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Sucker Punch

You will be unprepared.
2011 | 110m | English

(258721 votes)

TMDb IMDb

Popularity: 6 (history)

Details

A young woman, institutionalized by her abusive stepfather, retreats into a vivid fantasy world where she envisions a plan to escape. Gathering a group of fellow inmates, she embarks on a quest to collect five mystical items, blurring the lines between reality and imagination.
Release Date: Mar 24, 2011
Director: Zack Snyder
Writer: Zack Snyder, Steve Shibuya
Genres: Fantasy, Action, Thriller
Keywords brothel, samurai, asylum, sword fight, escape, dragon, robot, inmate, lobotomy, war zone, abusive stepfather, rape culture, alternate reality
Production Companies Warner Bros. Pictures, Legendary Pictures, Cruel & Unusual Films, Lennox House Films
Box Office Revenue: $89,792,502
Budget: $82,000,000
Updates Updated: Jun 22, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Emily Browning Babydoll
Abbie Cornish Sweet Pea
Jena Malone Rocket
Vanessa Hudgens Blondie
Jamie Chung Amber
Carla Gugino Dr. Vera Gorski
Oscar Isaac Blue Jones
Jon Hamm High Roller / Doctor
Scott Glenn Wise Man
Richard Cetrone CJ
Gerard Plunkett Stepfather
Malcolm Scott The Cook
Ron Selmour Danforth
A.C. Peterson Mayor / Lighter Orderly
Revard Dufresne Big Boss Thug / Orderly #3
Kelora Clingwall Babydoll's Mother
Frederique De Raucourt Babydoll's Sister
Monique Ganderton Lobotomy Nurse / High Roller Girl #1
Lee Tomaschefski Lobotomy Nurse / High Roller Girl #2
Eli Snyder Tommy Soldier #1
Cainan Wiebe Tommy Soldier #2
Danny Bristol Tommy Soldier #3
Brad Kelly Guard / Chauffeur #1
Peter Bryant Guard / Chauffeur #2
Patrick Sabongui Earl
John R. Taylor Grim Doctor
Chris Nowland Cemetary Cop
Christine Willes Reception Nurse / Designer
Gina Garenkooper Bitter Clipboard Nurse
Michael Adamthwaite State Trooper #1
Phillip Mitchell State Trooper #2
Ian Tracey Police Officer #1
Sean Campbell Police Officer #2
Arassay Reyes Dancer
Danielle Benton Dancer
Caitlin Goguen Dancer
Maiko Miyauchi Dancer
Paula Giroday Dancer
Louise Hradsky Dancer
Juliana Semenova Dancer
Allie Bertram Dancer
Vicky Lambert Dancer
Caroline Torti Dancer
Chantal Hunt Dancer
Carla Catherwood Dancer
Stephanie Sy Dancer
Kathryn Schellenberg Dancer
Geneen Georgiev Dancer
Annie Au Dancer
Tia Haraga Dancer
Hailley Caulfield Dancer
Daniela Dib Dancer
Jeff Dimitriou 'Emilio' Gangster Dancer
John Howard Band Member #1
Thomas Fornataro Band Member #2
Antoine Baby Harry Calaway Band Member #3
G! Force Band Member #4
Nii Nortey Engmann Band Member #5
Gary A. Hecker Special Creature Vocals (voice)
Name Job
Loyd Bateman Stunts
Freddy Bouciegues Stunts
Chad Wiebe Digital Effects Supervisor
Zack Snyder Director, Screenplay, Story
Lora Kennedy Casting
Clay Enos Still Photographer
William Hoy Editor
Rick Carter Production Design
Michael Wilkinson Costume Design
Larry Fong Director of Photography
Marius de Vries Original Music Composer
Jim Rowe Unit Production Manager
John Norris Visual Effects Producer
Wayne Dalglish Stunts
Damon Caro Stunt Coordinator, Fight Choreographer
Paul Becker Choreographer
Geoff Redknap Makeup Effects
Kira Roessler Supervising Dialogue Editor
Ron Blecker Armorer
Caitlin McKenna ADR Voice Casting
Shauna Duggins Stunt Double
Heidi Moneymaker Stunt Double
Steve Shibuya Screenplay
Michelle Allen Casting
Kristy Carlson Casting
Jana MacDonald Costume Supervisor
Jim Erickson Set Decoration
Anthony Di Ninno Animation
Jeremy Stewart Digital Effects Supervisor
Todd Cherniawsky Art Direction
Patrick Banister Art Direction
Chris Jenkins Sound Re-Recording Mixer
Paul Pirola Sound Effects Editor
Kimi Webber Script Supervisor
Joel Whist Special Effects Coordinator
Brendan Ferguson Production Manager
Jon Title Sound Effects Designer, Sound Effects Editor
Michael McGee Production Sound Mixer
Lee Gilmore Sound Effects Editor
David Werntz Sound Effects Editor
Andrea Wertheim Post Production Supervisor
Nicole Oguchi Production Coordinator
Melissa Remenarich First Assistant Editor
Frank A. Montaño Sound Re-Recording Mixer
Cheryl Marion Set Designer
Jeff Markwith Set Designer
Bill Meadows Sound Recordist
Sean M. Harding First Assistant Camera
Bill Fesh Makeup Effects
Ann McLaren Makeup Effects
Christopher Mark Pinhey Makeup Artist
Lubor Cencak Scenic Artist
Jack Gauvreau Sculptor
Danielle Fowler Makeup Artist
Margot Ready Set Designer
Bryan Sutton Set Designer
Mario Tomas-Niedworok Scenic Artist
Stephanie Meyerink Visual Effects Coordinator
Darrell Hall Music Editor
Zabrina Matiru Makeup Artist
Dana Kay Hart Costume Supervisor
Hans Dayal Location Manager
Paul Barry First Assistant Director
Rosalina Da Silva Makeup Department Head
Joel Chang Conceptual Illustrator
Sheila Haley Set Designer
Steve Reintjes Painter
Justin Raleigh Makeup Effects
Kim M. Holly Costume Coordinator
Tyler Ruocco Assistant Editor
Stacey Butterworth Wigmaker
Rob Brady Best Boy Electric
Galo Make Canote Title Designer
Emanuela Daus Makeup Artist
Céline Godeau Makeup Effects
Louis Kiss Makeup Effects
Sharon Markell Hairstylist
Holland Miller Makeup Effects
Bruce Frankel Lead Painter
Julianna Kolakis Conceptual Illustrator
Derek Pippert Foley Editor
Vivienne To Creature Design
Monique McRae Costume Coordinator
Sharon Mosley Hairstylist
Carl Johansen Greensman
Dan Petrescu Lead Painter
Maximillian McNair MacEwan Visual Effects Coordinator
Mo Mohamoud Visual Effects Coordinator
William R. Dalgleish Camera Operator
Matthew Clancy Carpenter
Jim Ramsay Set Designer
Dennis Simard Lead Set Dresser
Susan O'Hara Costume Supervisor
Naomi Bakstad Makeup Artist
Maiko 'Mo' Gomyo Makeup Effects
Leslie Graham Makeup Artist
Geoffrey G. Rubay Sound Effects Designer
Peter Pacula Rigging Grip
Michael Ezell Makeup Effects
Allan Galajda Set Designer
Donald D. Brown Boom Operator
Scott R. Treliving Special Effects Supervisor
John 'D.J.' Des Jardin Visual Effects Supervisor
Pam Hammarlund Visual Effects Producer
Harlow MacFarlane Makeup Effects
George McCarthy Visual Effects Editor
Leona Naidoo Visual Effects Editor
Joel Thompson Visual Effects Editor
Andrew W. Davidson Gaffer
Keith Woods Rigging Gaffer
Felix Fox Makeup Effects
Rachel Griffin Makeup Effects
James H. Chow Property Master
John Dale Construction Coordinator
Jan Kobylka Construction Coordinator
Carie Wallis Art Department Coordinator
Ryan Monro Dolly Grip
Anji Bemben Hair Department Head
Thomas Floutz Makeup Effects
Tamara Watts Kent Visual Effects Producer
Stefan Dechant Supervising Art Director
Grant Van Der Slagt Supervising Art Director
Christian Beckman Makeup Effects
Fay von Schroeder Makeup Artist
William O. Hunter Set Designer
Rohan Lyal Greensman
Rick Hromadka Sound Designer
Michelle Ledesma Visual Effects Coordinator
Chris Uyede Modeling
Tiffany S. Griffith Dialogue Editor
Stephanie Portnoy Porter Costumer
Jerad Marantz Character Designer
Tyler Bates Original Music Composer
Scott A. Hecker Supervising Sound Editor
Mathew Krentz Digital Compositor
Kelly Golden Prosthetic Makeup Artist
Mike Justus Stunts
Peng Zhang Special Effects
Name Title
Deborah Snyder Producer
Zack Snyder Producer
Jim Rowe Executive Producer
Christopher DeFaria Executive Producer
Wesley Coller Executive Producer
Andrea Wertheim Associate Producer
William Fay Executive Producer
Thomas Tull Executive Producer
Jon Jashni Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 44 61 32
2024 5 41 71 25
2024 6 39 56 28
2024 7 40 70 27
2024 8 39 60 24
2024 9 25 36 17
2024 10 46 110 19
2024 11 27 44 20
2024 12 27 43 19
2025 1 39 66 28
2025 2 27 40 5
2025 3 10 37 2
2025 4 4 7 3
2025 5 3 4 3
2025 6 5 6 3
2025 7 3 5 3
2025 8 3 5 3
2025 9 7 8 4
2025 10 7 8 6

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Year Month High Avg
2025 10 436 707
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2025 9 304 746
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2025 8 418 749
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2025 6 94 489
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2025 4 345 715
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2025 3 544 785
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2025 2 368 725
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2025 1 486 768
Year Month High Avg
2024 12 758 918
Year Month High Avg
2024 11 675 793
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2024 10 829 829
Year Month High Avg
2024 9 726 815
Year Month High Avg
2024 8 740 860

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Reviews

ohlalipop
N/A

I was surprised to actually like this film. Baby Doll, Sweet Pea, Rocket, Amber and Blondie are the 5 main characters in the film. As much as I like Baby Doll and her costume, I really liked Sweet Pea. Something in her was so familiar. She's the big sister who will do anything for her younger sister ... . That's me. I like the action scenes. Baby Doll was so sexy. I liked this movie.

Jun 23, 2021
DoryDarko
3.0

Wow… Here I was, thinking I was going to get to see an awesome comic- like film about a group of girls kickin' a whole lotta butt surrounded by mind-bending fantasy scenery. Technically, I was right… But only technically. Sucker Punch is like Chinese food. You can eat three plates and it will sti ... ll leave you feeling hungry. It's a great deal of empty calories, is basically what I'm saying. Substance? Nah. Let me just get right into it. What's wrong with Sucker Punch is the screenplay. Not the actors, not the director, just the story. This story revolves around a group of five girls in an institution for the mentally insane, in a fantastical, steampunk-wannabe 1940's (my best guess) setting. They are treated horribly and their lives are miserable, and to cope with it all, the main protagonist Babydoll, escapes into her fantasies and in this trance-like state, devises a plan for them all to escape. The concept is not bad. It might have even been really exciting, had it not been executed so laughably unrealistic. And by 'unrealistic', I don't mean the fantasies themselves. I'm referring to the fact that these fantasies were so obviously not dreamed up by an actual teenage girl, but rather they look like the perfect fulfillment of the wet wishes of a horny teenage boy. It is very likely that a teenage girl WOULD dream of being able to wield a samurai sword and beat up every monster, dragon and every other kind of bastard who crosses her path. She WOULD dream of coming out of every battle completely unscathed and with every hair on her pretty head still perfectly in place. She would NOT, however, be doing all of this scantily clad in sexy lingerie wearing fishnet stockings and high heels… I am a girl, with very vivid imagination. Trust me on this one. It was, in one word, ridiculous. Another thing that really bothered me was the way these characters were worked out. As obviously miserable as their personal predicaments were, I could not relate to a single one of them. They were all completely 2- dimensional and just flat-out uninteresting. I didn't care about what happened to a single one of them. I don't believe all of the blame for this falls on the actresses (although theirs weren't exactly Oscar winning performances...), again, I chalk it up to poor screen writing. The only one who was able to make her character slightly more than moderately interesting, was not even one of 'the girls', it was Dr. Vera Gorski, played by Carla Gugino. At least she was interesting to watch, and she was even somewhat of a scene-stealer, taking much thunder away from the girls simply because she (both the actress and the character) had the biggest personality. All the others, I felt were mostly just going through the motions, because they had zero character development and no interesting dialogue to work with. And that's bad when you're talking about the characters that are supposed to carry the story. A pleasant (and much needed surprise) came in the form of Scott Glenn, who only appears in the fantasy segments as several different versions of a wise man. That was a nice touch. However, the one thing that really stood out for me as the true axis of failure that sums up Sucker Punch, was the feeling of total confusion that was present from the beginning and never cleared up. I'm not saying I didn't 'get it', I'm saying it was a hot, incoherent mess. And I usually don't mind being thrown back and forth and to and fro throughout a film, I don't mind playing guessing games and wondering what it will all lead to. I DO mind when the roller-coaster ride is over and all I feel is queasy. Some people have suggested that this is a really deep and complex film, but honestly, I think they're just reading too much into it. The stupid thing is, for the most part it was completely predictable, and STILL it lacked structure and decent storytelling. That may seem like a paradox, but there's an easy way to explain it. In the words of the great Roger Ebert: "Now that's bad filmmaking." The only element in Sucker Punch that was somewhat redeeming, were the visual effects. I must say, it was all very gorgeous and eye-pleasing. Also, the soundtrack was excellent, filled with very well performed covers of well-known songs and some perfectly chosen originals. Emily Browning, who plays Babydoll (and also sings a few songs on the soundtrack), was a good choice for the lead role, but I must say, in all honesty, that was mostly because she was visually very appealing as the main protagonist. More simply put – she was very pretty. Still, I'm not sure that's enough to carry a film. All in all, I'm left feeling – Zack Snyder… Dude. What were you thinking. You can do so much better than this. I guess I just finally have to come to terms with the fact that everybody's human and is bound to make one big mistake at least once in their lives. Zack… this is yours. Sucker Punch sucks. _(November 2013)_

Jun 23, 2021
John Chard
7.0

Snyder pushing buttons for polarising results. Off the bat I have to say I'm over thirty years older than what some pro critics have claimed is the demographic for this one. Sucker Punch, as reviews etc attest, is not for everyone, it has been called any number of things in derogative fashion, wh ... ich since I enjoyed the film a lot means I'm a misogynist fetishist gamer, which to the best of my knowledge is not true. Lest I'm in the closet and now in middle age about to unleash traits and feelings previously untapped. Which if the latter is true you would have to say well done Zack Snyder, for that's serious film making... Sucker Punch is loud, full of visual orgasms, musically adroit, exciting, clever and very sexy. Snyder has made no secret of his fetish leanings when making this piece, but it hardy constitutes a dark seedy mind at work. It can easily be argued that the film is very much pro women, the story itself - in amongst the explosive thunder of the fantastical action - is tender and beautiful, complete with emotional kickers. Perhaps it's in the eye of the beholder? But I see a strong female led action movie, with shifting fantasy realms, and cunningly it calls for deeper ponder come the finale. Love it or hate it, Snyder has pushed buttons with this exercise. Better that than another cash cow sequel or another remake, re-imaging or rebirth. 7/10

May 16, 2024
Peter89Spencer
9.0

I for one felt this was a masterpiece; a Zack Snyder original. The visual effects were stunning, the fight choreography was jaw dropping and the casts' performances were superb. Even the storyline itself was well written. This is one of my favourite films. ...

Jun 23, 2021