Popularity: 5 (history)
Director: | Duncan Jones |
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Writer: | Duncan Jones, Charles Leavitt |
Staring: |
The peaceful realm of Azeroth stands on the brink of war as its civilization faces a fearsome race of invaders: orc warriors fleeing their dying home to colonize another. As a portal opens to connect the two worlds, one army faces destruction and the other faces extinction. From opposing sides, two heroes are set on a collision course that will decide the fate of their family, their people, and their home. | |
Release Date: | May 25, 2016 |
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Director: | Duncan Jones |
Writer: | Duncan Jones, Charles Leavitt |
Genres: | Fantasy, Adventure, Action |
Keywords | elves, dwarf, magic, portal, betrayal, world of warcraft, king, guardian, based on video game, wizard, chieftain, fictional language, warrior, clans, horde, live action and animation, muscles, warcraft, sword and sorcery, mage, fictional world, gryphon, evil sorcerer, draining souls |
Production Companies | Universal Pictures, Atlas Entertainment, Legendary Pictures, Huayi Brothers Pictures, China Film Group Corporation, Blizzard Entertainment, Taurus Film, Taihe Entertainment, Tencent Pictures, Media Corporation |
Box Office |
Revenue: $433,677,183
Budget: $160,000,000 |
Updates |
Updated: Aug 17, 2025 Entered: Apr 13, 2024 |
Name | Character |
---|---|
Travis Fimmel | Commander Anduin Lothar |
Paula Patton | Garona Halforcen |
Ben Foster | Medivh (Guardian) |
Dominic Cooper | King Llane Wrynn |
Ben Schnetzer | Khadgar |
Toby Kebbell | Durotan / Antonidas |
Robert Kazinsky | Orgrim |
Clancy Brown | Blackhand |
Ryan Robbins | Karos |
Daniel Wu | Gul'dan (Wizard) |
Anna Galvin | Draka |
Callum Keith Rennie | Moroes |
Ruth Negga | Queen Taria Wrynn |
Burkely Duffield | Callan Lothar |
Dean Redman | Varis / Caged Frostwolf |
Glenn Ennis | Compound Guard |
Terry Notary | Grommash Hellscream |
Michael Adamthwaite | King Magni |
Anna Van Hooft | Aloman |
Tommy Rieder | Young Medivh |
Dylan Schombing | Young Varian Wrynn |
Eugene Lipinski | Finden |
Elena Wurlitzer | Draenei Mother |
Callan Mulvey | Warrior |
Adrian Glynn McMorran | Officer #1 |
Kyle Rideout | Officer #2 |
Michael Antonakos | Officer #3 |
Elisabeth Rosen | Westfall Woman |
Patrick Sabongui | Footman |
Kent O'Connor | Footman |
Wesley MacInnes | Gate Guard |
Mackenzie Gray | Lordaerian Delegate |
Christian Sloan | Elf Delegate |
Valérie Wiseman | Kul Tiran Delegate |
Dan Payne | Clansmen |
Christina Jastrzembska | Archmage |
Travis MacDonald | Prison Mage #1 |
Frank C. Turner | Prison Mage #2 |
Donavon Stinson | Prison Soldier |
Meelah Robbins | Scared Girl |
One Take Charlie | Sheep |
Glenn Close | Alodi (uncredited) |
Trevor Mack | Warrior (uncredited) |
Joel Sturrock | Dwarf Messenger (uncredited) |
Raj Lal | Knight (uncredited) |
Donnie MacNeil | Squire (uncredited) |
G. Michael Gray | Tower Guard (uncredited) |
Michael Patric | Human Villager (uncredited) |
Jill Morrison | Indecisive Woman (uncredited) |
Name | Job |
---|---|
Yasamin Ismaili | Visual Effects Coordinator |
Lindsay Graham Ahanonu | Casting |
Gavin Bocquet | Production Design |
Dan Hermansen | Art Direction |
Margot Ready | Art Direction |
Grant Van Der Slagt | Art Direction |
Elizabeth Wilcox | Set Decoration |
Leeann Stonebreaker | Unit Production Manager |
Simon Bright | Sound Design Assistant |
James Forrester | Production Office Assistant |
Andrew W. Davidson | Gaffer |
Keith Woods | Rigging Gaffer |
Jessica Clothier | Script Supervisor |
Helen Jarvis | Supervising Art Director |
Stewart Whelan | Second Unit Director of Photography, Director of Photography, Second Unit Cinematographer |
Shannon Courte | Art Department Coordinator |
Harrison Yurkiw | Assistant Art Director |
John Dale | Construction Coordinator |
Jaceson Mann | Casting Associate |
Liz Krause | Assistant Costume Designer |
Stacy Caballero | Assistant Costume Designer |
Courtney Daniel | Assistant Costume Designer |
Jana MacDonald | Costume Supervisor |
Patrice Yapp | Seamstress |
Jenn Touchie | Seamstress |
Margaret Jenkins | Seamstress |
Tina Ning Hsu | Seamstress |
Wendy Foster | Seamstress |
Nicola Ryall | Set Costumer |
Lyne Talbot | Set Costumer |
Emma Clarke | Hairstylist |
Sharon Markell | Hairstylist |
Jessica Rain | Key Hair Stylist |
Gitte Axen | Makeup Artist |
Jaime Danielian | Makeup Artist |
Rebeccah Delchambre | Makeup Artist |
Sarah Bergeest Still | Makeup Artist |
Connie Parker | Makeup Designer |
Stacey Butterworth | Wigmaker |
Scott Dace | Animation |
Gerald Clevy | Animation |
Mike Dharney | Animation |
Wong Joe | Animation |
Kevin Labanowich | Animation |
Javier Mansilla | CG Supervisor |
Fabrice Vienne | CG Supervisor |
Lafleche Dumais | CG Supervisor |
Nicolas-Alexandre Noel | CG Supervisor |
David Marsh | Sequence Supervisor |
Katrina Taylor | VFX Editor |
Guillaume Poulin | VFX Editor |
Pascal Rigaud | VFX Editor |
Justin Shaw | Visual Effects Editor |
Joey Santana | Visual Effects Editor |
Chad Cortvriendt | Visual Effects Producer |
Jill E. Hughes | Visual Effects Producer |
Mark G. Soper | Visual Effects Producer |
Dane Allan Smith | Visual Effects Producer |
Louise Bertrand | Visual Effects Producer |
Cabral Rock | Visual Effects Producer |
Joseph Kasparian | Visual Effects Supervisor |
Philippe Theroux | Visual Effects Supervisor |
Jason Smith | Visual Effects Supervisor |
Stephen Maier | Camera Operator |
Chris Harris | Camera Operator |
Tony Mirza | Camera Operator |
Wendy Bown | Camera Operator |
Taylor Matheson | First Assistant Camera |
Dean Morin | First Assistant Camera |
Sean Elliott | First Assistant Camera |
Paul Guenette | First Assistant Camera |
Hans Bjerno | Aerial Director of Photography, Helicopter Camera |
Richard Roles | Helicopter Camera |
Peter Wilke | Steadicam Operator |
Joseph Arena | Additional Photography |
James M. McClure | Gaffer |
Michael K. Bauer | Music Editor |
Margaret Yen | Music Supervisor |
Peter Afterman | Music Supervisor |
Rick Owens | Foley |
Sylvain Lasseur | Sound Effects Editor |
Dror Mohar | Sound Effects Editor |
Eric Batut | Sound Mixer |
Nerses Gezalyan | Sound Mixer |
Tim LeBlanc | Sound Re-Recording Mixer |
Tom Bellfort | Supervising Sound Editor |
Shae Salmon | First Assistant Editor |
Mark Tuminello | First Assistant Editor |
Brandon Campbell | Additional Music |
Ben O'Brien | Compositing Lead |
Kevin Timon Hill | Draughtsman |
Patricia L. Adams | Production Manager |
David E. Hall | Post Production Supervisor |
Yang Hongtao | Production Manager |
Jake Rice | Post Production Supervisor |
Florian Halbedl | Third Assistant Director |
Gordon Piper | Second Assistant Director |
Cindy Smith | Second Assistant Director |
Beth Welch | Third Assistant Director |
Pete Whyte | First Assistant Director |
J. Todd Anderson | Storyboard Artist |
Britt Bancroft | Set Decorating Coordinator |
Mike Barton | Set Designer |
Nancy Anna Brown | Set Designer |
Luis F. Carrasco | Concept Artist |
James H. Chow | Property Master |
Kirsten Dumont-Aubrey | Sculptor |
Maria Ermie | Sculptor |
Patrick Faulwetter | Concept Artist |
Jack Gauvreau | Sculptor |
Doug Girling | Set Designer |
Michelle Hendriksen | Assistant Property Master |
Siri Hermanski | Set Designer |
Robert Irving | Scenic Artist |
Anson Jew | Storyboard Artist |
Jan Kobylka | Construction Coordinator |
Magdalena Kusowska | Concept Artist |
Jason B. Landels | Assistant Property Master |
Dominic Lavery | Concept Artist |
John Lund | Storyboard Artist |
Rohan Lyal | Greensman |
Tracy Lynch | Sculptor |
Boris Maganic | Sculptor |
Ignacio McBurney | Assistant Set Decoration |
Jon McCoy | Concept Artist |
Sean McGee | Assistant Property Master |
Simon McGuire | Concept Artist |
Sheila Millar | Set Designer |
Jeremy Nitsch | Assistant Property Master |
Cyrille Nomberg | Concept Artist |
Karla Ortiz | Concept Artist |
Glenn Rane | Concept Artist |
Steven Reintjes | Scenic Artist |
Rosemary Stegman | Propmaker |
Peter Stratford | Set Designer |
James Summers | Greensman |
Joel Venti | Storyboard Artist |
Matt Dawson | ADR Mixer |
Thomas J. O'Connell | ADR Mixer |
Seva Solntsev | ADR Recordist |
Jamie Payton | Stunts |
Scott Andrew Armstrong | Rigging Grip |
Adam Bunz | Rigging Grip |
Bobby Cuffe | Rigging Grip |
Herb DeWaal | Rigging Grip |
Jesse Frank | Rigging Grip |
Ian Gariepy | Rigging Grip |
Damien Giles | Dolly Grip |
Charles Koetke | Dolly Grip |
Daryl Makortoff | Rigging Grip |
Jason Matte | Rigging Grip |
Brad Mear | Rigging Grip |
Adrian Netto | Rigging Grip |
Connor Welsh | Rigging Grip |
Bobby Wotherspoon | Gaffer |
Carole Griffin | Costume Coordinator |
Philip Maldonado | Key Costumer |
Steve Bobertz | First Assistant Editor |
Siggy Ferstl | Digital Intermediate Colorist |
Jina Johnson | Location Manager |
Tony Blondal | Orchestrator |
Stephen Coleman | Orchestrator |
Vinay Gautam | Production Coordinator |
Brad Gibson | Dialect Coach |
Evan Godfrey | Assistant Production Coordinator |
Bliss McDonald | Production Coordinator |
Tara Mews | Assistant Production Coordinator |
Brigitte Prochaska | Unit Publicist |
Elizabeth Tompkins | Production Controller |
Dixie Wu | Production Coordinator |
Mary Wiseman | Set Costumer |
Rhys Williams | Stunts |
Clay Virtue | Stunts |
John Street | Fight Choreographer |
Quentin Schneider | Stunts |
Shannon Saunders | Stunts |
Vesna Rukavina | Stunts |
Dennis Lafond | Stunts |
Alex Chiang | Stunts |
Yusuf A. Ahmed | Stunts |
Trevor Addie | Stunts |
Pati Ah Sue | Special Effects Technician |
Darryl Reeves | Special Effects Technician |
Darcy O'Brien | Special Effects Technician |
Mark Mentiply | Special Effects Technician |
Jordan Kidston | Special Effects Technician |
Stephen Edwards | Special Effects Technician |
Brad Cunningham | Special Effects Technician |
Dennis Briest | Special Effects Technician |
David Benediktson | Special Effects Technician |
Rut Villamagna | Painter |
Ritchi Varty | Painter |
Paul Szebesta | Props |
Paul Wagner | Props |
Chriss Stevenson | Props |
Sean Schofield | Props |
Yvonne Peddemors | Painter |
Philip O'Connell | Props |
Reuel Minard | Carpenter |
Michael Love | Props |
Colin Kroeker | Carpenter |
Tom Karakostas | Carpenter |
Haida Harper | Props |
James Enright | Props |
Teresa Brauer | Set Dresser |
Shawn Kelly | Animation |
Duncan Jones | Writer, Director |
Paul Hirsch | Editor |
Iain McCaig | Art Direction |
Hal Hickel | Animation Supervisor |
Michelle Allen | Casting |
Tom Martinek | Sequence Supervisor |
Arnaud Brisebois | VFX Supervisor |
Doane Gregory | Still Photographer |
Peter Myles | Music Editor |
Gary A. Hecker | Foley |
Lauren Hadaway | Sound Effects Editor |
Wylie Stateman | Supervising Sound Editor |
Jacqui Lopez | Visual Effects Producer |
Crystal Mudry | Stunts |
Cassandra Ebner | Stunts |
Eric Hoehn | Dialogue Editor |
Tom Struthers | Second Unit Director, Stunt Coordinator |
Alain Moussi | Stunt Double, Stunts |
Chad Cosgrave | Stunts |
Chris Cristobal | Rigging Grip |
Jeff Cassidy | First Assistant Camera |
Sandra-Ken Freeman | Extras Casting |
Terry Notary | Choreographer |
Brent Woolsey | Stunts |
Andre Tricoteux | Stunts |
Devon Slack | Stunts |
Dan Payne | Stunts |
Shawn C. Orr | Stunts |
Sharlene Royer | Stunts |
Chris Mark | Stunts |
Angelica Lisk-Hann | Stunts |
Don Lew | Stunts |
Jean-François Lachapelle | Stunts |
Mark Gibbon | Stunts |
Monique Ganderton | Stunts |
Tommy Clarke | Stunts |
Andrew Chin | Stunts |
Clint Carleton | Stunts |
Richard Bradshaw | Stunts |
Shawn Beaton | Stunts |
Bill Westenhofer | Visual Effects Supervisor |
Mary Vernieu | Casting |
Ramin Djawadi | Original Music Composer |
Simon Duggan | Director of Photography |
Cameron Waldbauer | Special Effects Supervisor |
Jeff White | Visual Effects Supervisor |
Jackie! Zhou | Sound Effects Editor |
Michael Keller | Sound Re-Recording Mixer |
Mike Prestwood Smith | Sound Re-Recording Mixer |
Charles Leavitt | Writer |
Mayes C. Rubeo | Costume Designer |
Brent O'Connor | Unit Production Manager |
Cecil O'Connor | Production Manager |
Adrien Morot | Makeup Department Head |
Florent Lebrun | Matte Painter |
Shawn Smolensky | Visual Effects Coordinator |
Name | Title |
---|---|
Jillian Share | Executive Producer |
Chris Metzen | Co-Producer |
Brent O'Connor | Executive Producer |
Michael Morhaime | Executive Producer |
Paul W. Sams | Executive Producer |
Alex Gartner | Producer |
Jon Jashni | Producer |
Charles Roven | Producer |
Thomas Tull | Producer |
Stuart Fenegan | Producer |
La Peikang | Executive Producer |
Qian Shimu | Executive Producer |
Wang Zhonglei | Executive Producer |
Nick Carpenter | Co-Producer |
Rob Pardo | Co-Producer |
Rebecca Steel Roven | Co-Producer |
Edward Cheng | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 58 | 83 | 41 |
2024 | 5 | 54 | 89 | 37 |
2024 | 6 | 55 | 81 | 38 |
2024 | 7 | 68 | 91 | 42 |
2024 | 8 | 47 | 70 | 34 |
2024 | 9 | 42 | 56 | 28 |
2024 | 10 | 39 | 67 | 25 |
2024 | 11 | 45 | 87 | 30 |
2024 | 12 | 39 | 60 | 26 |
2025 | 1 | 50 | 81 | 33 |
2025 | 2 | 39 | 72 | 8 |
2025 | 3 | 15 | 59 | 3 |
2025 | 4 | 10 | 15 | 7 |
2025 | 5 | 8 | 16 | 5 |
2025 | 6 | 7 | 10 | 6 |
2025 | 7 | 6 | 8 | 5 |
2025 | 8 | 6 | 10 | 5 |
2025 | 9 | 7 | 11 | 5 |
2025 | 10 | 5 | 6 | 4 |
Trending Position
Year | Month | High | Avg |
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2025 | 10 | 854 | 925 |
Year | Month | High | Avg |
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2025 | 9 | 595 | 775 |
Year | Month | High | Avg |
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2025 | 8 | 456 | 763 |
Year | Month | High | Avg |
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2025 | 7 | 426 | 792 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 495 | 754 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 360 | 745 |
Year | Month | High | Avg |
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2025 | 4 | 194 | 707 |
Year | Month | High | Avg |
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2025 | 3 | 435 | 754 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 449 | 671 |
Year | Month | High | Avg |
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2025 | 1 | 346 | 745 |
Year | Month | High | Avg |
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2024 | 12 | 606 | 879 |
Year | Month | High | Avg |
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2024 | 11 | 356 | 728 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 9 | 879 | 934 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 8 | 559 | 752 |
I really was expecting very little from this movie, but I was surprised. Good action and quite a decent story. Not all fresh, but well put together. I think the biggest pity is the lack of talent of Fimmel. He learnt how to perform for Vikings and he lays another flat copy of the same character. ... Positive points to the very good OST by Djawadi.
Even if you have never played "Warcraft" or "World of Warcraft" before, I think you will like this movie. It has a great story, good acting & is visually stunning. The special effects are not over the top, but are very good & believable. Do yourself a favor & don't think of this a another "video ... game movie", see it & you will love it & want another to be made. I hope this turns this into a great franchise, there are too many good stories in the "Warcraft" universe waiting to be told on the big screen. Some non WoW fans might have a hard time following the fast paced story, but watch it again if you missed it & you will understand it more. I think there could have been a bit more character development & the addition of a narration track might help non Warcraft fans understand a little better, I hope they will do a little better on the sequel.
**One fights for their new home and the others to defend theirs.** I never played Warcraft game in my life, nor read comic book, but I enjoyed this new fantasy universe. Azeroth is the world where this story takes place. When the Orcs planet was destroyed, they use a magic portal to get to Azerot ... h and make a safe home. But that is where humans and other intelligent species live peacefully. A new race means a new conflict to solve the differences. So the battle commences at no time to gain the power to rule the land. Between the two great powers, who wins is the film to tell us in the rest of the parts. It was something like 'Avatar' and 'The Lost of the Rings' coming together. Despite having alien race, it is very much an action- fantasy film, not a sci-fi. From the games to film, it was awesomely made which is obviously a latest trend in the filmmaking. The graphics were good, but not perfect, and that's fine, because it succeeds to give the game look than the realistic one. I think that's the point, otherwise no disgrace to call it was inspired by the games or comic book. I know it is not a masterpiece like 'The Lord of the Rings', but there's a promise like the quality and story and its characters. There's no big names, but these actors who are known mostly for their supporting roles has given their best. Like I said I'm new to this Warcraft universe, so I don't know anything outside this film, but I'm kind of neutral on the war between the humans and orcs. Because one's world was destroyed and they're seeking a new home and the other ones are defending theirs. So everything makes sense from both the perspectives for their actions. This is just a beginning, there's lot more sequels to come. Though, it's a pity that it failed in America, the native product, but internationally proved it is one of best of its kind, I mean games to screen adaptation. The director of 'Source Code' did a great job and all the actors, including those motion-capture artists. I missed Zoe Saldana in this, to be as another blue or green skinned alien specie, instead Paula Patton did well in a similar role. The character name also very similar to the one from 'Guardian of the Galaxy'. I know it's going to get even bigger in the follow-up, so I can't wait for it. Hope it will release in less than couple of years. _8/10_
The beginning is confusing and poorly acted, but it gets better as it goes. The CGI looks seamless with the live-action. ...
A good fantasy movie, a bad video game movie (27 February 2017) The day it premiered, me not being a wow fan or anything, i went and watched it, a mere fantasy lover who just couldn't resist not coming in contact with something new and promising. Hands down, even if i didn't know anything from th ... is lore, through the movie i couldn't hold a grin all over my face. I don't know why maybe cause i was seeing before me a fantasy world well established. A world that probably deserved it. I left the cinema over-excited. I started playing the game, and more importantly i started reading the novels. First come the Rise of the Horde(RoH), describing the durotan's life, gul'dan's rise to power, the fall of draenor etc. Second would be the Last Guardian(TLG) establishing Kadhagar, Garona, Medivh and Lothar. The third one, Tides of Darkness takes place after the death of Llane and the fall of Storwind, so the movie should sit between novels 2 and 3. And it is between those that i decided to rewatch the movie, now more experienced in the World of Warcraft. To my sadness, i was disappointed. My once 8.5/10 rating fell to 5.5. Althouth the CGI was again THRILLING, the story was honestly RAPED. Reading TLG i noticed that the movie i had watched months ago, had changed some, but damn after rewatching it, i just couldn't stand it. There were some huge changes that honestly served no reason! For example why on earth Stormwind didn't fall? or why did the alliance exist already when it should not? why Orgrim was a Frostwolf? why Lothar's character was so damn wrong?? I hated movie-Lothar! I understand that the movie being made for non wow fans too, should be changed a bit, but come on... Video game movies should be more close to the lore! Even more than book-only fandoms! And me saying that, i am twice a reader than a gamer! For one, if they couldn't make a proper movie of the coming of the horde to azeroth then they could very well start from RoH story. It has the content to support a great fantasy movie. Works that end up lesser than they should, are disappointing.
I had fairly low expectations for this, and I wasn't really disappointed. Based on a highly complex game structure, the characterisations seem to be drawn from a Tolkien meets Arthurian world in which magicians, guardians, orcs, humans and Glenn Close are all vying for power. What ensues now is a pr ... etty straightforward tale of betrayal and manipulation with a bit of romance and plenty of visual effects that must have caused no end of boredom for an almost comedic Travis Fimmel, Ben Foster, Dominic Cooper and many others who must have been dangled, stood, sat or made to pretend-fight in front of a green screen for most of the production process. The fight scenes are relentless, colourful and creative, but they all go on for far too long with each ugly great beastie trying to wrestle another to the ground in the face of some terrible green glowing eyes that are trying to impose the "fel" magic on the kingdom. It is not a terrible film, though it is too long, it's just all about the technology and very little about a coherent piece of entertaining cinema that could have delivered much more had the screenplay worked harder with the undoubtedly promising opportunity for fantasy storytelling.
Recently, I decided to watch the movie Warcraft on Netflix, as it was trending in the top 10 for the week. I thought I'd give it a chance, even though it was a film I never had any desire to see in theaters. To my disappointment, Warcraft turned out to be a jumbled mess. The storyline was all ove ... r the place, lacking any substance to keep me invested. It felt more like a movie made for a streaming service rather than a theatrical release. The characters were either unbelievable or poorly done with excessive CGI and sloppy editing. They looked so artificial that it was hard to connect with them, almost like watching a low-budget video game adaptation rather than a true movie based on a game. One major distraction was the inconsistent portrayal of the creatures and characters. While the men were depicted as giants, the women appeared as regular humans or even dwarfs. The plot involving a Lady turning traitor on both sides only added to the confusion, making the already lengthy film feel like it dragged on unnecessarily. Overall, Warcraft was a disappointing experience that I wished I had never subjected myself to. It was a chaotic and unenjoyable movie that I couldn't wait to escape from.