Popularity: 12 (history)
| Director: | Alfred Hitchcock |
|---|---|
| Writer: | Sally Benson, Alma Reville, Thornton Wilder, Gordon McDonell |
| Staring: |
| Just when Charlie is feeling especially frustrated by the lack of excitement in her small town in California, she receives wonderful news: Her uncle and namesake, Charlie, is coming to visit. However, as secrets about him come to the fore, her admiration turns into suspicion. | |
| Release Date: | Jan 15, 1943 |
|---|---|
| Director: | Alfred Hitchcock |
| Writer: | Sally Benson, Alma Reville, Thornton Wilder, Gordon McDonell |
| Genres: | Mystery, Thriller |
| Keywords | library, california, detective, bank, small town, telegram, housewife, widow, film noir, murder, fugitive, teenage girl, incest overtones, black and white, murderer, police detective, privacy, visit, gender roles, brother sister , wealthy widow, precocious child, misogynist, americana, uncle niece relationship, money in the bank, murder suspect, northern california, conflicting worldviews, bluebeard |
| Production Companies | Universal Pictures, Skirball Productions |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Aug 10, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Teresa Wright | Young Charlie |
| Joseph Cotten | Uncle Charlie |
| Macdonald Carey | Jack Graham |
| Henry Travers | Joseph Newton |
| Patricia Collinge | Emma Newton |
| Hume Cronyn | Herbie Hawkins |
| Wallace Ford | Fred Saunders |
| Edna May Wonacott | Ann Newton |
| Charles Bates | Roger Newton |
| Irving Bacon | Station Master |
| Clarence Muse | Pullman Porter |
| Janet Shaw | Louise Finch |
| Estelle Jewell | Catherine |
| Virginia Brissac | Mrs. Phillips (uncredited) |
| Frances Carson | Mrs. Potter (uncredited) |
| Earle S. Dewey | Mr. Norton (uncredited) |
| Sarah Edwards | Doctor's Wife on Train (uncredited) |
| Edward Fielding | Doctor on Train (uncredited) |
| Vaughan Glaser | Dr. Phillips (uncredited) |
| Alfred Hitchcock | Man on Train Playing Cards (uncredited) |
| Shep Houghton | Ballroom Dancer (uncredited) |
| Ruth Lee | Mrs. MacCurdy (uncredited) |
| Eily Malyon | Mrs. Cochran (uncredited) |
| John McGuire | Teen at Crosswalk (uncredited) |
| Shirley Mills | Shirley (uncredited) |
| Constance Purdy | Mrs. Martin (uncredited) |
| Robert Quarry | Santa Rosa Teenager (uncredited) |
| Isabel Randolph | Margaret Green (uncredited) |
| Grandon Rhodes | Rev. MacCurdy (uncredited) |
| Byron Shores | Detective (uncredited) |
| Edwin Stanley | Mr. Green (uncredited) |
| Minerva Urecal | Mrs. Henderson (uncredited) |
| Name | Job |
|---|---|
| Alfred Hitchcock | Director |
| Sally Benson | Screenplay |
| Alma Reville | Screenplay |
| Dimitri Tiomkin | Music, Original Music Composer |
| Adrian | Costume Design |
| Robert Pritchard | Sound |
| Joseph A. Valentine | Director of Photography |
| Russell A. Gausman | Set Decoration |
| Vera West | Costume Design |
| John P. Fulton | Visual Effects |
| Thornton Wilder | Thanks, Screenplay |
| Gordon McDonell | Original Story |
| Ralph Slosser | Assistant Director |
| Edward R. Robinson | Set Decoration |
| Milton Carruth | Editor |
| John B. Goodman | Art Direction |
| William Tummel | Second Unit, Assistant Director |
| Charles Previn | Music |
| Bernard B. Brown | Sound Director |
| Robert F. Boyle | Art Direction |
| Dorothea Holt | Other |
| Adele Cannon | Continuity |
| Franz Lehár | Original Music Composer |
| Name | Title |
|---|---|
| Jack H. Skirball | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 17 | 25 | 12 |
| 2024 | 5 | 20 | 34 | 12 |
| 2024 | 6 | 19 | 38 | 9 |
| 2024 | 7 | 22 | 37 | 13 |
| 2024 | 8 | 17 | 26 | 11 |
| 2024 | 9 | 13 | 21 | 9 |
| 2024 | 10 | 37 | 91 | 10 |
| 2024 | 11 | 19 | 48 | 12 |
| 2024 | 12 | 15 | 24 | 9 |
| 2025 | 1 | 14 | 23 | 9 |
| 2025 | 2 | 12 | 22 | 3 |
| 2025 | 3 | 6 | 20 | 1 |
| 2025 | 4 | 2 | 3 | 2 |
| 2025 | 5 | 2 | 3 | 1 |
| 2025 | 6 | 1 | 2 | 1 |
| 2025 | 7 | 1 | 2 | 1 |
| 2025 | 8 | 1 | 3 | 1 |
| 2025 | 9 | 3 | 4 | 2 |
| 2025 | 10 | 2 | 12 | 1 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 894 | 894 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 908 | 931 |
Merry Widow Murderer - Hitchcock style! Shadow Of A Doubt was believed to have been Hitchcock's own favourite movie, the one that he was most proud of as he felt his critics hadn't got any justifiable ammunition to shoot him down with. The film stands out because it doesn't have the tongue in che ... ek dark humour traits that light up most of the maestro's classics. The cheeky bonus is that of having the central premise of the main protagonist being a hero of the people. His family all adore him, where he is on the surface a man that all men want to be, and it's here that Hitchcock moulds a chilling filmic arc, in fact, it's a masterstroke of filmic manipulation. The plot involves Uncle Charlie returning to his adoring family in Santa Rosa after avoiding his apprehension for the murder of a widow. His niece Charlie treats Uncle as a hero, she worships the ground he walks on, but as the detectives close in, niece Charlie starts to piece together things and suspects herself that Uncle may just in fact be The Merry Widow Murderer. We are then pitched into the cat & mouse story and become privy to Uncle Charlie's switch from debonair handsome hero, into that of the devil incarnate. The reoccurring theme of The Merry Widow Waltz adds to the uneasy feel, while the relationship between Uncle & Niece is one that I'm sure Hitchcock was revelling in. Make no bones about it, it's in itself bordering on being unhealthy, and it's something that helps make this a more edgier thriller than other genre pieces of the era. Joseph Cotten is special as Uncle Charlie, his duality acting hits the spot on both fronts, whilst Teresa Wright is beguiling as the niece because she really makes the character infectious. Thus it's with these two great performances that the pics final reel brings socko results. Screenplay is written by the wonderfully talented Thornton Wilder, and with the master directing with swagger in tow, this rounds out as a triumphant classic that shouldn't be missed by fans of such terminologies. 10/10