Popularity: 2 (history)
Director: | Buster Keaton |
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Writer: | Clyde Bruckman, Jean C. Havez, Joseph A. Mitchell |
Staring: |
A film projectionist longs to be a detective, and puts his meagre skills to work when he is framed by a rival for stealing his girlfriend's father's pocketwatch. | |
Release Date: | Apr 17, 1924 |
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Director: | Buster Keaton |
Writer: | Clyde Bruckman, Jean C. Havez, Joseph A. Mitchell |
Genres: | Comedy, Action, Mystery |
Keywords | amateur detective, pickpocket, slapstick comedy, jungle, black and white, motorcycle, false accusations, silent film, projectionist, booby trap, handkerchief, magnifying glass, railyard, banana peel, pearls |
Production Companies | Metro Pictures Corporation |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Buster Keaton | Projectionist / Sherlock, Jr. |
Kathryn McGuire | Girl |
Joe Keaton | Girl's Father / Man on Film Screen |
Erwin Connelly | Hired Man / Butler |
Ward Crane | Sheik / Villain |
Doris Deane | Girl Who Loses Dollar Outside Cinema (uncredited) |
Christine Francis | Candy Store Girl (uncredited) |
George Davis | Conspirator (uncredited) |
Kewpie Morgan | Conspirator (uncredited) |
Steve Murphy | Conspirator (uncredited) |
John Patrick | Conspirator (uncredited) |
Betsy Ann Hisle | Little Girl (uncredited) |
Ford West | Theatre Manager / Gillette (uncredited) |
Name | Job |
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Buster Keaton | Editor, Director |
Clyde Bruckman | Screenplay |
Clare West | Costume Design |
Fred Gabourie | Technical Supervisor, Art Direction |
Walter C. Reed | Assistant Director |
Byron Houck | Director of Photography |
Jean C. Havez | Story |
Joseph A. Mitchell | Story |
Ernie Orsatti | Stunts |
Elgin Lessley | Director of Photography |
Name | Title |
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Buster Keaton | Producer |
Joseph M. Schenck | Producer |
Organization | Category | Person | |
---|---|---|---|
BAFTA Awards | Best Actor | Buster Keaton | Nominated |
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 23 | 29 | 16 |
2024 | 5 | 24 | 38 | 17 |
2024 | 6 | 21 | 41 | 12 |
2024 | 7 | 20 | 43 | 10 |
2024 | 8 | 16 | 23 | 10 |
2024 | 9 | 11 | 15 | 7 |
2024 | 10 | 14 | 35 | 9 |
2024 | 11 | 15 | 34 | 8 |
2024 | 12 | 14 | 29 | 8 |
2025 | 1 | 16 | 30 | 9 |
2025 | 2 | 10 | 17 | 3 |
2025 | 3 | 6 | 22 | 1 |
2025 | 4 | 2 | 5 | 1 |
2025 | 5 | 2 | 6 | 1 |
2025 | 6 | 2 | 5 | 1 |
2025 | 7 | 2 | 4 | 1 |
2025 | 8 | 1 | 4 | 1 |
2025 | 9 | 2 | 3 | 1 |
2025 | 10 | 2 | 2 | 2 |
Trending Position
What a superbly intricate piece of comedic cinema this is. Keaton is a down-at-heel cinema projectionist who fancies himself as a budding "Sherlock Holmes". When a love-rival manages to frame him for pinching his (rather fickle) girlfriend's father's watch his life seems to have lost all purpose... ... Only when he returns to his cinema and runs that evening's movie does he doze off and dream his way into the film - this time as a brilliant detective calmly dealing with poison, explosives and dastardly cunning plots as he effortlessly solves the crime - some stolen pearls - and gets the girl! The story flows perfectly; the timing precise, the illusions almost circus-like but sophisticatedly so; no slapstick swinging planks and 8-foot puddles; just some intelligent humour and the odd, clever, use of special effects that create some sympathy for the initially rather pathetic hero! As much as to the imagery, this owes much to the score which the Club Foot Orchestra deliver setting a great pace for the shenanigans on screen.