 
  Popularity: 3 (history)
| Director: | Martha Coolidge | 
|---|---|
| Writer: | Neal Israel, Pat Proft, PJ Torokvei | 
| Staring: | 
| When teenage geniuses Mitch Taylor and Chris Knight, working on an advanced laser project, learn that the military wants to use it as a weapon, they decide to thwart the plan. | |
| Release Date: | Aug 07, 1985 | 
|---|---|
| Director: | Martha Coolidge | 
| Writer: | Neal Israel, Pat Proft, PJ Torokvei | 
| Genres: | Comedy, Science Fiction, Romance | 
| Keywords | laser, genius, boy genius, ego, teen comedy, computer cracker, woman director | 
| Production Companies | Tri-Star-Delphi III Productions, Brian Grazer Productions | 
| Box Office | Revenue: $12,952,019 Budget: $8,000,000 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Val Kilmer | Chris Knight | 
| Gabriel Jarret | Mitch Taylor | 
| Michelle Meyrink | Jordan | 
| William Atherton | Professor Hathaway | 
| Robert Prescott | Kent | 
| Louis Giambalvo | Major Carnagle | 
| Jon Gries | Lazlo Hollyfeld | 
| Ed Lauter | CIA Man Decker | 
| Stacy Peralta | Shuttle Pilot | 
| Daniel Ades | Laser Ray Victim | 
| Andres Aybar | Bartender | 
| Charles Shull | Air Force General | 
| Beau Billingslea | George | 
| Charles Parks | Larry | 
| Sean Frye | Boy at Science Fair | 
| JoAnn Willette | Girl at Science Fair | 
| Ina Gould | Old Lady | 
| Nadine Vix | Student at Science Fair | 
| Paul Tulley | Mr. Taylor | 
| Joanne Baron | Mrs. Taylor | 
| Harry Johnson | Darlington Recruiter | 
| Patti D'Arbanville | Sherry Nugil | 
| Monte Landis | Dr. Dodd | 
| Sandy Martin | Mrs. Meredith | 
| Severn Darden | Dr. Meredith | 
| Randy Lowell | Cornell | 
| John Shepherd Reid | Carter | 
| Tommy Swerdlow | Bodie | 
| Mark Kamiyama | 'Ick' Ikagami | 
| Martin Gundersen | Math Professor | 
| Brett Miller | Carpet Man | 
| Dean Devlin | Milton | 
| Yuji Okumoto | Fenton | 
| Lynda Wiesmeier | Chris' Girl at Party | 
| Penny Baker | Ick's Girl at Party | 
| Marcia Karr | Cornell's Girl at Party | 
| Isabelle Walker | Girl at Party | 
| Marii Mak | Girl at Party | 
| Cheri Wells | Girl at Party | 
| Catherine MacNamara | Girl at Party | 
| Johnny Vasily | Student | 
| Ed Garrabrandt | TV Makeup Man | 
| Isabel Cooley | TV Stage Manager | 
| Robin Stober | Waitress | 
| Deborah Foreman | Susan | 
| David Marvit | Student in Hall | 
| Michael Crabtree | Air Force Gate Guard | 
| Charles Sweigart | Air Force Gate Guard | 
| Peter Parros | Air Force Gate Guard | 
| Ronald Taylor | Computer Technician | 
| James Carrington | Air Force Major | 
| Michael Backes | Air Force Controller | 
| Corki Grazer | Air Force Sergeant | 
| Jeanne Mori | Laser Technician | 
| David Ursin | Engineer | 
| Joe Dorsey | Congressman | 
| Will Knox | Laser Specialist | 
| Kevin Hurley | Air Force Technician | 
| Kimberly Spak | Girl in Popcorn (uncredited) | 
| Name | Job | 
|---|---|
| Martha Coolidge | Director | 
| Vilmos Zsigmond | Director of Photography | 
| Neal Israel | Screenplay, Story | 
| Pat Proft | Screenplay, Story | 
| Thomas Newman | Original Music Composer | 
| Janet Hirshenson | Casting | 
| Jane Jenkins | Casting | 
| Shane Dixon | Stunts | 
| Allan Graf | Stunts | 
| Marian Green | Stunts | 
| Bernie Pock | Stunts | 
| Spiro Razatos | Stunts | 
| David M. Graves | Stunts | 
| Frederick Elmes | Second Unit Director of Photography | 
| John Roesch | Foley Artist | 
| Gary A. Hecker | Foley Artist | 
| Edward J. Ulrich | Stunts | 
| Roxanne Jones McCarthy | Sound Editor | 
| Doug Hemphill | Sound Effects | 
| Barbara Harris | ADR Voice Casting | 
| Phil Abramson | Set Decoration | 
| Zoltan Elek | Makeup Artist | 
| Jack G. Taylor Jr. | Art Direction | 
| Richard Chew | Editor | 
| Becky Mancuso-Winding | Music Supervisor | 
| George Budd | Sound Designer | 
| Joseph Roveto | Costumer | 
| Kenny Alexander | Stunts | 
| Linda Lee Franklin | Stunts | 
| Richard L. Bennett | Visual Effects Supervisor | 
| Julia Evershade | Supervising Sound Editor | 
| Marla Schlom | Costume Supervisor | 
| David Stipes | Visual Effects Supervisor | 
| Kenny Ferrugiaro | Stunts | 
| Billy Ray Smith | Unit Production Manager | 
| Erin M. Cummings | Set Designer | 
| Ken Nishino | First Assistant Camera | 
| Richard W. Deats | Key Grip | 
| Deborah Cichocki | Other | 
| Virginia Cook-McGowan | Sound Editor | 
| Edie Panda | Hairstylist | 
| John J. Connor | Camera Operator | 
| Phil Cory | Special Effects Coordinator | 
| Josan F. Russo | Production Design | 
| PJ Torokvei | Screenplay | 
| Michael Papale | Music Supervisor | 
| Ted Whitfield | Music Editor | 
| Michael F. Hamer | Costumer | 
| Joseph P. Moore | Second Assistant Director | 
| Alex Tavoularis | Other | 
| Robert Jason | Best Boy Electric | 
| Alexandra Leviloff | Other | 
| Anna Boorstin | Sound Editor | 
| Marshall Winn | Sound Editor | 
| Lauren Palmer | ADR Editor | 
| John P. Fasal | Sound Effects | 
| John T. Reitz | Sound Re-Recording Mixer | 
| Gregg Rudloff | Sound Re-Recording Mixer | 
| John Vigran | Music Consultant | 
| Terry E. Lewis | Property Master | 
| James Husbands | Leadman | 
| Mike Schilz | Second Second Assistant Director | 
| Stephen McEveety | First Assistant Director | 
| Steven Wolff | Set Designer | 
| Robert Samuels | Second Assistant Camera | 
| Jerry D. Deats | Grip | 
| Albert Coleman | First Assistant Editor | 
| Bill Wilner | Other | 
| Cari Lewis | Sound Editor | 
| Beth Bergeron | Supervising ADR Editor | 
| Christy Richmond | Assistant Sound Editor | 
| Carlton Kaller | Other | 
| David E. Campbell | Sound Re-Recording Mixer | 
| Elliot Lurie | Music Coordinator | 
| Charles J. Bond | Cableman | 
| David L. Glazer | Assistant Property Master | 
| Joanie Blum | Script Supervisor | 
| Jan Walker | Producer's Assistant | 
| Paul C. Warschilka | Assistant Sound Editor | 
| Ellen Heuer | Foley Artist | 
| C. Darin Knight | Sound Mixer | 
| Donald L. Bolger | Boom Operator | 
| Sandra Renfroe | Assistant Property Master | 
| Mark S. Taylor | Set Dresser | 
| Marcia Reed | Still Photographer | 
| Debby Porter | Stunts | 
| Arthur Coburn | Additional Editing | 
| Name | Title | 
|---|---|
| Brian Grazer | Producer | 
| Robert Daley | Executive Producer | 
| Sam Crespi-Horowitz | Associate Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 28 | 46 | 15 | 
| 2024 | 5 | 33 | 77 | 18 | 
| 2024 | 6 | 20 | 30 | 12 | 
| 2024 | 7 | 24 | 39 | 13 | 
| 2024 | 8 | 17 | 36 | 11 | 
| 2024 | 9 | 16 | 26 | 9 | 
| 2024 | 10 | 13 | 23 | 9 | 
| 2024 | 11 | 14 | 38 | 6 | 
| 2024 | 12 | 13 | 23 | 7 | 
| 2025 | 1 | 15 | 32 | 9 | 
| 2025 | 2 | 12 | 20 | 3 | 
| 2025 | 3 | 5 | 14 | 1 | 
| 2025 | 4 | 4 | 7 | 1 | 
| 2025 | 5 | 2 | 2 | 1 | 
| 2025 | 6 | 2 | 3 | 1 | 
| 2025 | 7 | 2 | 3 | 1 | 
| 2025 | 8 | 2 | 3 | 2 | 
| 2025 | 9 | 3 | 4 | 2 | 
| 2025 | 10 | 4 | 5 | 3 | 
Trending Position
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 8 | 939 | 939 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 5 | 991 | 991 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 4 | 99 | 442 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 3 | 527 | 614 | 
The Big Bang guys when they were in college (not really, but sort of) RELEASED IN 1985 and directed by Martha Coolidge, "Real Genius" is a college dramedy about a 15 year-old genius in laser technology (Gabe Jarret) who’s recruited by physics Professor Jerry Hathaway (William Atherton), who has u ... lterior motives for having the kid work in his personal lab. The newbie’s roommate turns out to be the most brilliant freshman in history, who’s now a senior and seemingly clouded by college-age mischief (Val Kilmer). Michelle Meyrink plays a kinetic student interested in Mitch (Jarret) while Jonathan Gries appears as a curious wraith-like individual. Robert Prescott is on hand as a brown-nosing foil. To give you an idea of the filmmaking style, the director also made 1983’s “Valley Girl.” “Real Genius” is generally on par with that more popular movie, but different due to the setting being college rather than high school, not to mention that it involves genius types. I found the witty nonchalance of Kilmer’s character to be trying after a while and there’s a pervading sense of un-reality about the proceedings with the peripheral characters unconvincingly over-the-top, like during the pool party or at the restaurant/bar. The ice playground at the frat house is another good example. Why sure! Still, there’s enough good here if you like 80’s youth dramedies. I like the way the characters are unique rather than tried-and-true stereotypes of the genre, like jock types, hot bimbos or John Belushi’s character in “Animal House” (1978). THE MOVIE RUNS 1 hour 48 minutes and was shot in S. Cal. (Claremont, San Diego, Los Angeles and Canyon Country). WRITERS: Neal Israel, Pat Proft and Pj Torokvei. GRADE: B-/C+
**After all, it is possible to make a film for teenagers without barracks humor or sexual obsessions.** During the 80s, there was an explosion of films aimed at young audiences, and this is, perhaps, one of the most interesting, although it is as forgettable as almost all of them. Of course, it f ... its into the young thinking of the time: rebellion, revolt against institutions and parents, incapable of understanding their children, but it combines humor, youthful boldness and a certain education that does not give space to slang or obscene situations. After all, it is possible to make a funny youth film without barracks or sorority jokes, and without a permanent obsession about sex. The story is set in a university (or pre-university) institute, where young people with great mental capacity and ingenuity are recruited for advanced scientific projects. It turns out that one of them is, actually, a secret super weapon that the US Army plans to have, something that not even these teens know about. In the midst of that, the usual conflicts and friendly interactions between them, the rebellion of one of them towards the institution itself and its rules, clandestine parties and other jokes and mischiefs. The script is quite creative and the technical conception of the film deserves praise, thanks to the good sets, special effects, editing and cinematography. However, what supports the film is the unpretentious and witty work of Val Kilmer, who shows us that he was really talented when he didn't have movie star tics or try to be the heartthrob, as in later films. Gabriel Jarret, who I've never heard of, does a good job in the lead role. It's a shame it didn't evolve. William Atherton also manages himself well, in a character that had to be unpleasant.