Popularity: 6 (history)
| Director: | Robert Zemeckis |
|---|---|
| Writer: | Steven Knight |
| Staring: |
| In 1942, an intelligence officer in North Africa encounters a female French Resistance fighter on a deadly mission behind enemy lines. When they reunite in London, their relationship is tested by the pressures of war. | |
| Release Date: | Nov 23, 2016 |
|---|---|
| Director: | Robert Zemeckis |
| Writer: | Steven Knight |
| Genres: | Action, Drama, Romance, Thriller, War |
| Keywords | spy, resistance, world war ii, nazi, past, love, couple, north africa, 1940s, french woman |
| Production Companies | Paramount Pictures, GK Films, ImageMovers, Huahua Media |
| Box Office |
Revenue: $119,520,023
Budget: $106,000,000 |
| Updates |
Updated: Aug 10, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Brad Pitt | Max Vatan |
| Marion Cotillard | Marianne Beauséjour |
| Jared Harris | Frank Heslop |
| Simon McBurney | S.O.E. Official |
| Lizzy Caplan | Bridget Vatan |
| Daniel Betts | George Kavanagh |
| Matthew Goode | Guy Sangster |
| Camille Cottin | Monique |
| Michael McKell | German Officer at Anfa Café |
| August Diehl | Hobar |
| Thierry Frémont | Paul Delamare |
| Vincent Ebrahim | Driver in Desert |
| Vincent Latorre | Vincent |
| Fleur Poad | Hobar's Secretary |
| Miryam Hayward | Moroccan Girl |
| Iselle Rifat | Moroccan Girl |
| Aysha Kanayo | Moroccan Girl |
| Sally Messham | Margaret |
| Anton Blake Horowitz | The German Ambassador |
| Charlotte Hope | Louise |
| Anton Lesser | Emmanuel Lombard |
| Marion Bailey | Mrs. Sinclair |
| Raffey Cassidy | Anna Vatan |
| Xavier de Guillebon | Claude |
| Raphael Acloque | Renoir |
| Christian Rubeck | Lars |
| Russell Balogh | Marianne's Friend |
| Paul Longley | Soldier at Party |
| Freddie Stewart | RAF Officer |
| Celeste Dodwell | Scarlet |
| Philippe Spall | Monet |
| Raphael Desprez | Degas |
| Eric Théobald | Gendarme-Dieppe |
| Ami Metcalf | Roxie |
| Iain Batchelor | Lt. James Fletcher |
| Angus Kennedy | Geoffrey |
| Angelique Joan | French Girl - Dieppe |
| Lukas Johne | Jörg |
| Chris Reilly | Hendon Gate Guard |
| Josh Dylan | Captain Adam Hunter |
| Maggie O'Brien | Midwife |
| Jonathan Cass | German Officer (uncredited) |
| Laraine Dix | Pub Goer / Singer (uncredited) |
| Vikki Edwards | Madame Petite (uncredited) |
| François Sternkiker | German Soldier (uncredited) |
| Sorcha Garavan | Special Agent (uncredited) |
| Cecilia Gragnani | Hazel (uncredited) |
| Jason Grangier | Vichy French Air Force Officer (uncredited) |
| Shane Griffin | Sailor (uncredited) |
| Michael Haydon | Newspaper Man (uncredited) |
| Richard Hills Jr. | RMP Sergeant (uncredited) |
| Ty Hurley | Distinguished Home Guard (uncredited) |
| Sophie Karl | Female Geek (uncredited) |
| Ben Laumann | RAF Motorcyclist (uncredited) |
| Saif Lone | Moroccan Embassy Man (uncredited) |
| Tiar Lounis | French Soldier (uncredited) |
| Jason Matthewson | Agent Hicks (uncredited) |
| Christopher McMullen | R.A.F Police Officer (uncredited) |
| Peter Meyer | Max's Non-Uniformed Friend (uncredited) |
| Claire Richardson | Nurse at Desk (uncredited) |
| Sophie Shad | Midwife (uncredited) |
| Marinelly Vaslon | French Girl (uncredited) |
| Evie Wray | Girl Walking Through Glass (uncredited) |
| Jake Wyatt | Young Sailor (uncredited) |
| Billy Burke | Dancer (uncredited) |
| Philip Harvey | RAF Intelligence Officer |
| Name | Job |
|---|---|
| Mick Audsley | Editor |
| Jason Knox-Johnston | Supervising Art Director |
| Richard Selway | Art Direction |
| Anthony Caron-Delion | Art Direction |
| Jeremiah O'Driscoll | Editor |
| Raffaella Giovannetti | Set Decoration |
| Jonathan Marin Socas | Assistant Art Director |
| Lenka Líkařová | Visual Effects Coordinator |
| Lenora Acidera | Modeling |
| Alizée Plourde | Visual Effects Coordinator |
| Sandra Scott | Visual Effects Producer |
| Alex Coverley | Dolly Grip |
| Meike Maher | Construction Coordinator |
| Laura Miller | Draughtsman |
| Annie Penn | Script Supervisor |
| Marc Wolff | Aerial Coordinator, Pilot |
| Gina De Ferrer | Researcher |
| Anna Bregman | Assistant Art Director |
| Corrine Silver | Draughtsman |
| Jeff Carson | Music Editor |
| Georgina Gunner | Costume Supervisor |
| Aisha Saeed | Art Department Coordinator |
| Tommaso Mele | Key Grip |
| Kate Pickthall | Draughtsman |
| David Balfour | Property Master |
| Cristina Sopeña | Costume Supervisor |
| Leo-Patrick Houde | VFX Editor |
| Dan Bartolucci | VFX Supervisor |
| Viktor Müller | Visual Effects Supervisor |
| Elisabete Santibañez | Seamstress |
| Diego Betancor | Casting |
| Pete Cavaciuti | Steadicam Operator |
| Anwei Chen | Visual Effects Coordinator |
| Jakub Černý | Visual Effects Coordinator |
| Petr Hepner | 3D Artist |
| Andrii Zavolokin | 3D Generalist |
| Jin Yong Kim | Matchmove Supervisor |
| Vít Komrzý | Visual Effects Producer |
| Tabitha Quitman | Art Department Coordinator |
| Jane Gooday | Assistant Costume Designer |
| Luke Redgrave | Camera Operator |
| Jenna Kerr | Visual Effects Producer |
| Daniel Smith | Still Photographer |
| Thomas Nittmann | Visual Effects Producer |
| Ben Rothwell | Armory Coordinator |
| Claire Watson | Costume Coordinator |
| Laurent Taillefer | CG Supervisor |
| Chris 'Willie' Williams | Pre-Visualization Supervisor |
| Nadja Hromádko | Visual Effects Coordinator |
| Kristyan Mallett | Prosthetic Designer |
| Anita Burger | Hairstylist |
| Loulia Sheppard | Hairstylist |
| Jean Ann Black | Makeup Artist |
| Daniel Phillips | Hair Designer, Makeup Designer |
| Daniel Rogers | Health and Safety |
| Rebecca Cole | Key Hair Stylist |
| Peter Marsden | Digital Imaging Technician |
| Duncan Fowlie | First Assistant Camera |
| David Lucarelli | ADR Recordist |
| Cressida Connolly | Costume Assistant |
| Kimberley Scott | Costume Assistant |
| Rohan Harris | Scenic Artist |
| Jack Sands | Second Assistant "B" Camera |
| Chris McAleese | Second Assistant "C" Camera |
| George Bird | Lighting Technician |
| Eva Fervenza | Costumer |
| Luli González | Assistant Property Master |
| Daniel Martos Navarro | Props |
| Adal Tahiche Morales Blanco | Set Dresser |
| José Vico | Costumer |
| Carlos Nieto Lopez | Concept Artist |
| John Maher | Construction Manager |
| Jamie Mills | Gaffer |
| Lee Perkins | Lighting Technician |
| Shelley Roden | Foley Artist |
| Jeffrey Hernandez | Assistant Makeup Artist |
| Will Newton | Assistant Art Director |
| Kan Muftic | Concept Artist |
| Alex Howe | First Assistant "C" Camera |
| Billy Dunn | Lighting Technician |
| Michael Sloan | Tailor |
| Francesca Birri | Set Decorating Coordinator |
| Kevin Heatherington | Electrician |
| Mary Mackenzie | Assistant Art Director |
| Kieran Belshaw | Concept Artist |
| Laura Redpath | Digital Imaging Technician |
| Jason Dully | Second Assistant "A" Camera |
| George Anthony Fox | Second Assistant "C" Camera |
| Tapio Salmi | Hairstylist |
| Tobias Eedy | First Assistant "B" Camera |
| Cécile Bouquet | Researcher |
| Josh Sales | Set Dresser |
| Genevieve Cox | Set Costumer |
| Vincent Cosson | ADR Mixer |
| Charleen Richards-Steeves | ADR Mixer |
| Bjørn Ole Schroeder | Supervising Sound Editor |
| Amie Wilson | Makeup & Hair |
| Joe Steel | Digital Imaging Technician |
| Olly Tellett | First Assistant "A" Camera |
| Andrew Fletcher | Wardrobe Supervisor |
| Marco Anton Restivo | Assistant Art Director |
| John Wells | Assistant Property Master |
| Tina Charad | Graphic Designer |
| Joe Bovington | Props |
| Daniel Lillie | Camera Loader |
| Simon Tanner | Lighting Technician |
| Katie Sheehy | Costume Assistant |
| Silvia Fontana | Graphic Designer |
| Thomas Kingsley | Painter |
| Jorge Noguerales | Set Decoration Buyer |
| Paul Snell | Second Assistant "A" Camera |
| John Usher | Costume Assistant |
| Jeremy Bowker | Sound Designer |
| Harriet Kendall | Costume Assistant |
| Derek Casari | ADR Engineer |
| Scott Curtis | Foley Mixer |
| Steven Byrne | Prosthetic Makeup Artist |
| Delfín Emiliano | Construction Foreman |
| Angus Hale | Greensman |
| Iván Medina Hernández | Set Dresser |
| Dan Riches | Set Dresser |
| Sam Irwin | Camera Loader |
| Perry Evans | Gaffer |
| Sean Rogers | Libra Head Technician |
| Nuria Barrio | Costumer |
| Will Ralston | Dialogue Editor |
| Neil Swain | Dialect Coach |
| Regina Ruffini | Travel Coordinator |
| Alison Learned Wolf | Additional Editor |
| Linda Gamble | Unit Publicist |
| Lee Grumett | First Assistant Director |
| Frederic Tomasi | Dialect Coach |
| Beatriz Fluxa | Production Coordinator |
| Kate Garbett | Production Coordinator |
| Adele Steward | Production Coordinator |
| Jo Tew | Second Assistant Director |
| Griffith Davies | Digital Intermediate Assistant |
| Angel Airan Bonilla | Armorer |
| Andrea Biklian | Production Accountant |
| Maria Ana D. Dias | Production Secretary |
| Robert Bowman | Digital Intermediate Assistant |
| Katherine Tibbetts | Production Supervisor |
| Ryan Chan | Associate Editor |
| Helen Seery | Production Accountant |
| Monique Eissing | Digital Intermediate |
| Zara Park | Digital Intermediate Producer |
| Josh Fapp | Digital Intermediate Assistant |
| Pani Scott | First Assistant Editor |
| Corinne Bogdanowicz | Digital Intermediate Colorist |
| Francesca Jaynes | Choreographer |
| Paul Geffre | Digital Intermediate Producer |
| Xavi Tió | Production Coordinator |
| Danny Keefe | Digital Intermediate Assistant |
| Ian Vertovec | Digital Intermediate Colorist |
| Matt Blackshear | Digital Intermediate Editor |
| George Dean | Painter |
| Robert Zemeckis | Director |
| Steven Knight | Writer |
| Alan Silvestri | Original Music Composer |
| Gary Freeman | Production Design |
| Tom Still | Art Direction |
| Nina Gold | Casting |
| Robert Sterne | Casting |
| Joanna Johnston | Costume Design |
| Stéphane Foenkinos | Casting |
| Kevin Baillie | Visual Effects Supervisor |
| Christophe Danchaud | Makeup Artist |
| John Roesch | Foley Artist |
| Shaun Farley | Foley Editor |
| Simon Hayes | Production Sound Mixer |
| Brandon Proctor | Sound Re-Recording Mixer |
| Dennis Sands | Sound Re-Recording Mixer |
| Randy Thom | Supervising Sound Editor, Sound Re-Recording Mixer |
| Andrea Cracknell | Hairstylist |
| Don Burgess | Director of Photography |
| Alistair Williams | Special Effects Technician |
| Levan Doran | Stunts |
| Duncan Jarman | Prosthetics Sculptor |
| Mark Southworth | Stunt Coordinator |
| Name | Title |
|---|---|
| Denis O'Sullivan | Executive Producer |
| Jacqueline Levine | Executive Producer |
| Graham King | Producer |
| Steven Knight | Executive Producer |
| Patrick McCormick | Executive Producer |
| Steve Starkey | Producer |
| Robert Zemeckis | Producer |
| Jack Rapke | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 94 | 240 | 45 |
| 2024 | 5 | 291 | 377 | 239 |
| 2024 | 6 | 179 | 295 | 50 |
| 2024 | 7 | 51 | 92 | 24 |
| 2024 | 8 | 37 | 76 | 21 |
| 2024 | 9 | 22 | 36 | 15 |
| 2024 | 10 | 30 | 56 | 15 |
| 2024 | 11 | 25 | 61 | 16 |
| 2024 | 12 | 28 | 58 | 19 |
| 2025 | 1 | 29 | 51 | 21 |
| 2025 | 2 | 20 | 35 | 4 |
| 2025 | 3 | 8 | 30 | 2 |
| 2025 | 4 | 5 | 9 | 3 |
| 2025 | 5 | 4 | 10 | 3 |
| 2025 | 6 | 4 | 8 | 3 |
| 2025 | 7 | 4 | 9 | 3 |
| 2025 | 8 | 4 | 7 | 3 |
| 2025 | 9 | 6 | 8 | 4 |
| 2025 | 10 | 5 | 7 | 3 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 343 | 469 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 819 | 853 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 649 | 708 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 713 | 846 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 861 | 928 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 889 | 933 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 272 | 521 |
**Marriage made in the field never work!** This is definitely among the top five films of the year. But the sad part is the Oscars snub. Nominated for Costume Design, but I expected the Best Actor, Actress, and particularly Original Screenplay and Motion Picture. This amazing spy thriller-drama w ... as directed by Robert Zemeckis of many popular flicks. The best casting in the recent films and visually so good of those 40s atmosphere, like it be the war or the society. This is the story of two spies from different nation who meet in Casablanca for a mission. Pretending to be a newly wed couple, soon they enter the real wedlock. The rest of the tale follows a couple of years later when a big question arises, in that they have to prove their innocence. Failing it could lead them to a serious consequence. So the narration filled with suspense and thriller takes over with a greater pace till the end. Obviously the film was long, but I did not mind or I could say I did not know how the two hours went on so quickly. Engaging plot kept me my focus on the screen. As we know, all these years the Oscars turned down the best performance recognitions, including this one for Brad. Before going to watch this film, I thought it was another World War II film which might be inspired by the real. But it was not. Takes place in the background of the same war, but this is a spy film. And their personal life and profession, how one another influences is what revealed. Now I don't know when such kind of a great spy thriller I'm going to watch next. I think it is massively underrated, especially stupid film critics and their takes on it was unbelievably wrong. I surely, highly recommend it. _9/10_
Marion Cotillard, yeah, she's one of those people that you know you've seen her before but you can't exactly place her and it tortures you for the duration of the film. She also looks so much like she was actually from The Greatest Generation that she's probably one of those actors that can morph ... with every role she's in. And, looking at her on IMDB, I've actually seen her more than I thought I had. At any rate, she blends well with the era...but, unfortunately, Pitt looks less from the times than he did in his other WWII movies, which is odd given how he can blend as well. I guess the producers wanted to feature him more for the draw of Brad Pitt. In either case, it is a suspenseful and emotional film and one that will sit among the better spy movies ever made. It's low key, the action and the violence is down played to the point where it's far removed from Bond and comes across as a very straight spy thriller. In other words it's the type of movie we unfortunately don't see enough of these days, subtle and straight. It's a movie that is based around the characters, the script, and the acting more than special effects and because of that it's easy to get involved emotionally with the plot and the people, even if it does move a bit faster than I would have liked. Overall, it's a breath of fresh air in the era of the MCU and over-the-top effects and it pays off in the end from pure emotion. You can't get much better.