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The Man Who Fell to Earth Poster

The Man Who Fell to Earth

Power, space, time and a visitor.
1976 | 139m | English

(30558 votes)

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Popularity: 14 (history)

Details

Thomas Jerome Newton is an alien who has come to Earth in search of water to save his home planet. Aided by lawyer Oliver Farnsworth, Thomas uses his knowledge of advanced technology to create profitable inventions. While developing a method to transport water, Thomas meets Mary-Lou, a quiet hotel clerk, and begins to fall in love with her. Just as he is ready to leave Earth, Thomas is intercepted by the U.S. government, and his entire plan is threatened.
Release Date: Mar 18, 1976
Director: Nicolas Roeg
Writer: Walter Tevis, Paul Mayersberg
Genres: Science Fiction, Drama
Keywords based on novel or book, extraterrestrial technology, dystopia, alien life-form
Production Companies British Lion Films, Houtsnede Maatschappij N.V., Cinema 5
Box Office Revenue: $0
Budget: $1,500,000
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
David Bowie Thomas Jerome Newton
Rip Torn Nathan Bryce
Candy Clark Mary-Lou
Tony Mascia Arthur
Buck Henry Oliver Farnsworth
Bernie Casey Peters
Adrienne La Russa Helen
Claudia Jennings Peters' Wife
Rick Riccardo Trevor
Jim Lovell James Lovell
Hilary Holland Jill
Linda Hutton Elaine
Jackson D. Kane Professor Canutti
Lilybelle Crawford Jewelery Store Owner
Richard Breeding Receptionist
Albert Nelson Waiter
Peter Prouse Peters' Associate
Name Job
Nicolas Roeg Director
Walter Tevis Novel
John Phillips Original Music Composer
Stomu Yamashta Original Music Composer
Anthony B. Richmond Director of Photography
Graeme Clifford Editor
Robin Gregory Sound Recordist
Ellis Burman Jr. Makeup Effects
Roy Stevens Production Manager
Terry Sharratt Boom Operator
Gordon Hayman Camera Operator
Marilyn Clarke Production Coordinator
Matthew Norris Stunt Double
Paul Mayersberg Screenplay
Brian Eatwell Production Design
Linda DeVetta Makeup Artist
Kip Gowans Assistant Director
Chuck White Still Photographer
Ronald Cook Production Accountant
May Routh Costume Design
Simon Wakefield Set Decoration
Martin Samuel Hairstylist
Tom Raeburn Property Master
Martin Evans Gaffer
Susanna Merry Continuity
Michael Ellis Sound Editor
Richard Graydon Stunt Coordinator
Michael Stevenson Second Assistant Director
David James Still Photographer
Name Title
Michael Deeley Producer
John Peverall Associate Producer
Si Litvinoff Executive Producer
Barry Spikings Producer
Organization Category Person
BAFTA Awards Best Actor David Bowie Nominated
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 19 25 13
2024 5 20 28 13
2024 6 17 30 11
2024 7 20 33 11
2024 8 18 28 12
2024 9 14 19 10
2024 10 17 28 11
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2024 12 16 38 8
2025 1 15 21 11
2025 2 12 20 3
2025 3 5 16 1
2025 4 2 4 1
2025 5 2 4 1
2025 6 2 3 1
2025 7 1 2 1
2025 8 1 2 0
2025 9 2 2 1
2025 10 3 14 2

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Reviews

Geronimo1967
6.0

Very much a vehicle for David Bowie, this is otherwise a rather derivative and unimaginative story of an alien ("Newton") who arrives on Earth, naked and penniless. He is tasked with trying to find a way to save his own doomed planet, but quickly discovers that he has skills! He can make money, and ... money buys nice things; it buys nice sex; it gives him power... All of these pleasures distract him from the purpose of his visit. Can he refocus? Well his infatuation with "Mary-Lou" (Candy Clark) isn't helping, nor are those around him - "Bryce" (Rip Torn) amongst them - with their own rather parasitic agendas, and his own character undergoes quite a few transformations as his exposure to the Earth and all of it's frequently conflicting moralities presents him with quite a few challenges. To be perfectly honest, I was rather bored with this. It offers us a smorgasbord of humanity with little context or character depth. Bowie is attractive to look at - sometimes - but really isn't much of an actor and at over 2¼ hours long, the plot had little option but to recycle itself - in various thinly disguised guises - just once too often for me. Stomu Yamashta's score is heavy overused, I thought, and by the end I really wasn't so very bothered whether or not he succeeded. As an observation of 1970s priorities, aspirations and excesses, it is quite illustrative I suppose, but as a film to see on a big screen it is really nothing at all to write home about, sorry.

Jan 02, 2023