Popularity: 1 (history)
Director: | Tony Richardson |
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Writer: | John Osborne, Nigel Kneale |
Staring: |
Archie Rice, an old-time British vaudeville performer sinking into final defeat, schemes to stay in show business. | |
Release Date: | Jul 25, 1960 |
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Director: | Tony Richardson |
Writer: | John Osborne, Nigel Kneale |
Genres: | Drama |
Keywords | beauty contest, dysfunctional family, based on play or musical, bankruptcy, music hall, seaside town, kitchen sink realism, vaudeville performer, british new wave, suez crisis |
Production Companies | Woodfall Film Productions, Continental |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Feb 02, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Laurence Olivier | Archie Rice |
Brenda De Banzie | Phoebe Rice |
Roger Livesey | Billy Rice |
Joan Plowright | Jean Rice |
Alan Bates | Frank Rice |
Daniel Massey | Graham |
Albert Finney | Mick Rice |
Shirley Anne Field | Tina Lapford |
Thora Hird | Mrs. Ada Lapford |
Miriam Karlin | Soubrette |
Geoffrey Toone | Harold Hubbard |
MacDonald Hobley | McDonald Hobley (as McDonald Hobley) |
Anthony Oliver | Interviewer |
Max Bacon | Charlie Klein |
George Doonan | Eddie Trimmer |
James Culliford | Cobber Carson |
Gilbert Davis | Brother Bill |
Charles Gray | Columnist |
Gwen Nelson | |
Hope Jackman | Morecambe Mother |
Tony Selby | Teddy Boy (uncredited) |
Nigel Davenport | Theatre Manager (uncredited) |
Name | Job |
---|---|
Tony Richardson | Director |
John Osborne | Theatre Play, Screenplay |
Nigel Kneale | Screenplay |
Oswald Morris | Director of Photography |
Peter Yates | Assistant Director |
Michael Stevenson | Third Assistant Director |
Maude Spector | Casting |
Alan Osbiston | Editor |
John Addison | Original Music Composer, Conductor |
Tony Sforzini | Makeup Artist |
R.L.M. Davidson | Production Manager |
Ralph W. Brinton | Art Direction |
Pat Moon | Production Secretary |
Bert Cann | Still Photographer |
Ginger Gemmel | Camera Operator |
Ken Ritchie | Boom Operator |
Bob Jones | Sound |
Jocelyn Rickards | Costume Designer |
Peter Handford | Sound |
Edward Marshall | Assistant Art Director |
Bill Griffiths | Hairdresser |
Ronald Cass | Music Director |
Basil Mannin | Scenic Artist |
Maggie Unsworth | Continuity |
William Blezard | Music Arranger |
Mike Rutter | Clapper Loader |
Michael Walter | Key Grip |
Ronnie Maasz | Focus Puller |
Denys N. Coop | Camera Operator |
Chris Greenham | Sound Editor |
Tony Woollard | Draughtsman |
Fred Mannin | Scenic Artist |
Roy Millichip | Second Assistant Director |
Barbara Gillett | Wardrobe Master |
Honor Blair | Stage Director |
Name | Title |
---|---|
Harry Saltzman | Producer |
John Croydon | Associate Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 9 | 18 | 5 |
2024 | 5 | 13 | 33 | 5 |
2024 | 6 | 9 | 27 | 3 |
2024 | 7 | 8 | 22 | 3 |
2024 | 8 | 11 | 20 | 6 |
2024 | 9 | 8 | 16 | 5 |
2024 | 10 | 8 | 17 | 3 |
2024 | 11 | 6 | 17 | 3 |
2024 | 12 | 7 | 18 | 3 |
2025 | 1 | 9 | 25 | 4 |
2025 | 2 | 4 | 8 | 1 |
2025 | 3 | 2 | 5 | 1 |
2025 | 4 | 1 | 2 | 1 |
2025 | 5 | 1 | 5 | 1 |
2025 | 6 | 1 | 2 | 1 |
2025 | 7 | 1 | 2 | 0 |
2025 | 8 | 1 | 2 | 0 |
2025 | 9 | 2 | 3 | 1 |
2025 | 10 | 2 | 2 | 1 |
Trending Position
Certainly, Laurence Olivier is superb in this drama, but he is surrounded by a superior supporting cast that lend huge poignancy to this story. He is "Archie Rice", a seaside entertainer who has long since passed his use-by date. His quick witted, slightly risqué and smutty humour no longer amuses t ... he theatre audiences who now require much greater sophistication. He can't adapt though - it's in his blood. As he desperately tries to stay one step ahead of the bailiffs and the taxman, he puts his nearest and dearest through a maelstrom of emotions and trauma. It doesn't help his wife "Phoebe" (Brenda de Banzie) that he is also a bit of a womaniser - usually with younger girls, too. His long suffering kids "Jean" (Joan Plowright) and "Frank" (Alan Bates) try to keep things running as they struggle to make ends meet and stay cohesive as a family. Add to these four, a sparing but super contribution from Roger Livesey as his father - another man who made his living treading the boards back in the day, and what we have here is a telling look at a man who just no longer belongs. Olivier, the actor, turns his hand to stand-up, tap dancing, singing - all standard skills that anyone making a living this way would have needed; and he does it really well. None of the theatrical, method style he is so often famed (and criticised) for. Indeed, I think this is the most natural I have ever seen him on film. He seems to be rejoicing in the role - and that's contagious to watch. It's not a bundle of laughs, we are given plenty of opportunity to dislike this rather selfish, narcissist - especially when he is with the excellent Plowright and de Banzie. Although there is an inevitability to the conclusion, I still felt for this family reaching a crossroads, ill-equipped to fit into a society they didn't recognise nor really want to embrace.