Popularity: 4 (history)
| Director: | Clive Barker |
|---|---|
| Writer: | Clive Barker |
| Staring: |
| A troubled young man is drawn to a mythical place called Midian where a variety of friendly monsters are hiding from humanity. Meanwhile, a sadistic serial killer is looking for a patsy. | |
| Release Date: | Feb 16, 1990 |
|---|---|
| Director: | Clive Barker |
| Writer: | Clive Barker |
| Genres: | Fantasy, Action, Horror |
| Keywords | monster, supernatural, escape, serial killer, dark fantasy |
| Production Companies | 20th Century Fox, Seraphim Films, Morgan Creek Entertainment |
| Box Office |
Revenue: $8,862,354
Budget: $11,000,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Craig Sheffer | Aaron Boone |
| Anne Bobby | Lori Desinger |
| David Cronenberg | Dr. Philip K. Decker |
| Charles Haid | Captain Eigerman |
| Hugh Quarshie | Detective Joyce |
| Hugh Ross | Narcisse |
| Doug Bradley | Dirk Lylesberg |
| Catherine Chevalier | Rachel |
| Malcolm Smith | Ashberry |
| Bob Sessions | Pettine |
| Oliver Parker | Peloquin |
| Debora Weston | Sheryl Ann |
| Nicholas Vince | Kinski |
| Simon Bamford | Ohnaka |
| Christine McCorkindale | Shuna Sassi |
| John Agar | Gas Station Attendant / Victim |
| Jack Bennett | (voice) |
| Alexis De La Rocha | (voice) |
| Kim Robertson | Babette |
| Nina Robertson | Babette |
| Tony Bluto | Leroy Gomm |
| Vincent Keene | Devil Lude |
| Bernard Henry | Baphomet |
| Richard Van Spall | Drummer |
| David Young | Otis and Clay |
| Valda Aviks | Mellissa Rickman |
| Mac McDonald | Lou Rickman |
| Richard Bowman | Rickman Boy |
| McNally Sagal | Motel Receptionist |
| Daniel Kash | Labowitz |
| Bradley Lavelle | Cormack |
| Stephen Hoye | Gibbs |
| Tom Hunsinger | Tommy |
| George Roth | Kane |
| Peter Marinker | Pathologist |
| Lindsay Holiday | Morgue Assistant |
| Kenneth Nelson | Emergency Doctor |
| Carolyn Jones | Emergency Nurse |
| Ted Maynard | Bartender |
| Mitch Webb | Jail Cell Doctor |
| Eric Loren | Ambush Cop |
| Peter Atkins | Man in Club |
| Name | Job |
|---|---|
| Justin Cruse | Sound Mixer |
| Max Faulkner | Stunts |
| Greg Powell | Stunts |
| Andrew Kasch | Thanks |
| Ann Hollowood | Costume Design |
| Neill Gorton | Makeup Effects |
| Ricky Eyres | Art Direction |
| Richard Marden | Editor |
| Robin Vidgeon | Director of Photography |
| Kathy Sinclair | Stand In |
| Bruce Nyznik | Supervising Sound Editor, Sound Designer |
| Wayne Michaels | Stunt Coordinator, Stunts |
| Ben Rock | Thanks |
| Peter Freeman | Second Assistant Director |
| Oscar Mitt | Sound |
| Nick Powell | Stunts |
| Julian Parry | Modelling Supervisor |
| Gary Hutchings | Grip |
| John Oxlade | Armorer |
| Tom Brown | Draughtsman, Assistant Art Director |
| Junior Tomlin | Special Effects Technician |
| Rory Fellowes | Animation |
| Nigel Seal | Assistant Camera |
| William Parnell | Assistant Sound Editor |
| Andrew Furtado | Additional Editor |
| Steve Hardie | Production Design |
| Jamie White | Carpenter |
| Manuel Beccaro | Special Effects Makeup Artist |
| Louis H. Lavelly | Camera Operator |
| Mark Jones | Special Effects Makeup Artist |
| Neil Culley | Camera Operator |
| Sara-Jane Valentine | Assistant Editor |
| Steve Whyment | Stunts |
| Joe Thornton | Production Manager |
| Destiny Borden | Sound Editor |
| Cliff Culley | Matte Painter |
| Chris Fitzgerald | Special Effects Makeup Artist |
| Keith Blake | Focus Puller |
| Simon McNair Scott | Location Manager |
| David Ari Leon | Orchestrator |
| James Ashwill | Foley Mixer |
| Perry Davey | Stunts |
| Bronco McLoughlin | Stunts |
| Bob Bridges | Second Assistant Camera |
| Geoffrey Portass | Special Effects |
| Murray Close | Still Photographer |
| Shaune Harrison | Special Effects Makeup Artist |
| Richard Hammatt | Stunts |
| Paul Jones | Makeup Designer |
| Paul Clancy | Special Effects Technician |
| Sally Boldt | Music Editor |
| Gary Bunn | Prosthetics |
| Tommy Staples | Boom Operator |
| Billy Horrigan | Stunts |
| David Worley | Camera Operator |
| Tom Brown | Music |
| Rick Hart | Sound Re-Recording Mixer |
| Daryl Bristow | Wardrobe Supervisor |
| Stephen Imhoff | Thanks |
| Jim Dowdall | Stunts |
| Jessica Dwyer | Thanks |
| Dave Chagouri | Special Effects |
| Cynthia Haagens | ADR Editor |
| Sadie Eden | Stunts |
| Heather Jones | Key Hair Stylist |
| Marcus Richardson | Special Effects Assistant |
| Libbie Barr | Script Supervisor |
| Mark William Robinson | Assistant Makeup Artist |
| Linda Folk | Foley Editor |
| Frank Henson | Stunts |
| John Midgley | Sound Mixer |
| Cris Alex | Thanks |
| Paul Jennings | Stunts |
| John Ward | Steadicam Operator |
| Solange S. Schwalbe | Foley Supervisor |
| Gary A. Williams | Dolly Grip |
| Ian Brown | Special Effects Makeup Artist |
| Terry Adlam | Matte Painter |
| Neville Buchanan | Special Effects |
| Bob Keen | Special Effects |
| Clive Mackey | Clapper Loader |
| Andrew Wilkinson | Weapons Master |
| Steve Dillon | Thanks |
| Grant Mason | Special Effects Makeup Artist |
| Steve Ede | Construction Manager |
| Gary Donoghue | Electrician |
| Ian Madden | Electrician |
| Ray Wardley | Electrician |
| Sheldon Katz | Production Controller |
| Doug Robinson | Stunts |
| Robert Fernandez | Scoring Mixer |
| Kieron Phipps | First Assistant Director |
| Karl Watkins | Camera Operator |
| Terry Richards | Stunts |
| Les Wiggins | Sound Editor |
| David Litchfield | Camera Operator |
| Sean McCabe | Stunts |
| Bob Badami | Music Editor |
| Robbie Drake | Special Effects Technician |
| Peter Palmer | Set Dresser |
| Jay Wilkinson | Sound Effects Editor |
| Mark McBride | Stunts |
| George Tarrant | Sound Mixer |
| Benjamin Stuart Thompson | Assistant Art Director |
| Kate Murray | Makeup Effects |
| Aileen Seaton | Key Makeup Artist |
| Graeme Purdy | Standby Property Master |
| Bob Bell | Matte Painter |
| Peter Boita | Associate Editor |
| Terence 'Doc' Popolo Rubbio | Special Effects Makeup Artist |
| Darrell Guyon | Special Effects Technician |
| Shawn Murphy | Scoring Mixer |
| Ryan Danhauser | Thanks |
| David Allday | Draughtsman |
| Jack Collins | Electrician |
| Steve Foster | Chief Lighting Technician |
| John O'Callaghan | Electrician |
| Ira Friedlander | Production Accountant |
| Will Tyler | Production Accountant |
| Steven Painter | Makeup Effects |
| Clive Barker | Screenplay, Novel, Director |
| Chris Cunningham | Modeling |
| Danny Elfman | Original Music Composer |
| Mark Goldblatt | Editor |
| Chris Webb | Stunts |
| Mark Coulier | Special Effects Makeup Artist |
| Tony Gardner | Special Effects Makeup Artist |
| David Barron | Production Supervisor |
| Andy Armstrong | Stunt Coordinator, Action Director |
| Jesse V. Johnson | Third Assistant Director |
| Tim Lewis | Second Assistant Director |
| Ralph McQuarrie | Concept Artist, Title Designer |
| Gary C. Bourgeois | Sound Re-Recording Mixer |
| Chris Corbould | Special Effects Supervisor |
| Peter Kuran | Animation |
| Andy Bradford | Stunts |
| Tracey Eddon | Stunts |
| Valentino Musetti | Stunts |
| Colin Skeaping | Stunts |
| Bill Weston | Stunts |
| Steve Bartek | Orchestrator |
| Tom Boyd | Musician |
| Shirley Walker | Orchestrator, Conductor, Additional Music |
| Alan Harris | Stand In |
| Name | Title |
|---|---|
| Gabriella Martinelli | Producer |
| Mark Alan Miller | Producer |
| Michael G. Plumides Jr. | Executive Producer |
| David Robinson | Executive Producer |
| James G. Robinson | Executive Producer |
| David Barron | Associate Producer |
| Joe Roth | Co-Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 26 | 40 | 16 |
| 2024 | 5 | 40 | 63 | 30 |
| 2024 | 6 | 28 | 59 | 17 |
| 2024 | 7 | 22 | 42 | 11 |
| 2024 | 8 | 23 | 48 | 13 |
| 2024 | 9 | 15 | 26 | 7 |
| 2024 | 10 | 23 | 49 | 11 |
| 2024 | 11 | 14 | 28 | 8 |
| 2024 | 12 | 15 | 30 | 8 |
| 2025 | 1 | 16 | 35 | 10 |
| 2025 | 2 | 12 | 18 | 3 |
| 2025 | 3 | 5 | 14 | 1 |
| 2025 | 4 | 3 | 8 | 1 |
| 2025 | 5 | 2 | 6 | 1 |
| 2025 | 6 | 2 | 3 | 1 |
| 2025 | 7 | 1 | 2 | 0 |
| 2025 | 8 | 1 | 2 | 1 |
| 2025 | 9 | 2 | 3 | 1 |
| 2025 | 10 | 2 | 4 | 2 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 899 | 899 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 502 | 782 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 704 | 830 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 383 | 633 |
The movie fails to provide vital information about its world, either early enough or altogether. Without an understanding of what's happening on the screen, the initial story developments fail to make an emotional connection. What the viewer is left with is an appreciation for the darkly fantastical ... world and the technical prowess it would have required by the film crew to create. (Some of us will also appreciate the protagonist's beauty.)
What a difficult thing it is to review this movie. First the movie most people have seen is not the movie Clive Barker created, as the studio did the final cut without Barker's approval or even contacting him at all. So the studio (and the infamous test audience, people with no intelligence and movi ... e or art knowledge) released what they thought ot be a summer monster movie ... The Director's cut released way later is closer to what Barker wanted, but with time, some tapes had disappeared, and Barker had moved on, so what the prognal movie should have been is a mystery. So we have Boone, a guy plagued with nightmares of monsters living in a strange city, living with his girlfriend Lori that is a singer in a bar. He wants to live a normal life and has hopes his psychiatrist will help him. To make things short, the psychiatrist is interested in the monsters and Boone gets killed but is reborn as a monster. Then "humans" to eradicate them. I never go in the subtext of the movies as I look for entertainment in watching movies. So of course here its obvious that the theme is human instinct is to fear and kill what's different, either other humans or animals. But if you see only the in this movie, you'll lose 2 hours and won't like it as the monsters and Boone will just seem stupid to explore this theme. I prefer to think most Directors / writers will write a story based on the world they live in and the knowledge they have of it and the memories they have of history, what happeded to them and their close ones. Here Barker is much more interested in creating a world and legend of monsters than really showing humanity's weaknesses. And he does it brillantly. His monster society and history is deep, the craftsmanship of the costumes is insane, and even Dekker (played by David Cronenberg) is a good character, even the priest os a good character, even Lori is a good character, and that makes a good and enjoyable movie. I even enjoyed the "theatrical cut" as at the time we didn't know it was an awkward stodio cut.