Popularity: 5 (history)
| Director: | James L. Brooks |
|---|---|
| Writer: | James L. Brooks |
| Staring: |
| Basket-case network news producer Jane Craig falls for new reporter Tom Grunnick, a pretty boy who represents the trend towards entertainment news she despises. Aaron Altman, a talented but plain correspondent, carries an unrequited torch for Jane. Sparks fly between the three as the network prepares for big changes, and both the news and Jane must decide between style and substance. | |
| Release Date: | Dec 16, 1987 |
|---|---|
| Director: | James L. Brooks |
| Writer: | James L. Brooks |
| Genres: | Comedy, Romance |
| Keywords | love triangle, washington dc, usa, journalist, journalism, workaholic, television producer, neurotic, tv news anchor |
| Production Companies | Gracie Films, 20th Century Fox, Amercent Films, American Entertainment Partners L.P. |
| Box Office |
Revenue: $67,330,500
Budget: $20,000,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| William Hurt | Tom Grunick |
| Albert Brooks | Aaron Altman |
| Holly Hunter | Jane Craig |
| Robert Prosky | Ernie Merriman |
| Lois Chiles | Jennifer Mack |
| Joan Cusack | Blair Litton |
| Peter Hackes | Paul Moore |
| Christian Clemenson | Bobby |
| Jack Nicholson | Bill Rorich |
| Robert Katims | Martin Klein |
| Ed Wheeler | George Wein |
| Stephen Mendillo | Gerald Grunick |
| Kimber Shoop | Young Tom |
| Dwayne Markee | Young Aaron |
| Gennie James | Young Jane |
| Leo Burmester | Jane's Dad |
| Amy Brooks | Elli Merriman |
| Jane Welch | Anne Merriman |
| Jonathan Benya | Clifford Altman |
| Frank Doubleday | Mercenary |
| Sally Knight | Lila |
| Manuel Alvarez | Spanish Cameraman |
| Luis Valderrama | Guerilla Leader |
| Francisco Garcia | Guerilla Soldier |
| Richard Thomsen | General McGuire |
| Nat Benchley | Commander |
| Marita Geraghty | Date-Rape Woman |
| Nicholas D. Blanchet | Weekend News Producer |
| Maura Moynihan | Makeup Woman |
| Chuck Lippman | Floor Manager |
| Nannette Rickert | Paul's Secretary |
| Timothy W. White | Edward Towne |
| Peggy Pridemore | Tom's Soundwoman |
| Emily Crowley | Emily |
| Gerard Ender | Newsroom Worker |
| David Long | Donny |
| Joshua Billings | Chyron Operator |
| Glenn Faigen | Technical Director |
| Robert Grevemberg Jr. | Technical Director |
| Richard Pehle | Control Room Director |
| James V. Franco | Weekend News Director |
| Jimmy Mel Green | Assistant Director |
| Raoul N. Rizik | Assistant Director |
| Mike Skehan | Technician |
| Franklyn L. Bullard | Audio Visual Engineer |
| Glen Roven | News Theme Writer |
| Marc Shaiman | News Theme Writer |
| Alex Mathews | Lecture Host |
| Steve Smith | Aaron's Cameraman |
| Martha Smith | Aaron's Soundwoman |
| Cynthia B. Hayes | Mother in Hall |
| Dean Nitz | Young Tough |
| Phil Ugel | Young Tough |
| Lance Wain | Young Tough |
| Susan Marie Feldman | Ellen |
| Jean Bourne Carinci | Tom's Female Colleague |
| M. Fekade-Salassie | Cab Driver |
| Gerald F. Gough | Uniformed Cop |
| Robert Rasch | Defense Dept. Spokesman |
| Robert V. Walsh | NATO Spokesman |
| John Cusack | Angry Messenger |
| Name | Job |
|---|---|
| James L. Brooks | Screenplay, Director |
| Richard Marks | Editor |
| Bill Conti | Original Music Composer |
| Colleen Callaghan | Hairstylist |
| Michael Ballhaus | Director of Photography |
| Jery Hewitt | Stunt Coordinator |
| Frank Smathers | Dialogue Editor |
| John W. DeBlau | Gaffer |
| Karen I. Stern | First Assistant Editor |
| Gábor Kövér | First Assistant Camera |
| Donald O. Mitchell | Sound Re-Recording Mixer |
| David M. Dunlap | Camera Operator |
| Bruce J. Gfeller | Construction Coordinator |
| Dave Kulczycki | Dialogue Editor |
| Jeff Rosen | ADR Editor |
| Harold Fuhrman | Set Designer |
| John Lowry | Dolly Grip |
| Molly Maginnis | Costume Design |
| Kevin O'Connell | Sound Re-Recording Mixer |
| Linda Whittlesey | Sound Effects Editor |
| Bob Badami | Music Editor |
| Robert Grieve | Supervising Sound Editor |
| Jane Bogart | Set Decoration |
| Charles Rosen | Production Design |
| Thomas Causey | Sound Mixer |
| Anne Marie Stein | Unit Publicist |
| Beth Bergeron | Supervising ADR Editor |
| Charleen Richards-Steeves | ADR Recordist |
| Donah Bassett | Negative Cutter |
| David Sardi | Second Assistant Director |
| Joseph F. Brennan | Boom Operator |
| Stuart Neumann | Location Manager |
| Steve Callas | Construction Foreman |
| Mary Bailey | Script Supervisor |
| Kerry Hayes | Still Photographer |
| David V. Lester | Unit Production Manager |
| Patrick Drummond | Sound Effects Editor |
| Carl Fullerton | Makeup Artist |
| Rick Kline | Sound Re-Recording Mixer |
| Jacqueline Cristianini | Dialogue Editor |
| Jessica Gallavan | ADR Editor |
| Cindy Marty | Foley Editor |
| Bob Hagans | Color Timer |
| Mark Wade | Property Master |
| Dennis Gamiello | Key Grip |
| Peggy Pridemore | Location Assistant |
| Jerry DeBlau | Best Boy Electric |
| Ellen Chenoweth | Casting |
| Cynthia Streit | Production Coordinator |
| Mark P. Stoeckinger | Foley Editor |
| Yudi Bennett | First Assistant Director |
| Barbara Harris | ADR Voice Casting |
| Name | Title |
|---|---|
| James L. Brooks | Producer |
| Polly Platt | Executive Producer |
| Susan Zirinsky | Associate Producer |
| Penney Finkelman Cox | Co-Producer |
| Kristi Zea | Associate Producer |
| Organization | Category | Person | |
|---|---|---|---|
| Golden Globes | Best Supporting Actor | Jack Nicholson | Won |
| Golden Globes | Best Supporting Actress | Holly Hunter | Nominated |
| Golden Globes | Best Picture | N/A | Nominated |
| Golden Globes | Best Picture | N/A | Nominated |
| Academy Awards | Best Director | James L. Brooks | Nominated |
| Academy Awards | Best Actress | Holly Hunter | Nominated |
| Academy Awards | Best Picture | N/A | Nominated |
| Academy Awards | Best Supporting Actress | Holly Hunter | Nominated |
| BAFTA Awards | Best Picture | N/A | Nominated |
| BAFTA Awards | Best Director | James L. Brooks | Nominated |
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 18 | 26 | 11 |
| 2024 | 5 | 20 | 30 | 12 |
| 2024 | 6 | 16 | 22 | 9 |
| 2024 | 7 | 16 | 22 | 11 |
| 2024 | 8 | 15 | 23 | 10 |
| 2024 | 9 | 13 | 24 | 9 |
| 2024 | 10 | 14 | 31 | 8 |
| 2024 | 11 | 14 | 25 | 9 |
| 2024 | 12 | 11 | 17 | 8 |
| 2025 | 1 | 13 | 25 | 9 |
| 2025 | 2 | 9 | 14 | 3 |
| 2025 | 3 | 5 | 13 | 1 |
| 2025 | 4 | 1 | 1 | 1 |
| 2025 | 5 | 1 | 1 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 1 | 2 | 0 |
| 2025 | 8 | 1 | 1 | 0 |
| 2025 | 9 | 2 | 3 | 1 |
| 2025 | 10 | 4 | 5 | 2 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 802 | 889 |
Centred around the cut-throat environment of an American newsroom at a time when the focus of the bosses was switching from strong journalistic values to those more ratings-based, we are provided with this premiss. William Hurt ("Grunick") is certainly the more handsome man for the anchorman's chair ... , but he has nothing like the knowledge or gravitas of colleague and rival "Altman" (Albert Brooks) with his superior, borderline condescending on-screen style. Executive producer "Jane" (Holly Hunter) is charged with trying to keep things on an even keel, whilst unsure which, if either, of the two men she wants to date. At times there atmosphere here is electric, with quickly paced activity, acerbic wit and a wonderfully portrayed dog-eat-dog mentality that lends a great deal of authenticity to this most competitive of workplaces. Ocassionally, it is cluttered up by a romance that is simply not required - the triumvirate just didn't need it, but in the main Hunter is on super form. She effortlessly plays a multitude or roles as she tries to juggle her personal and professional feelings for these two men who offer us characterisations that we can laugh at and loathe in almost equal measure. I worked in live television for a great many years, and always admired the skills of those who can talk, listen, look and react all at the same time - the scene with poor old "Altman" losing half his bodyweight whilst on air still makes me squirm even now. It has lost some of its potency over the last 35 years, but recalling that this was amongst the first to illustrate just how tough these jobs are, it's still a great watch.
"Broadcast News" is desperately overlong and it stubbornly insists upon indulging in irrelevant mini-prologues of the three main characters at the beginning which has absolutely no bearing on them as adults, but other than this the film does successfully provide a fascinating insight into the pressu ... rised and competitive world of television journalism and it must be applauded for highlighting the unfortunate trend of elevating news anchors to celebrity status and they are out to sell news to the public as if it were nothing more than another product. This is an alarming turn of events when the image of the news anchor supersedes the importance of global events simply because they are capable of bringing in substantial viewing audiences for a particular channel and furthering their own careers by doing so and established journalistic ethics be damned instead of their top priority always being the persistent pursuit of the truth.