Popularity: 1 (history)
Director: | Alan Johnson |
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Writer: | D.A. Metrov, Walon Green |
Staring: |
In a future in which most water has disappeared from the Earth, we find a group of children, mostly teenagers, who are living at an orphanage, run by the despotic rulers of the new Earth. The group in question plays a hockey based game on roller skates and is quite good. It has given them a unity that transcends the attempts to bring them to heel by the government. Finding an orb of special power, they find it has unusual effects on them. They escape from the orphanage (on skates) and try to cross the wasteland looking for a place they can live free as the storm-troopers search for them and the orb. | |
Release Date: | Nov 26, 1986 |
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Director: | Alan Johnson |
Writer: | D.A. Metrov, Walon Green |
Genres: | Adventure, Action, Science Fiction |
Keywords | dystopia, drought, hockey, post-apocalyptic future, gang violence, roller-skating, rebel gangs |
Production Companies | Metro-Goldwyn-Mayer, Brooksfilms |
Box Office |
Revenue: $1,579,260
Budget: $25,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Richard Jordan | Grock |
Jami Gertz | Terra |
Jason Patric | Jason |
Lukas Haas | Daniel |
James Le Gros | Metron |
Claude Brooks | Rabbit |
Peter DeLuise | Tug |
Peter Kowanko | Gavial |
Adrian Pasdar | Darstar |
Sarah Douglas | Shandray |
Charles Durning | The Warden |
Frank Converse | Greentree |
Terrence Mann | Ivor |
Alexei Sayle | Malice |
Bruce Payne | Dogger |
Willoughby Gray | Canis |
Kelly Bishop | Tutore Nover |
Name | Job |
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Alan Johnson | Director |
D.A. Metrov | Screenplay |
Conrad Buff IV | Editor |
Pennie DuPont | Casting |
Fran Kumin | Casting |
Meg Simon | Casting |
José María Alarcón | Art Direction |
Fernando González | Art Direction |
Raul Paton | Art Direction |
Francisco Prósper | Art Direction |
Leslie Tomkins | Art Direction |
Anthony Pratt | Production Design |
Graham Sumner | Set Decoration |
Don Dossett | Supervising Art Director |
Bob Ringwood | Costume Design |
Carmen Soriano | Script Supervisor |
William Saracino | Music Editor |
Patrick Wheatley | Costume Supervisor |
Eric D. Andersen | Camera Operator |
Ricardo Navarrete | Camera Operator |
Federico Gómez Grau | Still Photographer |
Ray Potter | Gaffer |
Annick Therrien | Animation Supervisor |
Terry Windell | Visual Effects Art Director |
Dennis Michelson | Visual Effects Editor |
Ellen Heuer | Foley |
James Christopher | Sound Effects Editor |
Warren Hamilton Jr. | Sound Effects Editor |
David E. Stone | Sound Effects Editor |
Carlos Delarios | Sound Re-Recording Mixer |
Michael J. Kohut | Sound Re-Recording Mixer |
Aaron Rochin | Sound Re-Recording Mixer |
Paquita Núñez | Hairstylist |
José Antonio Sánchez | Makeup Department Head |
Dennis J. Parrish | Production Supervisor |
Andrew Patterson | Supervising ADR Editor |
Mary Andrews | ADR Editor |
Walon Green | Screenplay |
Peter MacDonald | Director of Photography |
Debbie McWilliams | Casting |
Richard Edlund | Visual Effects Producer |
John Roesch | Foley |
Stephen Hunter Flick | Sound Effects Editor |
Mark Mangini | Supervising Sound Editor |
Richard L. Anderson | Supervising Sound Effects Editor |
Maurice Jarre | Original Music Composer |
Name | Title |
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Jack Frost Sanders | Producer |
Irene Walzer | Producer |
Mel Brooks | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 14 | 22 | 8 |
2024 | 5 | 16 | 39 | 9 |
2024 | 6 | 12 | 22 | 7 |
2024 | 7 | 11 | 21 | 7 |
2024 | 8 | 11 | 25 | 6 |
2024 | 9 | 8 | 14 | 5 |
2024 | 10 | 9 | 15 | 5 |
2024 | 11 | 8 | 15 | 4 |
2024 | 12 | 12 | 45 | 5 |
2025 | 1 | 10 | 20 | 5 |
2025 | 2 | 7 | 11 | 2 |
2025 | 3 | 5 | 8 | 1 |
2025 | 4 | 3 | 5 | 1 |
2025 | 5 | 2 | 5 | 1 |
2025 | 6 | 1 | 2 | 1 |
2025 | 7 | 0 | 1 | 0 |
2025 | 8 | 1 | 1 | 0 |
2025 | 9 | 1 | 2 | 1 |
Trending Position
Well, I don't know what to say...honestly. I guess I can say that I loved it as a child, and it's getting the 10 of 10 based on remembering when I watched it through a child's eyes. But there are certain tropes with this genre, and it hits the shortage of water trope, and the roller skate trope, ... but misses a lot of the others. So I do feel like it doesn't really sit well with the genre it's made to be a part of. But then, it's made to appeal to kids AND teens, and it certainly did. The magic glowing ball from outer space with it's feel good happy vibes does give it a very Disney inspired feel... 1980s Disney. And it is kind of rife with political messaging... and by that I mean 1980s political messaging, as in it's NOT overt, it's NOT in your face, it doesn't dominate the film... and because of that, unlike modern films, anyone can sit down, watch it, and get the points without feeling like they are being lectured to... but that was also when liberal political messaging was about love and peace and not violence and hate. So it is probably going to clash with modern norms that like propaganda. And it is CERTAINLY going to clash with people that sit down and think they are watching a genre film.... because, again, it doesn't hit the beloved tropes of that genre and tries to tell a more original story within the confines. It does work. Watching it in 2020 as opposed to when I first saw it when I was 6 and, it is dated, it did age, but it didn't turn to vinegar. It didn't turn to fine wine either. It just kind of aged with a little more grace than you would expect and still felt enjoyable and entertaining. It just didn't feel as epically good as it did when I was 6 and fell in love with the film. It still deserves praise, even if it's intended audience are aging and expect something more, or at least more trope filled cheese. If you see it, it's still worth a watch... but if you saw it in 86 it was fantastic.