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Assassin's Creed Poster

Assassin's Creed

Your destiny is in your blood.
2016 | 116m | English

(216584 votes)

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Popularity: 4 (history)

Details

Through a technology that unlocks the generic memories of his ancestor in 15th century Spain, Callum Lynch discovers he is a descendant of an ancient line of Assassins and amasses lethal skills to take on the oppressive Templar Order.
Release Date: Dec 21, 2016
Director: Justin Kurzel
Writer: Michael Lesslie, Adam Cooper, Bill Collage
Genres: Adventure, Action, Science Fiction
Keywords assassination, spain, assassin, secret society, brotherhood, chase, parkour, conspiracy, memory, religion, based on video game, 15th century, corporate conspiracy, genetic memory
Production Companies The Kennedy/Marshall Company, New Regency Pictures, Ubisoft Film & Television, DMC Film
Box Office Revenue: $240,700,000
Budget: $125,000,000
Updates Updated: Aug 04, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Michael Fassbender Callum Lynch / Aguilar de Nerha
Marion Cotillard Dr. Sophia Rikkin
Jeremy Irons Alan Rikkin
Brendan Gleeson Joseph Lynch
Charlotte Rampling Ellen Kaye
Michael Kenneth Williams Moussa
Ariane Labed Maria
James Sobol Kelly Father Raymond
Denis Ménochet Abstergo Güvenlik Müdürü
Callum Turner Nathan
Khalid Abdalla Sultan Muhammad XII
Essie Davis Mary Lynch
Carlos Bardem Benedicto
Javier Gutiérrez Tomas de Torquemada
Hovik Keuchkerian Ojeda
Crystal Clarke Samia
Brian Gleeson Young Joseph
Rufus Wright Alex
Matias Varela Emir
Coco König Orderly
Michelle H. Lin Lin
Julio Jordán General Ramirez
Angus Brown Young Cal
Kemaal Deen-Ellis Prince Ahmed
Aaron Monaghan Gilles
Thomas Camilleri King Ferdinand
Marysia S. Peres Queen Isabella
Gabriel Andreu Christopher Columbus
Jeff Mash Prison Warden
Yuric Allison Muhammad's Official
Joe Kennard Abstergo Guard
Gertrude Thoma Speaker
Octavia Selena Alexandru Lara (uncredited)
Iain Batchelor Abstergo Guard 1 (uncredited)
Dacio Caballero Assasin 3 (uncredited)
Emma Clay Child Chorister (uncredited)
Graham Curry Templar (uncredited)
Jem Kai Olsen Templar (uncredited)
Louis Dulanto-Sime Chorister (uncredited)
Malcolm Ellul Executioner (uncredited)
Dino Fazzani Prison Guard (uncredited)
Lee Nicholas Harris Paramedic (uncredited)
Bruce Lester-Johnson Prison Guard (uncredited)
Mohammed Ali Infinity Patient
Jade Clarke Prisoner
Alexander Cooper Passerby
Ty Hurley Freemason
Matthew Leonhart Templar
Simon Manley Guard
Juan Carlos Martínez Antuña Templar
Martyn Mayger Templar
Stephen McDade Templar
Anthony Milton Templar Guard (uncredited)
Ross Moneypenny Templar
Jassie Mortimer Female Mason
Cali Nelle Assassin #2
Emeson Nwolie Administration Officer
Massimo Portelli Spanish Crossbowman
Jonathan Pyatt Spanish Guard
Mike Ray Templar Guest
Jonathan Ronin Spanish Guard
Steve Saunders Patient
Jasper Schellekens Spanish Infantry
Rahji Shrinarine Templar
Clem So Animus Patient
Clyde Vassallo Spanish Infantry
Sean Vassallo Spanish Archer
Roberto Vivancos Merchant
Roberto Vivancos Merchant
Abi Whetton Choir Member
Christopher Whitlow Assassin #1
Cerys Wrigley-Moss Chorister
Juan Pablo Shuk Father
Maxime Durand Spanish Archer (uncredited)
Name Job
Paul Gooch Hair Designer
Danielle Millington-Peck VFX Editor
Kuen-Il Song Foley Editor
Christopher Learmonth VFX Editor
Elizabeth Leslie VFX Editor
Eric Clement CG Supervisor
Edward Said Casting Associate
Joseph Formosa Randon Location Manager
Abby Mills Production Coordinator
Marc Homes Supervising Art Director
Kaitlyn Smith Production Coordinator
Rubén Gómez Location Manager
Nick Oliver Location Manager
Andy Nicholson Production Design
Tom Weaving Art Direction
Jacques Mezger Location Scout
Alison Banks Production Supervisor
Sally French Unit Production Manager
Katie Reynolds Post Production Supervisor
Dan Whitty Location Manager
Lisa Vick Script Supervisor
Andrés Cuenca Casting Assistant
Oliver Carroll Art Direction
David Doran Assistant Art Director, Art Direction
Tina Jones Set Decoration
Simon Mills Production Coordinator
Matt Wynne Art Direction
Olivia Brittain Casting Assistant
Cesco Bonello Location Scout
Stafford Lawrence Animation Supervisor
Adam Heinis Special Effects Coordinator
David Yrisarri Visual Effects Producer
Steve Single Supervising Dialogue Editor, Sound Re-Recording Mixer
Sophie Neil Draughtsman
Marc Wolff Aerial Coordinator, Pilot
Lucy Bright Music Supervisor
Lee Walters Gaffer
Kerry Brown Still Photographer
Matthew Glen VFX Editor
Marc Hutchings VFX Supervisor
Annie Cliche Visual Effects Producer
Alistair Hawkins Sound Effects Editor
Vanessa Baker ADR Voice Casting
Sarah Tulloch Visual Effects Producer
Tyler Weiss Visual Effects Producer
Andrew Dearnley Digital Intermediate
David Farrow Armorer
Tonucha Vidal Casting
Dave Evans Armorer
Alex Coverley Dolly Grip
Julie Kendrick Key Makeup Artist
Ann Fenton Makeup Supervisor
Juan Ramón Molina Special Effects Supervisor
Leila Nicotera Visual Effects Producer
Tommaso Mele Key Grip
Pranay Agarwal 2D Supervisor
Robin Jiro Hall Costume Coordinator
Zoe Clare Brown Key Hair Stylist
Lars Andersen VFX Supervisor
Steve Little Dialogue Editor
Julia Vernon Makeup Supervisor
Dan Neal CG Supervisor
Adam Coglan Pre-Visualization Supervisor
Gilbert Lake Sound Re-Recording Mixer
Frank Kruse Supervising Sound Editor
Paolo Frasson Dolly Grip
Matthew Poynter Camera Operator
Gary Spratling Camera Operator
Kamila Ostra Visual Effects Producer
Kathleen Shanks Music Director
Geneva Corlett Set Costumer
Gavin Walters Rigging Gaffer
Marta Padilla 3D Modeller
Abbie Kennedy Matchmove Supervisor
Iain Eyre Dialogue Editor
Sacha Walker Sound Effects Editor
Graeme Purdy Property Master
Thomas Goodwin Draughtsman
Poli Kyriacou Assistant Costume Designer
Simon Baker Camera Operator
Marcelle Genovese Key Hair Stylist
Michael Karp Matchmove Supervisor
Mike Hill Roto Supervisor
Christian Conrad Sound Effects Editor
Jens Baylis First Assistant Editor
Peter Ayriss Drone Operator, Drone Pilot
Simon Muir Dolly Grip
Kenneth Cassar Special Effects Supervisor
Poppy Kavanagh Music Editor
Sharon McCormack Tailor
Jason Ewart Steadicam Operator
Mike Valentine Underwater Camera
Sylvain Theroux CG Supervisor
James Shannon Dolby Consultant
Hanse Warns Foley
Markus Stemler Sound Designer
Benjamin Krbetschek Sound Effects Editor
Christian Goddard Set Costumer
Marina Angela Ruiz Set Costumer
Terence Bulley Aerial Director of Photography
Nikos Kalimerakis Gaffer
Tracey Leadbetter Visual Effects Producer
Lucia Foster Found Aerial Coordinator
Jeremy Braben Aerial Director of Photography
Dot Kyle Special Effects Coordinator
Carsten Richter Foley
Richard Davies Assistant Costume Designer
David Hugghins Stunts
Nick Milner Assistant Property Master
Matt Tkocz Conceptual Design
Jack Dyer Construction Buyer
Ray Barrett Construction Manager
León Bigiu Painter
Kurt Van Der Basch Storyboard Artist
Ross Busby Electrician
William McCann Art Department Assistant
Joe Hissey Electrician
Olly Tellett First Assistant "A" Camera
Sara Taddei Art Department Assistant
Codrina Spataru Sculptor
Toby Russell Set Dresser
Spencer Murray First Assistant "A" Camera
Eamonn Fitzgerald Lighting Technician
Elizabeth Loach Assistant Art Director
Jon Banthorpe Props
Russell Oxley Scenic Artist
Tobias Eedy First Assistant "B" Camera
Terry Taylor Props
Ketan Waikar Assistant Art Director
Josue Clotaire Fleurimond Conceptual Illustrator
Michael Blake Dressing Prop
Jacqueline Portelli Avellino Painter
Darren Hayward Supervising Carpenter
Gary Nolan Electrician
Thomas Royal Lighting Technician
Marco Anton Restivo Assistant Art Director
Felicity Hickson Assistant Art Director
Ulrich Zeidler Storyboard Artist
Andy Munday Lighting Programmer
Paul Snell Second Assistant "A" Camera
Sven Bonnici Assistant Art Director
Adam Robinson Props
James Shovlar Digital Imaging Technician
Adam Walker Electrician
Joe Steel Digital Imaging Technician
Charlie Lia Key Grip
Tommy Holman Second Assistant "B" Camera
Shira Hockman Assistant Art Director
Timo Andert Digital Imaging Technician
Julian Bucknall First Assistant "A" Camera
Ellis Court Art Department Assistant
Dylan Gouder Construction Coordinator
Dean Murray Second Assistant "C" Camera
Michael Eaton Graphic Designer
Richard MacMillan Props
Ash Thorp Graphic Designer
Richard Whelan First Assistant Director
Nic Cupac Best Boy Grip
Mardon de Carvalho Digital Imaging Technician
Jamie Bruce Electrician
Tiffany M. Carpenter Graphic Designer
Michael Weaver Painter
James Dean Sculptor
Alex Seery Digital Imaging Technician
Marvin Baldacchino Electrician
Alexia Reveleau Art Department Assistant
Ian Whiteford Greensman
Matt Wyles Props
Eleanor Bailey Set Decorating Coordinator
Phil Booth First Assistant Director
Natalia Osipova Makeup Artist
Alex Rouse Wigmaker
Didier Bertrand Compositing Supervisor
Nishtha Kantharia Visual Effects Coordinator
Michael Grobe Visual Effects Supervisor
Vincent Poitras Compositing Supervisor
Jack Beynon Creature Technical Director
Alper Aksit Lead Animator
Roland Yepez Lead Animator
Nicolas Seck Senior Animator
Philip Cabana Visual Effects Coordinator
Billy Prichard Costume Assistant
James Debono Wardrobe Assistant
Shay Greenfield Assistant Editor
Mat Thompson Visual Effects Coordinator
Collette Nunes Visual Effects Editor
Brooke Lyndon-Stanford Visual Effects Supervisor
Sharon Colley Makeup Artist
Chris Keller 2D Sequence Supervisor
Alex Webb Compositing Supervisor
Avijit Das Creature Technical Director
Natalia Altavilla Visual Effects Coordinator
Samuel Perkins Visual Effects Editor
Stacy Wodu Makeup Artist
Anita Ho Visual Effects Production Manager
Sara Bennett Visual Effects Supervisor
Reenal Shah Contact Lens Technician
Jessica Lawless Costume Assistant
Steve Cady Lead Animator
Chris Gooch 2D Sequence Supervisor
Emma Rider Visual Effects Coordinator
Kasey Simpson Visual Effects Coordinator
Clwyd Edwards Visual Effects Supervisor
Joao Sita Visual Effects Supervisor
Dominic Parker Visual Effects Supervisor
Yanick Wilisky Visual Effects Supervisor
Adam Vanner Creature Technical Director
Nigel Rafter Lead Animator
Mark Divekar Visual Effects Coordinator
Louis-Charles Lapointe Visual Effects Coordinator
Graham Page Visual Effects Supervisor
Jean-Pierre Flayeux Compositing Supervisor
Charlotte Roberts Creature Technical Director
Alexander Maldoff Visual Effects Coordinator
Balendu Kurup Visual Effects Coordinator
Marie-Pier Barrette Visual Effects Coordinator
Antoinette Aderotoye Hairstylist
Michael Agosta Costume Assistant
Gruff Owen Compositing Supervisor
Janson Chew Lighting Artist
Adam Lawrence Visual Effects Coordinator
Rachel Cadden Visual Effects Coordinator
Nairye Apelian Visual Effects Production Manager
Owen E. Williams Visual Effects Supervisor
Justin Cornish Visual Effects Supervisor
Samuela Galea Costume Assistant
Justin Tillett Online Editor
Benjamin Ribière Compositing Supervisor
Chris Jestico Visual Effects Coordinator
Nicole Maria Nonis Visual Effects Coordinator
Livi Naylor Visual Effects Coordinator
Megan Louise Smith Visual Effects Coordinator
Karina Mariano Visual Effects Coordinator
Samantha Tracey Visual Effects Production Manager
Christian Irles Visual Effects Supervisor
Punam Chhatralia Contact Lens Technician
Madlen Mierzwiak Hairstylist
Ian Allard Lighting Supervisor
Amelia Bianchi Wardrobe Assistant
Luke Letkey 2D Sequence Supervisor
Brett Schroeder Lead Animator
Hannah Johnson Visual Effects Coordinator
Joyce Au Visual Effects Coordinator
Joanie Croteau Visual Effects Coordinator
Deborah Zadzora Visual Effects Coordinator
Sivaprayag Visual Effects Editor
Kat Ali Makeup Artist
Tom Scott Assistant Editor
Loeng Wong-Savun Visual Effects Supervisor
Joseph Kasparian Visual Effects Supervisor
Carmen Fenech Costume Assistant
Claire Mitchell Principal Costumer
Sam Paul Toms Visual Effects Editor
Guillaume Poulin Visual Effects Editor
Javier Meroño Visual Effects
Katie McDonnell Stunts
Caridad Angus Stand In
Nina Jalava Stand In
Christopher Tellefsen Editor
Michael Lesslie Screenplay
Adam Cooper Screenplay
Bill Collage Screenplay
Jina Jay Casting
Sammy Sheldon Costume Design
Adam Arkapaw Director of Photography
Damien Walters Stunt Double
Ben Cooke Stunt Coordinator
Rick English Stunt Double
Jacob Hugghins Stunts
Michael Hugghins Stunts
Antal Kalik Stunt Double
Sarah Lochlan Stunt Double
Marek Svitek Stunts
Tom Poole Senior Colorist
Marie-Claude Lafontaine Visual Effects Coordinator
Ged Wright Visual Effects Supervisor
Jean-François Ferland Visual Effects Supervisor
Matt Crook Stunts
Jaan Roose Stunt Double
Fraser Taggart Additional Photography
Dan Bradley Second Unit Director
Lucy Cork Stunt Double
Ben Shepherd Visual Effects
John Casali Production Sound Mixer
Simon Finney "C" Camera Operator
Andy Williams Special Effects Supervisor
Ben Wright Stunt Double
Massimiliano Dessena Best Boy Grip
Justin Kurzel Director
Kiel Figgins Senior Animator
Jed Kurzel Original Music Composer
Dian Hristov Stunts
Vencislav Stojanov Stunts
Danko Jordanov Stunts
Stilyan Mavrov Stunts
Georgi Manchev Stunts
Genadiy Ganchev Stunts
Drew Jones Visual Effects Producer
Philip Harvey Stand In
Annabel Wood Stunts
Bogdan Kumšackij Stunts
Bobby Holland Hanton Stunts
Cali Nelle Stunt Double
Luke Scott Stunts
Name Title
Christine Burgess-Quémard Executive Producer
Serge Hascoet Executive Producer
Alex Taylor Associate Producer
Markus Barmettler Executive Producer
Daniel Emmerson Associate Producer
Jean de Rivieres Executive Producer
Richard Whelan Associate Producer
Gerard Guillemot Producer
Jean-Julien Baronnet Producer
Conor McCaughan Producer
Patrick Crowley Producer
Philip Lee Executive Producer
Arnon Milchan Producer
Michael Fassbender Producer
Frank Marshall Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 31 44 17
2024 5 36 57 25
2024 6 29 58 15
2024 7 38 71 17
2024 8 35 53 26
2024 9 32 47 21
2024 10 28 52 18
2024 11 33 76 18
2024 12 28 46 19
2025 1 24 38 18
2025 2 19 34 4
2025 3 8 35 2
2025 4 6 9 4
2025 5 9 22 4
2025 6 8 27 4
2025 7 5 6 4
2025 8 4 6 3
2025 9 5 7 3
2025 10 4 5 3

Trending Position


Year Month High Avg
2025 10 458 795
Year Month High Avg
2025 9 342 763
Year Month High Avg
2025 8 261 711
Year Month High Avg
2025 7 270 573
Year Month High Avg
2025 6 400 774
Year Month High Avg
2025 5 381 747
Year Month High Avg
2025 4 402 735
Year Month High Avg
2025 3 753 886
Year Month High Avg
2025 2 858 871
Year Month High Avg
2025 1 727 829
Year Month High Avg
2024 12 671 671
Year Month High Avg
2024 11 620 854

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Reviews

Star Lord
9.0

Fun film. Has plenty of action sequences and great plot twists throughout the film that make it more interesting. Plenty of well developed characters throughout, and each character has great depth. The execution of the stunts was superb and had breathtaking set-pieces throughout. It's more faithful ... to the games than other previous game adaptions like Doom and Warcraft: The Beginning, and it moves away from the story while keeping what made the games so well received. A great movie, definitely worth the watch.

Jun 23, 2021
CraigJamesReview
N/A

I actually really liked this- the action sequences are exciting and take on a kind of Jason Bourne-quality and Fassbender, Cotillard and Irons do a nice job of making the characters interesting and helping to overlook a lot of the silliness of the script. Overall an 8/10 Check out my full Youtube ... review. Trying to go for something funny, engaging, and informative so hope you guys like-https://youtu.be/Um2-B6Gs_QU

Jun 23, 2021
Ruuz
4.0

I have the advantage of multiple _Assassin's Creed_ games under my belt, and even to me it was nonsense. Wastes an **incredible** cast on what will wind up contributing to the seemingly never-ending pile of lacklustre videogame adaptations. _Final rating:★★ - Had some things that appeal to me, bu ... t a poor finished product._

Jun 23, 2021
Dark Jedi
6.0

l would lie if I said that I did not enjoy this movie. It has plenty of action, a bit of biblical mystery and some science fiction. It is a decently entertaining movie. However, I also felt a bit underwhelmed. A less than sympathetic bum happens to be some direct ancestor to an ancient warrior be ... longing to a ancient secret assassins society protecting the apple of Eden. Since he is a near identical match to his ancestor he is, apparently, an ideal candidate for the evil Knights Templars to unlock ancient “genetic” memories that will help them find the apple. Yes I know, it is a bit of a scientific stretch but hey, it is a fantasy/sci-fi movie and it originates from a video game story so give it some slack. Speaking of the video game. I have not played the game and I have no idea if the movie follows the story of the game or not which probably is a good think for this movie. What I did have a hard time with though is this nonsensical notion of the apple containing the genetic code for “free will”. What a load of bullshit in so many ways! There are a lot of quite good action and fight scenes in the movie. However most of them are flashbacks to the time of Callum’s ancestor and it is not really Callum himself. It is not until the very end of the movie that Callum finally realizes his potential and gets to do some fighting in his own time. This disappointed me a bit. Overall I felt a bit underwhelmed. The movie plodded along at an almost leisurely pace except for the outbursts of action in the flashbacks. There was not really much happening that made me interested except for the action sequences. The acting is also adequate but not more. When Callum finally gets around to do some assassin stuff in our time it is too little too late. There is a nice fight when he and his assassin colleagues break out of the Knights Templar’s facility but the final show down between the two parties is, well, bland.

May 16, 2024
Rangan
4.0

**All about the apple of Eden!** One of the much anticipated film of the year. It was a long wait for this film to see a light. I mean ever since the trend had started from the video games to the big screen, this one was a bit late to come into the party. My guess was, that's the disadvantage. Th ... e film fanatics thinks, there are too many graphics films. Besides, they did not pick the right screenplay for it like EA did for 'Need for Speed'. I have never played this game, so I was not expecting it like the others, but I'm surely disappointed with the film. I had no idea about the characters or the universe, it sets in. After watching the film I thought why this game is so famous where I did not find this film any good. Yep, it's not fair to compare two different formats. But the fact will remain that the film was one of the worst among big titles releasing on this year. I thought it was like 'Matrix', but more a periodic style action- adventure. I think the cast was good and the rest of the film was not. What I disliked the most was the smoky visuals. Yes, all the scenes with the ancient Spain was very smoky atmosphere that I had hard time to have a clear picture of what's going on. I hope there won't be any sequel to it, but if they do plan, I expect a miracle that erases all the bad image created by this part. The film is watchable, but not likable or enjoyable. Only for time pass. _4/10_

May 16, 2024
Lucky_Man
7.0

I bought this movie recently for a very small amount, and began watching it with very small expectations. I was treated to a well-paced, stylish action film that relied more on esoteric ambiguity (and a passing knowledge of the video game franchise) than exposition and characterization. Rather th ... an being a hindrance to the overall product, I believe this "flaw" serves the style of this movie wonderfully, and honors to source material to create an interesting and engaging fictional world. The discerning eye of a devoted film-goer may think this movie is quite beautiful and would find very little argument from me. Certain shots and choices in lighting are remarkable, and the filmmakers emphasis on practicality over computer renderings translates very well during the action sequences. I would recommend this film - you may not love it, and you don't have to - but it is certainly worth watching.

Jun 23, 2021
MatthewL.Brady
4.0

YOU WERE THE CHOSEN ONE! You were supposed to destroy the bad video movies, not join them! Bring balance to cinema, not leave it in darkness! ...

Jun 23, 2021
FilipeManuelNeto
3.0

**The curse of video game movies.** Really, there must be some plague or curse on this type of film because the examples that deserve our attention instead of our oblivion are rare. And it doesn't take much digging to find some that are really despicable, unworthy of being seen in a big screen. I ... had some hope that this movie wasn't that bad, knowing minimally the game (I never had the time or patience to play it, but I read about it and saw some graphics). And really, it's a film that, in the wide spectrum of its genre, has some qualities. However, it is far from being a full plate for lovers of good movies. The best thing about this film are the technical and visual aspects and also the action scenes, with highly stylized choreography and fight routines, unrealistic to the point of sounding very absurd, but incredible. The cinematography is very good, and the film makes incredible use of CGI and digital resources. It seems to me that the director, Justin Kurzel, preferred to turn the film into an orgy of visual graphics than to do a solid job. Excessive attention to visuals has everything from stunning aerial perspective footage to the elaborate sets and environments of the Spain of the Catholic Kings, creatively blended with footage in real settings such as the Alhambra. This leads us to the film's first problem, which is the absurd lack of historical accuracy. Considering it's a movie based on a video game, it's less of an issue, but it's an issue, particularly when taking advantage of the popularity of the Templar Order, which was defunct and outlawed by the Catholic Church in 1312, nearly 250 years before the time of the Catholic Kings. Whoever wrote the script and included this premise probably barbecued their own history school textbooks. The cast is made up of renowned and talented actors, but who have not been given anything substantial. There are no characters, there are names, and the actors seem to be improvising or being themselves in some way. Michael Fassbender plays himself with a hood, since the character is nothing more than a walking cliché with no personality. Marion Cotillard, a great actress, must have been royally paid to accept such rubbish in her curriculum and Jeremy Irons proves to be very capable of making an omelette without eggs, going to resurrect what he has done previously in several villains of his career and mixing everything. What really lets this movie down is the miserable script and poor direction. If we've already talked a little about director Kurzel's apparent fetish for visual effects, we should also talk about the incompetence of the screenwriting team. It would have been better if they had been prevented from writing screenplays. This one is just a giant jumble of confusing ideas involving time travel, genetic memory, futuristic machines, the Inquisition, the Templar's, Columbus, the Catholic Kings of Spain, an Islamic religious sect from Persia and other oddities. The film takes itself too seriously, it is presumptuous and exhausting, and the feeling that hovers over it is existential emptiness, as if there was no reason for any of this.

Jun 16, 2023