Popularity: 3 (history)
Director: | Roger Spottiswoode |
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Writer: | Christopher Robbins, John Eskow, Richard Rush |
Staring: |
Air America was the CIA's private airline operating in Laos during the Vietnam War, running anything and everything from soldiers to foodstuffs for local villagers. After losing his pilot's license, Billy Covington is recruited, and ends up in the middle of a bunch of lunatic pilots, gun-running by his friend Gene Ryack, and opium smuggling by his own superiors. | |
Release Date: | Aug 10, 1990 |
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Director: | Roger Spottiswoode |
Writer: | Christopher Robbins, John Eskow, Richard Rush |
Genres: | Comedy, Adventure, Action, Drama |
Keywords | central intelligence agency (cia), refugee camp, vietnam war, pilot, drug smuggling, airplane, laos, drugs, 1960s |
Production Companies | Carolco Pictures, IndieProd Company Productions |
Box Office |
Revenue: $57,661,269
Budget: $35,000,000 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Mel Gibson | Gene Ryack |
Robert Downey Jr. | Billy Covington |
Nancy Travis | Corinne Landreaux |
Ken Jenkins | Major Donald Lemond |
David Marshall Grant | Rob Diehl |
Lane Smith | Senator Davenport |
Art LaFleur | Jack Neely |
Ned Eisenberg | Pirelli |
Marshall Bell | O.V. |
David Bowe | Saunders |
Burt Kwouk | General Lu Soong |
Tim Thomerson | Babo |
Harvey Jason | Nino |
Natta Nantatanti | Gene's Daughter |
Purin Panichpan | Gene's Son |
Yanee Tramoth | Gene's Brother-in-law |
Ernie Lively | Truck Driver |
Burke Byrnes | Recruiter |
Michael Dudikoff | General Lee (uncredited) |
Sinjai Plengpanich | May Ling |
Wasan Uttamayothin | Nightclub Singer |
Name | Job |
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Allan Cameron | Production Design |
Christopher Robbins | Novel |
Charles Gross | Original Music Composer |
Tim Sexton | Music Supervisor |
Gerry Levy | Unit Production Manager |
Fred Carter | Set Decoration |
Mike Proudfoot | Camera Operator |
Robert Toft | Video Assist Operator |
Noori Dehnahi | Post Production Coordinator |
Lon Bender | Supervising Sound Editor |
Curtis Roush | Supervising Music Editor |
Avram D. Gold | ADR Editor |
Bob Beher | Assistant Sound Editor |
Gregg Rudloff | Sound Re-Recording Mixer |
Kevin Edland | Best Boy Electric |
Elaine Bowerbank | Hair Supervisor |
Patsy de Lord | Production Coordinator |
Frank Connor | Still Photographer |
Phil Hetos | Color Timer |
John Bloom | Editor |
John Eskow | Screenplay |
Nikki Williams | Clapper Loader |
John Mollo | Costume Design |
Albert M. Shapiro | First Assistant Director |
George Gibbs | Special Effects Supervisor |
Steve Spence | Art Direction |
Dennis Bosher | Assistant Art Director |
Gordon Hayman | Camera Operator |
Angela Wharton | Script Supervisor |
Paul Hodgson | Associate Editor |
Dan O'Connell | Foley Artist |
Devon Heffley Curry | Supervising ADR Editor |
Sukey Fontelieu | Foley Supervisor |
Lisa Miller | Assistant Sound Editor |
David E. Campbell | Sound Re-Recording Mixer |
Tricia Cameron | Hairstylist |
Barbara Rutter | Assistant Costume Designer |
Carl Schmidt | Armorer |
Thom 'Coach' Ehle | Dolby Consultant |
Michael J. Kagan | Line Producer |
Lois Freeman-Fox | Editor |
Becky Mancuso-Winding | Music Supervisor |
Artist W. Robinson | Second Assistant Director |
Simon Kaye | Sound Mixer |
Tony Reading | Art Direction |
Lek Chaiyan Chunsuttiwat | Assistant Art Director |
Mark O'Kane | Steadicam Operator |
Tommy Staples | Boom Operator |
William Henry | First Assistant Editor |
Joseph A. Mayer | ADR Editor |
Per Hallberg | Assistant Sound Editor |
John T. Reitz | Sound Re-Recording Mixer |
John Higgins | Gaffer |
Bob Kocourek | Production Accountant |
Rob Harris | Unit Publicist |
Brian Ralph | Negative Cutter |
Chere Rae | Stunts |
Roger Spottiswoode | Director |
Richard Rush | Screenplay |
Roger Deakins | Director of Photography |
Janet Hirshenson | Casting |
Jane Jenkins | Casting |
Vic Armstrong | Stunt Coordinator |
Alicia Stevenson | Foley Artist |
Lois Burwell | Makeup Supervisor |
Peter Robb-King | Key Makeup Artist |
Steven Lambert | Stunts |
Donna Evans | Stunts |
Dana Dru Evenson | Stunts |
Doug Coleman | Stunts |
John Cenatiempo | Stunts |
Fraser Taggart | Aerial Camera |
Billy D. Lucas | Stunts |
Debbie Lynn Ross | Stunts |
Name | Title |
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John Eskow | Co-Producer |
Daniel Melnick | Producer |
Allen Shapiro | Co-Producer |
Jon Jashni | Producer |
Mario Kassar | Executive Producer |
Andrew G. Vajna | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 22 | 43 | 13 |
2024 | 5 | 23 | 33 | 16 |
2024 | 6 | 19 | 34 | 14 |
2024 | 7 | 22 | 35 | 13 |
2024 | 8 | 18 | 26 | 12 |
2024 | 9 | 14 | 20 | 10 |
2024 | 10 | 20 | 36 | 11 |
2024 | 11 | 18 | 45 | 9 |
2024 | 12 | 15 | 22 | 12 |
2025 | 1 | 17 | 34 | 9 |
2025 | 2 | 11 | 15 | 3 |
2025 | 3 | 5 | 14 | 1 |
2025 | 4 | 1 | 2 | 1 |
2025 | 5 | 1 | 1 | 1 |
2025 | 6 | 1 | 2 | 1 |
2025 | 7 | 1 | 2 | 1 |
2025 | 8 | 2 | 3 | 0 |
2025 | 9 | 2 | 3 | 2 |
2025 | 10 | 3 | 3 | 3 |
Trending Position
When "Billy" (Robert Downey Jr.) loses his pilot's licence after a lively misdemeanour, he finds himself working in war-torn Laos with the team at "Air America". This is a CIA-backed operation consisting of a disparate bunch of pilots whose job it is to fly in supplies to local villages. It's there ... that he meets "Gene" (Mel Gibson) and also where he realises that not only is it pretty dangerous out there, but that his paymasters are into the narcotics trade in quite a big way and, to make matters even more dodgy - one of his colleagues goes in for some illicit gun-running too. It does move along quickly enough, but the whole thing has a rather comic book feel to it. The writing is poor, the themes repeat themselves once too often and there is little chemistry from anyone on screen as the adventures rather lamely bumble along accompanied by a medicare AOR-style soundtrack. To be fair, it looks like Gibson is having some fun and it's always nice to see Burt Kwouk demonstrating just how little versatility he had as an actor - always looking perplexed, but otherwise all this is missing is Charlie Sheen.
I have a special love for this film, if for no other reason that the bulk of my college experience was spent on the cold war, the alphabet soup of PBSUCCESS, MKULTRA, JMWAVE, PAPERCLIP, COLDFEET, MKOFTEN, The Phoenix Program, ARTICHOKE, and my favorite (just because of how bad it sounds) Midnight Cl ... imax. So a comedy about Air America was absolutely priceless. And, given that I am not one of those history nuts that cares about historical accuracy I can still sit back and enjoy something like this. I mean, honestly, so long as it's not a complete and total re-write... Hollywood can take it's liberties and edit what happened for drama, because, really, it just means that now people have heard of Air America. And, honestly, when you choose to study the Cold War, people tend to think you're a conspiracy nut when you mention things like this, PBSUCCESS, Russians assassinating people with radiation poisoning and umbrella guns... ... So when something like this comes along, it's like yes... now people won't think I'm as crazy as Alex Jones. And, you know, it features a song from the Seeds (and any real punk fan is going to drool over that) along with one of the better, if down played, soundtracks from the Vietnam Era. So it certainly has the music win. And it's Gibson kind of hamming it up and doing a slightly saner version of his Lethal Weapon self... if oddly pacifistic. And RDJR, fresh out of rehab, proving to the world that he is actually capable of being a great actor when he is sober. What you have is kind of an action movie without a lot of violence, set in the middle of a war zone, and based off of one of our intelligence black eyes in a way that doesn't take it too seriously, isn't heavy-handed or pretentious, masks any preachiness in a fun story, and really gets the point across without having to be Alan Alda at his worst. Plus, it's a movie about skullduggery that doesn't resort to the Mission:Impossible/James Bond high action tropes. So, in a way, it's kind of a spy movie done right and... turned into a comedy.