Twiggy
The woman behind the icon.
2025 | 90m | English
Popularity: 0.5 (history)
| Director: | Sadie Frost |
|---|---|
| Writer: | |
| Staring: |
| Twiggy takes a comprehensive look at the life story of UK model and cultural icon Twiggy, real name Lesley Lawson, whose career kickstarted in the 1960s. It features interviews with Twiggy and her husband Leigh Lawson, as well as commentary from Erin O’Connor, Paul McCartney, Lulu, Poppy Delavigne, Brooke Shields, Pattie Boyd and Zandra Rhodes. | |
| Release Date: | Mar 07, 2025 |
|---|---|
| Director: | Sadie Frost |
| Writer: | |
| Genres: | Documentary |
| Keywords | london, england, country music, movie business, 1970s, musician, hollywood, model, fashion, filmmaking, acting, 1960s, memoir, it girl, celebrity interview, music industry, documentary, vintage fashion |
| Production Companies | BBC, Mask Productions, Soho Talent, Reel Time, Film Soho, Captain Dolly |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 20, 2026 Entered: Feb 15, 2025 |
| Name | Character |
|---|---|
| Twiggy | Self |
| Leigh Lawson | Self |
| Carly Wiggins | Self |
| Michael Witney | Self (archival footage) |
| Justin de Villeneuve | Self (archival footage) |
| Joanna Lumley | Self |
| Tommy Tune | Self |
| Brooke Shields | Self |
| Sienna Miller | Self |
| Lulu | Self |
| Poppy Delevingne | Self |
| Stella McCartney | Self |
| Edward Enninful | Self |
| Dustin Hoffman | Self |
| Charlotte Gainsbourg | Self |
| David Puttnam | Self |
| Pattie Boyd | Self |
| Rankin | |
| Bárbara Hulanicki | |
| Paul McCartney | Self |
| Fran Drescher | Self |
| Zandra Rhodes | |
| Miquita Oliver | |
| Alexandra Shulman | |
| Patsy Puttnam | |
| Deirdre McSharry | |
| Amy Wadge | |
| Joy Crookes | |
| James McMillan | |
| Jonathan Yeo | |
| Mindy Grossman | |
| Suzy Menkes | |
| Tim Hutton | |
| Wayne Sleep | |
| Ken Russell | (archival footage) |
| Bing Crosby | (archival footage) |
| David Bowie | (archival footage) |
| Bryan Ferry | (archival footage) |
| David Essex | (archival footage) |
| Woody Allen | Self (archival footage) |
| Christopher Gable | (archival footage) |
| Richard Quine | (archival footage) |
| David Frost | Self (archival footage) |
| Maya Strowger | Young Twiggy |
| Name | Job |
|---|---|
| Danny Wareing | Assistant Music Supervisor |
| Sadie Frost | Director |
| Liz Deegan | Editor |
| Yasmin Khan | Makeup Artist |
| Mike Hermosa | Camera Operator |
| Kristina Hetherington | Editor |
| Selda Yildirim | Assistant Director |
| Gordon Goodwin | Gaffer |
| Lucas Tucknott | Director of Photography |
| Karen Redfern | Post Production Producer |
| Alisha Bailey | Key Makeup Artist |
| Thayna McLaughlin | Sound Mixer, Sound Recordist |
| Ian Neil | Music Supervisor |
| Thomas Nicholson | First Assistant Camera |
| Cassandra Rutledge | Sound Recordist |
| Kirsten Piggot | Makeup Artist |
| Roro Cuenca | Makeup Artist |
| Santiago Turu-Leslie | Lighting Technician |
| Lily Redman | Still Photographer |
| Colleen Lee | Second Assistant Camera |
| Joe Vince | Sound Recordist |
| Trinity Tristan | Production Design |
| Nicky Tavilla | Makeup Artist |
| Philippe Tholimet | Hairstylist |
| Sebastian Neilson | Digital Imaging Technician |
| Christine Lewis | Line Producer |
| Caitlin McDaid | Sound Recordist |
| Laura Izzard | Sound Recordist |
| Lauren Rucha | Art Department Assistant |
| Faye Bluff | Makeup Artist |
| Lisa Caldognetto | Additional Hairstylist |
| Eddy Massarella | Still Photographer |
| Name | Title |
|---|---|
| Rory Kindlon | Executive Producer |
| Andrew Green | Executive Producer |
| Nick Hamson | Producer |
| Chris Greenhill | Executive Producer |
| Sadie Frost | Producer |
| Aisling O’ Connor | Executive Producer |
| Phoebe McNally | Associate Producer |
| Ronni Ancona | Executive Producer |
| Sharon Brittan | Co-Executive Producer |
| George Depass | Co-Executive Producer |
| Paul Wise | Associate Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 3 | 7 | 1 |
| 2024 | 5 | 3 | 5 | 1 |
| 2024 | 6 | 3 | 13 | 1 |
| 2024 | 7 | 3 | 6 | 2 |
| 2024 | 8 | 3 | 7 | 1 |
| 2024 | 9 | 3 | 7 | 2 |
| 2024 | 10 | 9 | 17 | 3 |
| 2024 | 11 | 4 | 10 | 2 |
| 2024 | 12 | 3 | 6 | 1 |
| 2025 | 1 | 4 | 12 | 2 |
| 2025 | 2 | 5 | 8 | 2 |
| 2025 | 3 | 10 | 39 | 1 |
| 2025 | 4 | 3 | 5 | 1 |
| 2025 | 5 | 2 | 5 | 1 |
| 2025 | 6 | 1 | 3 | 1 |
| 2025 | 7 | 0 | 1 | 0 |
| 2025 | 8 | 0 | 1 | 0 |
| 2025 | 9 | 1 | 2 | 0 |
| 2025 | 10 | 2 | 3 | 1 |
| 2025 | 11 | 2 | 3 | 1 |
| 2025 | 12 | 3 | 5 | 1 |
| 2026 | 1 | 3 | 7 | 1 |
| 2026 | 2 | 1 | 5 | 0 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 981 | 981 |
This reminded me a little of the “Quant” (2021) documentary as it took us on a career retrospective of a woman who did take the world by storm in the 1960s. Using an extensive array of archive and some contributors who avoided the pitfalls of adulation, we get not just a sense of just how successful ... she was, but of the scope of an industry that was brutal, fickle and lucrative - if you got the luck and stayed the course. She is an engaging lady who does have a look about her that reeks of appreciation. She knows that she was in the right place at the right time and has worked hard ever since to stay at the top of a global game that’s not for the feint hearted. Former fellow model Dame Joanna Lumley adds some insight into just how tough it was, and there is added input from more recent treaters of the catwalk, as well as a few industry insiders (though not, curiously, Dame Anna Wintour) to add a bit of soul to a story of a woman not without her ups and downs as she moved from modelling to acting - on film and on stage, most notably “The Boyfriend” in 1971; singing and she even had her own peak-time television series a bit like Lulu. She comes across as quite an humble and down to earth character and with ninety minutes of nostalgia from just about every media there is to augment this biography, it’s well worth watching and remembering the clothes we wore, the cars we drove and some of the films we watched and wished we hadn’t.