Popularity: 4 (history)
Director: | Justin Kurzel |
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Writer: | Michael Lesslie, Adam Cooper, Bill Collage |
Staring: |
Through a technology that unlocks the generic memories of his ancestor in 15th century Spain, Callum Lynch discovers he is a descendant of an ancient line of Assassins and amasses lethal skills to take on the oppressive Templar Order. | |
Release Date: | Dec 21, 2016 |
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Director: | Justin Kurzel |
Writer: | Michael Lesslie, Adam Cooper, Bill Collage |
Genres: | Adventure, Action, Science Fiction |
Keywords | assassination, spain, assassin, secret society, brotherhood, chase, parkour, conspiracy, memory, religion, based on video game, 15th century, corporate conspiracy, genetic memory |
Production Companies | The Kennedy/Marshall Company, New Regency Pictures, Ubisoft Film & Television, DMC Film |
Box Office |
Revenue: $240,700,000
Budget: $125,000,000 |
Updates |
Updated: Aug 04, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Michael Fassbender | Callum Lynch / Aguilar de Nerha |
Marion Cotillard | Dr. Sophia Rikkin |
Jeremy Irons | Alan Rikkin |
Brendan Gleeson | Joseph Lynch |
Charlotte Rampling | Ellen Kaye |
Michael Kenneth Williams | Moussa |
Ariane Labed | Maria |
James Sobol Kelly | Father Raymond |
Denis Ménochet | Abstergo Güvenlik Müdürü |
Callum Turner | Nathan |
Khalid Abdalla | Sultan Muhammad XII |
Essie Davis | Mary Lynch |
Carlos Bardem | Benedicto |
Javier Gutiérrez | Tomas de Torquemada |
Hovik Keuchkerian | Ojeda |
Crystal Clarke | Samia |
Brian Gleeson | Young Joseph |
Rufus Wright | Alex |
Matias Varela | Emir |
Coco König | Orderly |
Michelle H. Lin | Lin |
Julio Jordán | General Ramirez |
Angus Brown | Young Cal |
Kemaal Deen-Ellis | Prince Ahmed |
Aaron Monaghan | Gilles |
Thomas Camilleri | King Ferdinand |
Marysia S. Peres | Queen Isabella |
Gabriel Andreu | Christopher Columbus |
Jeff Mash | Prison Warden |
Yuric Allison | Muhammad's Official |
Joe Kennard | Abstergo Guard |
Gertrude Thoma | Speaker |
Octavia Selena Alexandru | Lara (uncredited) |
Iain Batchelor | Abstergo Guard 1 (uncredited) |
Dacio Caballero | Assasin 3 (uncredited) |
Emma Clay | Child Chorister (uncredited) |
Graham Curry | Templar (uncredited) |
Jem Kai Olsen | Templar (uncredited) |
Louis Dulanto-Sime | Chorister (uncredited) |
Malcolm Ellul | Executioner (uncredited) |
Dino Fazzani | Prison Guard (uncredited) |
Lee Nicholas Harris | Paramedic (uncredited) |
Bruce Lester-Johnson | Prison Guard (uncredited) |
Mohammed Ali | Infinity Patient |
Jade Clarke | Prisoner |
Alexander Cooper | Passerby |
Ty Hurley | Freemason |
Matthew Leonhart | Templar |
Simon Manley | Guard |
Juan Carlos Martínez Antuña | Templar |
Martyn Mayger | Templar |
Stephen McDade | Templar |
Anthony Milton | Templar Guard (uncredited) |
Ross Moneypenny | Templar |
Jassie Mortimer | Female Mason |
Cali Nelle | Assassin #2 |
Emeson Nwolie | Administration Officer |
Massimo Portelli | Spanish Crossbowman |
Jonathan Pyatt | Spanish Guard |
Mike Ray | Templar Guest |
Jonathan Ronin | Spanish Guard |
Steve Saunders | Patient |
Jasper Schellekens | Spanish Infantry |
Rahji Shrinarine | Templar |
Clem So | Animus Patient |
Clyde Vassallo | Spanish Infantry |
Sean Vassallo | Spanish Archer |
Roberto Vivancos | Merchant |
Roberto Vivancos | Merchant |
Abi Whetton | Choir Member |
Christopher Whitlow | Assassin #1 |
Cerys Wrigley-Moss | Chorister |
Juan Pablo Shuk | Father |
Maxime Durand | Spanish Archer (uncredited) |
Name | Job |
---|---|
Paul Gooch | Hair Designer |
Danielle Millington-Peck | VFX Editor |
Kuen-Il Song | Foley Editor |
Christopher Learmonth | VFX Editor |
Elizabeth Leslie | VFX Editor |
Eric Clement | CG Supervisor |
Edward Said | Casting Associate |
Joseph Formosa Randon | Location Manager |
Abby Mills | Production Coordinator |
Marc Homes | Supervising Art Director |
Kaitlyn Smith | Production Coordinator |
Rubén Gómez | Location Manager |
Nick Oliver | Location Manager |
Andy Nicholson | Production Design |
Tom Weaving | Art Direction |
Jacques Mezger | Location Scout |
Alison Banks | Production Supervisor |
Sally French | Unit Production Manager |
Katie Reynolds | Post Production Supervisor |
Dan Whitty | Location Manager |
Lisa Vick | Script Supervisor |
Andrés Cuenca | Casting Assistant |
Oliver Carroll | Art Direction |
David Doran | Assistant Art Director, Art Direction |
Tina Jones | Set Decoration |
Simon Mills | Production Coordinator |
Matt Wynne | Art Direction |
Olivia Brittain | Casting Assistant |
Cesco Bonello | Location Scout |
Stafford Lawrence | Animation Supervisor |
Adam Heinis | Special Effects Coordinator |
David Yrisarri | Visual Effects Producer |
Steve Single | Supervising Dialogue Editor, Sound Re-Recording Mixer |
Sophie Neil | Draughtsman |
Marc Wolff | Aerial Coordinator, Pilot |
Lucy Bright | Music Supervisor |
Lee Walters | Gaffer |
Kerry Brown | Still Photographer |
Matthew Glen | VFX Editor |
Marc Hutchings | VFX Supervisor |
Annie Cliche | Visual Effects Producer |
Alistair Hawkins | Sound Effects Editor |
Vanessa Baker | ADR Voice Casting |
Sarah Tulloch | Visual Effects Producer |
Tyler Weiss | Visual Effects Producer |
Andrew Dearnley | Digital Intermediate |
David Farrow | Armorer |
Tonucha Vidal | Casting |
Dave Evans | Armorer |
Alex Coverley | Dolly Grip |
Julie Kendrick | Key Makeup Artist |
Ann Fenton | Makeup Supervisor |
Juan Ramón Molina | Special Effects Supervisor |
Leila Nicotera | Visual Effects Producer |
Tommaso Mele | Key Grip |
Pranay Agarwal | 2D Supervisor |
Robin Jiro Hall | Costume Coordinator |
Zoe Clare Brown | Key Hair Stylist |
Lars Andersen | VFX Supervisor |
Steve Little | Dialogue Editor |
Julia Vernon | Makeup Supervisor |
Dan Neal | CG Supervisor |
Adam Coglan | Pre-Visualization Supervisor |
Gilbert Lake | Sound Re-Recording Mixer |
Frank Kruse | Supervising Sound Editor |
Paolo Frasson | Dolly Grip |
Matthew Poynter | Camera Operator |
Gary Spratling | Camera Operator |
Kamila Ostra | Visual Effects Producer |
Kathleen Shanks | Music Director |
Geneva Corlett | Set Costumer |
Gavin Walters | Rigging Gaffer |
Marta Padilla | 3D Modeller |
Abbie Kennedy | Matchmove Supervisor |
Iain Eyre | Dialogue Editor |
Sacha Walker | Sound Effects Editor |
Graeme Purdy | Property Master |
Thomas Goodwin | Draughtsman |
Poli Kyriacou | Assistant Costume Designer |
Simon Baker | Camera Operator |
Marcelle Genovese | Key Hair Stylist |
Michael Karp | Matchmove Supervisor |
Mike Hill | Roto Supervisor |
Christian Conrad | Sound Effects Editor |
Jens Baylis | First Assistant Editor |
Peter Ayriss | Drone Operator, Drone Pilot |
Simon Muir | Dolly Grip |
Kenneth Cassar | Special Effects Supervisor |
Poppy Kavanagh | Music Editor |
Sharon McCormack | Tailor |
Jason Ewart | Steadicam Operator |
Mike Valentine | Underwater Camera |
Sylvain Theroux | CG Supervisor |
James Shannon | Dolby Consultant |
Hanse Warns | Foley |
Markus Stemler | Sound Designer |
Benjamin Krbetschek | Sound Effects Editor |
Christian Goddard | Set Costumer |
Marina Angela Ruiz | Set Costumer |
Terence Bulley | Aerial Director of Photography |
Nikos Kalimerakis | Gaffer |
Tracey Leadbetter | Visual Effects Producer |
Lucia Foster Found | Aerial Coordinator |
Jeremy Braben | Aerial Director of Photography |
Dot Kyle | Special Effects Coordinator |
Carsten Richter | Foley |
Richard Davies | Assistant Costume Designer |
David Hugghins | Stunts |
Nick Milner | Assistant Property Master |
Matt Tkocz | Conceptual Design |
Jack Dyer | Construction Buyer |
Ray Barrett | Construction Manager |
León Bigiu | Painter |
Kurt Van Der Basch | Storyboard Artist |
Ross Busby | Electrician |
William McCann | Art Department Assistant |
Joe Hissey | Electrician |
Olly Tellett | First Assistant "A" Camera |
Sara Taddei | Art Department Assistant |
Codrina Spataru | Sculptor |
Toby Russell | Set Dresser |
Spencer Murray | First Assistant "A" Camera |
Eamonn Fitzgerald | Lighting Technician |
Elizabeth Loach | Assistant Art Director |
Jon Banthorpe | Props |
Russell Oxley | Scenic Artist |
Tobias Eedy | First Assistant "B" Camera |
Terry Taylor | Props |
Ketan Waikar | Assistant Art Director |
Josue Clotaire Fleurimond | Conceptual Illustrator |
Michael Blake | Dressing Prop |
Jacqueline Portelli Avellino | Painter |
Darren Hayward | Supervising Carpenter |
Gary Nolan | Electrician |
Thomas Royal | Lighting Technician |
Marco Anton Restivo | Assistant Art Director |
Felicity Hickson | Assistant Art Director |
Ulrich Zeidler | Storyboard Artist |
Andy Munday | Lighting Programmer |
Paul Snell | Second Assistant "A" Camera |
Sven Bonnici | Assistant Art Director |
Adam Robinson | Props |
James Shovlar | Digital Imaging Technician |
Adam Walker | Electrician |
Joe Steel | Digital Imaging Technician |
Charlie Lia | Key Grip |
Tommy Holman | Second Assistant "B" Camera |
Shira Hockman | Assistant Art Director |
Timo Andert | Digital Imaging Technician |
Julian Bucknall | First Assistant "A" Camera |
Ellis Court | Art Department Assistant |
Dylan Gouder | Construction Coordinator |
Dean Murray | Second Assistant "C" Camera |
Michael Eaton | Graphic Designer |
Richard MacMillan | Props |
Ash Thorp | Graphic Designer |
Richard Whelan | First Assistant Director |
Nic Cupac | Best Boy Grip |
Mardon de Carvalho | Digital Imaging Technician |
Jamie Bruce | Electrician |
Tiffany M. Carpenter | Graphic Designer |
Michael Weaver | Painter |
James Dean | Sculptor |
Alex Seery | Digital Imaging Technician |
Marvin Baldacchino | Electrician |
Alexia Reveleau | Art Department Assistant |
Ian Whiteford | Greensman |
Matt Wyles | Props |
Eleanor Bailey | Set Decorating Coordinator |
Phil Booth | First Assistant Director |
Natalia Osipova | Makeup Artist |
Alex Rouse | Wigmaker |
Didier Bertrand | Compositing Supervisor |
Nishtha Kantharia | Visual Effects Coordinator |
Michael Grobe | Visual Effects Supervisor |
Vincent Poitras | Compositing Supervisor |
Jack Beynon | Creature Technical Director |
Alper Aksit | Lead Animator |
Roland Yepez | Lead Animator |
Nicolas Seck | Senior Animator |
Philip Cabana | Visual Effects Coordinator |
Billy Prichard | Costume Assistant |
James Debono | Wardrobe Assistant |
Shay Greenfield | Assistant Editor |
Mat Thompson | Visual Effects Coordinator |
Collette Nunes | Visual Effects Editor |
Brooke Lyndon-Stanford | Visual Effects Supervisor |
Sharon Colley | Makeup Artist |
Chris Keller | 2D Sequence Supervisor |
Alex Webb | Compositing Supervisor |
Avijit Das | Creature Technical Director |
Natalia Altavilla | Visual Effects Coordinator |
Samuel Perkins | Visual Effects Editor |
Stacy Wodu | Makeup Artist |
Anita Ho | Visual Effects Production Manager |
Sara Bennett | Visual Effects Supervisor |
Reenal Shah | Contact Lens Technician |
Jessica Lawless | Costume Assistant |
Steve Cady | Lead Animator |
Chris Gooch | 2D Sequence Supervisor |
Emma Rider | Visual Effects Coordinator |
Kasey Simpson | Visual Effects Coordinator |
Clwyd Edwards | Visual Effects Supervisor |
Joao Sita | Visual Effects Supervisor |
Dominic Parker | Visual Effects Supervisor |
Yanick Wilisky | Visual Effects Supervisor |
Adam Vanner | Creature Technical Director |
Nigel Rafter | Lead Animator |
Mark Divekar | Visual Effects Coordinator |
Louis-Charles Lapointe | Visual Effects Coordinator |
Graham Page | Visual Effects Supervisor |
Jean-Pierre Flayeux | Compositing Supervisor |
Charlotte Roberts | Creature Technical Director |
Alexander Maldoff | Visual Effects Coordinator |
Balendu Kurup | Visual Effects Coordinator |
Marie-Pier Barrette | Visual Effects Coordinator |
Antoinette Aderotoye | Hairstylist |
Michael Agosta | Costume Assistant |
Gruff Owen | Compositing Supervisor |
Janson Chew | Lighting Artist |
Adam Lawrence | Visual Effects Coordinator |
Rachel Cadden | Visual Effects Coordinator |
Nairye Apelian | Visual Effects Production Manager |
Owen E. Williams | Visual Effects Supervisor |
Justin Cornish | Visual Effects Supervisor |
Samuela Galea | Costume Assistant |
Justin Tillett | Online Editor |
Benjamin Ribière | Compositing Supervisor |
Chris Jestico | Visual Effects Coordinator |
Nicole Maria Nonis | Visual Effects Coordinator |
Livi Naylor | Visual Effects Coordinator |
Megan Louise Smith | Visual Effects Coordinator |
Karina Mariano | Visual Effects Coordinator |
Samantha Tracey | Visual Effects Production Manager |
Christian Irles | Visual Effects Supervisor |
Punam Chhatralia | Contact Lens Technician |
Madlen Mierzwiak | Hairstylist |
Ian Allard | Lighting Supervisor |
Amelia Bianchi | Wardrobe Assistant |
Luke Letkey | 2D Sequence Supervisor |
Brett Schroeder | Lead Animator |
Hannah Johnson | Visual Effects Coordinator |
Joyce Au | Visual Effects Coordinator |
Joanie Croteau | Visual Effects Coordinator |
Deborah Zadzora | Visual Effects Coordinator |
Sivaprayag | Visual Effects Editor |
Kat Ali | Makeup Artist |
Tom Scott | Assistant Editor |
Loeng Wong-Savun | Visual Effects Supervisor |
Joseph Kasparian | Visual Effects Supervisor |
Carmen Fenech | Costume Assistant |
Claire Mitchell | Principal Costumer |
Sam Paul Toms | Visual Effects Editor |
Guillaume Poulin | Visual Effects Editor |
Javier Meroño | Visual Effects |
Katie McDonnell | Stunts |
Caridad Angus | Stand In |
Nina Jalava | Stand In |
Christopher Tellefsen | Editor |
Michael Lesslie | Screenplay |
Adam Cooper | Screenplay |
Bill Collage | Screenplay |
Jina Jay | Casting |
Sammy Sheldon | Costume Design |
Adam Arkapaw | Director of Photography |
Damien Walters | Stunt Double |
Ben Cooke | Stunt Coordinator |
Rick English | Stunt Double |
Jacob Hugghins | Stunts |
Michael Hugghins | Stunts |
Antal Kalik | Stunt Double |
Sarah Lochlan | Stunt Double |
Marek Svitek | Stunts |
Tom Poole | Senior Colorist |
Marie-Claude Lafontaine | Visual Effects Coordinator |
Ged Wright | Visual Effects Supervisor |
Jean-François Ferland | Visual Effects Supervisor |
Matt Crook | Stunts |
Jaan Roose | Stunt Double |
Fraser Taggart | Additional Photography |
Dan Bradley | Second Unit Director |
Lucy Cork | Stunt Double |
Ben Shepherd | Visual Effects |
John Casali | Production Sound Mixer |
Simon Finney | "C" Camera Operator |
Andy Williams | Special Effects Supervisor |
Ben Wright | Stunt Double |
Massimiliano Dessena | Best Boy Grip |
Justin Kurzel | Director |
Kiel Figgins | Senior Animator |
Jed Kurzel | Original Music Composer |
Dian Hristov | Stunts |
Vencislav Stojanov | Stunts |
Danko Jordanov | Stunts |
Stilyan Mavrov | Stunts |
Georgi Manchev | Stunts |
Genadiy Ganchev | Stunts |
Drew Jones | Visual Effects Producer |
Philip Harvey | Stand In |
Annabel Wood | Stunts |
Bogdan Kumšackij | Stunts |
Bobby Holland Hanton | Stunts |
Cali Nelle | Stunt Double |
Luke Scott | Stunts |
Name | Title |
---|---|
Christine Burgess-Quémard | Executive Producer |
Serge Hascoet | Executive Producer |
Alex Taylor | Associate Producer |
Markus Barmettler | Executive Producer |
Daniel Emmerson | Associate Producer |
Jean de Rivieres | Executive Producer |
Richard Whelan | Associate Producer |
Gerard Guillemot | Producer |
Jean-Julien Baronnet | Producer |
Conor McCaughan | Producer |
Patrick Crowley | Producer |
Philip Lee | Executive Producer |
Arnon Milchan | Producer |
Michael Fassbender | Producer |
Frank Marshall | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 31 | 44 | 17 |
2024 | 5 | 36 | 57 | 25 |
2024 | 6 | 29 | 58 | 15 |
2024 | 7 | 38 | 71 | 17 |
2024 | 8 | 35 | 53 | 26 |
2024 | 9 | 32 | 47 | 21 |
2024 | 10 | 28 | 52 | 18 |
2024 | 11 | 33 | 76 | 18 |
2024 | 12 | 28 | 46 | 19 |
2025 | 1 | 24 | 38 | 18 |
2025 | 2 | 19 | 34 | 4 |
2025 | 3 | 8 | 35 | 2 |
2025 | 4 | 6 | 9 | 4 |
2025 | 5 | 9 | 22 | 4 |
2025 | 6 | 8 | 27 | 4 |
2025 | 7 | 5 | 6 | 4 |
2025 | 8 | 4 | 6 | 3 |
2025 | 9 | 5 | 7 | 3 |
2025 | 10 | 4 | 5 | 3 |
Trending Position
Year | Month | High | Avg |
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2025 | 10 | 458 | 795 |
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2025 | 9 | 342 | 763 |
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2025 | 8 | 261 | 711 |
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2025 | 7 | 270 | 573 |
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2025 | 6 | 400 | 774 |
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2025 | 5 | 381 | 747 |
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2025 | 4 | 402 | 735 |
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2025 | 3 | 753 | 886 |
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2025 | 2 | 858 | 871 |
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2025 | 1 | 727 | 829 |
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2024 | 12 | 671 | 671 |
Year | Month | High | Avg |
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2024 | 11 | 620 | 854 |
Fun film. Has plenty of action sequences and great plot twists throughout the film that make it more interesting. Plenty of well developed characters throughout, and each character has great depth. The execution of the stunts was superb and had breathtaking set-pieces throughout. It's more faithful ... to the games than other previous game adaptions like Doom and Warcraft: The Beginning, and it moves away from the story while keeping what made the games so well received. A great movie, definitely worth the watch.
I actually really liked this- the action sequences are exciting and take on a kind of Jason Bourne-quality and Fassbender, Cotillard and Irons do a nice job of making the characters interesting and helping to overlook a lot of the silliness of the script. Overall an 8/10 Check out my full Youtube ... review. Trying to go for something funny, engaging, and informative so hope you guys like-https://youtu.be/Um2-B6Gs_QU
I have the advantage of multiple _Assassin's Creed_ games under my belt, and even to me it was nonsense. Wastes an **incredible** cast on what will wind up contributing to the seemingly never-ending pile of lacklustre videogame adaptations. _Final rating:★★ - Had some things that appeal to me, bu ... t a poor finished product._
l would lie if I said that I did not enjoy this movie. It has plenty of action, a bit of biblical mystery and some science fiction. It is a decently entertaining movie. However, I also felt a bit underwhelmed. A less than sympathetic bum happens to be some direct ancestor to an ancient warrior be ... longing to a ancient secret assassins society protecting the apple of Eden. Since he is a near identical match to his ancestor he is, apparently, an ideal candidate for the evil Knights Templars to unlock ancient “genetic” memories that will help them find the apple. Yes I know, it is a bit of a scientific stretch but hey, it is a fantasy/sci-fi movie and it originates from a video game story so give it some slack. Speaking of the video game. I have not played the game and I have no idea if the movie follows the story of the game or not which probably is a good think for this movie. What I did have a hard time with though is this nonsensical notion of the apple containing the genetic code for “free will”. What a load of bullshit in so many ways! There are a lot of quite good action and fight scenes in the movie. However most of them are flashbacks to the time of Callum’s ancestor and it is not really Callum himself. It is not until the very end of the movie that Callum finally realizes his potential and gets to do some fighting in his own time. This disappointed me a bit. Overall I felt a bit underwhelmed. The movie plodded along at an almost leisurely pace except for the outbursts of action in the flashbacks. There was not really much happening that made me interested except for the action sequences. The acting is also adequate but not more. When Callum finally gets around to do some assassin stuff in our time it is too little too late. There is a nice fight when he and his assassin colleagues break out of the Knights Templar’s facility but the final show down between the two parties is, well, bland.
**All about the apple of Eden!** One of the much anticipated film of the year. It was a long wait for this film to see a light. I mean ever since the trend had started from the video games to the big screen, this one was a bit late to come into the party. My guess was, that's the disadvantage. Th ... e film fanatics thinks, there are too many graphics films. Besides, they did not pick the right screenplay for it like EA did for 'Need for Speed'. I have never played this game, so I was not expecting it like the others, but I'm surely disappointed with the film. I had no idea about the characters or the universe, it sets in. After watching the film I thought why this game is so famous where I did not find this film any good. Yep, it's not fair to compare two different formats. But the fact will remain that the film was one of the worst among big titles releasing on this year. I thought it was like 'Matrix', but more a periodic style action- adventure. I think the cast was good and the rest of the film was not. What I disliked the most was the smoky visuals. Yes, all the scenes with the ancient Spain was very smoky atmosphere that I had hard time to have a clear picture of what's going on. I hope there won't be any sequel to it, but if they do plan, I expect a miracle that erases all the bad image created by this part. The film is watchable, but not likable or enjoyable. Only for time pass. _4/10_
I bought this movie recently for a very small amount, and began watching it with very small expectations. I was treated to a well-paced, stylish action film that relied more on esoteric ambiguity (and a passing knowledge of the video game franchise) than exposition and characterization. Rather th ... an being a hindrance to the overall product, I believe this "flaw" serves the style of this movie wonderfully, and honors to source material to create an interesting and engaging fictional world. The discerning eye of a devoted film-goer may think this movie is quite beautiful and would find very little argument from me. Certain shots and choices in lighting are remarkable, and the filmmakers emphasis on practicality over computer renderings translates very well during the action sequences. I would recommend this film - you may not love it, and you don't have to - but it is certainly worth watching.
YOU WERE THE CHOSEN ONE! You were supposed to destroy the bad video movies, not join them! Bring balance to cinema, not leave it in darkness! ...
**The curse of video game movies.** Really, there must be some plague or curse on this type of film because the examples that deserve our attention instead of our oblivion are rare. And it doesn't take much digging to find some that are really despicable, unworthy of being seen in a big screen. I ... had some hope that this movie wasn't that bad, knowing minimally the game (I never had the time or patience to play it, but I read about it and saw some graphics). And really, it's a film that, in the wide spectrum of its genre, has some qualities. However, it is far from being a full plate for lovers of good movies. The best thing about this film are the technical and visual aspects and also the action scenes, with highly stylized choreography and fight routines, unrealistic to the point of sounding very absurd, but incredible. The cinematography is very good, and the film makes incredible use of CGI and digital resources. It seems to me that the director, Justin Kurzel, preferred to turn the film into an orgy of visual graphics than to do a solid job. Excessive attention to visuals has everything from stunning aerial perspective footage to the elaborate sets and environments of the Spain of the Catholic Kings, creatively blended with footage in real settings such as the Alhambra. This leads us to the film's first problem, which is the absurd lack of historical accuracy. Considering it's a movie based on a video game, it's less of an issue, but it's an issue, particularly when taking advantage of the popularity of the Templar Order, which was defunct and outlawed by the Catholic Church in 1312, nearly 250 years before the time of the Catholic Kings. Whoever wrote the script and included this premise probably barbecued their own history school textbooks. The cast is made up of renowned and talented actors, but who have not been given anything substantial. There are no characters, there are names, and the actors seem to be improvising or being themselves in some way. Michael Fassbender plays himself with a hood, since the character is nothing more than a walking cliché with no personality. Marion Cotillard, a great actress, must have been royally paid to accept such rubbish in her curriculum and Jeremy Irons proves to be very capable of making an omelette without eggs, going to resurrect what he has done previously in several villains of his career and mixing everything. What really lets this movie down is the miserable script and poor direction. If we've already talked a little about director Kurzel's apparent fetish for visual effects, we should also talk about the incompetence of the screenwriting team. It would have been better if they had been prevented from writing screenplays. This one is just a giant jumble of confusing ideas involving time travel, genetic memory, futuristic machines, the Inquisition, the Templar's, Columbus, the Catholic Kings of Spain, an Islamic religious sect from Persia and other oddities. The film takes itself too seriously, it is presumptuous and exhausting, and the feeling that hovers over it is existential emptiness, as if there was no reason for any of this.