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October Sky

Sometimes one dream is enough to light up the whole sky.
1999 | 108m | English

(107821 votes)

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Popularity: 5 (history)

Details

Homer Hickam is a kid with only one future in sight, to work in the local coal mine like his father. However, in October 1957 everything changes when the first artificial satellite, Sputnik, goes into orbit. When Homer sees the Soviet satellite streak overhead, he becomes inspired to learn how to build rockets. With the help of his friends, and the local nerd, Homer sets to do just that by trial and a lot of error. Unfortunately, most of the town, and especially Homer's father, thinks that they are wasting their time. Only one teacher understands their efforts and lets them know that they could become contenders in the national science fair with college scholarships being the prize. Now the gang must learn to perfect their craft and overcome the many problems facing them as they shoot for the stars.
Release Date: Feb 19, 1999
Director: Joe Johnston
Writer: Homer H. Hickam Jr., Lewis Colick
Genres: Family, Drama
Keywords based on novel or book, parent child relationship, small town, satellite, biography, rocket, west virginia, mining accident, teacher, coal mine, 1950s, sputnik, rocketry
Production Companies Universal Pictures
Box Office Revenue: $34,698,685
Budget: $25,000,000
Updates Updated: Aug 10, 2025
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Laura Dern Miss Riley
Jake Gyllenhaal Homer Hickam
Chris Owen Quentin Wilson
Chris Cooper John Hickam
William Lee Scott Roy Lee
Chad Lindberg O'Dell
Natalie Canerday Elsie Hickam
Ilya Baskin Ike Bykovsky
Chris Ellis Principal Turner
Scott Thomas Jim Hickam
Randy Stripling Leon Bolden
Courtney Cole-Fendley Dorothy Platt
David Dwyer Jake Mosby
Terry Loughlin Mr. Dantzler
Kaili Hollister Valentine Carmina
David Copeland Coach Gainer
Don Henderson Baker Jensen
Tom Kagy Lenny
Donald Thorne Trooper One
Justin Whitsett Kid
Larry Rue Neighbor
Neva Howell Neighbor
Terry Nienhuis Neighbor
Brady Coleman Anderson
Rick Forrester Roper
Terrence Gibney Basil Thorpe
Doug Swander Corvette Guy
Keeli Hale Kimbro Corvette Girl
Mark Jeffrey Miller Vernon
Blaque Fowler Reverend
Don Tilley Rescue Worker
Rockford Davis Chemistry Teacher
John Bennes Doctor
Jonathan Fawbush Barney
Larry Black Fred Smith
Frank Schuler Moonshiner
Tommy Smeltzer Man at Mine
Charles Lawlor Miner
Tom Turbiville Miner
Ida Ginn Quentin's Mom
Richard Lumpkin Judge at Welch
Mark W. Johnson Union Official
Don Taylor Union Official
Don G. Campbell Mr. Morris
Liz Byler Ivy League Girl
Bradford Ryan Lund Ivy League Boy
Frank Hoyt Taylor Judge at Indy
Dave Hager Head Judge
Ray Elder Tom Webster
Andy Stahl Jack Palmer
Joe Digaetano Wernher Von Braun
Thomas Taylor Miner in Elevator
David Ducey Man in Crowd
Jenny Patterson Nurse
O. Winston Link Locomotive Engineer
Name Job
Julie D'Antoni Production Office Assistant
Homer H. Hickam Jr. Book
Fred Murphy Director of Photography
Barry Robison Production Design
Tony Fanning Art Direction
Betsy Cox Costume Design
Julie Callihan Makeup Artist
Leigh Ann Yandle Makeup Artist
Lynn Barber Makeup Supervisor
Zane Weiner Unit Production Manager
Betsy Magruder First Assistant Director
Jonathan McGarry Second Assistant Director
William G. Davis Set Designer
Alan Hook Set Designer
Mary H. Ellis Production Sound Mixer
Joe Digaetano Special Effects Supervisor
Gloria Belz Key Makeup Artist
Bill 'Splat' Johnson Special Effects Makeup Artist
Susan Mills Key Hair Stylist
Beka Wilson Hairstylist
Michealle Vanderpool Hairstylist
Jim Mitchell Visual Effects Supervisor
Mark S. Miller Visual Effects Producer
Howell Gibbens Supervising Sound Editor
Elizabeth Kenton Supervising ADR Editor
Joe E. Rand Music Editor
Terry Arthur Rigging Grip
John Fagan Stunts
Jeff Galpin Stunts
Cliff Cudney Stunt Coordinator
David Brian Martin Stunt Double
Robert Vazquez Stunts
Brenda K. Wachel Script Supervisor
Joe Johnston Director
Lewis Colick Screenplay
Mark Isham Original Music Composer
Robert Dalva Editor
Chris L. Spellman Set Decoration
Mike Smith Stunts
Andrew Menzies Assistant Art Director
Tom Carlson Music Editor
Russell Towery Stunts
Nancy Foy Casting
Name Title
Peter Cramer Executive Producer
Marc Sternberg Executive Producer
Charles Gordon Producer
Larry Franco Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 24 39 14
2024 5 27 43 14
2024 6 23 37 14
2024 7 23 35 13
2024 8 19 32 13
2024 9 19 35 12
2024 10 20 43 13
2024 11 17 26 12
2024 12 18 25 11
2025 1 19 35 12
2025 2 14 29 3
2025 3 7 23 1
2025 4 2 3 1
2025 5 2 3 2
2025 6 3 5 2
2025 7 3 5 2
2025 8 2 3 2
2025 9 4 6 3
2025 10 5 5 5

Trending Position


Year Month High Avg
2025 9 840 861
Year Month High Avg
2025 6 276 614

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Reviews

r96sk
10.0

<em>'October Sky'</em> got me in the feels. I tend to (unintentionally) be a bit of a hardnose when it comes to fiction (even if a biopic) making an impact, but it does occasionally happen and this is one of those times. Weirdly too, because it is cheesy/cliché/whatever, but it worked tremendously f ... or me. I felt my heartstrings tug a fair number of times throughout, culminating with those lovely final few scenes; I was actually welling up, would you believe? Any longer and tears may have been shed <i>*shudder*</i>. I've basically only seen one movie this last month - what has the break done to me?! Humour aside, I did love this though. I've said it before, but to be honest if you give me what I consider to be great cast performances then I'm practically sold on the film upon that coming to fruition. Jake Gyllenhaal is terrific (this still doesn't surpass <em>'Source Code'</em>, mind) as lead. Chris Cooper is ace, as are Laura Dern and Natalie Canerday. Chris Owen (Sherminator!), Chad Lindberg (Jesse!) and William Lee Scott (eh... well, Roy Lee as of now!) are good supports to Gyllenhaal as well. Even the likes of Elya Baskin and Randy Stripling add needed small bits. The music is good too, especially towards the end; early on it kinda goes with what I said about the flick being a tad cheesy and/or cliché. I would describe the movie as that to be frank, but that is more endearing than anything else. I'm fine with those things if it works, which it pleasantly does here. Joe Johnston really went back-to-back with this and <em>'Jumanji'</em>. Impressive!

Jul 02, 2025