boil over with anger. This spreads into his everyday life, from causing a rift with his pregnant wife (Katie Aselton) and starting a battle with his son’s ultra-progressive preschool principal (Rachael Harris). Leaning on his buddies to help him get his life under control, Jack and the boys go on a quest that takes them through the streets of Los Angeles and the strip clubs of Palm Springs. The comedy is raunchy, vulgar, and aimed at people who are angry at the modern politically correct society and culture. The film feels like a vehicle for Burr to air his grievances and rant against progressive thought, and some of his observations are funny (because they’re true). The reason you’ll laugh out loud is that once in a while, Burr hits on a universal anecdote about the hypocrisy surrounding today’s culture war that’s dead accurate. He never really pushes the envelope too far, though, and tries hard not to offend the liberals who will see themselves on the receiving end of his barbs and wisecracks. What helps is Burr’s sarcastic delivery and angry man persona, which you’ll either find hilarious or annoying. There are a fair share of dad jokes and shopworn one-liners that made me wince, but the stuff that’s funny is truly hilarious. It’s also worth noting that you don’t need kids to find the movie humorous, because it’s an enjoyable spectator sport to poke fun at the pretentiousness of glib, self-righteous parents. “Old Dads” has its moments, even if it’s not a slam dunk. Quality-wise, it lands squarely in the middle of the pack: and that’s probably just good enough for its intended audience. By: Louisa Moore
It's not uncommon for critics and audiences to have differing opinions on movies, and it's understandable that you may not agree with the harsh reviews of a film that you found to be enjoyable. Your positive perspective on the movie highlights its strengths in humor, entertainment value, and storyte ... lling. It's great to hear that you found the film to be funny and hilarious throughout, keeping you entertained and engaged from start to finish. The comedic elements and the portrayal of older dads becoming parents add a unique and relatable touch to the movie, making it a great experience for viewers who can connect with that perspective. Your recommendation of the film as a highly entertaining and fun experience underscores its ability to bring joy and laughter to audiences. It's refreshing to hear your positive take on the movie and how it resonated with you, showcasing that different viewers can have varying reactions to the same film.