Popularity: 3 (history)
Director: | Justin Lin |
---|---|
Writer: | Doug Jung, Simon Pegg |
Staring: |
The USS Enterprise crew explores the furthest reaches of uncharted space, where they encounter a mysterious new enemy who puts them and everything the Federation stands for to the test. | |
Release Date: | Jul 07, 2016 |
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Director: | Justin Lin |
Writer: | Doug Jung, Simon Pegg |
Genres: | Adventure, Action, Science Fiction |
Keywords | spacecraft, sequel, stranded, hatred, lgbt, space opera, gay theme |
Production Companies | Paramount Pictures, Bad Robot, Perfect Storm Entertainment, Skydance Media, Sneaky Shark |
Box Office |
Revenue: $343,471,816
Budget: $185,000,000 |
Updates |
Updated: Aug 14, 2025 Entered: Apr 13, 2024 |
Name | Character |
---|---|
Chris Pine | Captain James T. Kirk |
Zachary Quinto | Commander Spock |
Karl Urban | Dr. Leonard 'Bones' McCoy |
Zoe Saldaña | Lieutenant Nyota Uhura |
Simon Pegg | Lieutenant Commander Montgomery 'Scotty' Scott |
John Cho | Lieutenant Hikaru Sulu |
Anton Yelchin | Ensign Pavel Chekov |
Idris Elba | Krall |
Sofia Boutella | Jaylah |
Joe Taslim | Manas |
Lydia Wilson | Kalara |
Deep Roy | Keenser |
Melissa Roxburgh | Ensign Syl |
Anita Brown | Tyvanna |
Doug Jung | Ben |
Danny Pudi | Fi'Ja |
Kim Kold | Zavanko |
Fraser Aitcheson | Hider |
Matthew MacCaull | Blue Shirt |
Emy Aneke | Blue Shirt |
Shohreh Aghdashloo | Commodore Paris |
Greg Grunberg | Commander Finnegan |
Jennifer Cheon Garcia | Control Tower Technician |
Jarod Joseph | Control Tower Technician |
Jeremy Raymond | Control Tower Technician |
Harry Han | Kissing Guy |
Gina Brinkman | Kissing Girl |
Adam DiMarco | Injured Red Shirt |
Fiona Vroom | Orion Girl |
Richard Laurence | Chancellor Ambassador |
Doug Chapman | Sir Olden |
Dan Payne | Wadjet |
Anthony Shim | Jin |
Andrea Yu | Jeanine |
Shea Whigham | Teenaxi Leader (voice) |
Christian Sloan | Jae |
Jake Huang | Krall's Henchman |
Priya Rajaratnam | Night Watch Captain |
Luka Hays | Yorktown Red Shirt |
Thomas Cadrot | USSE Bridge Crew |
Jennifer W. Evans | USSE Bridge Crew |
Roxanne Fernandes | USSE Bridge Crew |
Jake Foy | USSE Bridge Crew |
Jodi Haynes | USSE Bridge Crew |
Nathan Jean | USSE Bridge Crew |
Tarun Keram | USSE Bridge Crew |
J.P. Mulcaster | USSE Bridge Crew |
Edwin Rodriguez | USSE Bridge Crew |
Alex Rose | USSE Bridge Crew |
Polina Soldatova | USSE Bridge Crew |
Lia Lam | USSE Bridge Crew |
Ian Nsenga | USSE Bridge Crew |
Sara Forsberg | Kalara Alien VO (voice) |
Jeff Bezos | Starfleet Official |
Christian Mandel | USSE Bridge Crew |
Carlo Ancelotti | Scientist |
Name | Job |
---|---|
Mariela Zapata | Set Costumer |
Henrik Tamm | Conceptual Illustrator |
Andrea Gard | Foley Artist |
Paul Fedor | Matte Painter |
Jason Bell | Stunts |
Bridgett Riley | Stunt Double |
Dominique Moisan | CG Artist |
Justin Lin | Director |
Steven Sprung | Editor |
Sanja Milković Hays | Costume Design |
Irena Stepić | Assistant Costume Designer |
Joel Harlow | Makeup Designer |
Kevin Baillie | Visual Effects Supervisor |
Cameron Hilts | Stunts |
Gregory Irwin | First Assistant "A" Camera, First Assistant Camera |
Dylan Highsmith | Editor |
Stephen F. Windon | Director of Photography |
Alexander Vegh | Pre-Visualization Supervisor |
Anton Yelchin | In Memory Of |
Timothy M. Earls | Set Designer |
Jane Wu | Storyboard Artist |
Natasha Denis | Rigging Grip |
John Roesch | Foley Artist |
Caitlin McKenna | ADR Voice Casting |
Neville Page | Creature Design |
Carolina Jiménez | Layout |
Mike Gunther | Stunt Coordinator |
Don Lew | Stunts |
Monique Ganderton | Stunts |
Lars Grant | Stunts |
Christopher Gordon | Stunts |
Nilo Ghajar | Stunts |
Lani Gelera | Stunts |
Brent Connolly | Stunts |
Alvin Chon | Stunts |
Andrew Chin | Stunts |
Rob 'Sluggo' Boyce | Stunts |
Brett Armstrong | Stunts |
Marcus Aurelio | Stunts |
Tyson Arner | Stunts |
Kimani Ray Smith | Stunts |
Chad Sayn | Stunts |
Mathew Yanagiya | Stunts |
Gene Roddenberry | Original Series Creator |
Breanna Watkins | Stunt Double |
Rihanna | Songs |
Michael Giacchino | Original Music Composer |
Bruce McCleery | Second Unit Director of Photography |
Greg D'Auria | Editor |
Alyssa Weisberg | Casting |
April Webster | Casting |
Miranda Davidson | Casting, Extras Casting |
Corinne Clark | Casting |
Jennifer Page | Casting |
Yesi Ramirez | Casting Associate |
Stephen M. Davis | Music Editor |
Paul Rabjohns | Music Editor |
Valeria Migliassi Collins | Script Supervisor |
Whitney Donald | Researcher |
Thomas E. Sanders | Production Design |
Salim Alrazouk | Art Direction |
Stephen Christensen | Art Direction |
Denny Dugally | Art Direction |
Natasha Gerasimova | Art Direction |
Dan Hermansen | Art Direction |
Andrew Li | Art Direction |
Harry E. Otto | Art Direction |
Lauren E. Polizzi | Art Direction |
Jeremy Stanbridge | Art Direction |
Andrea Carter | Art Department Coordinator |
Jenne Lee | Art Department Coordinator |
Sean Goojha | Assistant Art Director |
Travis Witkowski | Assistant Art Director |
Uzair Merchant | Assistant Art Director |
Kris Bergthorson | Conceptual Design |
Tim Flattery | Conceptual Design |
Simon Lee | Conceptual Design |
Victor James Martinez | Conceptual Design |
Milena Zdravkovic | Conceptual Design |
John Dale | Construction Coordinator |
Lin MacDonald | Set Decoration |
Don MacAulay | Supervising Art Director |
Kevin McGill | Camera Operator |
Riki Butland | Camera Operator |
Kimberly French | Still Photographer |
Dale H. Jahraus | Additional Camera |
Andrea Quaglio | First Assistant Camera |
Chris Gibbins | First Assistant Camera |
Christopher Prampin | Gaffer |
David McClung | Gaffer |
Jarrod Tiffin | Rigging Gaffer |
Summer Dietz | Assistant Costume Designer |
Nava R. Sadan | Costume Supervisor |
Jessica Lythgoe-Green | Costume Supervisor |
Roma Wnuk | Seamstress |
Pamela Cameron | Set Costumer |
Phuong Chau | Set Costumer |
Amy Hetland | Set Costumer |
Amy Schilbe | Set Costumer |
Eliot Connors | Sound Designer |
Stephen P. Robinson | Sound Designer |
Lee Gilmore | Sound Effects Editor |
Frank A. Montaño | Sound Re-Recording Mixer |
Peter Brown | Sound Designer, Supervising Sound Editor |
Robert A. Pandini | Hairstylist |
Dave Cory | First Assistant Editor |
Meghan L. Noble | First Assistant Editor |
Austin Aplin | Visual Effects Coordinator |
Graeme Marshall | Visual Effects Coordinator |
Joseph Farrant | Visual Effects Editor |
Abhishek Chauhan | Visual Effects Editor |
Ron Ames | Visual Effects Producer |
Jenna Kerr | Visual Effects Producer |
Kondareddy Suresh | Visual Effects Producer |
Dane Allan Smith | Visual Effects Producer |
Andy Taylor | Visual Effects Producer |
Devin Fairbairn | Visual Effects Producer |
Sean Stranks | Visual Effects Supervisor |
Stefano Trivelli | Visual Effects Supervisor |
Peter Chiang | Visual Effects Supervisor |
Randall D. Wilkins | Set Designer |
Mark N. Tompkins | Scenic Artist |
Richard Alonzo | Makeup Effects Designer |
Chris Arnold | Art Department Assistant |
Jeff Clarke | Art Department Assistant |
Douglas J. Scott | Art Department Assistant |
Aja Kai Rowley | Art Department Assistant |
Jordane Chedotal | Art Department Assistant |
Lisa Leung | Art Department Coordinator |
Peter Bodnarus | Assistant Art Director |
Mira Caveno | Assistant Art Director |
Hyein Ki | Assistant Art Director |
Kurt Bruun | Assistant Property Master |
Melissa Harrison | Assistant Property Master |
Spencer Louttit | Assistant Property Master |
D. Martin Myatt | Assistant Property Master |
David Myatt | Assistant Property Master |
Michael A. Billings | Assistant Set Decoration |
Pranali Diwadkar | Assistant Set Decoration |
Kouji Tajima | Concept Artist |
Romek Delmata | Concept Artist |
John Eaves | Concept Artist |
Hugh Sicotte | Concept Artist |
Allen Williams | Concept Artist |
Brian Cunningham | Conceptual Illustrator |
Warren Flanagan | Conceptual Illustrator |
Sebastian Meyer | Conceptual Illustrator |
Christopher S. Ross | Conceptual Illustrator |
Jan Kobylka | Construction Coordinator |
Chris Snyder | Construction Coordinator |
Bill Forster | Construction Foreman |
Rob Nicholson | Construction Foreman |
Dennis Richardson | Construction Foreman |
Tara Arnett | Graphic Designer |
Loree Cameron | Graphic Designer |
Clint Schultz | Graphic Designer |
David Dowling | Property Master |
Andrew M. Siegel | Property Master |
Lynn Chaulk | Scenic Artist |
Robert Irving | Scenic Artist |
Jasmin Jakupovic | Scenic Artist |
Mohamed AbouAhmed | Scenic Artist |
Kirsten Dumont-Aubrey | Sculptor |
Tibor Farkas | Sculptor |
Boris Maganic | Sculptor |
Maria Ermie | Sculptor |
Sandy Walker | Set Decoration Buyer |
Samuel J. Tell | Set Decoration Buyer |
Jamie Jonasson | Set Decoration Buyer |
Eliza Hooker | Set Decorating Coordinator |
Nancy Anna Brown | Set Designer |
Liz Goldwyn | Set Designer |
Tex Kadonaga | Set Designer |
Jeff Markwith | Set Designer |
Joe May | Set Designer |
Andrew Lee McConnell | Set Designer |
Jim Ramsay | Set Designer |
Sonya Savova | Set Designer |
Peter Stratford | Set Designer |
Bryan Sutton | Set Designer |
Callum Webster | Set Designer |
Joe Wolkosky | Set Designer |
Robert Woodruff | Set Designer |
John Burke | Set Designer |
Easton Michael Smith | Set Designer |
Richard Bennett | Storyboard Artist |
Richard K. Buoen | Storyboard Artist |
James Doh | Storyboard Artist |
Dane Bjerno | Aerial Camera Technician |
Steve Koster | Aerial Director of Photography |
Stephen Maier | Camera Operator |
Dean Heselden | Camera Operator |
Michael Yueng | Camera Trainee |
Francisco Passuelo | Camera Trainee |
Brian Shaw | Camera Trainee |
David Tickell | Chief Lighting Technician |
Mitch Bax | Digital Imaging Technician |
Chris Cavanaugh | Digital Imaging Technician |
Brook Willard | Digital Imaging Technician |
Saul Barran | Digital Imaging Technician |
William Ferguson | Digital Imaging Technician |
Davide Tiraboschi | Drone Cinematographer |
Dionys Frei | Drone Pilot |
Jack Cruikshank | Dolly Grip |
Ryan Monro | Dolly Grip |
James Kohne | Dolly Grip |
Lee Wagner | Dolly Grip |
Bill Baxter | Electrician |
William Cash | Electrician |
Martin Lenes | Electrician |
Saubrie Mohamed | Electrician |
Geoff Preston | Electrician |
Christian Schauz | Electrician |
Randy J. Smith | Electrician |
Anna Waters | Electrician |
Sean Elliott | First Assistant Camera |
Álex Martínez | First Assistant Camera |
Justin Bergler | First Assistant Camera |
Ian Mussell | Key Grip |
Michael McLellan | Key Grip |
Bryce Munro | Rigging Grip |
Robert Fischer | Key Rigging Grip |
David McIntosh | Key Rigging Grip |
Keith Saayman | Libra Head Technician |
Trevor Gemma | Lighting Technician |
Tim Heller | Lighting Technician |
Richard MacDonald | Lighting Technician |
Joe Papp | Lighting Technician |
Aaron Stewart | Lighting Technician |
Martin Tichy | Lighting Technician |
Matt Young | Lighting Technician |
Jeff Zwicker | Lighting Technician |
Michael Hanna | Lighting Technician |
Greg Etheredge | Lighting Technician |
Scott Andrew Armstrong | Rigging Grip |
Zane Kassiem | Rigging Grip |
Devin Riendeau | Rigging Grip |
Temujin Shilo | Rigging Grip |
Rod Haney | Rigging Grip |
Peter Wilke | Steadicam Operator |
Chris Jargo | ADR Editor |
Jeff Gomillion | ADR Mixer |
Andy Smit | ADR Mixer |
Stephen Webster | ADR Mixer |
Wendy Czajkowsky | ADR Mixer |
Mike Greenberg | ADR Mixer |
Nick Kray | ADR Mixer |
Jason Oliver | ADR Mixer |
Adam Smyth | ADR Mixer |
Greg Crawford | ADR Mixer |
Seva Solntsev | ADR Recordist |
Edward Sutton | ADR Recordist |
Ryan Young | ADR Recordist |
Tamas Kurina | ADR Recordist |
Tysen Schieber | Boom Operator |
John C. Stuver | Dialogue Editor |
John T. Cucci | Foley Artist |
Dan O'Connell | Foley Artist |
Shelley Roden | Foley Artist |
David Lee Fein | Foley Artist |
James Ashwill | Foley Mixer |
Blake Collins | Foley Mixer |
Scott Curtis | Foley Mixer |
David Husby | Production Sound Mixer |
Joe Dzuban | Sound Effects Editor |
Ann Scibelli | Sound Effects Editor |
Jon Taylor | Sound Re-Recording Mixer |
Daniel S. Irwin | Supervising Dialogue Editor, Supervising ADR Editor |
John Sanacore | Foley |
Jesse Lafferty | Casting Assistant |
Marley Poniedzielnik | Casting Assistant |
Kara Revel | Casting Assistant |
Samuel Allison | Extras Casting |
Haider El Saaby | Extras Casting |
Jessica Cameron | Location Casting |
Morgan Spry-Young | Ager/Dyer |
Rhonda Earick | Ager/Dyer |
Lanny Campbell | Ager/Dyer |
Susan O'Hara | Costume Set Supervisor |
Natasha Gale | Costumer |
Betsy Glick | Costumer |
Irma Lotosova | Costumer |
Susanne Milka | Costumer |
Lisa Sass | Costumer |
Anna Seltzer | Costumer |
Stacy L. Tyson | Costumer |
Angela Schnoeke-Paasch | Costume Coordinator |
Corinne Mameli | Costume Coordinator |
Anthony Almaraz | Key Costumer |
Sean Haley | Key Costumer |
Dawn Y. Line | Key Costumer |
Wendy L. Schilling | Key Costumer |
Tricia Yoo | Principal Costumer |
Jaida Hay | Seamstress |
Katri Tahvanainen | Seamstress |
Amy Yang | Seamstress |
Patrice Yapp | Seamstress |
Dayna Brown | Set Costumer |
Sandra Collier | Set Costumer |
Lucas Comstock | Set Costumer |
Silke Guglielmo | Set Costumer |
Lana S. Krause | Set Costumer |
Meghann Rogers | Set Costumer |
Savino Peragine | Tailor |
Babak Bina | 3D Artist |
Chad Fehmie | 3D Modeller |
Mike Stillwell | 3D Sequence Supervisor |
Amanda Johnstone-Batt | 3D Sequence Supervisor |
Rhys Salcombe | 3D Sequence Supervisor |
Manuel Almela | Animation Supervisor |
Michael Lum | Animation Supervisor |
Nicholas Symons | Animation Supervisor |
Stephen Painter | Lead Animator |
Abhijit Parsekar | Lead Animator |
Jeremy Stewart | Lead Animator |
David Apgar | Senior Animator |
Hunter Athey | Senior Animator |
Aaron Deerfield | Senior Animator |
Ben Goerlach | Senior Animator |
Julie Jaros | CG Animator |
Filippo Forno | CG Artist |
Ernesto Marrero | CG Artist |
Matthew Norris | CG Artist |
Alexandru Banuta | CG Artist |
Jahanzaib Chughtai | CG Artist |
Audrey Deschamps-Brower | CG Artist |
Elisa-Ann Dion | CG Artist |
Maxime Entringer | CG Artist |
Alexa Kroese | CG Artist |
Olivier Lambert-Rouillard | CG Artist |
Jeremy Lambolez | CG Artist |
Alyson Lamontagne | CG Artist |
Dave Larivière | CG Artist |
Valerie Loyer | CG Artist |
Emmanuelle Morin | CG Artist |
Christophe Robert | CG Artist |
David Bishop Noriega | CG Artist |
Laurent Taillefer | CG Supervisor |
Stuart Farley | CG Supervisor |
Rick Leary | CG Supervisor |
Daniel Paulsson | CG Supervisor |
Tsz 'Gee' Yeung | CG Supervisor |
Fabrice Vienne | CG Supervisor |
John Bowers | Compositing Supervisor |
Martin Dolezal | Compositing Supervisor |
Robert Pik | Compositing Supervisor |
Michael Brazelton | Compositing Supervisor |
Woei Lee | Compositing Supervisor |
Ian Simpson | Compositing Supervisor |
Sebastian von Overheidt | Compositing Supervisor |
Olivier Blanchet | Compositing Supervisor |
Jonathan Harman | Digital Effects Supervisor |
Sara Hansen | Generalist |
Nadia Tzuo | Title Designer |
Richard Hayward | Matchmove Supervisor |
Jin Yong Kim | Matchmove Supervisor |
Weikian Ang | Matchmove Supervisor |
Alex Hurst | Matchmove Supervisor |
Souvik Mitra | Matchmove Supervisor |
Simon Pynn | Matchmove Supervisor |
Brandon Kachel | Matte Painter |
Rodgers Paul | Matte Painter |
Sean Samuels | Matte Painter |
Lubos Gerardo Surzin | Matte Painter |
Jean-Philippe Marchand | Matte Painter |
Simon Hetu | Matte Painter |
Romain Simonnet | Matte Painter |
Moïse Charest | Matte Painter |
Stéphane Keller | Matte Painter |
Mai-Anh Tran | Matte Painter |
Matthieu Veillette | Matte Painter |
YiMin Fan | Pipeline Technical Director |
Marc-Antoine Paquin | Pipeline Technical Director |
Josh Huitema | Pipeline Technical Director |
Lucille Caillaud | Pipeline Technical Director |
Thomas Courtois | Pipeline Technical Director |
Alan Fregtman | Pipeline Technical Director |
Marie Fétiveau | Pipeline Technical Director |
Matthew Gray | Pipeline Technical Director |
Laura Kwan | Pipeline Technical Director |
Ken Mohammed | Pipeline Technical Director |
Jean-Christophe Morin | Pipeline Technical Director |
Jonathan Niquet | Pipeline Technical Director |
D.J. Rahming | Pipeline Technical Director |
Jordi Riera | Pipeline Technical Director |
Carine Touraille | Pipeline Technical Director |
Dan Walker | Pipeline Technical Director |
Adam Wierzchowski | Pipeline Technical Director |
Stephane Wirtel | Pipeline Technical Director |
Guillaume Laforge | Pipeline Technical Director |
Amit Desai | Pipeline Technical Director |
Will Muto | Pipeline Technical Director |
Kenneth Ibrahim | Pipeline Technical Director |
Craig Bates | Pipeline Technical Director |
Dushyant Kashyap | Pipeline Technical Director |
Christopher Batty | Pre-Visualization Supervisor |
Earl A. Hibbert | Pre-Visualization Supervisor |
Mike Hill | Roto Supervisor |
Sam Horgan | Roto Supervisor |
Shane Meehan | Roto Supervisor |
Will Van Dao | Roto Supervisor |
Ahmed Yousry | Sequence Supervisor |
Bernhard Kerschbaumer | Sequence Supervisor |
Abishek Nair | Sequence Supervisor |
Giuseppe Motta | Sequence Supervisor |
Khang Ngo | Software Engineer |
Brad Darrow | Stereoscopic Supervisor |
Andrew M. Young | Stereoscopic Supervisor |
Prateek Kaushal | Stereoscopic Supervisor |
Andrew Kennedy | Stereoscopic Technical Director |
Leo-Patrick Houde | VFX Editor |
Robin Lamontagne | VFX Editor |
Sean Hargreaves | Visual Effects Art Director |
Nick Hiatt | Visual Effects Art Director |
Ryan Basaraba | Visual Effects Coordinator |
Ann Chow | Visual Effects Coordinator |
James Cochrane | Visual Effects Coordinator |
Richard Leo Cook | Visual Effects Coordinator |
Diane Coote | Visual Effects Coordinator |
Mark Divekar | Visual Effects Coordinator |
Lucas Glashoff | Visual Effects Coordinator |
Jacqueline Hagerty | Visual Effects Coordinator |
Ivo Hejcman | Visual Effects Coordinator |
Mehul Jhaveri | Visual Effects Coordinator |
Anshul Kashyap | Visual Effects Coordinator |
Ilene Kim | Visual Effects Coordinator |
Patriz Manalo | Visual Effects Coordinator |
Alizée Plourde | Visual Effects Coordinator |
Marshall Rainey | Visual Effects Coordinator |
Max Rees | Visual Effects Coordinator |
Maxine Schnepf | Visual Effects Coordinator |
Virginia Wilson | Visual Effects Coordinator |
Janelle M. Bell | Visual Effects Coordinator |
Soujanya Pentyala | Visual Effects Coordinator |
Seda Yilmaz | Visual Effects Coordinator |
Nicole Nonis | Visual Effects Coordinator |
Dolly Omisore | Visual Effects Coordinator |
Carine Ong | Visual Effects Coordinator |
Shoshanah Wall | Visual Effects Coordinator |
Ashleigh Yu | Visual Effects Coordinator |
Carole-Anne Hébert | Visual Effects Coordinator |
Enoch Davis | Visual Effects Coordinator |
Marie-Eve Bedard-Tremblay | Visual Effects Coordinator |
Sara Bourque | Visual Effects Coordinator |
Rémi Ducharme | Visual Effects Coordinator |
Catherine Maillette | Visual Effects Coordinator |
Tarn Huynh | Visual Effects Editor |
Xinyi Puah | Visual Effects Editor |
Sivaprayag | Visual Effects Editor |
Rachel Schreibman | Visual Effects Editor |
Abhishek More | Visual Effects Producer |
Tiffany Wu | Visual Effects Producer |
Annie Normandin | Visual Effects Producer |
Chrysta Marie Burton | Visual Effects Producer |
Scott Mitchell | Visual Effects Producer |
Adam O'Brien-Locke | Visual Effects Producer |
Antonia de Barros | Visual Effects Production Assistant |
Alex Carruthers | Visual Effects Production Assistant |
Pieter Luypaert | Visual Effects Production Assistant |
Miles Dickinson | Visual Effects Production Assistant |
Camille Deguire | Visual Effects Production Assistant |
Louis Esposto | Visual Effects Production Assistant |
Ève Giordani | Visual Effects Production Assistant |
Melanie Murray | Visual Effects Production Assistant |
Alexandra Robert | Visual Effects Production Assistant |
Sara Khangaroot | Visual Effects Production Manager |
Alexandra Gunter | Visual Effects Production Manager |
Josh Lu | Visual Effects Production Manager |
Viktor Müller | Visual Effects Supervisor |
Geng Li | Visual Effects Supervisor |
Raymond Chen | Visual Effects Supervisor |
Gladys Tong | Visual Effects Supervisor |
Pauline Duvall | Visual Effects Supervisor |
Alain Lachance | Visual Effects Supervisor |
Michael Grobe | Visual Effects Supervisor |
Ara Khanikian | Visual Effects Supervisor |
Alexander Chaliovski | Visual Effects Technical Director |
David Hyde | Visual Effects Technical Director |
Misha Bukowski | First Assistant Director |
Douglas Plasse | First Assistant Director |
Nick Satriano | First Assistant Director |
Stewart Bethune | Production Manager |
Vivek Pundir | Production Manager |
Laura Steiger | First Assistant Editor |
Jesse Chapman | Assistant Editor |
Kristofer Cross | Assistant Editor |
Tyler Ruocco | Assistant Editor |
Zack Rosenblatt | Assistant Editor |
Fred Brown II | Associate Editor |
Hunter Clancey | Digital Intermediate |
Amy Pawlowski | Digital Intermediate Editor |
Vanessa Galvez | Digital Intermediate Producer |
Tim Battle | Construction Foreman |
Guillaume Poulin | VFX Editor |
Ali Dunn | Stunt Double |
Brian Avery | Stunt Double |
Alice Ford | Stunts |
Andrew Emilio DeCesare | Stunts |
Mark Chin | Stunts |
Byron Brisco | Stunts |
Trevor Addie | Stunts |
Keanu Lam | Stunts |
Reagan Sieg | Stunts |
Alex Schoenauer | Utility Stunts |
Kye Walstrom | Stunts |
Brennan Walstrom | Stunts |
Doug Jung | Writer |
Kelly Matsumoto | Editor |
Cameron Waldbauer | Special Effects Supervisor |
Tom Watson | Electrician |
Alexander Courage | Music |
John Wrightson | Special Effects Makeup Artist, Sculptor |
Ryan Tudhope | Visual Effects Supervisor |
Leonard Nimoy | In Memory Of |
Jose Vasquez | Stunts |
Simon Pegg | Writer |
Caitlin Groves | Special Effects Makeup Artist |
Ben Rosenblatt | Post Producer |
Geoffrey Haley | "A" Camera Operator, Steadicam Operator |
Sam Sher | Post Production Assistant |
Name | Title |
---|---|
Roberto Orci | Producer |
Justin Lin | Producer |
David Ellison | Executive Producer |
Dana Goldberg | Executive Producer |
Lindsey Weber | Executive Producer |
J.J. Abrams | Producer |
Ron Ames | Associate Producer |
Josh Henson | Associate Producer |
Helen Pollak | Associate Producer |
Jeffrey Chernov | Executive Producer |
Bryan Burk | Producer |
Tommy Harper | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 71 | 128 | 43 |
2024 | 5 | 160 | 186 | 123 |
2024 | 6 | 93 | 163 | 37 |
2024 | 7 | 64 | 92 | 42 |
2024 | 8 | 44 | 73 | 29 |
2024 | 9 | 46 | 55 | 27 |
2024 | 10 | 49 | 102 | 31 |
2024 | 11 | 49 | 91 | 30 |
2024 | 12 | 43 | 76 | 31 |
2025 | 1 | 43 | 110 | 27 |
2025 | 2 | 33 | 58 | 8 |
2025 | 3 | 14 | 52 | 3 |
2025 | 4 | 6 | 8 | 5 |
2025 | 5 | 6 | 7 | 5 |
2025 | 6 | 5 | 7 | 4 |
2025 | 7 | 5 | 6 | 4 |
2025 | 8 | 5 | 9 | 4 |
2025 | 9 | 7 | 11 | 4 |
2025 | 10 | 4 | 4 | 3 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 10 | 592 | 824 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 9 | 233 | 660 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 394 | 711 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 514 | 757 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 411 | 748 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 443 | 793 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 366 | 654 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 554 | 800 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 421 | 713 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 1 | 638 | 811 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 12 | 647 | 814 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 11 | 513 | 777 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 10 | 763 | 879 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 9 | 840 | 886 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 8 | 942 | 965 |
Some diehard **Star Trek** fans may not necessarily feel that the Justin Lin-directed third installment of this science fiction/space saga film franchise “boldly goes where no man has gone before” creatively. Surprisingly, Lin (director of two “Fast & Furious” flicks) shows some engaging and intrigu ... ing heft in **Star Trek Beyond** as the adventurous exploits of the USS Enterprise crew are likely to stir the collective pot where the nostalgic sentiments of the Star Trek brand from yesteryear bridges the gap to the current cinematic explosiveness of modern-day Captain Kirk and company. Although it is extremely difficult to immediately dismiss filmmaker J.J. Abrams’s resourceful fingerprints concerning the imaginative **Star Trek** (2009) and the thoroughly enjoyable **Star Trek Into Darkness** (2013) he graciously steps aside to allow Lin’s energizing directorial vision to further explore Trek mythology on the big screen. Essentially, **Star Trek Beyond** is a vibrant cosmic canvas that is expansive in its boundaries of exploration. Visually arresting, well-paced and armed with compelling story-telling and a healthy dosage of curiosity and mystery, Lin manages to stay true to the traditional Trek-oriented universe by incorporating rousing special effects and offering a galactic grandeur of planetary peculiarities and exotic alien races to stimulate the exquisite narrative. Screenwriters Doug Jung and Simon Pegg (Star Trek’s on-screen character Montgomery “Scotty” Scott) incorporate an eye-opening mixture of dramatic edginess, off-the-cuff humor and the cohesive rapport among the cast-mates that have inherited the iconic Star Trek personalities and made these familiar faces from the classic 60’s TV show and previous non-reboot films a revelation in the millennium age of blockbuster sci-fi action adventure. The plot channels in a sense of challenging malaise for the USS Enterprise’s top officers in Captain Kirk (Chris Pine) and Commander Spock (Zachary Quinto). What seemingly spices things up regarding the deja vu space journeys aboard the spacecraft is the questionable and powerful device that Kirk and his crew are babysitting. This powerful tool of destruction is capable of destroying humanity as we know it. In particular, the opportunistic Krall (Idris Elba) is the lizard-looking culprit determined to get his diabolical hands on the corrosive contraption. Naturally, Krall and his menacing minions must subdue Kirk and his crew to achieve success in having this ominous object in his deadly grasp. Krall’s willingness to cripple the USS Enterprise proved to be an ambitious mission fully accomplished. For Kirk and his group the results were disheartening as Krall’s forceful attacks rendered the ship disabled as it crashed on the desolate planet of Altamid. Thus, Kirk and his charges are stranded on his rocky haven with no hope in sight. The harsh reality for the vulnerable USS Enterprise visitors, besides being divided and scattered in all directions on this problematic planet, involved getting into survival mode as the hostile reptilian creatures surrounded them at will. The aforementioned split of Kirk and his exposed cohorts called for a series of various crisis carried on at different, chaotic spots. Kirk and Russian crew member Pavel Chekov (played by the late Anton Yelchin) were primarily tasked with trying to rescue their colleagues from the claws of Krall and his cronies. Elsewhere, Dr. Bones (Keith Urban) tries to patch up the injured Spock following the aftermath of the ship’s wrecking. Pegg’s Scotty and womanly warrior in alien Jayla (Sofia Boutella) make the valiant effort in trying to reach Kirk in the middle of total ribaldry. **Star Trek Beyond** has stylized flash and Lin ensures that his pulsating production stays faithful to the Trek legacy. Sure, **Beyond** is not anything innovative or wildly distinctive in comparison to the other earlier entries but it still thrives where it counts in the spectacle of space-aged escapism. The cast is solid as the players–Pine, Quinto, Pegg, Urban, Yelchin as well as Zoe Saldana’s Uhura and John Cho’s Sulu–all demonstrate a suspenseful unity on screen and give the audience an indescribable excitement in this latest chapter that far from disappoints. Elba’s Krall is robustly villainous in physicality and attitude and the alien race featured are interestingly hypnotic in creepiness. Lin, in the same vein as Abrams, is not shy about gift-wrapping his **Star Trek** edition in boisterous, sweeping helpings of scope and whimsy. Overall, this kinetic outing of **Beyond** practically guarantees that the rebooted **Star Trek** phenomenon will not be experiencing its final frontier any time soon. **Star Trek Beyond** (2016) Paramount Pictures 2 hrs. Starring: Chris Pine, Zachary Quinto, Zoe Saldana, Karl Urban, Anton Yelchin, Simon Pegg, John Cho, Idris Elba, Sofia Boutella Directed by: Justin Lin MPAA Rating: PG-13 Genre: Science Fiction/Space and Fantasy Saga/Action and Adventure Critic’s rating: *** stars (out of 4 stars) (c) **Frank Ochieng** (2016)
I saw this movie two hours ago and I can't remember how it started. Ah. Diplomatic mission to offer a truce artifact to one of the warring sides from the other. It does not go well. Just a tad shy of 3 years into the 5 year mission and Kirk is bored enough to take a desk job. Screenplay set-up signi ... fying it's all about to get much less stultifying. I don't know enough about camera angle choices to know if that's what makes the film feel disjointed, or the script, or editing chops, but something certainly felt unconnected. I started noticing details I had no business noticing. Everybody's hair is bigger. I watched Galaxy Quest recently, and when Krall showed up I choked on popcorn. In fact, prosthetics needed an above the title billing. Running from intruders in a dark corridor, I could see Uhura's earrings glinting. If I could see those, the enemy could, too. The device designed to End The Universe is too much like Big Hero 6. The space station too much like Elysium. And the jumpstart of a starship too much like Furious 7. One of these days in the near future scenic designers will stop putting skyscrapers on hula hoops in deep space. And it's a space station - where are all the people running to when the bad stuff starts happening? It's a scene device that needs to go. The Bad Dude airship docking station is right out of Independence Day. Can we get a little new here? Visual effects are gooey (literally) with some stuff that may or may not be a cue to the bee reference, and is at one point, squished out I don't know how while Kirk rides a vintage motorcycle in circles. And then the squish hardens. I also don't know how, or what that goo was supposed to keep in or out. Much of this is superfluous, but the story was not interesting enough to make me stop looking around. There are way too many wire bundles, a feature of Star Trek Next Gen Borg episodes. When we finally get the Bad Dude's backstory, it isn't enough. Kirk's bored, Bad Dude is disappointed, and how the hell Uhura survives every encounter requires too much suspension of belief. I also noticed that the guys in the theater were sporting ball caps with sunglasses perched on the brim. Noticing fashion in the cinema is not why I go to the movies. Read this week that Chris Hemsworth has signed on to the next Star Trek as George Kirk. Does not bode well for new better adventures.
Star Trek Beyond is what a summer blockbuster is all about. Read my full review here! http://www.hweird1reviews.com/allreviews/star-trek-beyond-review ...
**When theirs rescue mission failed...** It's not like I'm a big fan of 'Star Wars', so I disliked it. I have seen many space adventure films, but I never felt this series so interesting. I enjoyed some of the 'Star Trek' films though. I know this sequel is not good the previous ones, but for me ... this look okay than those. Because it was so simple, particularly story wise, and the rest of the film was action and adventure. No offense, but this series is like the collection of the rejections from other franchises. I mean, look at the cast, most of them are comedians and some of them are the category two actors and the rest are, I don't know what they are, bur decent actors. But these films pulled off successfully at the box office. Not a big impact like the recent 'Star Wars' film or any Marvel's films, but quite an impressive figure knowing the above fact I stated. From the Taiwanese director who made four 'Fast and Furious' films, handled his best for this. This film tells the story of the captain James Kirk, who leads his ship and crew to a rescue mission to a distant planet where some alien race who had stranded. But when they reach their destination, an unknown space army takes them by surprise and they too take a refuse on the same planet. From there how they plan to escape and to learn who were those attackers, all comes in the next half. This id full of action adventure. The story was little, but quite neatly developed characters, I mean the new ones with some good stunt sequences. As usual, there's no complaint about the graphics. I mean for the casual viewing, but who knows if you carefully look for the flaws, you might get a few. I suggest you to watch it just for an entertainment, but it might fail to satisfy the die-hard fans of 'Star Trek'. I think overall, it is not a bad film, even the two hours long is not an issue due to the good pace. _7/10_
Last Saturday me and the kids sat down to watch Star Trek Beyond which we received in the mail the day before. In general we liked the movie quite a lot. Plenty of action, good special effects and a not too bad story. However, one thing irked me to now end. They blew up the enterprise…again. Stop de ... stroying the bloody Enterprise in every movie for Christ sake! Been there, seen that done that. It is getting both old and frustrating. Apart from that it was a good entry in the new timeline movie series. I am not sure what all those people giving it one star ratings and calling it the worst movie ever expected to get? Anyone who has watched the two other movies should be expecting a fairly action loaded blockbuster with lots of CGI in it and that is exactly what we got. Personally I think this is a good thing. I was getting rather bored by some of the previous installments in the original timeline where they almost never fired a shot and tried to talk or reason their way out of every problem they encountered. The story was not too bad although I have to agree that it did not really advance the story or timeline much. It was more like a TV-show episode blown up to a full feature movie. It worked nicely though as a action story although I would have liked to know more about how Edison transformed into Krall and, although that could be explained by some mutation caused by the alien technology, how he managed to transform himself back to Edison. The CGI with the alien swarm moving fluidly over the screen and the huge Yorktown station was quite stunning as far as I am concerned. I also liked that the ships, both Enterprise and the Franklin could take quite a bit of abuse before starting to fail. In a lot of the previous movies as well as the TV-shows it took one hit and some console exploded and the warp core went down. All in all both me and the kids quite liked this installment in the series.
I always loved these type of movies.This one is very adventurous and full of suspans. Nice one.I've watched it more than 3 times and every time i have the same feeling. Extraordinary😁!!!! ...
Well, I finally saw it and I can honestly say that I was far less offended by it than I was by the hack job reboot of Kahn. And I only cared slightly less about the film than I did the original JJ reboot. It was a popcorn sci-fi action flick, and I liked Urban and Pine but thought that Quinto sho ... uld have brought more of himself to the film rather than attempting to channel Nimoy. It was a fair enough impression, but it didn't fit with the rest of the reboot that seemed to care nothing about Star Trek. Ultimately when Quinto channels Nimoy like that it just gives the viewer the jarring sensation that one member of the cast cared about what came before and forces the viewer to remember that this actually is a Star Trek film. And that doesn't work in a rebooted franchise that relies on nostalgia, in place of a story, and then kind of mocks the nostalgia. That is ultimately the problem, Star Trek was a science-Fiction space adventure that was both cheesy and offered veiled social commentary about an idealistic world governed by a strict meritocracy with a strong morality and how that idealism clashes with other species and ideals by both forging alliances and making enemies. This had nothing to do with that. It is basically an action movie with science-fiction elements and occasional nods to the cheesy fun that Star Trek once was. At it's core it didn't have the heart that lends itself to an engaging plot and character arcs. And, given that it came after a betrayal, that is after they rebooted one of the franchise's best films and took away most everything that made it so great and fun... I didn't care enough to actually see it until it came on television. The real issue the reboot thing, for some reason they always take out plot and character development and fill that void with action and it makes the film feel visually appealing yet hallow.
Spock in a relationship with Uhura... Gimme a break!!! ...