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The Entertainer

As the applause grew fainter … As the spotlight grew dimmer … His women were younger!
1960 | 96m | English

(4025 votes)

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Popularity: 1 (history)

Details

Archie Rice, an old-time British vaudeville performer sinking into final defeat, schemes to stay in show business.
Release Date: Jul 25, 1960
Director: Tony Richardson
Writer: John Osborne, Nigel Kneale
Genres: Drama
Keywords beauty contest, dysfunctional family, based on play or musical, bankruptcy, music hall, seaside town, kitchen sink realism, vaudeville performer, british new wave, suez crisis
Production Companies Woodfall Film Productions, Continental
Box Office Revenue: $0
Budget: $0
Updates Updated: Feb 02, 2025
Entered: Apr 13, 2024
Trailers and Extras

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Full Credits

Name Character
Laurence Olivier Archie Rice
Brenda De Banzie Phoebe Rice
Roger Livesey Billy Rice
Joan Plowright Jean Rice
Alan Bates Frank Rice
Daniel Massey Graham
Albert Finney Mick Rice
Shirley Anne Field Tina Lapford
Thora Hird Mrs. Ada Lapford
Miriam Karlin Soubrette
Geoffrey Toone Harold Hubbard
MacDonald Hobley McDonald Hobley (as McDonald Hobley)
Anthony Oliver Interviewer
Max Bacon Charlie Klein
George Doonan Eddie Trimmer
James Culliford Cobber Carson
Gilbert Davis Brother Bill
Charles Gray Columnist
Gwen Nelson
Hope Jackman Morecambe Mother
Tony Selby Teddy Boy (uncredited)
Nigel Davenport Theatre Manager (uncredited)
Name Job
Tony Richardson Director
John Osborne Theatre Play, Screenplay
Nigel Kneale Screenplay
Oswald Morris Director of Photography
Peter Yates Assistant Director
Michael Stevenson Third Assistant Director
Maude Spector Casting
Alan Osbiston Editor
John Addison Original Music Composer, Conductor
Tony Sforzini Makeup Artist
R.L.M. Davidson Production Manager
Ralph W. Brinton Art Direction
Pat Moon Production Secretary
Bert Cann Still Photographer
Ginger Gemmel Camera Operator
Ken Ritchie Boom Operator
Bob Jones Sound
Jocelyn Rickards Costume Designer
Peter Handford Sound
Edward Marshall Assistant Art Director
Bill Griffiths Hairdresser
Ronald Cass Music Director
Basil Mannin Scenic Artist
Maggie Unsworth Continuity
William Blezard Music Arranger
Mike Rutter Clapper Loader
Michael Walter Key Grip
Ronnie Maasz Focus Puller
Denys N. Coop Camera Operator
Chris Greenham Sound Editor
Tony Woollard Draughtsman
Fred Mannin Scenic Artist
Roy Millichip Second Assistant Director
Barbara Gillett Wardrobe Master
Honor Blair Stage Director
Name Title
Harry Saltzman Producer
John Croydon Associate Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 9 18 5
2024 5 13 33 5
2024 6 9 27 3
2024 7 8 22 3
2024 8 11 20 6
2024 9 8 16 5
2024 10 8 17 3
2024 11 6 17 3
2024 12 7 18 3
2025 1 9 25 4
2025 2 4 8 1
2025 3 2 5 1
2025 4 1 2 1
2025 5 1 5 1
2025 6 1 2 1
2025 7 1 2 0
2025 8 1 2 0
2025 9 2 3 1
2025 10 2 2 1

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Reviews

Geronimo1967
7.0

Certainly, Laurence Olivier is superb in this drama, but he is surrounded by a superior supporting cast that lend huge poignancy to this story. He is "Archie Rice", a seaside entertainer who has long since passed his use-by date. His quick witted, slightly risqué and smutty humour no longer amuses t ... he theatre audiences who now require much greater sophistication. He can't adapt though - it's in his blood. As he desperately tries to stay one step ahead of the bailiffs and the taxman, he puts his nearest and dearest through a maelstrom of emotions and trauma. It doesn't help his wife "Phoebe" (Brenda de Banzie) that he is also a bit of a womaniser - usually with younger girls, too. His long suffering kids "Jean" (Joan Plowright) and "Frank" (Alan Bates) try to keep things running as they struggle to make ends meet and stay cohesive as a family. Add to these four, a sparing but super contribution from Roger Livesey as his father - another man who made his living treading the boards back in the day, and what we have here is a telling look at a man who just no longer belongs. Olivier, the actor, turns his hand to stand-up, tap dancing, singing - all standard skills that anyone making a living this way would have needed; and he does it really well. None of the theatrical, method style he is so often famed (and criticised) for. Indeed, I think this is the most natural I have ever seen him on film. He seems to be rejoicing in the role - and that's contagious to watch. It's not a bundle of laughs, we are given plenty of opportunity to dislike this rather selfish, narcissist - especially when he is with the excellent Plowright and de Banzie. Although there is an inevitability to the conclusion, I still felt for this family reaching a crossroads, ill-equipped to fit into a society they didn't recognise nor really want to embrace.

Apr 04, 2022