Popularity: 2 (history)
| Director: | Cherien Dabis |
|---|---|
| Writer: | Cherien Dabis |
| Staring: |
| In the Occupied West Bank of the 1980s, a Palestinian teenager is swept into a protest that changes the course of his family's life. Reeling from its aftermath, his mother, Hanan, shares the story that led them to that fateful moment. Spanning seven decades, this epic drama traces the hopes and heartaches of one uprooted family, revealing not only the scars of displacement, but the unbreakable spirit of survival. | |
| Release Date: | Sep 25, 2025 |
|---|---|
| Director: | Cherien Dabis |
| Writer: | Cherien Dabis |
| Genres: | Drama |
| Keywords | refugee, 1970s, family history, protest, tel aviv, israel, palestinian-israeli conflict, displacement, haifa israel, organ donation, 1940s, 1980s, father son relationship, loss of child, multigenerational, war, palestine history, palestinian resistance, loss and grief, palestinian territories |
| Production Companies | Pallas Film, DFI, ZDF/Arte, Twenty Twenty Vision Filmproduktion, Displaced Pictures, AMP Filmworks, Medan Productions, Baird Films, Red Sea Fund, Nooraluna Productions, OSN+, Media City, Ten X Group, NCIG |
| Box Office |
Revenue: $276,431
Budget: $0 |
| Updates |
Updated: Jan 08, 2026 Entered: Oct 10, 2025 |
| Name | Character |
|---|---|
| Saleh Bakri | Salim |
| Cherien Dabis | Hanan |
| Adam Bakri | Sharif |
| Maria Zreik | Munira |
| Mohammad Bakri | Older Sharif |
| Muhammad Abed Elrahman | Noor |
| Sanad Alkabareti | Young Noor |
| Salah Al Din | Young Salim |
| Rida Suleiman | Malek |
| Yousef Zaalok | Young Ahmad |
| Nabil Al Raee | Older Ahmad |
| Julia Hamdan | Young Amira |
| Marwan Hamdan | Laith |
| Jessica Jbara | Salwa |
| Hayat Abu Samara | Layla |
| Dominik Maringer | Ari |
| Ismail Habbash | Imam |
| Einat Weizman | Family Service Coordinator |
| Adam Khattar | Israeli Soldier 1 |
| Malek Rabah | Israeli Soldier 2 |
| Name | Job |
|---|---|
| Cherien Dabis | Writer, Director |
| Amine Bouhafa | Original Music Composer |
| Sana Tanous | Casting |
| Christopher Aoun | Director of Photography |
| Bashar Hassuneh | Production Design, Production Designer |
| Tina Baz | Editor |
| Zeina Soufan | Costume Designer |
| Bissan Tibi | Casting |
| Name | Title |
|---|---|
| Karim Amer | Producer |
| Marios Piperides | Co-Producer |
| Mohannad Malas | Executive Producer |
| Nadia Saah | Executive Producer |
| Rahsa Mansouri Elmasry | Co-Executive Producer |
| Ennis Rimawi | Co-Executive Producer |
| Maiken Baird | Executive Producer |
| Javier Bardem | Executive Producer |
| Thanassis Karathanos | Producer |
| Martin Hampel | Producer |
| Janine Teerling | Co-Producer |
| Geralyn White Dreyfous | Executive Producer |
| Bennett Lindenbaum | Executive Producer |
| Hassan Elmasry | Co-Executive Producer |
| Rasheed Amireh | Co-Executive Producer |
| Idriss Mokhtarzada | Executive Producer |
| Mark Ruffalo | Executive Producer |
| Cherien Dabis | Producer |
| Andy Nahas | Executive Producer |
| V | Co-Executive Producer |
| Nadim Haddad | Co-Executive Producer |
| Lara Dabis | Co-Executive Producer |
| Stephanie Nadi Olson | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 1 | 1 | 1 |
| 2024 | 5 | 1 | 2 | 1 |
| 2024 | 6 | 0 | 2 | 0 |
| 2024 | 7 | 1 | 3 | 0 |
| 2024 | 8 | 0 | 1 | 0 |
| 2024 | 9 | 1 | 1 | 1 |
| 2024 | 10 | 1 | 2 | 1 |
| 2024 | 11 | 1 | 2 | 1 |
| 2024 | 12 | 1 | 2 | 1 |
| 2025 | 1 | 6 | 25 | 2 |
| 2025 | 2 | 2 | 4 | 1 |
| 2025 | 3 | 2 | 4 | 1 |
| 2025 | 7 | 1 | 2 | 1 |
| 2025 | 8 | 2 | 6 | 1 |
| 2025 | 9 | 3 | 6 | 2 |
| 2025 | 10 | 7 | 12 | 5 |
| 2025 | 11 | 6 | 12 | 3 |
| 2025 | 12 | 4 | 6 | 2 |
| 2026 | 1 | 2 | 2 | 2 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2026 | 1 | 852 | 909 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 12 | 406 | 727 |
Grand, sweeping epics with stories spanning many years (if not decades) have long been a staple of the movie industry, typically capturing numerous awards and big box office tallies, even though their popularity has slowly been waning somewhat in recent years. However, the third feature outing from ... actress-writer-director Cherien Dabis represents a return to that tradition, and in impressive fashion. Set in Palestine and told in four acts from 1948 to 2022, the film follows the experiences of three generations of the Hammad family from the time of Israel’s establishment to the recent past. The picture chronicles the struggles these individuals face in the wake of the confiscation of their and their peers’ lands and properties in Jaffa (now Haifa), their relocation to remote refugee camps, and the ongoing oppression imposed on them in their daily lives by Israeli authorities. It also poignantly depicts the anguishing decisions associated with questions of compliance vs. reprisal, the high costs of fighting back, and the pain of loss in the face of those harsh conditions. But, if all that weren’t enough, the film also examines the hard choices that flow from such dire circumstances, tough decisions involving ethics, deeply held spiritual considerations and secular practicality, particularly in the areas of compassion and, potentially, the lives and deaths of loved ones and innocent though hated enemies. While the story’s pacing could use some modest accelerating in a few stretches, this otherwise-masterfully constructed offering generally moves along smoothly, maintaining a steady flow across nine decades and doing so with heartfelt emotion and gripping drama, especially in its tearful third act. Through it all, the narrative continually yet sensitively raises the question, “Can any good come out of such devastating heartache?” and, if so, “What form will it ultimately take, and is the cost truly worth it?” The filmmaker addresses these issues through a sharply penned screenplay and smartly conceived narrative, fleshed out through the excellent performances of its superbly assembled ensemble, particularly Dabis, Muhammad Abed Elrahman, Maria Zreik, and Saleh, Mohammad and Adam Bakri. It’s virtually inconceivable that anyone could walk away from this release without being profoundly affected, particularly since it accomplishes this goal rather unobtrusively, never becoming overhearing or resorting to heavy-handed manipulation. For its efforts, the picture has earned a well-deserved Independent Spirit Award nomination for best international film, along with wins and nominations at numerous film festivals. “All That’s Left of You” is one of those releases bound to leave a deep and lasting impression on viewers – and deservedly so. No matter where one stands on the Israeli-Palestinian conflict, this is a film more about humanity than politics and the inherent need to dutifully honor and respect it – regardless of one’s nationality or ethnicity.