 
  Popularity: 14 (history)
| Director: | Nicolas Roeg | 
|---|---|
| Writer: | Walter Tevis, Paul Mayersberg | 
| Staring: | 
| Thomas Jerome Newton is an alien who has come to Earth in search of water to save his home planet. Aided by lawyer Oliver Farnsworth, Thomas uses his knowledge of advanced technology to create profitable inventions. While developing a method to transport water, Thomas meets Mary-Lou, a quiet hotel clerk, and begins to fall in love with her. Just as he is ready to leave Earth, Thomas is intercepted by the U.S. government, and his entire plan is threatened. | |
| Release Date: | Mar 18, 1976 | 
|---|---|
| Director: | Nicolas Roeg | 
| Writer: | Walter Tevis, Paul Mayersberg | 
| Genres: | Science Fiction, Drama | 
| Keywords | based on novel or book, extraterrestrial technology, dystopia, alien life-form | 
| Production Companies | British Lion Films, Houtsnede Maatschappij N.V., Cinema 5 | 
| Box Office | Revenue: $0 Budget: $1,500,000 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| David Bowie | Thomas Jerome Newton | 
| Rip Torn | Nathan Bryce | 
| Candy Clark | Mary-Lou | 
| Tony Mascia | Arthur | 
| Buck Henry | Oliver Farnsworth | 
| Bernie Casey | Peters | 
| Adrienne La Russa | Helen | 
| Claudia Jennings | Peters' Wife | 
| Rick Riccardo | Trevor | 
| Jim Lovell | James Lovell | 
| Hilary Holland | Jill | 
| Linda Hutton | Elaine | 
| Jackson D. Kane | Professor Canutti | 
| Lilybelle Crawford | Jewelery Store Owner | 
| Richard Breeding | Receptionist | 
| Albert Nelson | Waiter | 
| Peter Prouse | Peters' Associate | 
| Name | Job | 
|---|---|
| Nicolas Roeg | Director | 
| Walter Tevis | Novel | 
| John Phillips | Original Music Composer | 
| Stomu Yamashta | Original Music Composer | 
| Anthony B. Richmond | Director of Photography | 
| Graeme Clifford | Editor | 
| Robin Gregory | Sound Recordist | 
| Ellis Burman Jr. | Makeup Effects | 
| Roy Stevens | Production Manager | 
| Terry Sharratt | Boom Operator | 
| Gordon Hayman | Camera Operator | 
| Marilyn Clarke | Production Coordinator | 
| Matthew Norris | Stunt Double | 
| Paul Mayersberg | Screenplay | 
| Brian Eatwell | Production Design | 
| Linda DeVetta | Makeup Artist | 
| Kip Gowans | Assistant Director | 
| Chuck White | Still Photographer | 
| Ronald Cook | Production Accountant | 
| May Routh | Costume Design | 
| Simon Wakefield | Set Decoration | 
| Martin Samuel | Hairstylist | 
| Tom Raeburn | Property Master | 
| Martin Evans | Gaffer | 
| Susanna Merry | Continuity | 
| Michael Ellis | Sound Editor | 
| Richard Graydon | Stunt Coordinator | 
| Michael Stevenson | Second Assistant Director | 
| David James | Still Photographer | 
| Name | Title | 
|---|---|
| Michael Deeley | Producer | 
| John Peverall | Associate Producer | 
| Si Litvinoff | Executive Producer | 
| Barry Spikings | Producer | 
| Organization | Category | Person | |
|---|---|---|---|
| BAFTA Awards | Best Actor | David Bowie | Nominated | 
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 19 | 25 | 13 | 
| 2024 | 5 | 20 | 28 | 13 | 
| 2024 | 6 | 17 | 30 | 11 | 
| 2024 | 7 | 20 | 33 | 11 | 
| 2024 | 8 | 18 | 28 | 12 | 
| 2024 | 9 | 14 | 19 | 10 | 
| 2024 | 10 | 17 | 28 | 11 | 
| 2024 | 11 | 17 | 31 | 11 | 
| 2024 | 12 | 16 | 38 | 8 | 
| 2025 | 1 | 15 | 21 | 11 | 
| 2025 | 2 | 12 | 20 | 3 | 
| 2025 | 3 | 5 | 16 | 1 | 
| 2025 | 4 | 2 | 4 | 1 | 
| 2025 | 5 | 2 | 4 | 1 | 
| 2025 | 6 | 2 | 3 | 1 | 
| 2025 | 7 | 1 | 2 | 1 | 
| 2025 | 8 | 1 | 2 | 0 | 
| 2025 | 9 | 2 | 2 | 1 | 
| 2025 | 10 | 3 | 14 | 2 | 
Trending Position
Very much a vehicle for David Bowie, this is otherwise a rather derivative and unimaginative story of an alien ("Newton") who arrives on Earth, naked and penniless. He is tasked with trying to find a way to save his own doomed planet, but quickly discovers that he has skills! He can make money, and ... money buys nice things; it buys nice sex; it gives him power... All of these pleasures distract him from the purpose of his visit. Can he refocus? Well his infatuation with "Mary-Lou" (Candy Clark) isn't helping, nor are those around him - "Bryce" (Rip Torn) amongst them - with their own rather parasitic agendas, and his own character undergoes quite a few transformations as his exposure to the Earth and all of it's frequently conflicting moralities presents him with quite a few challenges. To be perfectly honest, I was rather bored with this. It offers us a smorgasbord of humanity with little context or character depth. Bowie is attractive to look at - sometimes - but really isn't much of an actor and at over 2¼ hours long, the plot had little option but to recycle itself - in various thinly disguised guises - just once too often for me. Stomu Yamashta's score is heavy overused, I thought, and by the end I really wasn't so very bothered whether or not he succeeded. As an observation of 1970s priorities, aspirations and excesses, it is quite illustrative I suppose, but as a film to see on a big screen it is really nothing at all to write home about, sorry.