Popularity: 2 (history)
Director: | Sally Potter |
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Writer: | Sally Potter |
Staring: |
A look at the lives of two teenage girls - inseparable friends Ginger and Rosa -- growing up in 1960s London as the Cuban Missile Crisis looms, and the pivotal event the comes to redefine their relationship. | |
Release Date: | Oct 18, 2012 |
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Director: | Sally Potter |
Writer: | Sally Potter |
Genres: | Drama |
Keywords | poem, cold war, female friendship, troubled teen, protest march, political protest, woman director, 1960s, gay relationship, cautionary, teenager, depressing |
Production Companies | Det Danske Filminstitut, BBC Film, Ingenious Media, Miso Film, BFI, The Match Factory, Media House Capital, Adventure Films |
Box Office |
Revenue: $1,005,700
Budget: $0 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
---|---|
Elle Fanning | Ginger |
Alice Englert | Rosa |
Christina Hendricks | Natalie |
Alessandro Nivola | Roland |
Timothy Spall | Mark |
Annette Bening | Bella |
Jodhi May | Anoushka |
Oliver Platt | Mark Two |
Oliver Milburn | Roger |
Greg Bennett | Demo Policeman |
Andrew Hawley | Tony |
Richard Strange | Man at Dinner Party |
Marcus Shakesheff | Teddy Boy Driver |
Matt Hookings | Policeman |
Philip Harvey | Demo Policeman |
Andy Joy | Crucifer |
Robin Harvey | CND Protester |
Stephen Boxer | Police Doctor |
Aine Garvey | Child Playing |
Name | Job |
---|---|
Liz Griffiths | Set Decoration |
James O'Donnell | Stunt Coordinator |
Gary Arthurs | Stunts |
Zarene Dallas | Stunts |
Gary Hoptrough | Stunts |
Derek Lea | Stunts |
Belinda McGinley | Stunts |
Ray Nicholas | Stunts |
Tony van Silva | Stunts |
Irene Lamb | Casting |
Andrea Matheson | Art Direction |
Anne Jensen | Sound Re-Recording Mixer |
Martin Madsen | Title Designer, Visual Effects Supervisor |
Hannah Walter | Costume Supervisor |
Susan Kulkarni | Costumer |
Dougie Hawkes | Costumer |
Sarah Franzl | Stunts |
Arran Topham | Stunts |
Martin Wilde | Stunts |
Nicola Dove | Still Photographer |
Jonathan Acbard | Boom Operator |
Matthew Hanson | First Assistant Director |
Andrew Mannion | Second Assistant Director |
Christian Rigg | Second Assistant Director |
Darren Price | Third Assistant Director |
Charmian Gradwell | Dialect Coach |
Walter Donohue | Story Consultant |
Sally Potter | Writer, Director |
Robbie Ryan | Director of Photography |
Anders Refn | Editor |
Carlos Conti | Production Design |
Heidi Levitt | Casting |
Holly Waddington | Costume Design |
Eddie Simonsen | Supervising Sound Editor |
Cristian Knight | Stunts |
Name | Title |
---|---|
Christopher Sheppard | Producer |
Andrew Litvin | Producer |
Paula Alvarez Vaccaro | Executive Producer |
Reno Antoniades | Executive Producer |
Joe Oppenheimer | Executive Producer |
Aaron L. Gilbert | Executive Producer |
Heidi Levitt | Executive Producer |
Organization | Category | Person | |
---|---|---|---|
BAFTA Awards | Best Supporting Actress | Annette Bening | Won |
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 16 | 28 | 11 |
2024 | 5 | 17 | 29 | 11 |
2024 | 6 | 17 | 43 | 9 |
2024 | 7 | 16 | 38 | 8 |
2024 | 8 | 13 | 22 | 8 |
2024 | 9 | 10 | 17 | 6 |
2024 | 10 | 11 | 21 | 6 |
2024 | 11 | 13 | 36 | 5 |
2024 | 12 | 10 | 19 | 5 |
2025 | 1 | 10 | 21 | 5 |
2025 | 2 | 8 | 13 | 3 |
2025 | 3 | 5 | 11 | 1 |
2025 | 4 | 1 | 1 | 1 |
2025 | 5 | 1 | 1 | 1 |
2025 | 6 | 1 | 1 | 1 |
2025 | 7 | 0 | 1 | 0 |
2025 | 8 | 1 | 2 | 0 |
2025 | 9 | 3 | 4 | 2 |
2025 | 10 | 2 | 3 | 2 |
Trending Position
Very finely acted, but <em>'Ginger & Rosa'</em> ends up being something that wouldn't look out of place on <em>'EastEnders'</em>. I'll start with the positives. The cast are terrific. Elle Fanning (Ginger) and Alice Englert (Rosa) are very good together, both impress. Alessandro Nivola gives a st ... rong performance also. Away from them, I really enjoy how it's all filmed visually. The plot, meanwhile, isn't the greatest. It builds up fairly nicely, though unfortunately concludes in more soap opera fashion; just against a deafening backdrop of politics and war. It isn't anything particularly bad, I did enjoy it, but it definitely cheapens events a tad; especially as it feels like the filmmakers are aiming for something more deeper in meaning. I'd still say this is worth a watch, admittedly that's mainly thanks to Fanning & Co.