 
  Popularity: 4 (history)
| Director: | Brian De Palma | 
|---|---|
| Writer: | Lowell Cannon, Jim Thomas, Graham Yost, John Thomas | 
| Staring: | 
| When the first manned mission to Mars meets with a catastrophic and mysterious disaster after reporting an unidentified structure, a rescue mission is launched to investigate the tragedy and bring back any survivors. | |
| Release Date: | Mar 10, 2000 | 
|---|---|
| Director: | Brian De Palma | 
| Writer: | Lowell Cannon, Jim Thomas, Graham Yost, John Thomas | 
| Genres: | Adventure, Science Fiction, Thriller | 
| Keywords | planet mars, spacecraft, affectation, space travel, space, alien, astronaut, dismemberment, alien contact, trapped in space, aggressive, philosophical, lyrical, based on theme park ride, inspirational, absurd, admiring, adoring, amused, appreciative, enchant, exuberant, 2020s | 
| Production Companies | Spyglass Entertainment, The Jacobson Company, Touchstone Pictures | 
| Box Office | Revenue: $110,983,407 Budget: $90,000,000 | 
| Updates | Updated: Aug 10, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Gary Sinise | Jim McConnell | 
| Tim Robbins | Woody Blake | 
| Don Cheadle | Luke Graham | 
| Connie Nielsen | Terri Fisher | 
| Jerry O'Connell | Phil Ohlmyer | 
| Peter Outerbridge | Sergei Kirov | 
| Kavan Smith | Nicholas Willis | 
| Jill Teed | Reene Cote | 
| Elise Neal | Debra Graham | 
| Kim Delaney | Maggie McConnell | 
| Marilyn Norry | NASA Wife | 
| Freda Perry | NASA Wife | 
| Lynda Boyd | NASA Wife | 
| Patricia Harras | NASA Wife | 
| Robert Bailey Jr. | Bobby Graham | 
| Britt McKillip | Child at Party | 
| Chaynade Knowles | Child at Party | 
| Jeffrey Ballard | Child at Party | 
| Anson Woods | Child at Party | 
| Jillian Marie | Child at Party | 
| Jody Thompson | Pretty Girl 1 | 
| Lucia Walters | Pretty Girl 2 | 
| Pamela Diaz | Pretty Girl 3 | 
| Sugith Varughese | 2nd Capcom | 
| Story Musgrave | 3rd Capcom | 
| Mina E. Mina | Ambassador | 
| Carlo Rota | Ambassador | 
| Dmitry Chepovetsky | Technician | 
| Tracy Waterhouse | Sobbing Technician | 
| McCanna Anthony Sinise | Young Jim McConnell | 
| Chantal Conlin | Young Maggie | 
| Jukka Joensuu | Priest | 
| Bill Timoney | Computer (voice) | 
| Riley Cantner | Child at Party (uncredited) | 
| Samantha Cantner | Child at Party (uncredited) | 
| Daniel Lederman | Taylor Jones (uncredited) | 
| Armin Mueller-Stahl | Ray Beck (uncredited) | 
| Name | Job | 
|---|---|
| Lowell Cannon | Story | 
| Jim Thomas | Screenplay, Story | 
| Benjamin Robin | Hairstylist | 
| Jeanne Van Phue | Makeup Artist | 
| Dan Sissons | Property Master | 
| Crys Forsyth-Smith | Production Manager | 
| Rob McEwan | Still Photographer | 
| Louis Cerborino | Dialogue Editor | 
| Sara Barnes | Craft Service | 
| Jodi Birdsong | Visual Effects Coordinator | 
| Stephen Tyler | Propmaker | 
| Stephen Carr | Driver | 
| Garry Elmendorf | Special Effects Supervisor | 
| Jack Gauvreau | Sculptor | 
| Maurice Schell | Supervising Sound Editor | 
| Colman McMahon | Art Department Coordinator | 
| Jennifer Donaldson | Art Department Assistant | 
| Mark Fattibene | Lighting Supervisor | 
| John G. Anderson | Construction Coordinator | 
| Luke Khanlian | Makeup Effects | 
| Scott Patton | Makeup Effects | 
| Aaron Pfau | Animation | 
| Merrick Rustia | Visual Effects | 
| Garet Reilly | Costume Supervisor | 
| Darin Hollings | Digital Effects Supervisor | 
| Mandy Tankenson | Production Coordinator | 
| Laurah Grijalva | Lead Painter | 
| Lorraine Jamison | Unit Publicist | 
| Stacey Butterworth | Wigmaker | 
| Rob Young | Sound Mixer | 
| Kandace Loewen | Key Hair Stylist | 
| Sue Brunell-Edwards | Production Accountant | 
| Lynn Andrews | Production Supervisor | 
| Barry Kootchin | Scenic Artist | 
| Charles O'Shea | Boom Operator | 
| James Healy | Systems Administrators & Support | 
| Gordon Hayman | Camera Operator | 
| Denyse Nelson | Set Dressing Artist | 
| Julie Adrianson-Neary | Digital Compositors | 
| Scott Gordon | CG Supervisor | 
| Lin MacDonald | Set Decoration | 
| Avo Zohrab | Camera Intern | 
| Heather Meehan | Unit Production Manager | 
| Thomas Valentine | Art Direction | 
| Ed Verreaux | Production Design | 
| Andrew Neskoromny | Art Direction | 
| Portia Tickell | Script Supervisor | 
| Charles Porlier | Makeup Artist | 
| Rodney Beech | Transportation Captain | 
| C. Marie Davis | Executive Visual Effects Producer | 
| Kendall McCarthy | Post Production Supervisor | 
| Scott Campbell | Gaffer | 
| Sean Cossey | Casting Associate | 
| Peter Clemens | Set Designer | 
| Allen E. Taylor | Production Controller | 
| Linda Chow | Seamstress | 
| Julian Bosse | Rigging Grip | 
| John Lisman | Machinist | 
| Richard Dobbin | Construction Foreman | 
| Ulysses Guidotti | Post Production Assistant | 
| Shawn Jolicoeur | Camera Technician | 
| Nicholas Meyers | Music Editor | 
| Ted Van Dorn | Painter | 
| Stephen Berg | Grip | 
| Alexander Laurant | Visual Effects Art Director | 
| Gordon Clapp | Set Decoration Buyer | 
| Roxanne Dorman | Projection | 
| Tim Heller | Electrician | 
| Ken Hovgaard | Location Scout | 
| Ron Annunziata | First Assistant Camera | 
| Mary Jo MacVey | Studio Teachers | 
| Keith Burk | Leadman | 
| Larry McConkey | Steadicam Operator | 
| Guy Barresi | First Assistant Editor | 
| Gary Brooks | Greensman | 
| David Cochrane | Best Boy Electric | 
| Chris Soldo | First Assistant Director | 
| John Marcynuk | Assistant Art Director | 
| Connie Kennedy | Location Manager | 
| Camille Eden | Visual Effects Production Assistant | 
| Krystin Johnson | Rotoscoping Artist | 
| Shaher Nawaf | Location Assistant | 
| Diana Patterson | Costume Coordinator | 
| Andrea Brown | Extras Casting | 
| Joseph Milijian | Location Coordinator | 
| Donna Christiano | Costume Set Supervisor | 
| Nina Saxon | Title Designer | 
| Bill Pearson | Dolly Grip | 
| Nerses Gezalyan | Foley Mixer | 
| Randy Crawford | Best Boy Grip | 
| Patrick Bonneau | Lead Animator | 
| Andrea Simpson | Hair Assistant | 
| David Boulton | ADR Mixer | 
| Michael Baltazar | CG Artist | 
| Glenn Allen | Assistant Editor | 
| Jeanie King | Visual Effects Coordinator | 
| Robert Schajer | Digital Producer | 
| Randy Shymkiw | Special Effects Coordinator | 
| Melissa Bretherton | Visual Effects Editor | 
| Brennan Doyle | Visual Effects Supervisor | 
| Alden Bateham | Carpenter | 
| Tom Fleischman | Sound Re-Recording Mixer | 
| Sean Elliott | Second Assistant Camera | 
| Jules Roman | General Manager | 
| Jim Adamson | Project Manager | 
| Eric Schwab | Second Unit Director | 
| Steve Oben | Costumer | 
| Berengaria Tomkies | Third Assistant Director | 
| Clayton J. McCallum DuBois | Assistant Camera | 
| Erich Hepnar | Head Greensman | 
| Peggy Tison | Assistant Accountant | 
| Frank Annunziata | Production Assistant | 
| Dan Clark | Special Effects Technician | 
| Phillip Fuller | Sound Mix Technician | 
| Gina Alfano | ADR Editor | 
| Ashraf Mashaleh | Special Effects Assistant | 
| Colin Matthews | Assistant Property Master | 
| Marnie Gee | Assistant Location Manager | 
| Craig Lyn | CG Artist | 
| David Orr | Color Timer | 
| John Murrah | Senior Animator | 
| Harriet Fidlow | Supervising ADR Editor | 
| Doreen Beaulac | First Assistant Accountant | 
| Greg Zimmerman | Foley Recordist | 
| Paul Barry | Second Assistant Director | 
| Kelly Moore | Chief Lighting Technician | 
| Dorne Huebler | Compositing Supervisor | 
| Dave 'Foots' Footman | Additional Second Assistant Director | 
| Steve Ringwood | Key Rigging Grip | 
| Dave Harvey | Payroll Accountant | 
| Andrea Biklian | Negative Cutter | 
| Allen Battino | Matte Painter | 
| Julie Creighton | Visual Effects Production Manager | 
| Michelle Hamilton | Second Assistant Accountant | 
| Gabriel Hardman | Storyboard Artist | 
| Joshua Landis | Assistant Dialogue Editor | 
| Jay Anderson | Generator Operator | 
| Elisabeth Cotter | Digital Color Timer | 
| David R. Anderson | Rigging Gaffer | 
| Graham Yost | Screenplay | 
| Ennio Morricone | Conductor, Original Music Composer | 
| Stephen H. Burum | Director of Photography | 
| Paul Hirsch | Editor | 
| Jake Garber | Makeup Effects | 
| Sanja Milković Hays | Costume Design | 
| Miles Teves | Conceptual Design | 
| James Clyne | Production Illustrator | 
| Adam Shankman | Choreographer | 
| Jeff Habberstad | Stunt Coordinator | 
| Marny Eng | Stunts | 
| Jacqui Lopez | Visual Effects Producer | 
| Syd Mead | Concept Artist | 
| Harry Cohen | Sound Effects Designer | 
| James Bamford | Stunt Double | 
| Eva Amurri | Set Production Assistant | 
| John Knoll | Visual Effects Supervisor | 
| Brian De Palma | Director | 
| Greg Nicotero | Makeup Effects | 
| Matthew O'Callaghan | Animation Supervisor | 
| Doug Chapman | Stunt Double | 
| Melissa R. Stubbs | Stunt Coordinator | 
| Erik Stabenau | Stunts | 
| Owen Walstrom | Stunts | 
| Duane Dickinson | Stunts | 
| John Thomas | Screenplay, Story | 
| Denise Chamian | Casting | 
| Kerry Carmean-Williams | Sound Effects Editor | 
| Name | Title | 
|---|---|
| Chris Soldo | Associate Producer | 
| Justis Greene | Co-Producer | 
| Sam Mercer | Executive Producer | 
| David S. Goyer | Co-Producer | 
| Jacqui Lopez | Associate Producer | 
| Ted Tally | Associate Producer | 
| Tom Jacobson | Producer | 
| Jim Wedaa | Co-Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 29 | 41 | 20 | 
| 2024 | 5 | 26 | 39 | 19 | 
| 2024 | 6 | 20 | 33 | 12 | 
| 2024 | 7 | 24 | 41 | 15 | 
| 2024 | 8 | 18 | 25 | 11 | 
| 2024 | 9 | 18 | 34 | 10 | 
| 2024 | 10 | 26 | 52 | 14 | 
| 2024 | 11 | 16 | 26 | 11 | 
| 2024 | 12 | 15 | 21 | 9 | 
| 2025 | 1 | 15 | 27 | 10 | 
| 2025 | 2 | 13 | 18 | 3 | 
| 2025 | 3 | 6 | 19 | 1 | 
| 2025 | 4 | 2 | 3 | 1 | 
| 2025 | 5 | 2 | 3 | 1 | 
| 2025 | 6 | 2 | 3 | 1 | 
| 2025 | 7 | 2 | 3 | 1 | 
| 2025 | 8 | 2 | 3 | 1 | 
| 2025 | 9 | 3 | 4 | 2 | 
| 2025 | 10 | 3 | 5 | 2 | 
Trending Position
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 8 | 878 | 931 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 6 | 427 | 742 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 4 | 664 | 664 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 2 | 191 | 457 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 1 | 863 | 890 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 11 | 626 | 739 | 
Some couples dance, others go to Mars. It was the year of two Mars based movies, with the other being Red Planet, of Pitch Black and the chaotic history that produced the Supernova. Plenty of sci-fi around but sadly few decent offerings. Mission to Mars is a film you can see had good ideas on ... the page, some brainy and emotion based narrative threads. Effects work is OK for the era, while there's a very impressive cast put together to tell the story. Yet the script stinks to high heaven, the surprises are as absent as Martians are, while the steals from previous sci-fi movies grate on the nerves. The odd sequence has quality about it (dancing in space, woo-hoo, storm attack, yay), while the finale - all be it still a steal - is well constructed and further proof that someone somewhere had the kernel of a good story idea, but it's laborious trite and devoid of the basic film principals - to entertain and engage. So many things wrong here, so much so the names of all involved have been spared. Join this Mission to Mars at your own peril. 4/10
When a mission to explore the red planet goes wrong, stranding "Luke" (Don Cheadle) alone on this hostile world, his colleagues "Woody" (Tim Robbins), "Jim" (Gary Sinese), "Terri" (Connie Nielsen) and "Phil" (Jerry O'Connell) put huge pressure on their boss to let them take the spare rocket ship and ... head to the rescue. After a minimum of persuasion, off they go and are soon in sight of the planet and of an anomaly that is defying their instruments and their instincts. They land, discover their friend is alive and well and that there is a strange construction on the planet that needs investigating. Sense might dictate they go home and return to proceed in greater numbers but there's no taming the inquisitiveness of mankind and, well, the action starts to heat up. To be fair, this film looks very good and the use of visual effects and the spaceship interiors are complementary rather than overwhelming. The dialogue, well that's another story - it's pretty poor from start to finish and the plot itself is fairly derivative (and a bit repetitive, too). The acting is really only adequate, but Brian De Palma does manage to engender a sense of camaraderie amongst his astronauts and a workable sense of menace as the plot develops. Jeopardy? No, not really. Of course some of the crew are going to end up Martian toast and I found the science a little bit implausible as we advance. As a throw-away sci-fi adventure film this works fine and passes two hours effortlessly. If you are looking for anything more cerebral and/or original then perhaps not...
Brian De Palma's Mission to Mars (2000) delivers an engaging space exploration adventure that still holds up as a fascinating depiction of outer space, especially given the limited technical knowledge available at the time. While it may not be flawless in its execution, the film does a commendable j ... ob of portraying the challenges and mysteries of space travel. The performances, particularly from Gary Sinise and Don Cheadle, are standout elements. Their characters bring depth and emotion to the story, grounding the film's high-concept premise with human connection. The storyline is another highlight, offering a plot that’s unpredictable in true De Palma fashion. The layers of mystery and the well-written underlying message keep the audience invested throughout. The script may not be perfect, with some moments feeling a bit thin, but it works well in service of the overall narrative. Combined with De Palma’s direction, the dialogue and pacing help to maintain the film’s emotional and intellectual impact. Mission to Mars is a movie for those who appreciate science fiction with a thoughtful touch. Its visuals, strong performances, and engaging plot make it a memorable exploration of both outer space and the human spirit. Even after all these years, it’s a film that remains enjoyable to revisit