Popularity: 0.6 (history)
Director: | Aristotle Torres |
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Writer: | Aristotle Torres, Bonsu Thompson |
Staring: |
After running away from home, a teenage graffiti artist holds up an unsuspecting MTA worker in a robbery gone right that changes their lives forever. | |
Release Date: | Sep 29, 2023 |
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Director: | Aristotle Torres |
Writer: | Aristotle Torres, Bonsu Thompson |
Genres: | Drama |
Keywords | graffiti, bronx, new york city, independent film, south bronx |
Production Companies | Foxxhole Productions, Dark Rabbit Productions, The Space Program, FirstGen Content, Mero Mero Productions |
Box Office |
Revenue: $59,000
Budget: $0 |
Updates |
Updated: Feb 03, 2025 Entered: Apr 20, 2024 |
Name | Character |
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Asante Blackk | Kadir Grayson |
Luis Guzmán | Luis Torres |
Melvin Gregg | Sean Skemes Hernandez |
Alex R. Hibbert | Maurice Moe Hernandeez |
Coral Peña | Gloria Sanchez |
Cassandra Freeman | Olivia Grayson |
Stella Doyle | Isabel |
Xavier Jiménez | Punch |
Sue Kim | Ms. Chen |
Name | Job |
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Matheus Bastos | Additional Photography |
Junior Paixão | Art Direction |
Eric Branco | Director of Photography |
Cheyenne Ford | Production Design, Production Designer |
Ben Rezendes | Stunt Coordinator |
Daisy Curbeon | Hair Department Head |
Aristotle Torres | Writer, Director |
Bonsu Thompson | Writer |
Jasmin Way | Editor |
Deanna Brigidi | Casting |
Jose Ramirez | Sound Mixer |
Anthony Cappellino | Sound Re-Recording Mixer, Supervising Sound Editor |
Vesselin Todorov-Vinnie | Utility Stunts |
Ryan Alan Dearth | First Assistant Director |
Joana Chaves | Costume Supervisor |
Pierre Charles | Original Music Composer |
Moe Larena | Gaffer |
Flora Ronzone | Costume Supervisor |
Whitney Anne Adams | Costume Design |
Name | Title |
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Lizzie Shapiro | Producer |
Jamie Foxx | Producer |
Luis Guzmán | Executive Producer |
Chris Triana | Executive Producer |
Datari Turner | Producer |
Michael D'Alto | Executive Producer |
Robert Aguilar | Executive Producer |
Martin Cabrera | Executive Producer |
Aristotle Torres | Producer |
Gus Deardoff | Executive Producer |
Claude Amadeo | Executive Producer |
Cemi Guzman | Executive Producer |
Randal Sandler | Executive Producer |
Jan McAdoo | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 8 | 16 | 2 |
2024 | 5 | 8 | 11 | 4 |
2024 | 6 | 10 | 27 | 4 |
2024 | 7 | 8 | 12 | 4 |
2024 | 8 | 8 | 15 | 3 |
2024 | 9 | 5 | 8 | 2 |
2024 | 10 | 7 | 19 | 3 |
2024 | 11 | 6 | 21 | 1 |
2024 | 12 | 4 | 10 | 1 |
2025 | 1 | 4 | 8 | 2 |
2025 | 2 | 3 | 6 | 1 |
2025 | 3 | 2 | 3 | 1 |
2025 | 4 | 2 | 3 | 1 |
2025 | 5 | 2 | 3 | 1 |
2025 | 6 | 1 | 2 | 1 |
2025 | 7 | 0 | 0 | 0 |
2025 | 8 | 0 | 1 | 0 |
2025 | 9 | 1 | 2 | 0 |
2025 | 10 | 0 | 1 | 0 |
Trending Position
For many at-risk youth, there comes a turning point where they can head off in one direction or another, each with vastly different long-term outcomes. For South Bronx graffiti artist Kadir Grayson (Asante Blackk) – a gifted illustrator with real talent who’s desperately struggling to find himself a ... nd reconcile his grief for the loss of his younger brother – that comes when he falls in with the wrong crowd and fails at proving himself in an unsuccessful attempt at holding up a aging but streetwise transit worker, Luis Torres (Luis Guzmán). Instead of filing charges against the confused young man, Luis takes Kadir under his wing to help him straighten out his life before it’s too late. It’s an uplifting and heartwarming tale, albeit somewhat clichéd and predictable at times, especially when it comes to the overlong wait for certain all-too-entirely expected revelations to surface. Nevertheless, director Aristotle Torres’s debut feature provides viewers with more than its share of time-honored wisdom and hope for those who could easily end up following a different and more destructive course. The fine performances of Blackk and Guzmán convincingly sell the material, which is presented with compelling cinematography and film editing, though the sound quality can stand some improvement, particularly in the opening half-hour, when the dialogue becomes almost unintelligible at times. Still, there’s much to be said for the insights served up in this intergenerational coming of age drama, proving that there’s always a possibility to set things right, even when they seem to be headed in an irretrievable downward spiral. And that’s a “story” that’s more than just a street name.